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2 najbolj znanih slik umetnika Alessandro Milesi, vsaka popolnoma edinstvena
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 2 del v našem katalogu avtorja Alessandro Milesi
Kratek opis
Silent Hours (1893) je slika avtorja Alessandro Milesi, ki pritegne največ pogledov; original se nahaja v muzeju Bavarske državne slikopisne zbirke, München. Med 2 dela umetnika Alessandro Milesi v našem katalogu so ta 2 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
1856 – 1945, Venice
Največ del: Bavarske državne slikopisne zbirke
10 najboljjših slik umetnika Alessandro Milesi skozi oči galerije
Muzeji, ki hranijo originala umetnika Alessandro Milesi
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Alessandro Milesi | Slike iz tega seznama |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 1 | Silent Hours |
 Brooklyn Museum |
Brooklyn | 1 | Market Scene in Venice |
Alessandro Milesi skozi leta: edinstvena originala vsakega dela
Vsako datirano originalno delo umetnika Alessandro Milesi, prikazano tukaj, je bilo izdelovano v 2 letih, med 1893 in 1894: leto za letom, tukaj so.
Delo po letih
Izberite leto in oglej originale.
Slike umetnika Alessandro Milesi: vprašanja za galerijo
Katero je najbolj znano delo umetnika Alessandro Milesi?Razkriti odgovor
Silent Hours (1893)
Pri kateri dobe je Alessandro Milesi ustvaril Silent Hours?Razkriti odgovor
37 let: delo Silent Hours iz leta 1893, Alessandro Milesi pa je bil/a rojen/a leta 1856.
Koliko je znanih del avtorja Alessandro Milesi?Razkriti odgovor
Naš katalog vsebuje 2 del avtorja Alessandro Milesi, datiranih od 1893 do 1894.
Kje si lahko ogledate najslavnejše originale umetnika Alessandro Milesi?Razkriti odgovor
Večini v Bavarske državne slikopisne zbirke (München) in Brooklyn Museum (Brooklyn). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
Katero znano sliko je naslikal Alessandro Milesi najprej in katero najpozdneje?Razkriti odgovor
Na tej strani je najstarejše delo iz Silent Hours (1893) in najstarejše iz Market Scene in Venice (1894).
Alessandro Milesi: portret umetnika
The Venetian Canvas
Venice, 1856. A child is born into the heart of a city defined by water and light. Alessandro Milesi begins his formal training at the Venice Academy of Fine Arts, entering the studio of Napoleone Nani in 1869. The years between 1869 and 1874 are marked by rigorous study under Nani, a period that eventually leads him away from his birthplace to follow his master to Verona. This movement through the Italian landscape shapes his early vision.
In 1876, the path leads back to Venice. The city becomes more than a setting; it becomes the primary subject of his brush. He does not seek the grand historical narratives of the past but focuses instead on the pulse of everyday Venetian life. His work carries the weight of the tradition established by Giacomo Favretto, yet he integrates the fresh perspectives offered by Ettore Tito and Cesare Laurenti.
A Life in Exhibition
The late nineteenth century brings recognition through the national stages of Milan and Venice. In 1881, his presence is felt at the Milan exhibitions, followed by a significant showing in Venice in 1887. The reach of his talent extends far beyond the Adriatic coast. At the Boston International Exhibition of 1890, he receives a gold medal, an achievement that signals his arrival on the international stage.
His career is defined by a long-standing relationship with the Venice Biennale. From 1895 to 1935, Milesi participates in every single edition of this prestigious event. The milestones of his later years include:
- A solo exhibition at the Venice Biennale in 1912.
- An anthological exhibition at the Venice Biennale in 1935.
- Participation in the Milan Triennale.
Portraits and People
As the new century unfolds, Milesi shifts his focus toward the faces of a changing society. He captures the Venetian middle classes with a precision that documents the era. His subjects are not mere figures in a landscape but individuals with specific roles in the city's social fabric. He turns his attention to:
- Writers
- Musicians
- Actors
These portraits provide a window into the cultural life of Venice during his lifetime. Through these depictions, he maintains a connection to the human element of the city, even as the decades pass toward 1945.