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1 najbolj znanih slik umetnika Bruno Goller, vsaka popolnoma edinstvena
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 3 del v našem katalogu avtorja Bruno Goller
Kratek opis
Die Schere (1968) je slika avtorja Bruno Goller, ki pritegne največ pogledov; original se nahaja v muzeju Städel Museum, Frankfurt. Med 3 dela umetnika Bruno Goller v našem katalogu so ta 1 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
1901 – 1998, Gummersbach
Največ del: Städel Museum
10 najboljjših slik umetnika Bruno Goller skozi oči galerije
Muzeji, ki hranijo originala umetnika Bruno Goller
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Bruno Goller | Slike iz tega seznama |
|---|---|---|---|
 Städel Museum |
Frankfurt | 1 | Die Schere |
Bruno Goller skozi leta: edinstvena originala vsakega dela
Vsi originali umetnika Bruno Goller z navedenim letom, ki so prikazani tukaj, pripadajo letu 1968: razvrščeni so glede na stopnjo znanosti.
Delo po letih
Izberite leto in oglej originale.
Slike umetnika Bruno Goller: vprašanja za galerijo
Katero je najbolj znano delo umetnika Bruno Goller?Razkriti odgovor
Die Schere (1968)
Pri kateri dobe je Bruno Goller ustvaril Die Schere?Razkriti odgovor
67 let: delo Die Schere iz leta 1968, Bruno Goller pa je bil/a rojen/a leta 1901.
Koliko je znanih del avtorja Bruno Goller?Razkriti odgovor
Naš katalog vsebuje 3 del avtorja Bruno Goller.
Kje si lahko ogledate najslavnejše originale umetnika Bruno Goller?Razkriti odgovor
Večini v Städel Museum (Frankfurt). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
Bruno Goller: portret umetnika
The Life and Artistic Journey of Bruno Goller
Born in Gummersbach, Germany, Bruno Goller began his journey into painting as a youth. He received instruction from the landscape painter Julius Jungheim between 1919 and 1921 in Düsseldorf. Following a journey to Italy in 1924, he settled in Düsseldorf in 1927, a city he rarely left. During his career, he was a member of several artistic groups, including Das Junge Rheinland, the Rheinische Sezession, and the Rheingruppe. He also belonged to the Neue Rheinische Sezession.
Goller's life was marked by significant historical shifts. During the period of National Socialism, he lived largely in "inner emigration," and he was drafted into service during the Second World War from 1940 to 1945. In 1943, a significant portion of his early work was destroyed when incendiary bombs struck his studio. Later, he held a professorship for painting at the Staatliche Kunstakademie Düsseldorf from 1953 to 1964, teaching students such as Blinky Palermo and Konrad Fischer.
Style and Subject Matter
The thematic essence of Goller's work was deeply influenced by his mother's hat shop. This connection led him to favor subjects such as shop windows, decorations, and similar interior arrangements. His artistic style is often described as a form of "magical realism" that remained steadfast even as abstraction became a dominant trend in the post-war era. While his work is frequently situated between Jugendstil, Expressionism, and Surrealism, some art historians suggest his style is unique and defies easy classification.
Throughout his life, Goller received numerous honors, including: