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The Orgy

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Vilijam Hogart, The Orgy (1735), Sir John Soane's Museum. Dostopno v javni lastnini. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Vilijam Hogart originaluniqueart.com/sl/artists/vilijam-hogart_sl/
Datumi rojstva in smrti umetnika
1697 – 1764
Naslikano
1735
Prvotna velikost
62 x 75 cm
Gibanje
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Na lokaciji
Sir John Soane's Museum originaluniqueart.com/sl/museums/sir-john-soane-s-museum-london_sl/
Artistic style
Genre painting
Influences
Dutch Baroque
Notable elements or techniques
Detailed realism; Satirical observation
Subject or theme
Social satire; Revelry

V kontekstu

The Orgy — Vilijam Hogart

Dimenzije

Prvotne dimenzije so 62 × 75 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1690
  2. 1700
  3. 1710
  4. 1720
  5. 1730
  6. 1740
  7. 1750
  8. 1760

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 67 ob smrti.

Naslikano, ko je bil avtor star 38. Umetnik je živel 67. 21 od 96 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Vilijam Hogart (1697–1764) ▲ to delo, 1735 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1735 Glavni delovni leti: 1735–1750 Pozna dela: od 1750

Ti trije pasovi razdelijo dela v tem katalogu na prvo četrtino, srednjo polovico in zadnjo četrtino. Niso popolna celotina umetnikovega dela: tanjka obdobja je lahko praznina v arhivu, ne le obdobje manj intenzivnega ustvarjanja. Iste leta, v katerih se odtisa življenje umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: originaluniqueart.com/sl/art/similar/william-hogarth-the-orgy-8Y3CV2-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Espresso #50271c

    Shranjena paleta

    • #50271C
    • #79402B
    • #291610
    • #B17952

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Espresso
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Serene V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Vilijam Hogart v zadnjih dvanajst mesecih — skupaj 35 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 49,1%
    2. 2 Romunija 9,4%
    3. 3 Združene države Amerike 8,4%
    4. 4 Singapur 4,3%
    5. 5 Hong Kong 3,6%
    6. 6 Francija 3,3%
    7. 7 Italija 3,3%
    8. 8 Argentina 2,0%
    9. 9 Kolumbija 2,0%
    10. 10 Španija 1,5%
    11. · 25 drugih držav 13,1%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    20 najbolj gledanih del umetnika Vilijam Hogart

    1. 1 Plakat ena iz Rakeove proge 6,2%
    2. 2 The Marriage Contract, 1745 3,4%
    3. 3 Plošča dva iz Rakeove uspešnosti 2,8%
    4. 4 Poroka po modi - 6, Smrt gospe 2,6%
    5. 5 Plate šest iz Časovnika Škorcova napredovanja 2,4%
    6. 6 The Death of the Earl 2,1%
    7. 7 Poroka po modi, 1743 1,9%
    8. 8 Night, plate four from The Four Times of the Day 1,9%
    9. 9 William Hogarth, Portrait of Captain Thomas Coram, 1740 © Coram in the care of the Foundling Museum, 1740 1,7%
    10. 10 The Marriage of Stephen Beckingham and Mary Cox, 1729 1,7%
    11. 11 Satan, greh in smrt (Scena iz Miltona), 1735 1,5%
    12. 12 The Banquet, 1755 1,5%
    13. 13 The Madhouse, 1735 1,5%
    14. 14 The Countess's Morning Levee, 1745 1,5%
    15. 15 Marriage à la Mode, 1743 1,3%
    16. 16 Canvassing for Votes 1,3%
    17. 17 The Pool of Bethesda, 1736 1,3%
    18. 18 Self portrait, 1745 1,1%
    19. 19 The Orgy, 1735 ta slika 1,1%
    20. 20 The Theft of a Watch, 1731 1,1%

    Skupaj ti deli predstavljajo 39,9% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 241 del te umetnice, pri čemer je bilo 159 vsaj enkrat ogledanih. Ta slika zaseda 19 mesto med njimi, s 1,1% takšne pozornosti. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    O tem umetniškem delu

    The Orgy — Vilijam Hogart

    A Snapshot of London Society: Hogarth’s “The Orgy”

    William Hogarth's "The Orgy," completed in 1735, isn’t merely a depiction of a lavish dinner party; it’s a meticulously crafted indictment of aristocratic decadence and moral decay—a cornerstone of English Rococo art history. Executed with remarkable precision on canvas measuring 62 x 75 cm, the painting captures a scene brimming with opulent detail, inviting viewers to step back in time and confront the anxieties simmering beneath the veneer of polite society. Hogarth’s genius lay not just in his technical prowess—though undeniably impressive—but in his ability to transform observation into searing social commentary.

    Subject Matter: The scene portrays a group of men gathered around a dining table, indulging in wine and conversation. Notably absent is any woman present, highlighting the prevailing societal obsession with male companionship and reinforcing Hogarth’s critique of traditional gender roles.

    Style & Technique: Characteristic of Rococo art, “The Orgy” employs delicate brushstrokes and pastel hues—primarily muted reds and browns—to create a sense of atmosphere rather than striving for photographic realism. Hogarth's masterful use of chiaroscuro – dramatic contrasts between light and dark – emphasizes the figures’ expressions and postures, conveying both pleasure and underlying unease.

    The painting’s historical context is crucial to understanding its significance. London in 1735 was experiencing a period of considerable social upheaval following the Glorious Revolution, marked by anxieties about political stability and concerns regarding the moral compass of the aristocracy. Hogarth skillfully utilizes symbolism to amplify these anxieties. The clock hanging prominently on the wall serves as a constant reminder of time passing—a subtle jab at the indulgence of those who prioritize pleasure over responsibility. Furthermore, the postures and expressions of the men depicted convey a palpable tension, suggesting that beneath the surface conviviality lies a darker undercurrent of desire and moral compromise.

    Emotional Impact: “The Orgy” compels viewers to confront uncomfortable truths about human behavior. It’s not simply celebratory; it's unsettling—a deliberate provocation designed to challenge societal norms and expose hypocrisy. Hogarth’s unflinching gaze captures the psychological complexities of his subjects, prompting contemplation on themes of vanity, pleasure, and the consequences of unchecked indulgence. The painting remains a powerful testament to Hogarth’s ability to transform visual art into a vehicle for social critique.

    Interior Decoration Considerations: For interior designers seeking inspiration, “The Orgy” offers a fascinating study in contrasts—the richness of color against the austerity of form—providing valuable insights into the aesthetic sensibilities of the era.

    Umetnik in muzej

    Umetnik

    Vilijam Hogart

    Rojen v London, Združeno kraljestvo Velike Britanije in Irsko

    A London Life in Ink and Paint: The World of William Hogarth

    William Hogarth, born into the bustling heart of 18th-century London in 1697, was more than just an artist; he was a visual historian, a keen observer of human nature, and a satirical commentator on the societal currents of his age. His life story is inextricably linked to the very fabric of England during a period of significant transformation – its burgeoning ambitions, underlying anxieties, and pervasive hypocrisies all finding potent expression in his remarkably detailed and often biting works. The son of a struggling Latin schoolmaster, Hogarth’s early experiences instilled within him both a love for learning and a sharp awareness of social inequalities, a foundation that would prove crucial to shaping his artistic vision. Initially apprenticed to an engraver, he quickly demonstrated a talent extending beyond mere technical skill; he possessed an innate ability to observe the nuances of human behavior and translate them into compelling visual narratives. However, he chafed against the constraints of traditional engraving, seeking a more expressive outlet for his burgeoning creativity. This led him to studies at both St Martin’s Lane Academy and under Sir James Thornhill, where he honed his skills in painting and composition, absorbing influences that would later inform his unique style.

    The Birth of Modern Moral Subjects

    Hogarth's true innovation lay not simply what he painted, but how. He pioneered what he termed “modern moral subjects” – series of pictures designed to tell a story, often imbued with a strong satirical edge. These weren’t isolated portraits or landscapes; they were visual novels unfolding before the viewer’s eyes, offering pointed commentary on contemporary society. A Harlot's Progress, created in 1742, stands as perhaps his most famous example. This series of six paintings meticulously follows the tragic downfall of Mary, a young woman arriving in London full of hope but quickly succumbing to the temptations and dangers of city life. Each scene is rendered with painstaking detail, filled with symbolic elements that reveal the moral decay surrounding her. The meticulous depiction of every step of Mary’s descent into prostitution served as an unflinching indictment of societal attitudes towards women and morality. Similarly, A Rake's Progress, begun in 1733, charts the reckless decline of Tom Rakewell, a man who squanders his inheritance on gambling, debauchery, and ultimately, madness. These weren’t merely cautionary tales; they were unflinching portraits of a society grappling with issues of class, morality, and social mobility. Hogarth's genius resided in his ability to elevate everyday scenes – the bustling streets of London, the opulent interiors of the wealthy, the squalid lives of the poor – into works of art that resonated deeply with his audience. He didn’t shy away from depicting the harsh realities of life, presenting them with a blend of humor and pathos that forced viewers to confront uncomfortable truths about themselves and their society.

    Technique and Influences: A Synthesis of Styles

    Hogarth's artistic style was a unique amalgamation of diverse influences. He greatly admired the realism and narrative detail found in the works of Dutch genre painters like Pieter de Hooch, evident in his meticulous depictions of interiors and everyday life. The influence of Rembrandt’s masterful use of chiaroscuro – dramatic contrasts between light and shadow – can also be discerned in Hogarth's paintings. Furthermore, Hogarth was profoundly affected by the satirical prints produced in France during the Enlightenment, particularly those of Jean-Baptiste Simeon Chardin and François Boucher. He absorbed stylistic elements from these artists, adapting them to his own distinctive vision. However, Hogarth wasn’t simply imitating these sources; he was synthesizing them into something entirely new and distinctly his own. His technique was characterized by a masterful use of line and shading, particularly evident in his engravings. He employed a distinctive cross-hatching technique that created depth and texture, bringing his scenes to life with remarkable clarity. This painstaking process ensured that every detail—from the folds of fabric to the expressions on faces—was rendered with precision and conviction. He also possessed an exceptional eye for composition, arranging figures and objects within the frame to create dynamic and engaging narratives. Like many artists of his time, Hogarth studied under Sir James Thornhill, honing his skills in painting and mastering the conventions of theatrical illusionism – a technique that would later contribute to the grandeur of his monumental canvases.

    Major Achievements: Shaping English Art History

    William Hogarth’s contribution to English art history is undeniable. He established a distinctly British artistic identity, rejecting continental stylistic trends in favor of a style rooted in observation and moral reflection. His series of paintings—including A Harlot's Progress, Marriage A-la-Mode, and Gin Lane—became iconic representations of the social landscape of his era, capturing both its beauty and its ugliness with uncompromising honesty. These works challenged viewers to confront uncomfortable truths about themselves and their society, sparking debate and inspiring artists for generations to come. Moreover, Hogarth’s engravings achieved unprecedented popularity, disseminating his satirical commentary throughout England and beyond. His prints served as a powerful tool for social critique, exposing corruption and hypocrisy while simultaneously celebrating virtue and compassion. He is considered one of the fathers of political cartooning and comic strips, paving the way for visual storytelling in popular culture—a legacy that continues to endure today.

    Historical Significance: A Voice for Change

    Hogarth’s artistic vision was driven by a deep concern for social justice and moral responsibility. He believed that art should not merely be aesthetically pleasing but should also serve a purpose beyond mere decoration—namely, to provoke thought and inspire action. His unflinching depictions of poverty, prostitution, and gambling served as a catalyst for reform movements, prompting discussions about societal ills and advocating for compassionate solutions. By confronting viewers with uncomfortable realities, Hogarth compelled them to examine their own values and behaviors, urging them to strive for a more humane and equitable world. He remains a pivotal figure in the history of English art, celebrated not only for his artistic brilliance but also for his unwavering commitment to social reform—a testament to the enduring power of art as a force for change.

    Muzej

    Sir John Soane's Museum

    Na razstavi v London, Združeno kraljestvo

    Labirint svetlobe in dediščine

    V živahnem srcu Londona, skrit poleg zgodovinskega polja Lincoln’s Inn Fields, se skriva zatočišče, ki zavaja konvencionalne meje muzeja. Muzej Sirja Johna Soanea ni le skladišče artefaktov; je živo, dišeče manifestacijo enega izjemnega, vizionarskega uma. Vstop v ta prostor pomeni korak v arhitekturno sanjalno pokrajavo, kjer se razlika med zasebnim domom in javno galerijo izpolni. Ustanovljen z edinstvenim aktom parlamenta leta 1833, je muzej izniknil iz Soanine globoke želje, da svoje izjemno življenjsko del zapre v last mano javnosti, s čimer je zagotovil, da njegova osebna strast do lepote in odkritij ostane večno darilo tako učenjakom kot sanjarjem.

    Sama arhitektura služi kot primarno umetniško delo zbirke. Soane, mojster prostorne manipulacije, je s trudo preuredil tri med seboj povezane hiše v kompleksen labirint svetlobe, sence in iluzije. Zgradba je laboratorij inovacij, kjer se fasade iz portlandskega kamna srečajo z dovršenimi notranjimi postavitvami, zasnovanimi tako, da prevarajo oko in stimulirajo dušo. Obiskovalci brezmapno brskajo skozi zaporedje povezanih sob, skritih hodnikov in visokih dvorišč, ki uporabljajo premišlene barvne sheme in revolucionarne tehnike osvetlitve. Ta namerna uporaba naravne svetlobe, zajete skozi odprte loggie in strešne okna, ustvarja nenehno spreminjajoče se vzdušje, ki v poklad, shranjene v njegovi notranjosti, vpliva življenje, s čim vsak obisk postane transformativna senzorna izkušnja.

    Kaleidoskop umetniških in antikvarnih čudes

    Zbirka v Soaninemu muzeju je zaprepaščast tapis z dosegi človeštva, ki odraža nezaslitec intelektualno radovednost arhitekta. Ljubiteljem umetnosti in zbirateljem muzej ponuja intimen stik z deli globokega pomena. Stene krasijo platna svetnikov, kot sta Canaletto, čija natančna prikazovanja londonske veličastnosti nudijo okno v preteklo dobo, in J.M.W. Turner, čije vznesene pokrajine prikličemo surovost naravnega sveta. Te slike ne visijo le na zidih; obstajajo v dialogu z samo arhitekturo, ki jih obdaja, njihove teksture in toni pa so izboljšani s Soaninim vrhunskim kuratorskim umevanjem.

    Po além sveta slikarstva muzej alberga osupljiv arhiv arhitekturne zgodovine, vključno z več kot 30.000 risbi, modeli in skicami, ki kronologijo tvorijo Soanino prelomno kariero. Ta tehnična briljantnost je uravnotežena z globoko težo antike. Prisotnost egipcijskih sarkofagov in rimskih skulptur vnaša občutek brezčasnosti, s čimer viktorijanske inovacije hiše navezuje v globoke toke starodobne civilizacije. Za oblikovalce notranjih prostorov ali zgodovinarke ta sožitje klasičnih proporcij in eksperimentalnega modernizma ponuja neskončno navdih, prikazujoč, kako lahko odmevi preteklosti vstopijo v tkivo sodobnega oblikovanja.

    Trajen svetilnik navdihov

    Tisto, kar resnično loči Muzej Sirja Johna Soanea od drugih, je njegova zavrnitev statičnosti. Ostaja živ vibranten center za raziskave in interdisciplinarni dialog, saj gostuje raziskave, ki premoščujejo vrzel med zgodovinsko ohranjanjem in sodobno umetnostjo. Muzej še naprej služi kot katalizator novih idej in vabi sodobne mislitele k raziskovanju stičišča arhitekture, varovanja dediščine in ustvarjalne izrazljivosti. Ravno ta trajna relevantnost — sposobnost, da ostane živo spomenstvo vizionarskega duha — zagotavlja, da Soanin dediščini še naprej resonira skozi generacije.

    Za tiste, ki iščejo pobeg iz vsakdana, muzej ponuja več kot le ogled; ponuja poglobitev v svet, kjer vsak kot krije skrivnost in vsaka senca pripoveduje zgodbo. To je kraj globokega razmišljanja, zatočišče za estetsko nagnjene in monumentalno dosežek, ki stoji kot svetilnik umetniške odličnosti v srcu Londona.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos The Orgy

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    Navodila za citiranje umetniškega dela

    MLA
    Hogart, Vilijam. The Orgy. 1735, Sir John Soane's Museum. https://originaluniqueart.com/sl/art/william-hogarth-the-orgy-8Y3CV2-en/
    APA
    Hogart, Vilijam (1735). The Orgy [Painting]. Sir John Soane's Museum. https://originaluniqueart.com/sl/art/william-hogarth-the-orgy-8Y3CV2-en/
    Chicago
    Vilijam Hogart. The Orgy. 1735. Sir John Soane's Museum. https://originaluniqueart.com/sl/art/william-hogarth-the-orgy-8Y3CV2-en/
    Harvard
    Hogart, Vilijam (1735) The Orgy. Sir John Soane's Museum. Available at: https://originaluniqueart.com/sl/art/william-hogarth-the-orgy-8Y3CV2-en/

    Poglejte bližje

    The Orgy — Vilijam Hogart

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: social gathering, dinner party, luxury lifestyle. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Poglejte nazaj na Plate šest iz Časovnika Škorcova napredovanja, ki ste ga prej videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Kje lahko to opazite v tem delu?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Umetniški kviz

    The Orgy — Vilijam Hogart

    Kako dobro poznate to umetniško delo?

    Za vsako od spodnjih 5 vprašanj izberite en odgovor. Vsako vprašanje ima natanko en pravilni odgovor.

    1. 1. What is the primary subject matter of William Hogarth’s ‘The Orgy’?

      • A A depiction of a grand royal banquet.
      • B A satirical portrayal of hedonistic behavior and social hypocrisy.
      • C A serene landscape scene reflecting pastoral ideals.
    2. 2. Approximately when was ‘The Orgy’ painted?

      • A 1680 – The Baroque Era
      • B 1735 – Rococo Period
      • C 1840 – Victorian Age
    3. 3. The image description highlights the presence of several objects on the dining table. Which item contributes most to conveying the atmosphere of celebration?

      • A A large portrait hanging above the table.
      • B Wine glasses and cups, symbolizing indulgence and conviviality.
      • C A meticulously crafted floral arrangement.
    4. 4. William Hogarth’s artistic style is characterized by:

      • A Emphasis on idealized beauty and graceful movement.
      • B Detailed realism combined with social commentary.
      • C Abstract expressionism exploring emotional intensity.
    5. 5. What does ‘The Orgy’ represent as a critique of societal norms?

      • A It glorifies aristocratic privilege and refinement.
      • B It exposes the moral failings hidden beneath appearances of respectability.
      • C It celebrates religious piety and spiritual contemplation.

    Moj rezultat: ____ od 5

    Ključ odgovorov za učitelje

    To se začne na novi tiskani strani, zato lahko te strani pri kopiranju preprosto izpustite.

    1B · 2B · 3B · 4B · 5B

    Preverite vsak odgovor v primerjavi z zapisom v katalogu za to sliko

    Vprašanja in odgovori

    Katera paleta in katera prevladujoča barva definirata "The Orgy"?

    "The Orgy" avtorja Vilijam Hogart uporablja paleto Earthy, kjer prevladuje barva Espresso (#50271c).

    Kateri umetniški slog zastopa "The Orgy" avtorja Vilijam Hogart?

    "The Orgy" avtorja Vilijam Hogart pripada gibanju Baroque. To gibanje zagotavlja slogovni kontekst dela.

    Kakšno stopnjo kontrasta prikazuje "The Orgy" avtorja Vilijam Hogart?

    Svetlo-temni kontrast dela "The Orgy" je zabeležen kot Serene. Kontrast opisuje stopnjo razlike med svetlim in temnimi conami.