Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 15 del v našem katalogu avtorja Cornelis Vroom
Kratek opis
Trees behind a Wooden Fence, c. 1638-1642 (1642) je slika avtorja Cornelis Vroom, ki pritegne največ pogledov; original se nahaja v muzeju Albertina, Dunaj. Nato se pogled smeri k Spanish Men-of-War Engaging Barbary Corsairs (1615) in Marine (1616). Med 15 dela umetnika Cornelis Vroom v našem katalogu so ta 15 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
To gaze upon Trees behind a Wooden Fence is to step through a veil of time and into a meticulously composed moment of profound stillness. This painting, dating from around 1638 to 1642, captures the quintessential spirit of the Dutch Golden Age landscape—a place where nature’s quiet drama unfolds against the backdrop of human demarcation. The scene is dominated by a rich tapestry of woodland, framed subtly yet firmly by…
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Cornelis Vroom | Slike iz tega seznama |
|---|---|---|---|
 Statens Museum For Kunst |
Kopenhagen | 4 | Landscape with Fauns and Nymphs, The Edge of the Wood, Forest Scenery |
 Albertina |
Dunaj | 2 | Trees behind a Wooden Fence, c. 1638-1642, Lesna cesta z dvema vozlišči |
 National Maritime Museum |
London | 1 | Spanish Men-of-War Engaging Barbary Corsairs |
 Narodni muzej za umetnost, arhitekturo in dizajn |
Oslo | 1 | A Forest Landscape |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | Forest landscape with a river |
 Muzej Fransa Halsa |
Haren | 1 | Idyllic landscape |
 Gemäldegalerie |
Berlin | 1 | Waldlandschaft mit Gewässer |
 Museum Boijmans Van Beuningen |
Rotterdam | 1 | Forest view with cattle by a mud-flat |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
To gaze upon Trees behind a Wooden Fence is to step through a veil of time and into a meticulously composed moment of profound stillness. This painting, dating from around 1638 to 1642, captures the quintessential spirit of the Dutch Golden Age landscape—a place where nature’s quiet drama unfolds against the backdrop of human demarcation. The scene is dominated by a rich tapestry of woodland, framed subtly yet firmly by…
Trees behind a Wooden Fence, c. 1638-1642 (1642), Albertina, Dunaj. Zatem sledeta Spanish Men-of-War Engaging Barbary Corsairs (1615) in Marine (1616).
51 let: delo Trees behind a Wooden Fence, c. 1638-1642 iz leta 1642, Cornelis Vroom pa je bil/a rojen/a leta 1591.
Trees behind a Wooden Fence, c. 1638-1642, Spanish Men-of-War Engaging Barbary Corsairs, Marine, A Forest Landscape, Landscape with Fauns and Nymphs, The Edge of the Wood, Forest Scenery, Forest landscape with a river, Idyllic landscape in Waldlandschaft mit Gewässer. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 15 del avtorja Cornelis Vroom, datiranih od 1615 do 1651.
Večini v Statens Museum For Kunst (Kopenhagen), Albertina (Dunaj) in National Maritime Museum (London). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1630s: 5 od 15 del na tej strani je bilo izdelovanih takrat, med njimi pa Landscape with Fauns and Nymphs.
Na tej strani je najstarejše delo iz Spanish Men-of-War Engaging Barbary Corsairs (1615) in najstarejše iz The Pool by the Hills (1651).
Oil On Canvas, za 2 od 15 del na tej strani.
Landscape with Fauns and Nymphs, The Edge of the Wood in Forest Scenery: v muzeju Statens Museum For Kunst, Kopenhagen se nahaja 4 del z te strani.
