Kratek opis
First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building) (1938) je slika avtorja Anton Refregier, ki pritegne največ pogledov; original se nahaja v muzeju Smithsonian American Art Museum, Washington, D.C.. Nato se pogled smeri k Untitled (detail of figure historic survey panel, mural study, Cultural Activities of the WPA, WPA Building, New York World's Fair, 1939) (1939) in for I say at the core of democracy, finally, is the religious element. All the religions, old and new, are there. Walt Whitman, Democratic Vistas, 1871. From the series Great Ideas of Western Man (1957). Med 18 dela umetnika Anton Refregier v našem katalogu so ta 18 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
10 najboljjših slik umetnika Anton Refregier skozi oči galerije
Slavna platna umetnika Anton Refregier, od številk 11 do 18
Motivi, ki so očarali Anton Refregier
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
American history 2 delo
Wpa art project 2 delo
Group portraiture 2 delo
Muzeji, ki hranijo originala umetnika Anton Refregier
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Anton Refregier | Slike iz tega seznama |
|---|---|---|---|
| Washington, D.C. | 14 | Untitled (AQRPH5), Untitled (AQRPH3), Untitled (AQRPGD) | |
| Washington, D.C. | 2 | First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building), Untitled (detail of figure historic survey panel, mural study, Cultural Activities of the WPA, WPA Building, New York World's Fair, 1939) |
Anton Refregier skozi desetetja: vsak unikatni original za vsako obdobje
Delo po desetletjih
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building)
Slike umetnika Anton Refregier: vprašanja za galerijo
Katero je najbolj znano delo umetnika Anton Refregier?Razkriti odgovor
First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building) (1938), Smithsonian American Art Museum, Washington, D.C.. Zatem sledeta Untitled (detail of figure historic survey panel, mural study, Cultural Activities of the WPA, WPA Building, New York World's Fair, 1939) (1939) in for I say at the core of democracy, finally, is the religious element. All the religions, old and new, are there. Walt Whitman, Democratic Vistas, 1871. From the series Great Ideas of Western Man (1957).
Pri kateri dobe je Anton Refregier ustvaril First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building)?Razkriti odgovor
33 let: delo First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building) iz leta 1938, Anton Refregier pa je bil/a rojen/a leta 1905.
Katera desetina slik avtorja Anton Refregier je najbolj znana?Razkriti odgovor
First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building), Untitled (detail of figure historic survey panel, mural study, Cultural Activities of the WPA, WPA Building, New York World's Fair, 1939), for I say at the core of democracy, finally, is the religious element. All the religions, old and new, are there. Walt Whitman, Democratic Vistas, 1871. From the series Great Ideas of Western Man, Untitled (AQRPH5), Untitled (AQRPH3), Untitled (AQRPGD), Untitled (AQRPGR), Untitled (AQRPH7), Untitled (AQRPGM) in Untitled (AQRPGX). Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Koliko je znanih del avtorja Anton Refregier?Razkriti odgovor
Naš katalog vsebuje 18 del avtorja Anton Refregier, datiranih od 1938 do 1957.
Kje si lahko ogledate najslavnejše originale umetnika Anton Refregier?Razkriti odgovor
Večini v Knjižnica Kongresa (Washington, D.C.) in Smithsonian American Art Museum (Washington, D.C.). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V katerem obdobju je Anton Refregier ustvaril svoja najbolj znana dela?Razkriti odgovor
V obdobju 1930s: 2 od 18 del na tej strani je bilo izdelovanih takrat, med njimi pa First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building).
Katero znano sliko je naslikal Anton Refregier najprej in katero najpozdneje?Razkriti odgovor
Na tej strani je najstarejše delo iz First Color Study, Exhibition Hall, Community Center, New York World's Fair (perspective sketch for mural, Cultural Activities in the WPA, WPA Building) (1938) in najstarejše iz for I say at the core of democracy, finally, is the religious element. All the religions, old and new, are there. Walt Whitman, Democratic Vistas, 1871. From the series Great Ideas of Western Man (1957).
Katere teme je Anton Refregier najprej ravnate?Razkriti odgovor
American history (2), Wpa art project (2) in Group portraiture (2), na 18 delih na tej strani.
Kateri umetniški slog predstavlja delo umetnika Anton Refregier?Razkriti odgovor
Social realism, glede na originala na tej strani.
Katere originale Anton Refregier lahko vidim v muzeju Knjižnica Kongresa?Razkriti odgovor
Untitled (AQRPH5), Untitled (AQRPH3) in Untitled (AQRPGD): v muzeju Knjižnica Kongresa, Washington, D.C. se nahaja 14 del z te strani.
Anton Refregier: portret umetnika
A Visionary of Social Realism and San Francisco’s History
Anton Refregier stands as a monumental figure in the tapestry of American art history, a painter whose brushstrokes captured the very soul and struggle of a nation in transition. Born in Moscow on March 20, 1905, Refregier’s journey was one of profound migration and cultural synthesis. Emigrating to the United States in 1920, he brought with him a perspective shaped by the vastness of his origins and a hunger for the artistic possibilities of his adopted home. His early years were defined by a rigorous pursuit of mastery, beginning with a transformative scholarship to the Rhode Island School of Design in 1921. This formal training provided him with a classical foundation, yet it was his later encounters with the avant-garde that would truly ignite his creative spirit.
The trajectory of Refregier’s career was marked by an extraordinary ability to blend meticulous craftsmanship with the raw, emotive power of modern movements. In New York City during the mid-1920s, he honed a delicate skill for replicating the works of masters such as François Boucher and Jean-Honoré Fragonard, an endeavor that instilled in him a deep reverence for artistic heritage. However, his 1927 travels to Munich introduced him to the burgeoning influences of Abstract Expressionism under the legendary mentorship of Hans Hofmann. This exposure to more fluid, expressive forms allowed Refregier to expand his stylistic horizons, ensuring that even his most grounded social realist works possessed a dynamic, modern vitality.
The Pulse of the Great Depression and the WPA
As the shadows of the Great Depression descended upon America, Refregier’s art found its true purpose. Living within the Mount Airy Artists' Colony in Croton-on-Hudson, he became a witness to the widespread hardships of the era. This period of economic upheaval deeply informed his humanist philosophy; he famously observed that as people grew poorer in possessions, they became poorer in their ability to enjoy life. This empathy for the common man became the heartbeat of his work. Through the auspices of the Works Progress Administration (WPA) Federal Art Project, Refregier found a platform to translate these societal struggles into large-scale narratives that demanded public attention.
His involvement with the WPA allowed him to move beyond the canvas and onto the walls of the American landscape. His work during this time was characterized by Social Realism, a movement dedicated to portraying everyday life and systemic injustices with unflinching accuracy. He eschewed the comforts of romanticized imagery, choosing instead to present scenes of labor, displacement, and community strength. This commitment to truth-telling through art solidified his reputation as an artist who did not merely observe history but actively participated in its documentation.
The Legacy of the Rincon Center Murals
Perhaps Refregier’s most enduring achievement is the monumental mural series, The History of San Francisco. Commissioned in 1941 and executed between 1940 and 1948, this sprawling epic consists of twenty-seven panels located within the Rincon Annex Post Office. Using casein tempera on white gesso over plaster, Refregier created a visceral narrative that spans centuries of the city's complex evolution. The scale of the work—covering over 2,457 square feet—is matched only by its emotional depth and historical bravery.
The murals are celebrated for their stark honesty, particularly in their depiction of San Francisco’s fraught relationship with marginalized communities. One of the most poignant and unsettling panels portrays the 1877 anti-Chinese Sand Lot riots, capturing a moment of intense violence and injustice with a muted palette of browns, grays, and ochres. Yet, within this grit, Refregier utilized strategic bursts of red and yellow to punctuate moments of profound symbolic significance. This series was not without controversy; in the 1950s, it faced congressional scrutiny over themes deemed inconsistent with certain American ideals, yet the murals survived as a testament to the artist's courage.
Refregier’s life and work represent a bridge between the classical traditions of Europe and the gritty, democratic spirit of mid-century America. His ability to weave together personal experience, historical record, and social critique ensures that his legacy remains as vibrant and essential today as it was during the height of the WPA era.







