Kratek opis
Queen Elizabeth I at Tilbury, 1588 (1938) je slika umetnika Alfred Lawrence, ki pritegne največ pogledov. Nato se pogled smeri k David Emlyn Evans, Royal Flying Corps Officer (1916) in Sir Herbert Baker (1862–1946), Architect. Med 25 dela umetnika Alfred Lawrence v našem katalogu so ta 25 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
10 najboljjših slik umetnika Alfred Lawrence skozi oči galerije
Slavna platna umetnika Alfred Lawrence, od številk 11 do 25
Motivi, ki so očarali Alfred Lawrence
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
Portraiture 2 delo
Elderly man 2 delo
Nude figure 2 delo
Female form 2 delo
Muzeji, ki hranijo originala umetnika Alfred Lawrence
6 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Alfred Lawrence | Slike iz tega seznama |
|---|---|---|---|
| Newcastle upon Tyne | 2 | The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD, The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD (study for a lunette decoration) | |
| Cambridge | 1 | T. M. Temperley | |
| Greenwich | 1 | Cherry Trees at Owletts | |
| London | 1 | Robert Robinson (1886–1975) | |
| London | 1 | Evelyn M. Lowe (1870–1956) | |
| Oxford | 1 | Kingsley Fairbridge (Rhodes Scholar, 1908) |
Alfred Lawrence skozi desetetja: vsak unikatni original za vsako obdobje
Delo po desetletjih
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Slike umetnika Alfred Lawrence: vprašanja za galerijo
Katero je najbolj znano delo umetnika Alfred Lawrence?Razkriti odgovor
Queen Elizabeth I at Tilbury, 1588 (1938). Zatem sledeta David Emlyn Evans, Royal Flying Corps Officer (1916) in Sir Herbert Baker (1862–1946), Architect.
Pri kateri dobe je Alfred Lawrence ustvaril Queen Elizabeth I at Tilbury, 1588?Razkriti odgovor
45 let: delo Queen Elizabeth I at Tilbury, 1588 iz leta 1938, Alfred Lawrence pa je bil/a rojen/a leta 1893.
Katera desetina slik avtorja Alfred Lawrence je najbolj znana?Razkriti odgovor
Queen Elizabeth I at Tilbury, 1588, David Emlyn Evans, Royal Flying Corps Officer, Sir Herbert Baker (1862–1946), Architect, The Right Honourable Brien Ibrican (1864–1932), Baron Cullen of Ashbourne, KBE, Governor of the Bank of England (1918–1920), Female Nude, Male Nude, The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD, Head of an Italian Girl, The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD (study for a lunette decoration) in Elizabeth I Commissions Raleigh to Sale for America, 1584. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Koliko je znanih del avtorja Alfred Lawrence?Razkriti odgovor
Naš katalog vsebuje 25 del avtorja Alfred Lawrence, datiranih od 1916 do 1950.
Kje si lahko ogledate najslavnejše originale umetnika Alfred Lawrence?Razkriti odgovor
Večini v Laing Art Gallery (Newcastle upon Tyne), Queens’ College (Cambridge) in National Trust (Greenwich). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V katerem obdobju je Alfred Lawrence ustvaril svoja najbolj znana dela?Razkriti odgovor
V obdobju 1920s: 7 od 25 del na tej strani je bilo izdelovanih takrat, med njimi pa Female Nude.
Katero znano sliko je naslikal Alfred Lawrence najprej in katero najpozdneje?Razkriti odgovor
Na tej strani je najstarejše delo iz David Emlyn Evans, Royal Flying Corps Officer (1916) in najstarejše iz Robert Robinson (1886–1975) (1950).
Katere teme je Alfred Lawrence najprej ravnate?Razkriti odgovor
Portraiture (2), Elderly man (2) in Nude figure (2), na 25 delih na tej strani.
Kateri umetniški slog predstavlja delo umetnika Alfred Lawrence?Razkriti odgovor
Contemporary realism, glede na originala na tej strani.
Katere originale Alfred Lawrence lahko vidim v muzeju Laing Art Gallery?Razkriti odgovor
The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD in The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD (study for a lunette decoration): v muzeju Laing Art Gallery, Newcastle upon Tyne se nahaja 2 del z te strani.
Alfred Lawrence: portret umetnika
The Soul of the English Landscape: The Life and Art of Alfred Kingsley Lawrence
Born in the historic town of Lewes, Sussex, on October 4th, 1893, Alfred Kingsley Lawrence emerged as a profound voice in British art, weaving together the quiet dignity of portraiture with the sweeping, atmospheric beauty of the English countryside. His early life was shaped by a resilience born of necessity; following the untimely death of his father, Lawrence was raised by his mother, Fanny Beatrice Lawrence, whose dedication to his education allowed his innate artistic talents to flourish. This foundational period of discipline and devotion set the stage for a career defined by meticulous observation and an unwavering commitment to capturing the essence of his subjects, whether they were the rugged terrains of Northumberland or the nuanced expressions of the British elite.
Lawrence’s formal training was as prestigious as it was transformative. At the King Edward VII School of Art, Armstrong College, he flourished under the mentorship of Professor Richard Hatton, a period that established him as one of Newcastle’s most promising young talents. His pursuit of excellence led him to the Royal College of Art, where he studied under the renowned William Rothenstein. It was here that Lawrence began to absorb the complex influences of Impressionism and Symbolism, learning to balance the structural integrity of realism with a more emotive, fluid approach to light and atmosphere. The pinnacle of his academic journey arrived in 1923 when he was awarded the prestigious Prix de Rome scholarship, an achievement that transported him to the heart of Italy, allowing him to refine his technique amidst the timeless grandeur of Roman classical art.
A Mastery of Realism and Emotional Resonance
The artistry of Alfred Kingsley Lawrence is best understood through his ability to bridge the gap between the physical world and the psychological realm. His landscapes are far more than mere topographical records; they are evocative studies of light, weather, and mood. In his depictions of the Northumbrian landscape, one can sense the dampness of the mist and the heavy, shifting skies that define the region. This mastery of atmosphere was complemented by a remarkable skill in portraiture, where he sought to capture not just a likeness, but the very soul of the sitter. His portraits are celebrated for their psychological depth, utilizing subtle shading and realistic brushwork to convey wisdom, melancholy, or quiet strength.
His diverse repertoire includes several notable achievements that highlight his versatility as a painter:
- The Altruists: A monumental commission for St Stephen's Hall in Westminster, showcasing his ability to handle large-scale, significant historical subject matter.
- Persephone (1938): A dramatic departure into the realm of Romanticism, where he utilized a swirling blue background and a nude figure to create a powerful, mythic resonance.
- T. M. Temperley (1933): An oil painting that exemplifies his ability to use muted tones and realistic textures to evoke a sense of timelessness and dignity.
- Sir Herbert Baker Study: A delicate pastel work that demonstrates his command over different mediums and his ability to capture the architectural spirit through portraiture.
Throughout his life, Lawrence remained a steadfast observer of the world around him. From the sporting scenes and hunting traditions that earned him recognition in the realm of British sporting art to the intimate, historical portraits like Queen Elizabeth I at Tilbury, his work serves as a vital visual record of a changing Britain. His legacy lives on through the collections of institutions such as the Munnings Art Museum, where his ability to blend the precision of a realist with the heart of an impressionist continues to captivate and inspire new generations of art lovers.






