Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 76 del v našem katalogu avtorja Anton Romako
Kratek opis
Med vsemi originali, ki jih je pustil Anton Romako, je najbolj znan Girl at a window to St. Mark's Square, feeding pigeons (1875), ki se nahaja v kolekciji Österreichische Galerie Belvedere, Dunaj. Takoj za njima sta Fisher boy on the sea beach (1875) in The Shipbuilding Engineer Josef von Romako as First Lieutenant (1851). Naš katalog vsebuje 76 del umetnika Anton Romako; galerija je ohranila 75 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
A woman leans toward the light of an open window, her hands occupied with a simple, repetitive grace. She holds a basket, a vessel for sustenance, as she offers grain to the birds gathered at the sill. Outside, the expanse of St. Mark's Square stretches toward the horizon, a pale stage for the movement of pigeons. The birds are caught in mid-motion, some hovering near her fingertips, others settling on…
The sun hangs heavy over the coastline, casting a warm, steady light across the sand. A young boy stands near the water's edge, his small frame anchored against the gentle movement of the tide. He holds a large umbrella, a shield against the heat of the day, while the sea laps at the shore. Nearby, several boats rest in the shallow water, some bobbing near the sand and others drifting…
The oil on canvas work titled The Shipbuilding Engineer Josef von Romako as First Lieutenant was executed by the Austrian painter Anton Romako. This portrait, created about 1851, depicts a man in military attire. The subject of the painting is Josef von Romako, who was the brother of the artist.
The stubborn donkey by Anton Romako is a 19th-century oil painting that presents a horizontal composition centered on a grey donkey. The scene depicts a moment of struggle within a rural setting, involving the animal and two men. To the left of the donkey, a man dressed in light-colored, rustic clothing and a red vest raises a stick or staff in a forceful gesture. On the right, a man wearing…
In "Off to market" by Anton Romako, we find ourselves observing a quiet, singular moment from a medium shot at eye level. The composition is vertically oriented, drawing our attention to a young woman in traditional attire as she moves through a rugged landscape. She carries a basket balanced upon her head, while her arms hold stalks of grain, grounding the scene in the rhythms of rural labor. There is…
The Sculptor Reinhold Begas with His Wife Margarethe is an oil on canvas created by the Austrian painter Anton Romako. This portrait, dated about 1869, captures the sculptor Reinhold Begas alongside his wife, Margarethe.
The Soap Bubble Blower is an oil painting by Anton Romako. Created about 1871, the work captures a singular, quiet moment. The canvas holds a vision shaped by the artist's own complex origins. Romako was born in 1832 in Atzgersdorf, Austria.
In Angelus by Anton Romako, a quiet moment of rural life unfolds beneath the heavy canopy of a large tree. Two women and a baby rest in the shade, their forms anchored to the earth. The scene is set during the soft transition of dusk or dawn, where the light begins to pull shadows from the grass. Beyond this intimate gathering, a distant landscape stretches toward the horizon, offering a…
In this intimate portrait, titled The Artist's Nieces, Elisabeth and Maja, Anton Romako turns his gaze toward the quiet presence of family. The two young girls, Elisabeth and Maja, occupy the center of the frame, their youthful features caught in a moment of stillness. Painted in 1873, the work captures the subjects with a sense of gentle observation, as if the artist has paused time to record a fleeting instance…
A three-quarter view portrait of Hofrat Dr. Karl Zehden captures a man of significant social standing through a lens of psychological depth. The subject is rendered from the chest up, positioned slightly off-center to create a sense of natural presence. Dark, curly hair and a full, reddish-brown beard frame a face illuminated by a light source from the upper left. This lighting strategy employs chiaroscuro to cast soft shadows across…
Babette Tapecierer1874
12
Elisabeth von Nast-Kolb, née Hardegg1874
13
Girl with Pearl Necklace in Her Hair1874
14
The Animal Painter Karl Reichert1874
15
The Internist Professor Samuel Stern (?)1876
16
Carnival on St. Mark's Square in Venice1874
17
Girl with a bouquet of lilacs1873
18
Peasant Girl1882 · Bavarske državne slikopisne zbirke
19
Dance of Death on the Battlefield before Burning Ruins1883
20
The Rose Picker1883
21
Girl Picking Apples1882
22
Portrait of Isabella Reisser1885 · Leopold Museum
23
Friends1881
24
Lady in a Red Dress1889
25
Woman in Scarlet Dress with Newspaper and Ficus1886
26
Mathilde Stern, née Porges1889
27
Travelers on the Via Appia1889
28
Girl with a frill1875 · Österreichische Galerie Belvedere
29
Portrait of Empress Elisabeth
30
Head of a butcher's dog1882 · Österreichische Galerie Belvedere
31
The writer Hermann Rollett at the waterfall1885 · Österreichische Galerie Belvedere
32
View of Rome from Monte Mario1865
33
Peasant couple in the Campagna1865
34
Gypsy Camp in the Puszta1877
35
The Gasteinertal in Fog1877
36
The Gasteinertal II1877
37
Evening in the Prossau near Gastein1877
38
At Lake Wolfgangsee1877
39
On the Balcony1878
40
Gasteinertal I1877
41
Wildbad Gastein in the evening (with Bengal lights)1877
42
Merry company in a gondola1876 · Österreichische Galerie Belvedere
43
Tarantula dancers and mandolin players1876
44
Two Girls Gathering Ears of Corn near a Wayside Shrine1876
45
Prince Eugene of Savoy in the Battle of Zenta1881
46
The Meiereiwiese in the Vorderbrühl with the Mödling Ruin1885
47
Weilburg bei Baden1885
48
Forest Clearing with Thistles1885
49
Sea Storm1881
50
Greillenstein Castle1885 · Leopold Museum
51
Portrait of Johann Strauss II1880
52
Makart salon interior, with a lady and a seated gentleman1887
53
Rudolf von Habsburg at the Corpse of Přemysl Ottokar, King of Bohemia
54
Bust Portrait of the Niece, Käthchen Winder
55
Eating Girl
56
Empress Elizabeth of Austria
57
A study of a dog
58
A young woman with black hair, gazing towards the sky
59
galley of the battle of Lepanto on October 7, 1571
60
Portrait of a woman
61
Vienna Carnival Scene (Two cavaliers competing for a woman)
62
Don Juan de Austria ("Joannes Austriacus")
63
Hungarian Farm
64
Landscape with Castle
65
At the waterfall
66
Female nude
67
Children collecting twigsLeopold Museum
68
Tegetthoff Auf Der Brücke
69
The Artist's Wife Sophie With Their Daughters
70
A water lily pond
71
Landscape at the lakeside
72
A shepherd
73
Italian fishermen child
74
Admiral Tegetthoff in der Seeschlacht bei Lissa II
75
Portrait of a Young ManRezidenzgalerie Salzburg
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
4 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Anton Romako | Slike iz tega seznama |
|---|---|---|---|
 Österreichische Galerie Belvedere |
Dunaj | 6 | Girl at a window to St. Mark's Square, feeding pigeons, Fisher boy on the sea beach, Girl with a frill |
 Leopold Museum |
Dunaj | 3 | Portrait of Isabella Reisser, Greillenstein Castle, Children collecting twigs |
 Bavarske državne slikopisne zbirke |
München | 1 | Peasant Girl |
 Rezidenzgalerie Salzburg |
Salzburg | 1 | Portrait of a Young Man |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The oil on canvas work titled The Shipbuilding Engineer Josef von Romako as First Lieutenant was executed by the Austrian painter Anton Romako. This portrait, created about 1851, depicts a man in military attire. The subject of the painting is Josef von Romako, who was the brother of the artist.
In "Off to market" by Anton Romako, we find ourselves observing a quiet, singular moment from a medium shot at eye level. The composition is vertically oriented, drawing our attention to a young woman in traditional attire as she moves through a rugged landscape. She carries a basket balanced upon her head, while her arms hold stalks of grain, grounding the scene in the rhythms of rural labor. There is…
A woman leans toward the light of an open window, her hands occupied with a simple, repetitive grace. She holds a basket, a vessel for sustenance, as she offers grain to the birds gathered at the sill. Outside, the expanse of St. Mark's Square stretches toward the horizon, a pale stage for the movement of pigeons. The birds are caught in mid-motion, some hovering near her fingertips, others settling on…
Peasant Girl is an oil on canvas work by Anton Romako, executed about 1882. The artist, born in 1832 in Atzgersdorf, Austria, produced this piece during a period of significant stylistic transition. Romako’s career spanned several decades until his death in 1889.
Girl at a window to St. Mark's Square, feeding pigeons (1875), Österreichische Galerie Belvedere, Dunaj. Zatem sledeta Fisher boy on the sea beach (1875) in The Shipbuilding Engineer Josef von Romako as First Lieutenant (1851).
43 let: delo Girl at a window to St. Mark's Square, feeding pigeons iz leta 1875, Anton Romako pa je bil/a rojen/a leta 1832.
Girl at a window to St. Mark's Square, feeding pigeons, Fisher boy on the sea beach, The Shipbuilding Engineer Josef von Romako as First Lieutenant, The stubborn donkey, Off to market, The Sculptor Reinhold Begas with His Wife Margarethe, The Soap Bubble Blower, Angelus, The Artist's Nieces, Elisabeth and Maja in Hofrat Dr. Karl Zehden. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 76 del avtorja Anton Romako, datiranih od 1851 do 1889.
Večini v Österreichische Galerie Belvedere (Dunaj), Leopold Museum (Dunaj) in Bavarske državne slikopisne zbirke (München). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1870s: 25 od 75 del na tej strani je bilo izdelovanih takrat, med njimi pa Girl at a window to St. Mark's Square, feeding pigeons.
Na tej strani je najstarejše delo iz The Shipbuilding Engineer Josef von Romako as First Lieutenant (1851) in najstarejše iz Lady in a Red Dress (1889).
Woman (16), Man (7) in Portrait (5), na 75 delih na tej strani.
Oil On Canvas, za 20 od 75 del na tej strani.
Realism, glede na originala na tej strani.
Girl at a window to St. Mark's Square, feeding pigeons, Fisher boy on the sea beach in Girl with a frill: v muzeju Österreichische Galerie Belvedere, Dunaj se nahaja 6 del z te strani.
Anton Romakovov življenjski slog je bil tapiserija, utkana iz niti socialne kompleksnosti in umetniškega nemira. Umetnik, rojen leta 1834 v Atzgersdorfu, se je v svet vstopil v okoliščinah, ki bodo za vedno obarvale njegovo dojemanje identitete in pripadanja. Kot izvenpaden sin Josefja Lepperja, lastnika tovorne, in Elisabeth Marie Anne Romako, češke služabnice, so njegove zgodnje leta zaznačevala globoka občutja izobčenosti. Ta nerazdružena napetost med njegovi skromnimi koreninami in vzrastajočo veličastnostjo dobe viedeškega Ringstraße je postala pogonska sila njegove ustvarjalne moči, spodbudila pa je življenjsko iskanje psihološke globine, ki se skriva pod površjem imperialnega sjaja.
Romakovova pot skozi dvorane umetniške tradicije ni bila nič zgolj linearna. Njegov prvi korak v Videško akademijo lepih umetnosti se je izkazal za obdobje velikih trenj; konzervativna diktata Ferdinanda Georga Waldmüllerja, ki je mladega študenta slavno označil za brezbrižnega in brez talentov, niso delovali kot prepreka, temveč kot močan katalizator. To zgodnje zavračanje je Romaka potislo proti širšim obzorjem Münchena in končno v sončnimi pokrajine Italije. S potopljanjem v dediščino Tiziana in Rafaela je začel sintetizirati slog, ki se je odmaknil od togega akademskizma proti nečem veliko bolj čutnem in tekočem.
Pravo metamorfozo Romakove roke lahko sledimo skozi njegovo zasebno podučevanje pri Carlu Rählu. Prav zahvaljujoč Rählu je umetnik odkril moč svobodnega poteznika in subtilne modulacije tonov – tehnik, ki mu je omogočili, da je v samo vzdušje vdihnil življenje. Ta vpliv je njegove pejzaže navezal na duh šole Barbizon, kjer je s pomočjo atmosfere in perspektive iskal vzvišeno, melankolično lepoto avstrijske podeželja namesto zgolj topografske natančnosti.
Ko se je njegova tehnična izstopajočnost povečevala, se je Romako premaknil iz tišine narave v dramatično theater človeške zgodovine in značaja. Njegovo del je začelo odražati fascinacijo nad psihološko težo njegovih motivov, še posebej v njegovih portretih in zgodovinskih kompozicijah. Pridobil je redko sposobnost, da ni prikazal le fizične podobnosti viedeške elite, temveč tudi skrite napetosti in prehodne čustva obdobja, ki se je valjalo na robu velike transformacije. Njegove slike pogosto služijo kot okna v dušo, kjer igra svetlobe in sence zrcali notranje konflikte njegovih likov.
Čeprav se je premikalo skozi zapleteno socialno pokrajino, Romakov prispevek k umetnosti 19. stoletja ostaja neizbrisen. Stal je kot most med tradicionalistično preteklo in vzrastajočim modernizmom, ki bo kmalu vredno vredeti evropsko slikarstvo. Njegova sposobnost združevanja zgodovinske težine motivov z ekspresivno, skoraj protoekspresionistično tehniko mu je omogočila zajetek samega bistva dobe Ringstraße – obdobja ogromne zunanje rasti, ki je skrivala globoke notranje premike.
Danes se pomen Anton Romaka skriva v njegovi vlogi pionirja, ki se je zavrnil omejevanju s tistimi etiketami, ki so mu jih nalagali drugi. Njegov opus stoji kot spomenik moči umetniške odpornosti in dokazuje, da lahko tudi iz obrob družbe človek ustvari vizijo, ki prevlada v središču umetnega sveta. Skozi svoje portrete in zgodovinske scene je pustil globok zapis izginjega obdobja, prikazan z občutljivostjo, ki še vedno očarjava sodobno oko.
