Portret Anton Ebert

2 najbolj znanih slik umetnika Anton Ebert, galerijska izbira

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 3 del v našem katalogu avtorja Anton Ebert

Kratek opis

Med vsem originalom, ki ga je Anton Ebert pustil, je najbolj znan Self-Portrait (1889). Naš katalog vsebuje 3 del umetnika Anton Ebert; galerija je ohranila 2 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.

1845 – 1896, Kladruby Največ del: Berlinische Galerie

10 najboljših slik umetnika Anton Ebert: izbira galerije

Muzeji, ki hranijo originala umetnika Anton Ebert

1 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Anton Ebert Slike iz tega seznama
Berlinische Galerie, BerlinBerlinische Galerie Berlin 1 Female Semi-Nude

Anton Ebert leta za letom: originali, ki definira vsako obdobje

1889 je leto vsakega datiranega dela umetnika Anton Ebert v tej izbiri: tukaj so, razvrščena po slavi.

Delo po letih

Izberite leto in oglej originale.

Vprašanja zbirateljev o slikah umetnika Anton Ebert

Za katero delo je Anton Ebert najbolj znan/a?Razkriti odgovor

Self-Portrait (1889)

Koliko je bil Anton Ebert let, ko je nastalo delo Self-Portrait?Razkriti odgovor

44 let: delo Self-Portrait iz leta 1889, Anton Ebert pa je bil/a rojen/a leta 1845.

Koliko slik je pustil Anton Ebert?Razkriti odgovor

Naš katalog vsebuje 3 del avtorja Anton Ebert.

V katerih muzejih so razložena remek dela umetnika Anton Ebert?Razkriti odgovor

Večini v Berlinische Galerie (Berlin). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

Anton Ebert: življenje in delo

A Life Between Borders

Anton Ebert entered the world in 1845 at Kladrau Castle near Mies, Bavaria. His early years were shaped by the structured surroundings of the Windisch-Graetz family estate, where his father served as the royal treasurer. This childhood setting provided a foundation for a life that would eventually span several European cultural centers.

His path as an artist led him from the Prague Academy to the studios of Vienna. It was there that he studied under Ferdinand Georg Waldmüller, an instructor whose approach to subject matter and palette left a lasting mark on his technique. While his roots were in Bohemia, Ebert’s movements took him through Berlin and eventually into the heart of Russia around 1870. This migration allowed him to observe a wide variety of lives, from the aristocratic circles of the Imperial family to the rural populations of the Russian countryside.

He spent his final years in Vienna, where he passed away on 16 June 1896. His life was defined by this movement between different landscapes and social strata.

The Art of Observation

Ebert’s work focused heavily on the human figure, particularly children and women. He possessed a particular skill for capturing the textures of daily existence, whether through the heavy fabrics of a peasant's clothing or the delicate details of a formal portrait. His paintings often documented specific cultural identities, such as the traditional folk attire found in his 1879 work, Girl in Folk Costume.

His approach to painting was grounded in realism and a meticulous attention to detail. He used oil on canvas and panel to render skin, fabric, and light with great precision. While some of his portraits leaned toward the classical, others captured more intimate, everyday scenes:

  • Portraits of the aristocracy and members of the Imperial family.
  • Genre scenes depicting merchants and peasants.
  • Landscapes focused on the surroundings of Vienna.
  • Miniature portraits executed on ivory.

In works like The Mellon Seller, he applied a realistic style to depict a young woman with watermelons, focusing on the physical reality of the scene. He also drew from his own memories of Kladrau Castle to create scenes involving children, often using the family members of the Windisch-Graetz house as models.

A Lasting Record

Ebert’s significance lies in his role as a documentarian of 19th-century life. Through his portraits and genre paintings, he recorded the customs, costumes, and faces of a period undergoing rapid change. His ability to move between the formal requirements of portraiture for royalty and the honest depiction of ordinary people allowed him to create a broad visual record of his era.

His pieces are held in various collections across Europe, including the Museum of Vienna, the Roumianzeff Museum in Moscow, and the Mainz Art Gallery. These works remain as physical links to the social structures and regional identities of the late 1800s.