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Soliciting Votes

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Vilijam Hogart, Soliciting Votes (1754), Sir John Soane's Museum. Dostopno v javni lastnini. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Vilijam Hogart originaluniqueart.com/sl/artists/vilijam-hogart_sl/
Datumi rojstva in smrti umetnika
1697 – 1764
Naslikano
1754
Prvotna velikost
101 x 127 cm
Gibanje
Neoclassical Style A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.
Na lokaciji
Sir John Soane's Museum originaluniqueart.com/sl/museums/sir-john-soane-s-museum-london_sl/
Artistic style
Social realism
Influences
Rococo
Notable elements or techniques
Detailed observation of human behavior; satirical depiction.
Subject or theme
Political satire; electoral process

V kontekstu

Soliciting Votes — Vilijam Hogart

Dimenzije

Prvotne dimenzije so 101 × 127 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1690
  2. 1700
  3. 1710
  4. 1720
  5. 1730
  6. 1740
  7. 1750
  8. 1760

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 67 ob smrti.

Naslikano, ko je bil avtor star 57. Umetnik je živel 67. 82 od 96 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Vilijam Hogart (1697–1764) ▲ to delo, 1754 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1735 Glavni delovni leti: 1735–1750 Pozna dela: od 1750

Ti trije pasovi razdelijo dela v tem katalogu na prvo četrtino, srednjo polovico in zadnjo četrtino. Niso popolna celotina umetnikovega dela: tanjka obdobja je lahko praznina v arhivu, ne le obdobje manj intenzivnega ustvarjanja. Iste leta, v katerih se odtisa življenje umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: originaluniqueart.com/sl/art/similar/william-hogarth-soliciting-votes-8Y3CUY-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Espresso #312a28

    Shranjena paleta

    • #312A28
    • #B4AFAD
    • #5B463C
    • #96725B

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Espresso
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Bold V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Vilijam Hogart v zadnjih dvanajst mesecih — skupaj 35 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 49,1%
    2. 2 Romunija 9,4%
    3. 3 Združene države Amerike 8,4%
    4. 4 Singapur 4,3%
    5. 5 Hong Kong 3,6%
    6. 6 Francija 3,3%
    7. 7 Italija 3,3%
    8. 8 Argentina 2,0%
    9. 9 Kolumbija 2,0%
    10. 10 Španija 1,5%
    11. · 25 drugih držav 13,1%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    20 najbolj gledanih del umetnika Vilijam Hogart

    1. 1 Plakat ena iz Rakeove proge 6,2%
    2. 2 The Marriage Contract, 1745 3,4%
    3. 3 Plošča dva iz Rakeove uspešnosti 2,8%
    4. 4 Marriage A-la-Mode - 6, The Lady's Death 2,6%
    5. 5 Plate šest iz Časovnika Škorcova napredovanja 2,4%
    6. 6 The Death of the Earl 2,2%
    7. 7 Poroka po modi, 1743 1,9%
    8. 8 Night, plate four from The Four Times of the Day 1,9%
    9. 9 William Hogarth, Portrait of Captain Thomas Coram, 1740 © Coram in the care of the Foundling Museum, 1740 1,7%
    10. 10 The Marriage of Stephen Beckingham and Mary Cox, 1729 1,7%
    11. 11 Satan, greh in smrt (Scena iz Miltona), 1735 1,5%
    12. 12 The Banquet, 1755 1,5%
    13. 13 The Madhouse, 1735 1,5%
    14. 14 The Countess's Morning Levee, 1745 1,3%
    15. 15 Canvassing for Votes 1,3%
    16. 16 The Pool of Bethesda, 1736 1,3%
    17. 17 Marriage à la Mode, 1743 1,1%
    18. 18 Self portrait, 1745 1,1%
    19. 19 The Orgy, 1735 1,1%
    20. 67 Soliciting Votes, 1754 ta slika 0,4%

    Skupaj ti deli predstavljajo 38,9% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 241 del te umetnice, pri čemer je bilo 159 vsaj enkrat ogledanih. Ta slika zaseda 67 mesto med njimi, s 0,4% takšne pozornosti. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    O tem umetniškem delu

    Soliciting Votes — Vilijam Hogart

    A Snapshot of Political Discourse: Examining Hogarth’s “Soliciting Votes”

    William Hogarth's "Soliciting Votes," completed in 1754, stands as a masterful distillation of Enlightenment satire and a poignant reflection on the burgeoning political landscape of London. More than just a depiction of an outdoor gathering—a clock subtly anchoring the scene against the backdrop of a bustling city—the painting is a meticulously crafted commentary on the manipulative tactics employed during electoral campaigns.

    Subject Matter: The artwork portrays a group of men engaged in fervent discussion around a table adorned with a banner bearing the words “Soliciting Votes.” This deliberate choice underscores Hogarth’s focus on the process of political persuasion and the anxieties surrounding democratic participation.

    Style & Technique: Executed in Hogarth's signature Rococo style, albeit infused with Neoclassical influences—evident in the careful composition and restrained palette—the painting utilizes chiaroscuro to heighten dramatic tension. Light and shadow sculpt the figures, emphasizing their expressions and gestures, conveying a palpable sense of urgency and conviction.

    Historical Context: “Soliciting Votes” emerged during a period marked by intense political debate concerning parliamentary reform. Hogarth skillfully captures the atmosphere of deliberation and ambition that characterized these elections, exposing the vanity and moral compromises inherent in seeking public office. The inclusion of the clock serves as a reminder of time’s relentless march and the importance of accountability.

    Decoding Symbolism: Layers of Meaning Beyond Appearances

    Hogarth doesn't merely record what he sees; he imbues his canvas with symbolic representations that amplify its critique. The banner proclaiming “Soliciting Votes” itself symbolizes the allure of power and the deceptive promises made by politicians. Each participant in the tableau embodies a particular type of character—some are earnest, others cynical—reflecting Hogarth’s broader exploration of human psychology.

    Character Types: Observe the figures clustered around the table; they represent diverse personalities – from those driven by ambition and self-interest to those attempting to persuade others with sincerity.

    Gesture & Expression: Hogarth’s masterful use of gesture and facial expression conveys emotion and intention, revealing the inner turmoil beneath the veneer of polite conversation.

    Emotional Resonance: Capturing the Spirit of an Era

    "Soliciting Votes" transcends its immediate subject matter to evoke a profound sense of unease about the moral compromises demanded by political ambition. Hogarth’s depiction captures the anxieties and uncertainties that gripped London society during this transformative period, prompting viewers to confront uncomfortable truths about human nature.

    Atmosphere: The painting's lively atmosphere—characterized by animated discussion and palpable tension—reflects the dynamism of the political arena.

    Impact on Viewers: Hogarth’s intention was not merely to entertain but to provoke contemplation, urging audiences to scrutinize the motivations behind political actions and consider their consequences.

    This remarkable artwork exemplifies Hogarth's unparalleled ability to blend artistic skill with social critique—a legacy that continues to resonate with art historians and collectors alike.

    Umetnik in muzej

    Umetnik

    Vilijam Hogart

    Rojen v London, Združeno kraljestvo Velike Britanije in Irsko

    A London Life in Ink and Paint: The World of William Hogarth

    William Hogarth, born into the bustling heart of 18th-century London in 1697, was more than just an artist; he was a visual historian, a keen observer of human nature, and a satirical commentator on the societal currents of his age. His life story is inextricably linked to the very fabric of England during a period of significant transformation – its burgeoning ambitions, underlying anxieties, and pervasive hypocrisies all finding potent expression in his remarkably detailed and often biting works. The son of a struggling Latin schoolmaster, Hogarth’s early experiences instilled within him both a love for learning and a sharp awareness of social inequalities, a foundation that would prove crucial to shaping his artistic vision. Initially apprenticed to an engraver, he quickly demonstrated a talent extending beyond mere technical skill; he possessed an innate ability to observe the nuances of human behavior and translate them into compelling visual narratives. However, he chafed against the constraints of traditional engraving, seeking a more expressive outlet for his burgeoning creativity. This led him to studies at both St Martin’s Lane Academy and under Sir James Thornhill, where he honed his skills in painting and composition, absorbing influences that would later inform his unique style.

    The Birth of Modern Moral Subjects

    Hogarth's true innovation lay not simply what he painted, but how. He pioneered what he termed “modern moral subjects” – series of pictures designed to tell a story, often imbued with a strong satirical edge. These weren’t isolated portraits or landscapes; they were visual novels unfolding before the viewer’s eyes, offering pointed commentary on contemporary society. A Harlot's Progress, created in 1742, stands as perhaps his most famous example. This series of six paintings meticulously follows the tragic downfall of Mary, a young woman arriving in London full of hope but quickly succumbing to the temptations and dangers of city life. Each scene is rendered with painstaking detail, filled with symbolic elements that reveal the moral decay surrounding her. The meticulous depiction of every step of Mary’s descent into prostitution served as an unflinching indictment of societal attitudes towards women and morality. Similarly, A Rake's Progress, begun in 1733, charts the reckless decline of Tom Rakewell, a man who squanders his inheritance on gambling, debauchery, and ultimately, madness. These weren’t merely cautionary tales; they were unflinching portraits of a society grappling with issues of class, morality, and social mobility. Hogarth's genius resided in his ability to elevate everyday scenes – the bustling streets of London, the opulent interiors of the wealthy, the squalid lives of the poor – into works of art that resonated deeply with his audience. He didn’t shy away from depicting the harsh realities of life, presenting them with a blend of humor and pathos that forced viewers to confront uncomfortable truths about themselves and their society.

    Technique and Influences: A Synthesis of Styles

    Hogarth's artistic style was a unique amalgamation of diverse influences. He greatly admired the realism and narrative detail found in the works of Dutch genre painters like Pieter de Hooch, evident in his meticulous depictions of interiors and everyday life. The influence of Rembrandt’s masterful use of chiaroscuro – dramatic contrasts between light and shadow – can also be discerned in Hogarth's paintings. Furthermore, Hogarth was profoundly affected by the satirical prints produced in France during the Enlightenment, particularly those of Jean-Baptiste Simeon Chardin and François Boucher. He absorbed stylistic elements from these artists, adapting them to his own distinctive vision. However, Hogarth wasn’t simply imitating these sources; he was synthesizing them into something entirely new and distinctly his own. His technique was characterized by a masterful use of line and shading, particularly evident in his engravings. He employed a distinctive cross-hatching technique that created depth and texture, bringing his scenes to life with remarkable clarity. This painstaking process ensured that every detail—from the folds of fabric to the expressions on faces—was rendered with precision and conviction. He also possessed an exceptional eye for composition, arranging figures and objects within the frame to create dynamic and engaging narratives. Like many artists of his time, Hogarth studied under Sir James Thornhill, honing his skills in painting and mastering the conventions of theatrical illusionism – a technique that would later contribute to the grandeur of his monumental canvases.

    Major Achievements: Shaping English Art History

    William Hogarth’s contribution to English art history is undeniable. He established a distinctly British artistic identity, rejecting continental stylistic trends in favor of a style rooted in observation and moral reflection. His series of paintings—including A Harlot's Progress, Marriage A-la-Mode, and Gin Lane—became iconic representations of the social landscape of his era, capturing both its beauty and its ugliness with uncompromising honesty. These works challenged viewers to confront uncomfortable truths about themselves and their society, sparking debate and inspiring artists for generations to come. Moreover, Hogarth’s engravings achieved unprecedented popularity, disseminating his satirical commentary throughout England and beyond. His prints served as a powerful tool for social critique, exposing corruption and hypocrisy while simultaneously celebrating virtue and compassion. He is considered one of the fathers of political cartooning and comic strips, paving the way for visual storytelling in popular culture—a legacy that continues to endure today.

    Historical Significance: A Voice for Change

    Hogarth’s artistic vision was driven by a deep concern for social justice and moral responsibility. He believed that art should not merely be aesthetically pleasing but should also serve a purpose beyond mere decoration—namely, to provoke thought and inspire action. His unflinching depictions of poverty, prostitution, and gambling served as a catalyst for reform movements, prompting discussions about societal ills and advocating for compassionate solutions. By confronting viewers with uncomfortable realities, Hogarth compelled them to examine their own values and behaviors, urging them to strive for a more humane and equitable world. He remains a pivotal figure in the history of English art, celebrated not only for his artistic brilliance but also for his unwavering commitment to social reform—a testament to the enduring power of art as a force for change.

    Muzej

    Sir John Soane's Museum

    Na razstavi v London, Združeno kraljestvo

    Labirint svetlobe in dediščine

    V živahnem srcu Londona, skrit poleg zgodovinskega polja Lincoln’s Inn Fields, se skriva zatočišče, ki zavaja konvencionalne meje muzeja. Muzej Sirja Johna Soanea ni le skladišče artefaktov; je živo, dišeče manifestacijo enega izjemnega, vizionarskega uma. Vstop v ta prostor pomeni korak v arhitekturno sanjalno pokrajavo, kjer se razlika med zasebnim domom in javno galerijo izpolni. Ustanovljen z edinstvenim aktom parlamenta leta 1833, je muzej izniknil iz Soanine globoke želje, da svoje izjemno življenjsko del zapre v last mano javnosti, s čimer je zagotovil, da njegova osebna strast do lepote in odkritij ostane večno darilo tako učenjakom kot sanjarjem.

    Sama arhitektura služi kot primarno umetniško delo zbirke. Soane, mojster prostorne manipulacije, je s trudo preuredil tri med seboj povezane hiše v kompleksen labirint svetlobe, sence in iluzije. Zgradba je laboratorij inovacij, kjer se fasade iz portlandskega kamna srečajo z dovršenimi notranjimi postavitvami, zasnovanimi tako, da prevarajo oko in stimulirajo dušo. Obiskovalci brezmapno brskajo skozi zaporedje povezanih sob, skritih hodnikov in visokih dvorišč, ki uporabljajo premišlene barvne sheme in revolucionarne tehnike osvetlitve. Ta namerna uporaba naravne svetlobe, zajete skozi odprte loggie in strešne okna, ustvarja nenehno spreminjajoče se vzdušje, ki v poklad, shranjene v njegovi notranjosti, vpliva življenje, s čim vsak obisk postane transformativna senzorna izkušnja.

    Kaleidoskop umetniških in antikvarnih čudes

    Zbirka v Soaninemu muzeju je zaprepaščast tapis z dosegi človeštva, ki odraža nezaslitec intelektualno radovednost arhitekta. Ljubiteljem umetnosti in zbirateljem muzej ponuja intimen stik z deli globokega pomena. Stene krasijo platna svetnikov, kot sta Canaletto, čija natančna prikazovanja londonske veličastnosti nudijo okno v preteklo dobo, in J.M.W. Turner, čije vznesene pokrajine prikličemo surovost naravnega sveta. Te slike ne visijo le na zidih; obstajajo v dialogu z samo arhitekturo, ki jih obdaja, njihove teksture in toni pa so izboljšani s Soaninim vrhunskim kuratorskim umevanjem.

    Po além sveta slikarstva muzej alberga osupljiv arhiv arhitekturne zgodovine, vključno z več kot 30.000 risbi, modeli in skicami, ki kronologijo tvorijo Soanino prelomno kariero. Ta tehnična briljantnost je uravnotežena z globoko težo antike. Prisotnost egipcijskih sarkofagov in rimskih skulptur vnaša občutek brezčasnosti, s čimer viktorijanske inovacije hiše navezuje v globoke toke starodobne civilizacije. Za oblikovalce notranjih prostorov ali zgodovinarke ta sožitje klasičnih proporcij in eksperimentalnega modernizma ponuja neskončno navdih, prikazujoč, kako lahko odmevi preteklosti vstopijo v tkivo sodobnega oblikovanja.

    Trajen svetilnik navdihov

    Tisto, kar resnično loči Muzej Sirja Johna Soanea od drugih, je njegova zavrnitev statičnosti. Ostaja živ vibranten center za raziskave in interdisciplinarni dialog, saj gostuje raziskave, ki premoščujejo vrzel med zgodovinsko ohranjanjem in sodobno umetnostjo. Muzej še naprej služi kot katalizator novih idej in vabi sodobne mislitele k raziskovanju stičišča arhitekture, varovanja dediščine in ustvarjalne izrazljivosti. Ravno ta trajna relevantnost — sposobnost, da ostane živo spomenstvo vizionarskega duha — zagotavlja, da Soanin dediščini še naprej resonira skozi generacije.

    Za tiste, ki iščejo pobeg iz vsakdana, muzej ponuja več kot le ogled; ponuja poglobitev v svet, kjer vsak kot krije skrivnost in vsaka senca pripoveduje zgodbo. To je kraj globokega razmišljanja, zatočišče za estetsko nagnjene in monumentalno dosežek, ki stoji kot svetilnik umetniške odličnosti v srcu Londona.

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    MLA
    Hogart, Vilijam. Soliciting Votes. 1754, Sir John Soane's Museum. https://originaluniqueart.com/sl/art/william-hogarth-soliciting-votes-8Y3CUY-en/
    APA
    Hogart, Vilijam (1754). Soliciting Votes [Painting]. Sir John Soane's Museum. https://originaluniqueart.com/sl/art/william-hogarth-soliciting-votes-8Y3CUY-en/
    Chicago
    Vilijam Hogart. Soliciting Votes. 1754. Sir John Soane's Museum. https://originaluniqueart.com/sl/art/william-hogarth-soliciting-votes-8Y3CUY-en/
    Harvard
    Hogart, Vilijam (1754) Soliciting Votes. Sir John Soane's Museum. Available at: https://originaluniqueart.com/sl/art/william-hogarth-soliciting-votes-8Y3CUY-en/

    Poglejte bližje

    Soliciting Votes — Vilijam Hogart

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: political satire, 18th century painting, london scene. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Poglejte nazaj na Plate šest iz Časovnika Škorcova napredovanja, ki ste ga prej videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    5. Neoclassical Style: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Kje lahko to opazite v tem delu?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Umetniški kviz

    Soliciting Votes — Vilijam Hogart

    Kako dobro poznate to umetniško delo?

    Za vsako od spodnjih 5 vprašanj izberite en odgovor. Vsako vprašanje ima natanko en pravilni odgovor.

    1. 1. What is the primary subject matter of William Hogarth’s painting ‘Soliciting Votes’?

      • A A depiction of a royal wedding ceremony.
      • B A satirical commentary on political elections and social hypocrisy.
      • C An idealized portrait of a wealthy landowner.
    2. 2. According to the image description, where is the painting set?

      • A Inside a grand ballroom.
      • B Outdoors in a public square.
      • C Within the confines of Hogarth’s studio.
    3. 3. The painting features at least 13 people gathered around a table. What is suggested by this composition?

      • A A formal gathering of dignitaries.
      • B An informal social event reflecting the concerns of the time.
      • C A depiction of a religious procession.
    4. 4. ‘Soliciting Votes’ is part of a series of four paintings by Hogarth. What was the overarching aim of this series?

      • A To celebrate the achievements of the British monarchy.
      • B To critique societal morals and behaviors through visual storytelling.
      • C To document the daily life of Londoners during the Enlightenment.
    5. 5. What artistic technique is prominently employed in ‘Soliciting Votes’?

      • A Impressionistic brushstrokes capturing fleeting moments.
      • B Detailed realism emphasizing meticulous observation of human anatomy.
      • C Linear perspective creating a sense of depth and spatial illusion.

    Moj rezultat: ____ od 5

    Ključ odgovorov za učitelje

    To se začne na novi tiskani strani, zato lahko te strani pri kopiranju preprosto izpustite.

    1A · 2A · 3A · 4A · 5C

    Preverite vsak odgovor v primerjavi z zapisom v katalogu za to sliko

    Vprašanja in odgovori

    Katera narodna pripadnost stoji za Neoclassical Style dela "Soliciting Votes"?

    Del v slogu Neoclassical Style, "Soliciting Votes", je ustvaril umetnik, rojen v državi Združeno kraljestvo Velike Britanije in Irsko.

    Kakšna je svetlobnost dela "Soliciting Votes" avtorja Vilijam Hogart?

    Barve dela "Soliciting Votes" izkazujejo Soft Shadow luminanco.

    Koliko je bil Vilijam Hogart star ob ustvarjanju dela "Soliciting Votes" leta 1754?

    Vilijam Hogart je bil/a star/a 57 let, ko je ustvaril/a "Soliciting Votes" leta 1754. Starost je izračunana na podlagi leta rojstva umetnika, 1697.