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Vodnik po študentskem umetniškem delu

The Gambler

Ime Razred Datum

William Carter, The Gambler (1990), The Kinsey African American Art - History Collection. Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
William Carter originaluniqueart.com/sl/artists/william-carter/
Datumi rojstva in smrti umetnika
1843 – 1864
Naslikano
1990
V mestu/lokaciji
The Kinsey African American Art - History Collection originaluniqueart.com/sl/museums/the-kinsey-african-american-art-history-collection-los-angeles/

V kontekstu

The Gambler — William Carter

Kdaj je bilo to naslikano?

  1. 1840
  2. 1860
  3. 1880
  4. 1900
  5. 1920
  6. 1940
  7. 1960
  8. 1980

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 21 ob smrti.

Osenčeno: življenjsko obdobje William Carter (1843–1864) ▲ to delo, 1990 vsaka datirana slika, desetletje za desetletjem

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Več podobnih del za kombiniranje z tem: originaluniqueart.com/sl/art/similar/william-carter-the-gambler-D4N8ZM-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #282a2f

    Katalogirana paleta

    • #282A2F
    • #BBB7AF
    • #856343
    • #54392F

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Phthalo Green
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja William Carter v zadnjih dvanajst mesecih — skupaj 3 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 77,8%
    2. 2 Združene države Amerike 16,7%
    3. 3 Kanada 5,6%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    14 najbolj gledanih del umetnika William Carter

    1. 1 James Hughes (1817–1895), Alderman, Mayor (1864, 1869, 1883, 1884, 1886 1889), 1889 10,5%
    2. 2 Lieutenant Maurice James Dease, VC, 1915 10,5%
    3. 3 Henry William Cripps, Esq. (1815–1899), QC, JP 10,5%
    4. 4 Mrs Patrick Forbes, 1906 10,5%
    5. 5 Henry Carter, 1926 10,5%
    6. 6 The Gambler, 1990 ta slika 5,3%
    7. 7 Edward Joseph Halsey, 1908 5,3%
    8. 8 The Right Honourable St John Broderick, 9th Viscount Midleton, 1908 5,3%
    9. 9 Thomas Weeding Weeding (1847–1929), 1928 5,3%
    10. 10 William Sheppard Hoare (1835–1911) 5,3%
    11. 11 Mrs John Webster, 1888 5,3%
    12. 12 John Richard Magrath (1839–1930), Provost (1878–1930) 5,3%
    13. 13 George Barclay, Esq 5,3%
    14. 14 George Charles Brodrick, Warden 5,3%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 50 del te umetnice, pri čemer je bilo 14 vsaj enkrat ogledanih. Ta slika zaseda 6 mesto med njimi, s 5,3% takšne pozornosti. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    O tem umetniškem delu

    The Gambler — William Carter

    Born in St. Louis, Missouri, William Carter (1909-1996) moved to Chicago in 1930, situating him in the midst of the Depression-era migration of African-Americans from the American South. He studied at the Art Institute of Chicago and the University of Illinois and was part of the WPA

    Umetnik in muzej

    Umetnik

    William Carter

    William Carter: Echoes of Victorian Faith and Landscape

    Born around 1843 in the heart of London’s Bedford Square, William Carter was a painter whose brief, luminous life captured the very essence of a transitioning England. As a British landscape artist, his work serves as a poignant window into the Victorian era—a period defined by a profound reverence for the natural world and an burgeoning fascination with scientific precision. Though his career was tragically truncated by his death at the young age of twenty-one, Carter managed to weave a distinctive thread into the tapestry of 19t-century art, creating a synthesis of Romantic idealism and the emerging realist tendencies that would come to define the age.

    The foundations of Carter’s artistic journey were laid by his privileged upbringing. The son of John Thornton Carter, a prominent coal and iron baron, William was raised amidst the symbols of Britain's industrial ascendancy. This background provided him with the means to pursue an elite education, blending classical scholarship with rigorous artistic training. His development was shaped by the mentorship of two vastly different masters: the Symbolist George Frederic Watts, who instilled in him a sense of spiritual depth and thematic complexity, and John Goss, whose commitment to realism influenced Carter’s meticulous observational skills. This duality—the tension between the ethereal and the tangible—became the hallmark of his creative vision.

    A Vision of Quietude and Detail

    While many of his contemporaries sought to capture the sweeping, tempestuous grandeur of the sublime in the tradition of Turner, Carter found his voice in the intimate and the serene. His canvases often eschewed the dramatic storm for the quiet dignity of the English countryside. One might find himself wandering through rolling hillsides dotted with grazing sheep or standing before a still, reflective lake that mirrored the soft light of a summer afternoon. These were not merely topographical studies; they were atmospheric meditations designed to evoke a sense of peace and contemplative depth.

    Carter’s technique was characterized by an extraordinary attention to detail and a mastery of subtle tonal harmonies. He possessed a keen ability to render textures with such conviction that the viewer could almost feel the coarseness of wool or the dampness of earth. His use of light and shadow was never merely decorative; it served to create volume and a sense of lived-in reality, grounding his more poetic landscapes in a palpable, physical world. Through this careful application of oil on canvas, he bridged the gap between the dreamlike qualities of Romanticism and the grounded truth of Realism.

    Legacy and Historical Significance

    The historical significance of William Carter lies in his ability to capture a specific cultural moment: the intersection of Victorian faith and the dawn of modern observation. His work reflects a society that was simultaneously looking backward toward pastoral innocence and forward toward an era of empirical discovery. Even though his total output remains modest due to his untimely passing in 1864, the impact of his aesthetic remains visible in the way he treated the landscape as both a spiritual sanctuary and a subject of scientific interest.

    Today, Carter’s paintings are cherished not only for their technical merit but as historical artifacts that preserve the atmosphere of a lost era. His ability to imbue quiet scenes with profound emotional weight ensures that his name remains etched in the annals of British art history. To view a Carter landscape is to experience a moment of stillness, a brief respite from the industrial roar of the 19th century, inviting the modern observer to rediscover the beauty found in the subtle and the overlooked.

    Muzej

    The Kinsey African American Art - History Collection

    Na razstavi v Los Angeles, United States of America

    A Sanctuary of Resilience: Unveiling The Kinsey African American Art – History Collection

    Nestled in the vibrant heart of Los Angeles, The Kinsey African American Art – History Collection stands as a profoundly moving testament to the enduring spirit and extraordinary creativity of Black Americans. More than simply a museum space, it’s a meticulously curated chronicle—a living narrative woven from artistry, historical artifacts, and deeply personal stories. Founded on the lifelong dedication of Bernard and Shirley Kinsey, this remarkable collection isn't merely displayed; it’s unveiled as a journey of discovery, transforming visitors into active participants in a conversation spanning centuries.

    The story begins with a simple curiosity, blossoming into an unparalleled passion for understanding and celebrating African American heritage. What started as a personal collecting endeavor quickly evolved into one of the most significant private collections globally, encompassing over 10,000 objects and fine arts dating back to the 16th century. The Kinseys weren’t passive collectors; they were seekers—actively searching for the tangible echoes of resilience, innovation, and cultural brilliance that define the African American experience. Their quest unearthed a breathtaking diversity: from rare historical documents – poignant letters penned by enslaved individuals detailing their hopes and fears, early abolitionist publications igniting calls for justice, and powerful photographs capturing moments of both struggle and triumphant victory – to vibrant paintings bursting with color and emotion, intricate sculptures commanding attention with their form and texture, and thought-provoking mixed media pieces that challenge conventional perspectives. The collection’s breadth reflects the multifaceted nature of Black artistic expression, showcasing not only renowned figures but also the voices of lesser-known artists who nonetheless contributed significantly to the movement.

    Echoes of the Past, Visions of the Future

    Stepping into The Kinsey Collection is akin to entering a carefully orchestrated dialogue between eras. The museum’s layout deliberately encourages contemplation and connection. Spacious galleries, bathed in natural light, provide an ideal environment for immersing oneself in these powerful works. The design isn't merely functional; it’s thoughtfully constructed to facilitate a personal journey through African American history and culture. Visitors are invited to trace the evolution of artistic expression over time, connecting with each piece on a deeply emotional level. The collection’s diverse holdings include significant pieces by James Amos Porter, a pivotal figure in establishing Black art history, Allan Randall Freelon, an influential Harlem Renaissance painter, and Mary Frances Pratt, whose photo-realist depictions offer intimate glimpses into domestic life. The Kinsey Collection also features works by Faith Willi Jones, as seen in her quilt-style painting “American Collection #4,” a vibrant celebration of jazz musicians and dancers.

    A Legacy of Education and Empowerment

    At its core, The Kinsey Collection is deeply committed to fostering understanding and appreciation through education. The museum actively partners with educational institutions at all levels – from elementary schools to universities – providing resources and opportunities for students and scholars alike. This commitment extends far beyond the walls of the museum itself; the collection frequently travels to other venues, bringing its message of empowerment and cultural pride to a wider audience. The Kinsey Foundation’s work is exemplified by their ongoing exhibitions, such as “Black History Month | The Kinsey African American Art & History Collection at So-Fi Stadium,” which brought this extraordinary collection to a massive public audience in 2023.

    More Than a Collection: A Cultural Beacon

    The impact of The Kinsey African American Art – History Collection extends far beyond its artistic merit. It serves as a vital cultural beacon, illuminating untold stories and challenging conventional narratives surrounding the American experience. It’s a space where art becomes a catalyst for dialogue, fostering empathy and understanding across communities. The collection's comprehensive approach—a holistic exploration of identity, struggle, and triumph—offers a unique perspective on history, acknowledging the significant contributions and persistent challenges faced by African Americans throughout their journey. The Kinseys’ vision has created a space where visitors can connect with their own heritage, learn from the past, and envision a more equitable future.

    A Treasure for Collectors and Designers

    For collectors seeking pieces imbued with profound historical significance, The Kinsey Collection offers an unparalleled opportunity. Its diverse holdings provide a window into pivotal moments in African American history, offering tangible connections to the lives and experiences of those who shaped our nation. Similarly, interior designers can draw inspiration from the collection’s rich aesthetic and powerful narratives, incorporating its spirit into spaces to create environments that are both beautiful and meaningful. The Kinsey Collection is more than just a museum; it's a testament to the enduring power of art to inspire, educate, and connect us all.

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    QR koda za dostop do strani za prenos The Gambler

    originaluniqueart.com/sl/art/download/william-carter-the-gambler-D4N8ZM-en/

    Citiranje umetniškega dela

    MLA
    Carter, William. The Gambler. 1990, The Kinsey African American Art - History Collection. https://originaluniqueart.com/sl/art/william-carter-the-gambler-D4N8ZM-en/
    APA
    Carter, William (1990). The Gambler [Painting]. The Kinsey African American Art - History Collection. https://originaluniqueart.com/sl/art/william-carter-the-gambler-D4N8ZM-en/
    Chicago
    William Carter. The Gambler. 1990. The Kinsey African American Art - History Collection. https://originaluniqueart.com/sl/art/william-carter-the-gambler-D4N8ZM-en/
    Harvard
    Carter, William (1990) The Gambler. The Kinsey African American Art - History Collection. Available at: https://originaluniqueart.com/sl/art/william-carter-the-gambler-D4N8ZM-en/

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    The Gambler — William Carter

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    Ali lahko "The Gambler" pregledam podrobneje?

    Delo "The Gambler" lahko raziščete plast za plast na strani Rentgenski pregled, ki vključuje preglednik navdihnjen s svetilno mizo konservatorja z enajstimi optičnimi odtisi slike.

    Katera je prevladujoča barvna tonina dela "The Gambler" avtorja William Carter?

    "The Gambler" nagnjeno k Amber to Saffron tonu.

    Katera je prevladujoča barva dela "The Gambler" avtorja William Carter?

    Prevladujoča barva dela "The Gambler" avtorja William Carter je Phthalo Green (#282a2f).