Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 9 del v našem katalogu avtorja Antoni Caba
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Za oči galerije je najbolj znano sliko umetnika Antoni Caba delo The Heroine of Peralada (1864), katere original visi v muzeju Muzej Prado, Madrid. Portrait of the Painter Ramon Padró (1867) in Portrait of the painter Joaquim Vayreda (1870) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 9 del avtorja Antoni Caba v našem katalogu galerija spodaj predstavlja 9 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
The composition centers on a physical struggle between a female figure and a mounted knight. A diagonal line directs the eye from the woman's raised sword, cutting through the air, down toward the horse and the knight's defensive posture. The woman's hair and fabric appear to flow with the momentum of her movement. The knight is positioned on a horse, creating a sense of urgent, kinetic energy. Light enters from…
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Antoni Caba | Slike iz tega seznama |
|---|---|---|---|
 Narodni muzej umetnosti Katalonije |
Barcelona | 7 | Portrait of the Painter Ramon Padró, Portrait of the painter Joaquim Vayreda, Self-portrait |
 Muzej Prado |
Madrid | 1 | The Heroine of Peralada |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The composition centers on a physical struggle between a female figure and a mounted knight. A diagonal line directs the eye from the woman's raised sword, cutting through the air, down toward the horse and the knight's defensive posture. The woman's hair and fabric appear to flow with the momentum of her movement. The knight is positioned on a horse, creating a sense of urgent, kinetic energy. Light enters from…
The Heroine of Peralada (1864), Muzej Prado, Madrid. Zatem sledeta Portrait of the Painter Ramon Padró (1867) in Portrait of the painter Joaquim Vayreda (1870).
26 let: delo The Heroine of Peralada iz leta 1864, Antoni Caba pa je bil/a rojen/a leta 1838.
Naš katalog vsebuje 9 del avtorja Antoni Caba, datiranih od 1864 do 1891.
Večini v Narodni muzej umetnosti Katalonije (Barcelona) in Muzej Prado (Madrid). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1860s: 2 od 9 del na tej strani je bilo izdelovanih takrat, med njimi pa The Heroine of Peralada.
Na tej strani je najstarejše delo iz The Heroine of Peralada (1864) in najstarejše iz Portrait of Claudi Lorenzale (1891).
Portrait of the Painter Ramon Padró, Portrait of the painter Joaquim Vayreda in Self-portrait: v muzeju Narodni muzej umetnosti Katalonije, Barcelona se nahaja 7 del z te strani.
Antoni Caba lived his life within the light and dark of Barcelona. His early years in the 1850s were spent at the Escola de la Llotja, sitting before the lessons of Pau Milà i Fontanals and Claudi Lorenzale. He later moved to Madrid to study at the Real Academia de Bellas Artes de San Fernando, where Federico de Madrazo guided his hand. A period in Paris brought him under the direction of Charles Gleyre at the Académie des Beaux-Arts, a time that helped shape how he handled the weight of oil on canvas.
His work often rests in the quiet space between light and deep shadow. He used chiaroscuro to pull figures out from dark backgrounds, a technique that earned him the nickname fotográficos among those who saw his portraits of the Catalan middle class. His brush moved through different phases, moving from flamigere and neo-greek styles toward more anecdotal, hard, and photographic approaches. In these works, one sees the careful placement of color and composition.
Caba did not only paint; he taught the next generation how to see. From 1874, he held the position of Professor of Color and Composition at the Escola de la Llotja. Later, from 1887 to 1901, he served as the Director of the school. His presence in the halls of the academy was marked by a commitment to the realistic style.
His achievements were recognized through specific honors and public displays:
The faces he captured remain in collections like the Museu Nacional d'Art de Catalunya and the Museo del Prado. He painted many individuals, from the painter Joaquim Vayreda to Queen Maria Cristina of Spain and her son Alfonso XIII. Some of his portraits, such as those of Lluïsa Dulce i Tresserra or Ramon Padró, show a focus on the sitter's presence through strong contrasts.
Beyond the human face, he worked on larger compositions like The Triumph of Day over Night Preceded by Dawn. He also left behind smaller studies, such as a study of a hand or his own self-portraits. These pieces show a man deeply involved in the technicalities of his craft, from the way light hits a straw hat to the precise rendering of a blue bow.
