Portret Bernard Accama

46 najbolj znanih slik umetnika Bernard Accama, galerijska izbira

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 46 del v našem katalogu avtorja Bernard Accama

Kratek opis

Med vsemi originali, ki jih je pustil Bernard Accama, je najbolj znan Portrait painting of Frans Julius Johan Heringa van Eysinga (1710), ki se nahaja v kolekciji Fries Museum, Leeuwarden. Takoj za njima sta Portrait of Campegius Vitringa (Sr) (1722) in Portrait of Unknown Woman (1719). Naš katalog vsebuje 46 del umetnika Bernard Accama; galerija je ohranila 46 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.

1696 – 1756, Burum Največ del: Fries Museum

10 najboljših slik umetnika Bernard Accama: izbira galerije

Izbor umetnika Bernard Accama se nadaljuje, od 11 do 46

11Portrait of Wisckjen van Scheltinga (1681-1760) (1728) avtorja Bernard AccamaPortrait of Wisckjen van Scheltinga (1681-1760)1728 · Fries Museum 12Portrait of Hans Hendrik van Haersma ( -1757) (1731) avtorja Bernard AccamaPortrait of Hans Hendrik van Haersma ( -1757)1731 · Fries Museum 13Portrait of Schelte van Heemstra ( -1733) (1727) avtorja Bernard AccamaPortrait of Schelte van Heemstra ( -1733)1727 · Fries Museum 14Portrait painting of Cornelis van Scheltinga (1728) avtorja Bernard AccamaPortrait painting of Cornelis van Scheltinga1728 · Fries Museum 15Portrait of a woman, probably Agatha Wilhelmina van Aylva (1690-1763) (1730) avtorja Bernard AccamaPortrait of a woman, probably Agatha Wilhelmina van Aylva (1690-1763)1730 · Huis Zypendaal 16Portrait of a man, probably Hans Willem van Aylva (1722-1751) (1724) avtorja Bernard AccamaPortrait of a man, probably Hans Willem van Aylva (1722-1751)1724 · Huis Zypendaal 17Portrait of Iskjen Catharina Bourboom (1744) avtorja Bernard AccamaPortrait of Iskjen Catharina Bourboom1744 · Fries Museum 18Portrait of Iskjen Bruynsma (1740) avtorja Bernard AccamaPortrait of Iskjen Bruynsma1740 · Fries Museum 19Double Portrait of a Gentleman and a Lady (1742) avtorja Bernard AccamaDouble Portrait of a Gentleman and a Lady1742 · Fries Museum 20Portrait of Aafjen Bourboom (1744) avtorja Bernard AccamaPortrait of Aafjen Bourboom1744 · Fries Museum 21Portrait of Maria Louise van Hessen-Kassel (1742) avtorja Bernard AccamaPortrait of Maria Louise van Hessen-Kassel1742 · Fries Museum 22Bust Portrait of an Unknown Man (1744) avtorja Bernard AccamaBust Portrait of an Unknown Man1744 · Fries Museum 23Portrait of Judith Willink (1679-1747) (1737) avtorja Bernard AccamaPortrait of Judith Willink (1679-1747)1737 · Amsterdam Museum 24Portrait of Françoise Fanny Herbert (1710-1755), echtgenote van Jacques Isaac Bigot de Villandry (1738) avtorja Bernard AccamaPortrait of Françoise Fanny Herbert (1710-1755), echtgenote van Jacques Isaac Bigot de Villandry1738 25Portrait of Magdalena van Scheltinga (1706-1750) (1737) avtorja Bernard AccamaPortrait of Magdalena van Scheltinga (1706-1750)1737 · Fries Museum 26Portrait of Stadholder Willem IV (1740) avtorja Bernard AccamaPortrait of Stadholder Willem IV1740 · Fries Museum 27Portrait of Epeus Wielinga (1702-1773) (1737) avtorja Bernard AccamaPortrait of Epeus Wielinga (1702-1773)1737 · Fries Museum 28Portrait of a man, probably Hans Willem van Aylva (1722-1751) (1738) avtorja Bernard AccamaPortrait of a man, probably Hans Willem van Aylva (1722-1751)1738 · Huis Zypendaal 29Maria Louise van Hessen-Kassel, Princess of Orange-Nassau (1688-1765). Spouse of Johan Willem Friso, Prince of Orange-Nassau (1748) avtorja Bernard AccamaMaria Louise van Hessen-Kassel, Princess of Orange-Nassau (1688-1765). Spouse of Johan Willem Friso, Prince of Orange-Nassau1748 30Portrait of Ds. Hesseling (1755) avtorja Bernard AccamaPortrait of Ds. Hesseling1755 · Fries Museum 31Portrait of Idske Mouter (1755) avtorja Bernard AccamaPortrait of Idske Mouter1755 · Fries Museum 32Portrait of Unknown Man from the Burmania or Vegelin van Claerber Lineage (1754) avtorja Bernard AccamaPortrait of Unknown Man from the Burmania or Vegelin van Claerber Lineage1754 · Fries Museum 33Portrait of Unknown Lady (1754) avtorja Bernard AccamaPortrait of Unknown Lady1754 · Fries Museum 34Portrait of Marten Harinxma thoe Heeg (1746) avtorja Bernard AccamaPortrait of Marten Harinxma thoe Heeg1746 · Fries Museum 35Portrait of Unknown Woman from the Burmania or Vegelin van Claerbergen Family (1754) avtorja Bernard AccamaPortrait of Unknown Woman from the Burmania or Vegelin van Claerbergen Family1754 · Fries Museum 36Portrait of Hester Lucia de Laignier (1746) avtorja Bernard AccamaPortrait of Hester Lucia de Laignier1746 · Fries Museum 37Portrait of Jon. Hans Willem van Camstra (1751) avtorja Bernard AccamaPortrait of Jon. Hans Willem van Camstra1751 · Fries Museum 38Portrait of Maria Libora van Haersma (1740-1783) (1755) avtorja Bernard AccamaPortrait of Maria Libora van Haersma (1740-1783)1755 · Fries Museum 39Portrait of a woman, possibly Ernestina Cornelia van Aylva (1720-?) (1750) avtorja Bernard AccamaPortrait of a woman, possibly Ernestina Cornelia van Aylva (1720-?)1750 · Huis Zypendaal 40Portrait of a man, possibly of Ernst Lodewijk von Eberstein (?-? (1752) avtorja Bernard AccamaPortrait of a man, possibly of Ernst Lodewijk von Eberstein (?-?1752 · Huis Zypendaal 41Portrait of Isabella Aurelia van Haersma (1744-1825) (1755) avtorja Bernard AccamaPortrait of Isabella Aurelia van Haersma (1744-1825)1755 · Fries Museum 42Portrait of Johanna Geertruid Juliana van Sytzama (1756) avtorja Bernard AccamaPortrait of Johanna Geertruid Juliana van Sytzama1756 · Fries Museum 43Portrait of Fecco Dominicus van Sytzama (1756) avtorja Bernard AccamaPortrait of Fecco Dominicus van Sytzama1756 · Fries Museum 44Portrait of Pico Galenus van Sytzama (1756) avtorja Bernard AccamaPortrait of Pico Galenus van Sytzama1756 · Fries Museum 45Portrait of Anna Clant van Hanckema (1756) avtorja Bernard AccamaPortrait of Anna Clant van Hanckema1756 · Fries Museum 46Portrait of a girl, possibly a daughter from the second marriage of Martinus van Scheltinga (1756) avtorja Bernard AccamaPortrait of a girl, possibly a daughter from the second marriage of Martinus van Scheltinga1756 · Fries Museum

Muzeji, ki hranijo originala umetnika Bernard Accama

3 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Bernard Accama Slike iz tega seznama
Fries Museum, LeeuwardenFries Museum Leeuwarden 37 Portrait painting of Frans Julius Johan Heringa van Eysinga, Portrait of Campegius Vitringa (Sr), Portrait of Unknown Woman
Huis Zypendaal, ArnhemHuis Zypendaal Arnhem 6 Portrait of a man, probably Hans Willem van Aylva (1695-1722), Portrait of a woman, probably Agatha Wilhelmina van Aylva (1690-1763), Portrait of a man, probably Hans Willem van Aylva (1722-1751)
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 1 Portrait of Judith Willink (1679-1747)

Bernard Accama desetletje za desetletjem: originali, ki definira vsako od njih

Delo po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Vprašanja zbirateljev o slikah umetnika Bernard Accama

Za katero delo je Bernard Accama najbolj znan/a?Razkriti odgovor

Portrait painting of Frans Julius Johan Heringa van Eysinga (1710), Fries Museum, Leeuwarden. Zatem sledeta Portrait of Campegius Vitringa (Sr) (1722) in Portrait of Unknown Woman (1719).

Koliko je bil Bernard Accama let, ko je nastalo delo Portrait painting of Frans Julius Johan Heringa van Eysinga?Razkriti odgovor

14 let: delo Portrait painting of Frans Julius Johan Heringa van Eysinga iz leta 1710, Bernard Accama pa je bil/a rojen/a leta 1696.

Katera je deset najbolj znanih slik umetnika Bernard Accama?Razkriti odgovor

Portrait painting of Frans Julius Johan Heringa van Eysinga, Portrait of Campegius Vitringa (Sr), Portrait of Unknown Woman, Portrait of Tedt Sophia van Goslinga, Portrait of Gosewijn Theodoor van Coehoorn (1678-1737), Portrait of a man, probably Hans Willem van Aylva (1695-1722), Portrait of an Unknown Woman, Family Portrait of Court Architect Coulon, Portrait of Campegius Vitringa in Portrait of Martinus van Scheltinga (1666-1742). Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko slik je pustil Bernard Accama?Razkriti odgovor

Naš katalog vsebuje 46 del avtorja Bernard Accama, datiranih od 1710 do 1756.

V katerih muzejih so razložena remek dela umetnika Bernard Accama?Razkriti odgovor

Večini v Fries Museum (Leeuwarden), Huis Zypendaal (Arnhem) in Amsterdam Museum (Amsterdam). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

V katerih letih je Bernard Accama naslikal svoja najbolj znana dela?Razkriti odgovor

V obdobju 1750s: 15 od 46 del na tej strani je bilo izdelovanih takrat, med njimi pa Portrait of Ds. Hesseling.

Kakšna sta prva in zadnja znana originala umetnika Bernard Accama?Razkriti odgovor

Na tej strani je najstarejše delo iz Portrait painting of Frans Julius Johan Heringa van Eysinga (1710) in najstarejše iz Portrait of Johanna Geertruid Juliana van Sytzama (1756).

Katera dela umetnika Bernard Accama so razstavljena v muzeju Fries Museum?Razkriti odgovor

Portrait painting of Frans Julius Johan Heringa van Eysinga, Portrait of Campegius Vitringa (Sr) in Portrait of Unknown Woman: v muzeju Fries Museum, Leeuwarden se nahaja 37 del z te strani.

Bernard Accama: življenje in delo

The Legacy of Bernard Accama

In the golden twilight of the eighteenth century, the Dutch landscape was defined not only by its sweeping canals and industrious spirit but by a refined class of nobility seeking to immortalize their lineage through the brush. Among the most skilled hands of this era was Bernard Accama, an artist whose life and work became deeply intertwined with the Frisian elite. Born in the quiet province of Friesland around 1697, likely in the village of Burum, Accama emerged from a family of distinction; he was the son of Simon Accama, a local church minister, and Aeltje Boetes Nievelt. This upbringing in a scholarly and religious environment likely provided the foundational discipline required to master the intricate demands of historical and portrait painting.

Accama’s journey as an artist was one of both prestige and profound loss. Settling much of his life in Leeuwarden, he ascended to the heights of professional recognition, earning the trust of the highest echel m of Dutch society. His talent was such that he secured prestigious commissions from William IV, Prince of Orange, a feat that placed him at the very heart of political and social importance. As a portraitist, Accama possessed a unique ability to capture the dignity and character of his subjects, translating the status of the Frisian aristocracy into enduring visual legacies. His technical prowess was not merely a personal achievement but a familial one, as he served as both brother and instructor to the painter Matthijs Accama, fostering a small but significant lineage of artistic skill.

A Vanished Splendor

Despite the brilliance of his career, the historical record of Bernard Accama is marked by a poignant sense of absence. While his reputation as a master of portraiture and historical scenes was well-established during his lifetime, much of his physical oeuvre was tragically lost to the tides of history. The Revolution of 1795 brought about significant upheaval in the Netherlands, and in the chaos of this transformative period, many of Accama’s most significant works vanished. This loss creates a sense of mystery surrounding his complete body of work, leaving art historians to piece together his genius through surviving fragments and historical accounts.

What remains of his legacy allows us to glimpse the elegance of an era long passed. His ability to navigate the complexities of historical painting—a genre requiring deep knowledge of narrative and classical composition—alongside the intimate psychological depth of his portraits, marks him as a versatile master of the Dutch tradition. Though many of his canvases may no longer grace the halls of museums, the shadow of his influence persists in the study of Frisian art history, reminding us of a time when the brush was a powerful tool for defining identity, power, and the enduring human spirit.