Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 10 del v našem katalogu avtorja Anthon van Rappard
Kratek opis
Za oči galerije je najbolj znano sliko umetnika Anthon van Rappard delo Weaver (1884), katere original visi v muzeju Van Goghov muzej, Amsterdam. Portrait of a Girl (1884) in Woman at the Spinning Wheel (1891) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 10 del avtorja Anthon van Rappard v našem katalogu galerija spodaj predstavlja 10 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Anthon van Rappard, born in Zeist, Netherlands, captured the quietude of a life lived in observation. In his work Old Drenthe Woman, the artist turns his gaze toward the weathered reality of the human form. This oil portrait focuses on an elderly subject, presenting a face marked by the passage of time. The subject sits in a moment of stillness, her presence anchored by the weight of her years and…
3 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Anthon van Rappard | Slike iz tega seznama |
|---|---|---|---|
 Museum Boijmans Van Beuningen |
Rotterdam | 5 | Portrait of a Girl, Woman at the Spinning Wheel, Landing-stage with boats |
 Centraal Museum |
Utrecht | 3 | Two Female Workers, Tile Painters, Washing strands of Cotton |
 Van Goghov muzej |
Amsterdam | 2 | Weaver, Old Drenthe Woman |
Nekaj desetih let, od 1882 do 1891, je bilo za Anthon van Rappard dovolj: galerija skozi njih potuje leto za letom, en po enem slavni original.
Izberite leto in oglej originale.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Več od 1884
Weaver (1884), Van Goghov muzej, Amsterdam. Zatem sledeta Portrait of a Girl (1884) in Woman at the Spinning Wheel (1891).
26 let: delo Weaver iz leta 1884, Anthon van Rappard pa je bil/a rojen/a leta 1858.
Weaver, Portrait of a Girl, Woman at the Spinning Wheel, Old Drenthe Woman, Two Female Workers, Tile Painters, Landing-stage with boats, Laborer in a brickworks, Cotton Weaver near his Machine in Washing strands of Cotton. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 10 del avtorja Anthon van Rappard, datiranih od 1882 do 1891.
Večini v Museum Boijmans Van Beuningen (Rotterdam), Centraal Museum (Utrecht) in Van Goghov muzej (Amsterdam). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1884: 3 od 10 del na tej strani je bilo izdelovanih takrat, med njimi pa Weaver.
Na tej strani je najstarejše delo iz Tile Painters (1882) in najstarejše iz Woman at the Spinning Wheel (1891).
Portrait of a Girl, Woman at the Spinning Wheel in Landing-stage with boats: v muzeju Museum Boijmans Van Beuningen, Rotterdam se nahaja 5 del z te strani.
Anthon van Rappard lived through a period of quiet observation in the Netherlands. His life was closely tied to the city of Utrecht, where he found moments of deep connection with his surroundings. During the first half of the 1880s, he maintained a friendship and an exchange of letters with Vincent van Gogh. This connection placed him within a circle of individuals who were deeply engaged with the realities of their time.
His work often turned toward the lived experiences of those in his community. He spent time sketching at the Institute for the Blind in Utrecht, a place dedicated to teaching people how to earn a living through manual labor. In the autumn of 1882 and again around 1890, he returned to this setting to capture the steady rhythm of daily tasks.
Van Rappard had a way of looking at the small, focused movements of people at work. In his 1891 pastel, he documented three men engaged in the delicate process of making brushes. He watched as they fitted plant fibers into wooden handles with precise care. The scene included the simple tools of their trade, such as hammers and rolls of metal wire, laid out on a table.
There was a specific stillness in how he approached his subjects. In the same work, he depicted a bookkeeper at a tall desk, turned away from the craftsmen. This figure, wearing a faded black frock coat and spectacles, provided a quiet contrast to the physical labor occurring nearby. Through these sketches, Van Rappard recorded the atmosphere of an institution where people worked to find their place in society.
