Portret Consort Jin

1 najbolj znanih slik umetnika Consort Jin, galerijska izbira

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 1 del v našem katalogu avtorja Consort Jin

Kratek opis

Med vsemi originali, ki jih je pustil Consort Jin, je najbolj znan Untitled, ki se nahaja v kolekciji The Palace Museum, Peking. Naš katalog vsebuje 1 del umetnika Consort Jin; galerija je ohranila 1 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.

1873 – 1924 Največ del: The Palace Museum

10 najboljših slik umetnika Consort Jin: izbira galerije

Muzeji, ki hranijo originala umetnika Consort Jin

1 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Consort Jin Slike iz tega seznama
The Palace Museum, PekingThe Palace Museum Peking 1 Untitled

Vprašanja zbirateljev o slikah umetnika Consort Jin

Za katero delo je Consort Jin najbolj znan/a?Razkriti odgovor

Untitled

Koliko slik je pustil Consort Jin?Razkriti odgovor

Naš katalog vsebuje 1 del avtorja Consort Jin.

V katerih muzejih so razložena remek dela umetnika Consort Jin?Razkriti odgovor

Večini v The Palace Museum (Peking). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

Consort Jin: življenje in delo

Historical Identity of Consort Jin

Consort Jin was not a visual artist, but a historical figure of the Qing dynasty. Born into the Manchu Bordered Red Banner Tatara clan, she was a consort of the Guangxu Emperor. Her life was marked by various imperial titles, including Concubine Jin, Consort Jin, and later, Noble Consort Jin. Following the end of the dynasty, she held the high rank of Dowager Imperial Noble Consort Duankang and was eventually known as Imperial Noble Consort Wenjing.

Her family connections were significant within the imperial court; her father was Changxu, who served as the Right Vice Minister of Revenue, and her sister was Consort Zhen. During the transition from the Qing dynasty to the Republican era, she remained a prominent figure in the palace, eventually becoming the highest-ranked woman in the palace after the death of Empress Dowager Longyu.