Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 50 del v našem katalogu avtorja Alfred Roll
Kratek opis
Med vsem originalom, ki ga je Alfred Roll pustil, je najbolj znan Portrait de Mme Roll. Takoj za njima sta Retour du bal in The feast of Silenus (1871). Naš katalog vsebuje 50 del umetnika Alfred Roll; galerija je ohranila 49 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
The portrait depicts a woman, identified as Madame Roll, positioned in a vertical orientation. She is situated slightly off-center within a domestic interior, appearing to stand near a window. The figure is rendered with a muted color palette, primarily composed of blacks, grays, and browns. Subtle ochre and muted red tones appear in the highlights and the background. Her attire is formal, and her expression remains serene with a slight…
The air in the room feels heavy with the scent of perfume and the soft rustle of silk as two women move through an opulent interior. We watch them from behind, catching only the graceful curve of their backs and the sweeping lines of their attire. They are poised, perhaps caught in a moment of transition between the excitement of a social gathering and the quietude of their private quarters.…
The feast of Silenus emerges from the brush of Alfred Philippe Roll, a painter whose life spanned the transformative decades of the late nineteenth century. Born in the former 8th arrondissement of Paris, France, in 1845, Roll carries the weight of a changing era within his lineage. He remains a figure of the French tradition, having departed this world in 1919. This specific work, The feast of Silenus, captures a…
In this 1880 oil on canvas, we find ourselves standing at eye-level with a solitary woman, a street vendor whose presence commands a quiet, stoic dignity. She is positioned slightly off-center, a choice that lends a sense of naturalism to the vertical composition. There is a certain weight to her figure, anchored by the heavy folds of her skirt and the rounded, organic form of the basket she carries. The…
The canvas depicts a dense, wide-angle view of a Parisian square during a large-scale public celebration. In the center of the composition, a monument rises toward a sky filled with fluttering flags. The scene is populated by a vast, diverse crowd of figures that extend from the immediate foreground into the distance. These people are rendered with varied postures, some standing in groups and others moving through the space. The…
The portrait emerges from a period of transition in French art, moving away from the rigid constraints of academic tradition toward a more grounded, empathetic realism. The visible layering of paint suggests a preoccupation with the authentic human form rather than an idealized version of it. There is a palpable sense of the man's internal life, a quiet intensity that lingers in the way the light interacts with his features.…
The air feels heavy and still within this shadowed woodland, where the light filters through a dense canopy in soft, dappled patches. A nude woman rests in an intimate, quiet moment, her pale skin glowing against the deep, earthy tones of the surrounding meadow. Beside her, the muscular form of a bull emerges from the darkness, its presence a powerful counterpoint to her vulnerability. There is a profound sense of…
In the work Alsatian and Lorrainer by Alfred Philippe Roll, the composition is structured as a tight, intimate close-up of two female figures. The primary subject is positioned in the foreground, presented in a sharp profile facing toward the left side of the frame. Behind her, a second woman is partially visible, also oriented toward the left. This overlapping arrangement creates a sense of depth within the narrow field of…
In this intimate oil on canvas, Alfred Philippe Roll presents Portrait of Thaulow and His Wife. Painted about 1890, the work captures a quiet moment between a man and a woman. The subjects are likely the artist's acquaintances, Thaulow and his wife, rendered with a sense of naturalism that suggests a close proximity to the figures. There is a palpable sense of companionship in the way they are positioned together.
The portrait presents a woman seated centrally within a luxurious interior. She is positioned in a vertical orientation, wearing a sleeveless black gown that features shimmering, light-colored patterns suggestive of sequins or embroidery. A large, dark, textured element, resembling a fur mantle or heavy drapery, surrounds the upper portion of her chair. Her skin is rendered with smooth, luminous textures, and her reddish-brown hair is styled softly around her face.…
André Manaut1890 · Municipal museum (Saverne)
12
Au trot1888 · Municipal museum (Saverne)
13
Adolphe Alphand1888 · Petit Palais
14
Centenary of the Estates General at the Neptune Basin (May 3, 1889)1889
15
Exodus1893 · Petit Palais
16
Louise Cattel, wet nurse1894 · Palais des Beaux-Arts de Lille
17
Alexandre Dumas fils1895 · Musée des Beaux-Arts
18
Roll Painting1900 · Petit Palais
19
Portrait de Mme Henriette Roll1900 · Municipal museum (Saverne)
20
Nu couché1900 · Musée d'Art Moderne et Contemporain de Strasbourg
21
In Summer, Woman with Dog1909 · Petit Palais
22
Sketch for the Petit Palais, south gallery: Apotheosis (central ceiling)1909 · Petit Palais
23
Sketch for the Petit Palais, south gallery: Poetry - Drama1910 · Petit Palais
24
Sketch for the Petit Palais, south gallery: Fantastic Music1911 · Petit Palais
25
Sketch for the South Gallery of the Petit Palais: Apotheosis (central ceiling)1913 · Petit Palais
26
The Big Bed1912 · Municipal museum (Saverne)
27
Bourgeoisie1913 · Municipal museum (Saverne)
28
Portrait of Miss Amélie Diéterle, in 1913. Title : In June, Amélie Diéterle.1913 · Petit Palais
29
The Tea Cup1918 · Municipal museum (Saverne)
30
CHEMIN SOUS BOIS
31
July 14, 1880, Inauguration of the Monument to the Republic1881 · Petit Palais
32
Esquisse pour La fête nationale du 14 juillet 18801881 · Municipal museum (Saverne)
33
Sketch for the Hôtel de Ville de Paris: Art, Movement, Work, Lights1897 · Petit Palais
34
The Vigil under the Arc de Triomphe1903 · Musée Victor Hugo
35
The Wave1911 · Petit Palais
36
Sketch for the Petit Palais, south gallery: Fantastic Music1911 · Petit Palais
37
Peder Severin Kröyer (1851-1909)Nationalmuseum
38
Petite République1907 · Municipal museum (Saverne)
39
La grève de mineurs
40
Portrait de Léon Bourgeois
41
PORTRAIT DE JEUNE FILLE
42
Portrait de jeune femme
43
L'Exécution d'un trompette sous la CommuneCarnavalet Museum
44
Les baigneuses Panneau décoratif (Ancien titre)
45
BathersMusée des Beaux-Arts de Dijon
46
Chevaux à l'écurie
47
Manda Lamétrie, fermière1887 · Musée d'Orsay
48
The Young Republic1908 · Musée d'Orsay
49
The Striker's WifeMusee Baron Martin
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Alfred Roll | Slike iz tega seznama |
|---|---|---|---|
 Petit Palais |
Pariz | 16 | July 14, 1880, Inauguration of the Monument to the République, Portrait of Thaulow and His Wife, Portrait of Jane Hading |
 Municipal museum (Saverne) |
Saverne | 8 | André Manaut, Au trot, Portrait de Mme Henriette Roll |
 Carnavalet Museum |
Pariz | 2 | Henri Rochefort (Victor-Henri, marquis de Rochefort-Luçay, 1831-1913), journalist, politician and writer, L'Exécution d'un trompette sous la Commune |
 Musée d'Orsay |
Pariz | 2 | Manda Lamétrie, fermière, The Young Republic |
 Musée d'Arts de Nantes |
Nantes | 1 | Retour du bal |
 Museum of Fine Arts Ghent (MSK) |
Gent | 1 | The feast of Silenus |
 Musée des Beaux-Arts de Pau |
Pau | 1 | Marianne Orfrey, Green Crier |
 National Museum of Fine Arts |
Buenos Aires | 1 | Woman and bull |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The feast of Silenus emerges from the brush of Alfred Philippe Roll, a painter whose life spanned the transformative decades of the late nineteenth century. Born in the former 8th arrondissement of Paris, France, in 1845, Roll carries the weight of a changing era within his lineage. He remains a figure of the French tradition, having departed this world in 1919. This specific work, The feast of Silenus, captures a…
In this 1880 oil on canvas, we find ourselves standing at eye-level with a solitary woman, a street vendor whose presence commands a quiet, stoic dignity. She is positioned slightly off-center, a choice that lends a sense of naturalism to the vertical composition. There is a certain weight to her figure, anchored by the heavy folds of her skirt and the rounded, organic form of the basket she carries. The…
In the work Alsatian and Lorrainer by Alfred Philippe Roll, the composition is structured as a tight, intimate close-up of two female figures. The primary subject is positioned in the foreground, presented in a sharp profile facing toward the left side of the frame. Behind her, a second woman is partially visible, also oriented toward the left. This overlapping arrangement creates a sense of depth within the narrow field of…
Roll Painting by Alfred Philippe Roll presents a close-up profile of an older man. The composition is tightly cropped, focusing the viewer's attention on the subject's head and upper torso. Positioned diagonally across the frame, the figure occupies the space with a sense of immediacy. The man possesses white hair and a beard that appears bright white against the surrounding tones. Light descends from above, illuminating the forehead and the…
A pale orb, like a moon caught in a slow drift, anchors a swirling expanse of blue. Around this light, human forms dissolve into the atmosphere, their limbs stretching through a haze of cerulean and navy. The figures do not stand; they float, caught in a rhythmic, tidal movement that suggests the weightless drift of clouds. Soft purples and muted ochres bleed into the shadows, creating a landscape that feels…
Portrait de Mme Roll. Zatem sledeta Retour du bal in The feast of Silenus (1871).
Portrait de Mme Roll, Retour du bal, The feast of Silenus, Marianne Orfrey, Green Crier, July 14, 1880, Inauguration of the Monument to the République, Henri Rochefort (Victor-Henri, marquis de Rochefort-Luçay, 1831-1913), journalist, politician and writer, Woman and bull, Alsatian and Lorrainer, Portrait of Thaulow and His Wife in Portrait of Jane Hading. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 50 del avtorja Alfred Roll, datiranih od 1871 do 1918.
Večini v Petit Palais (Pariz), Municipal museum (Saverne) (Saverne) in Carnavalet Museum (Pariz). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1880s: 9 od 49 del na tej strani je bilo izdelovanih takrat, med njimi pa Marianne Orfrey, Green Crier.
Na tej strani je najstarejše delo iz The feast of Silenus (1871) in najstarejše iz The Tea Cup (1918).
Woman (19), Man (8) in Skin tones (5), na 49 delih na tej strani.
Oil On Canvas, za 17 od 49 del na tej strani.
July 14, 1880, Inauguration of the Monument to the République, Portrait of Thaulow and His Wife in Portrait of Jane Hading: v muzeju Petit Palais, Pariz se nahaja 16 del z te strani.
V živopavnem, nenehno spreminjajočem se okolju konice 19. stoletja v Franciji je malo umetnikov tako ganč capturealo pul changing nation kot Alfred Philippe Roll. Rodjen v Parizu leta 1846, je Roll izstopil iz prestižnih dvoran École des Beaux-Arts, kot učenec, ki ga je oblikovala stroga akademska tradicija mojstrov, kot so Jean-Léon Gérôme, Léon Bonnat in Charles-François Daubigny. Njegova zgodnja leta so bila zaznamovana z romantično senzibilnostjo, stilsko obdobjem, ko so njegovi platna dišala z veličastnostjo in slikovitostjo, značilno za tisto dobo. V tej oblikovalni fazi je njegovo delo pogosto odmevalo po široki čustveni globini bolonjske tradicije in razvijajočem se realizmu Gustava Courbeta, kar je ustvarjalo nežno napetost med klasičnim idealom lepote in surovim opazovanjem.
Pot Rollove kariere je nepopravno spremenilo turbulentno morje zgodovine. Franco-pruska vojna, med katero je služil kot milicijski poročnik, je v njegovo perspektivo vplinila globoko razumevanje človeške odpornosti in družbenih prevratov. To obdobje konflikta je delovalo kot krčelj, ki je izpilil njegov pogled iz čisto romantičnega smeri proti bolj zakorenjenemu, empatičnemu realizmu. Njegovo 1875 masterpiece, Poplave v Tulozı, stoji kot nepozabno spominjanje na to prehodno obdobje; z zajetjem neposredne trpljenja in krhkosti življenja med naravno katastrofo se je premaknil izven zgolj dekorativnosti in se vkljubil v kolektivno psiho francijskega naroda. To delo, ki zdaj terja v Musée Malraux, je napovedilo njegov prihod kot umetnika, sposobnega globokega vizualnega pripovedovanja.
Ko so se odpele desetletja, je Rollov čopič začel odhajati svoje romantičirane robove in namesto tega objel grit in resnico naturalistične gibanja. Postal je slikar ljudi, ki je svojo pozornost usmeril v socio-politično dinamiko Trojnostranice. Ta evolucija ni bila zgolj stilistična, temveč globoko ideološka. Želel je dokumentirati avtentično človeško izkušnjo, zlasti težave in triumfe delovnega razreda. Njegova ključna slika, Stička kopalcev (1880), ostaja eno njegovih najpomembnejših dosežkov, ki ga je katapultiralo v višje sloje francijskega sveta umetnosti. V tem delu ni le prikazal delovnih nemirov; človeško je podal težave, v oblike vplivajoč digniteto, ki je odjekoval daleč 넘어 iz zidov galerij.
Ta predanost socialnemu realizmu je Rollu omogočila, da se je z izjemno spretnostjo navigiral skozi kompleksnost svojega obdobja. Njegov repertoar je vključeval:
Njegova sposobnost združevanja tehnične natančnosti, ki jo je pridobil pri svojih akademskih mentorjih, z progresivnim, skoraj dokumentarističnim pristopom k tematikam, ga je naredila v ključni glas francijske umetnosti. Ni bil le opazovalec življenja, temveč kronikar njegovih najbolj nujnih transformacij.
Rollova dediščina je opredeljena z njegovo vlogo mostu med starim svetom akademske tradicije in novim svetom socialnega angažmaja. Kot so-utrjevalec Société Nationale des Beaux-Arts je igral ključno vlogo pri preoblikovanju institucionalne pokrajine francijske umetnosti, s čimer je zagovarjal prostor, kjer so lahko soobstojovali različni slogi. Njegovo del ostaja vitalen zgodovinski zapis, ki zajema esencijo Francije, ujetega med odmeve romantizma in kruto realnost industrializacije ter socialnih reform.
S svojo obvladovanjem svetlobe, teksture in kompozicije je Roll zagotovil, da so težave in lepota vsakodnevnega življenja postali nesmrtni. Ne glede na to, ali skozi razlegene vidike regije Champagne ali somber tone delovnega stavka, njegova umetnost še vedno vabi gledalce v globok dialog s preteklostjo. Ostaja pomembna figura za vsakogar, ki želi razumeti srčni utrip 19. stoletne Francije — umetnik, ki je svet gledal ne le tistega, kot je bil videti, temveč tistega, kot je bil čutiti.
