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Self-Portrait

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Vasili Ivanovič Surikov, Self-Portrait (1879), Tretyakovska galerija. Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Vasili Ivanovič Surikov originaluniqueart.com/sl/artists/vasili-ivanovic-surikov_sl/
Datumi rojstva in smrti umetnika
1848 – 1916
Naslikano
1879
Tehnika
Oil On Canvas
Obdobje
19th Century
V mestu/lokaciji
Tretyakovska galerija originaluniqueart.com/sl/museums/tretyakovska-galerija-moskva_sl/
Artistic style
Psychological realism
Influences
Russian Realism
Notable elements
Formal attire, beard, mustache
Subject or theme
Self-portraiture

V kontekstu

Self-Portrait — Vasili Ivanovič Surikov

Kdaj je bilo to naslikano?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 68 ob smrti.

Naslikano, ko je bil avtor star 31. Umetnik je doživel 68 let. 29 od 253 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Vasili Ivanovič Surikov (1848–1916) ▲ to delo, 1879 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1884 Glavni delovni leti: 1884–1903 Pozna dela: od 1903

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: originaluniqueart.com/sl/art/similar/vasily-ivanovich-surikov-self-portrait-8YDTYT-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Putty #e4c09a

    Katalogirana paleta

    • #E4C09A
    • #1A0E1A
    • #714B40
    • #9E795C

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Putty
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Vasili Ivanovič Surikov v zadnjih dvanajst mesecih — skupaj 5 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 75,7%
    2. 2 Singapur 10,8%
    3. 3 Hong Kong 6,3%
    4. 4 Združene države Amerike 6,3%
    5. 5 Švedska 0,9%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    20 najbolj gledanih del umetnika Vasili Ivanovič Surikov

    1. 1 A Tartar Horseman, 1894 3,2%
    2. 2 Portrait of I. S. Ostroukhov, 1884 3,2%
    3. 3 Strelets in a Cap (study), 1879 2,4%
    4. 4 On Nevsky Prospekt on day, 1874 2,4%
    5. 5 Isba, 1873 2,4%
    6. 6 Roman Carnival, 1884 2,4%
    7. 7 Soldier's head in a cocked hat, 1898 2,4%
    8. 8 Suvorov Crossing the Alps, 1899 1,6%
    9. 9 Annunciation, 1914 1,6%
    10. 10 Pompeii. Frescoed Walls of a House, 1884 1,6%
    11. 11 The old woman with a patterned headscarf, 1886 1,6%
    12. 12 Portrait of Olga Surikova, the artist's daughter, 1888 1,6%
    13. 13 Cossacks in a Boat, 1893 1,6%
    14. 14 House of Surikov family in Krasnoyarsk, 1890 1,6%
    15. 15 Scene from the Roman carnival, 1884 1,6%
    16. 16 Portrait of E. K. Deryagina, 1879 1,6%
    17. 17 Samara, 1880 1,6%
    18. 18 Portrait of E. V. Surikova, 1908 1,6%
    19. 19 Monk, 1907 1,6%
    20. — Self-Portrait, 1879 ta slika 0,0%

    Skupaj ti deli predstavljajo 37,6% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 283 del te umetnice, pri čemer je bilo 90 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    O tem umetniškem delu

    Self-Portrait — Vasili Ivanovič Surikov

    A Glimpse into the Soul of the Artist

    Vasily Ivanovich Surikov’s Self-Portrait from 1879 offers more than just a likeness; it is an intimate confrontation between the artist and the viewer, filtered through the rich lens of late 19th-century Russian portraiture. To gaze into these painted eyes is to encounter not merely a man in fine attire—the dark suit, the crisp bowtie, the distinguished beard—but a mind at work, poised between public presentation and private introspection. Surikov, a titan of Russian Realism, possessed an uncanny ability to capture the psychological undercurrents beneath the polished surface of society. This portrait is a masterclass in controlled formality, suggesting a moment captured just before or after a significant social engagement.

    Mastery of Formality and Presence

    The technical execution speaks volumes about Surikov’s skill. The rendering of the fabric, the subtle sheen on the lapels, and the precise knot of the bowtie demonstrate an acute understanding of texture and light. Yet, it is the sitter's gaze that anchors the piece. He looks directly out, engaging us in a silent dialogue. This direct address transforms the painting from a mere record into an active participant in our viewing experience. The inclusion of the chair in the background grounds the figure within a tangible, albeit somewhat undefined, domestic or studio setting, lending an air of established permanence to the moment.

    The Context of Russian Realism

    To appreciate this work is to understand its historical cradle: the zenith of Russian Realism. While Surikov is perhaps more famous for his sweeping historical epics detailing Russia's grand narratives, even in a seemingly personal study like this self-portrait, one senses that commitment to truth. His background, steeped in the realities of Siberian life and folklore, informs every gesture here—a dedication to portraying humanity with unflinching honesty, whether depicting peasant struggle or the measured composure of an urban gentleman.

    Symbolism of Self-Presentation

    The very act of painting a self-portrait during this era was often a negotiation between public persona and private identity. The formal suit and bowtie symbolize adherence to societal expectations—the respectable, successful man of his time. However, the intensity in his expression hints at the complexity beneath that veneer. It invites us, the modern viewer, to consider our own carefully constructed facades. This painting whispers secrets about ambition, self-awareness, and the enduring weight of expectation.

    Bringing the Masterpiece Home

    For collectors or those seeking art that speaks with intellectual depth, this reproduction offers an unparalleled opportunity to connect with a pivotal moment in Russian artistic history. It is a piece designed not just for admiration, but for contemplation. Imagine it gracing a study or drawing-room; its sophisticated narrative quality elevates any space, suggesting the cultured taste of someone who appreciates both technical brilliance and profound human psychology.

    Umetnik in muzej

    Umetnik

    Vasili Ivanovič Surikov

    Rojen v Krasnojarsk, Rusija

    Vasily Ivanovich Surikov: Titan ruske realizme

    Vasily Ivanovich Surikov (1848-1916) je eden najpomembnejših likov v zgodovini ruskega slikarstva, umetnik katerega platna ne prikazujejo le vizualne predstavitve, temveč globoke raziskave ruske duše. Rojeni v Krasnojarsku, Sibirija, je bilo Surikovo zgodnje življenje zaznamovano s težavami in družinskimi boji – oblikovalna izkušnja, ki mu je vsadila neomajno predanost prikazovanju resničnosti podeželske ruske družbe z brezkompromisno iskrenostjo. Ta zavzetnost je postala temelj njegove umetniške vizije in ga popeljala k ustvarjanju monumentalnih del, ki še danes močno odmevajo. Njegova dela niso le slike preteklosti, ampak živahne pripovedi o ruskem značaju, političnih spopadih in globokih duhovnih dilemah.

    Zgodnje vplive in akademska pot

    Surikovo umetniško občutljivost je negovala fascinacija z folkloro in kmečkim življenjem – teme, ki so bile prisotne v sibirski kulturi. Njegov oče, učitelj, mu je vzbudil ljubezen do literature in zgodovine, oblikoval njegovo intelektualno radovednost in zagotovil podlago za njegovo natančno raziskovanje zgodovinskih tem. Spoznal je pomembnost pripovedi in prenašanja kolektivne identitete skozi vizualno umetnost. Zavedajoč se Surikovega talenta, mu je oče zagotovil sprejem na Akademijo za likovno umetnost v Sankt Peterburgu, kjer je izpopolnil svoje spretnosti pod vodstvom Konstantina Dmitrijeviča Makovskega in Ivana Aleksejeviča Kramskega – vplivnih osebnosti, ki so Realizem uveljavile kot prevladajoči umetniški slog. Ti mentorji so Surikova spodbudili k prikazovanju vsakdanjega življenja s psihološko globino in čustvenim odzivom. Učil se je tehnik svetlobe in kompozicije, ki bi mu omogočile ustvarjanje dramatičnih in prepričljivih prizorov.

    Tehnika in umetniška vizija

    Surikovo delo zaznamuje izjemna sposobnost prenosa atmosfere in čustev skozi mojstrsko tehniko. Uporabil je značkov pristop k slikanju, natančno preučeval niance svetlobe in barve za dosego neprimerljivega realizma. Njegovi nanosi črt so bili premišljeni in ekspresivni, zajemali niso le tistega, kar se je videlo, temveč tudi tisto, kar se je čutilo – znak ambicije Realističnega gibanja prikazati človeško izkušnjo resnično. Surikovo platno slovi po dramatičnih kompozicijah in sugestivni osvetlitvi, ki gledalca neposredno popelje v prizore, ki jih upodablja. Njegova pozornost do detajlov ni bila le tehnična spretnost, temveč odraz globokega spoštovanja do zgodovine in ljudi, ki so jo ustvarjali.

    Pomembna dela in simbolizem

    Med njegovimi najbolj znanimi slikami so “Bojarinja Morozova”, portret, ki ujame dostojanstvo in pobožnost aristokratske plemkinje; “Volški ladjari”, prikaz trdega dela in tovarištva ruskih barkarjev; in “Zimska pokrajina”, slavna po svoji vzvišeni lepoti in simbolični upodobitvi vztrajnega duha Rusije. Ta dela ponazarjajo Surikovo sposobnost dvigniti zgodovinske pripovedi v čustveno nabite vizualne izkušnje. Njegova dela so polna simbolizma – sklicevanja na rusko folkloro, versiko ikonegrafijo in družbene komentarje – ki bogatijo njihov pomen onkraj samega prikazovanja. Spretno prepleta pripovedne elemente in ustvarja zgodbe, ki osvetljujejo kompleksnost človeškega vedenja in sile, ki oblikujejo usodo Rusije. Boyarina Morozova, na primer, ni le portret ženske, ampak simbol odpornosti in vere v času političnih nemirov.

    Zgodovinski pomen in zapuščina

    Surikov prispevek k ruskemu slikarstvu sega daleč onkraj njegovih posameznih mojstrskih del. Ustanovil je slikarsko šolo na Akademiji za likovno umetnost v Sankt Peterburgu, spodbudil generacijo umetnikov, ki so sprejeli Realizem in zagovarjali Surikove umetniške principe. Njegov vpliv je mogoče videti v delih številnih naslednjih slikarjev – dokaz o njegovi dolgotrajni zapuščini kot vizionarja in ključne figure pri oblikovanju ruske kulturne identitete. Umrl je leta 1916 med prvo svetovno vojno, za seboj pa pustil neprimerljivo delo, ki še naprej navdihuje občudovanje in znanstveno proučevanje. Njegova dela so dragocena pričevanja o Ruskem imperiju – zajamejo trenutke družbenih pretresov, verskega zanosa in narodne ponosnosti. Ponujajo vpogled v psihološko pokrajino njegove dobe in bistveno prispevajo k našemu razumevanju ruske kulturne dediščine.

    Muzej

    Tretyakovska galerija

    Na razstavi v Moskva, Rusija

    A Pilgrimage into the Soul of Russia: The State Tretyakov Gallery

    The State Tretyakov Gallery in Moscow isn’t merely a museum; it's an immersive journey into the very heart and soul of Russia itself. Founded in 1856 by Pavel Mikhailovich Tretyakov, a visionary merchant driven by a profound patriotic desire to cultivate a national identity through artistic expression, the gallery began as a deeply personal collection—a testament to his unwavering belief in art’s power to reflect the Russian spirit. This intimate foundation imbues the entire institution with an atmosphere of cherished intimacy, inviting visitors into a space where centuries whisper stories across its hallowed halls. More than just a repository of art; it feels like stepping into a beloved family home brimming with artistic treasures and historical narratives.

    The architectural narrative of the Tretyakov is as compelling as the artworks within. The main building on Lavrushinsky Lane began life as a private residence for the Mamontov family, retaining an intimate scale that belies its transformation into a public institution. Viktor Vasnetsov’s striking façade—a masterpiece of Russian Revival style—evokes a sense of ancient grandeur and national pride, drawing inspiration from folklore and religious traditions woven deeply into Russia's cultural fabric. The building itself seems to rise organically from the earth of Moscow, adorned with intricate details that hint at the nation’s rich heritage. Later expansions, notably the New Tretyakov Gallery on Krymsky Val, offer a striking counterpoint—a modern space designed to house the revolutionary movements and bold experimentation of the 20th and 21st centuries, reflecting a deliberate juxtaposition between tradition and modernity. The contrast is not one of conflict, but rather a powerful statement about Russia’s ongoing evolution.

    Echoes of Faith and Empire: A Journey Through Time

    Wandering through the Tretyakov’s halls is akin to embarking on a chronological odyssey through Russian artistic evolution. The gallery's collection of ancient icons—particularly Theotokos of Vladimir, with its vibrant colors, gilded surfaces, and serene expressions—offers an unparalleled glimpse into the spiritual life of medieval Russia—windows into a world steeped in Byzantine tradition, where symbolism and meticulous craftsmanship converged to create objects of breathtaking beauty and devotional power. These aren’t simply religious images; they are profound cultural artifacts, revealing the beliefs, customs, and artistic sensibilities of a bygone era. The sheer luminosity of these icons, achieved through painstaking layering of gold leaf and pigment, speaks volumes about the devotion invested in their creation – each brushstroke imbued with prayer and reverence.

    Moving forward through the 19th century, one encounters a panorama of Russian life rendered with remarkable realism and emotional depth. Masters such as Ilya Repin capture the social and political currents of Imperial Russia—the struggles of the peasantry, the opulence of courtly life, and the intellectual ferment that characterized the period. Landscapes by Ivan Shishkin evoke the vastness and majesty of the Russian countryside, capturing the soul of the birch forests and the resilience of the people who inhabit them. The atmospheric paintings of Isaac Levitan convey a poignant sense of melancholy beauty, often imbued with a deep connection to nature and human suffering – scenes of solitary figures contemplating the endless expanse of the Russian winter or the quiet dignity of a rural village.

    The Avant-Garde Revolution: Breaking Boundaries

    The early 20th century witnessed a seismic shift in Russian art as artists boldly embraced radical new forms of expression. The Tretyakov Gallery houses a remarkable collection of avant-garde masterpieces that challenged conventional notions of representation and paved the way for modern art worldwide. Kazimir Malevich’s iconic Black Square—a seemingly simple geometric form—became a potent symbol of pure abstraction, rejecting representational imagery in favor of a spiritual exploration of color and shape. Wassily Kandinsky's vibrant compositions, brimming with abstract forms and dynamic energy, explored the profound relationship between art and music, while Marc Chagall’s dreamlike canvases blended elements of folklore, memory, and personal experience into evocative and deeply emotional works. This period wasn’t simply about artistic innovation; it was a direct reflection of the tumultuous social and political upheaval that gripped Russia – a desire to forge a new visual language for a new era.

    The gallery's collection during this time is particularly significant, showcasing not just the finished works but also preparatory sketches and studies, offering insight into the artists’ creative processes. It’s a testament to the daring experimentation that defined this period – an embrace of color, form, and emotion that fundamentally altered the course of art history.

    A Living Legacy: Current Exhibitions and Enduring Appeal

    Today, the State Tretyakov Gallery continues to evolve, hosting dynamic exhibitions that showcase both historical treasures and contemporary creations. Recent displays like “To See the Unknown,” which recontextualizes familiar masterpieces alongside lesser-known works, demonstrate a commitment to fresh perspectives and scholarly inquiry—a dedication to revealing new layers of meaning within established artworks. The gallery’s ongoing efforts to preserve its collection while simultaneously engaging with current artistic trends ensure its continued relevance for generations to come. For art lovers, collectors, and interior designers alike, the State Tretyakov Gallery is more than just a museum; it's an immersive experience, a profound connection to the soul of Russia.

    Useful Links:

    Tretyakov Gallery:

    https://en.wikipedia.org/wiki/Tretyakov_Gallery

    Notable Exhibitions (Recent & Ongoing):

    The gallery regularly hosts temporary exhibitions exploring diverse themes within Russian art history and contemporary practice. Check their website for current events.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Self-Portrait

    originaluniqueart.com/sl/art/download/vasily-ivanovich-surikov-self-portrait-8YDTYT-en/

    Citiranje umetniškega dela

    MLA
    Surikov, Vasili Ivanovič. Self-Portrait. 1879, Tretyakovska galerija. https://originaluniqueart.com/sl/art/vasily-ivanovich-surikov-self-portrait-8YDTYT-en/
    APA
    Surikov, Vasili Ivanovič (1879). Self-Portrait [Painting]. Tretyakovska galerija. https://originaluniqueart.com/sl/art/vasily-ivanovich-surikov-self-portrait-8YDTYT-en/
    Chicago
    Vasili Ivanovič Surikov. Self-Portrait. 1879. Tretyakovska galerija. https://originaluniqueart.com/sl/art/vasily-ivanovich-surikov-self-portrait-8YDTYT-en/
    Harvard
    Surikov, Vasili Ivanovič (1879) Self-Portrait. Tretyakovska galerija. Available at: https://originaluniqueart.com/sl/art/vasily-ivanovich-surikov-self-portrait-8YDTYT-en/

    Oglejte si bližje

    Self-Portrait — Vasili Ivanovič Surikov

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: portrait, historical, russian. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si Townswoman (also known as A. Yemelyanova, née Schreider) (1902), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Vasili Ivanovič Surikov je bil star približno 31, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Umetniški kviz

    Self-Portrait — Vasili Ivanovič Surikov

    Kako dobro poznate to umetniško delo?

    Za vsako od spodnjih 5 vprašanj izberite en odgovor. Vsako ima natanko en pravilni odgovor.

    1. 1. What is the primary style of art associated with Vasily Ivanovich Surikov?

      • A Impressionism
      • B Romanticism
      • C Realism
    2. 2. Based on the description, what is a notable element of the man's attire in this self-portrait?

      • A A military uniform
      • B A bowtie
      • C A velvet cloak
    3. 3. The painting was created in what year, according to the provided information?

      • A 1848
      • B 1916
      • C 1879
    4. 4. What biographical detail about Surikov suggests his early artistic focus?

      • A His interest in Parisian salons
      • B A fascination with folklore and peasant life
      • C His study of classical Greek sculpture
    5. 5. The setting described for the portrait includes what visible object?

      • A A bookshelf
      • B A window overlooking a city
      • C A chair in the background

    Moj rezultat: ____ od 5

    Ključ odgovorov — za učitelje

    To se začne na novi tiskani strani, zato lahko te strani pri kopiranju preprosto izpustite.

    1B · 2A · 3B · 4A · 5B

    Preverite vsak odgovor v primerjavi z zapisom v katalogu za to sliko

    Vprašanja in odgovori

    Iz katere države izvira del Historical Realism z naslovom "Self-Portrait"?

    "Self-Portrait" povezuje gibanje Historical Realism s Rusija skozi rodno mesto svojega ustvarjalca.

    Kakšna je barvna paleta dela "Self-Portrait"?

    Paleta dela "Self-Portrait" avtorja Vasili Ivanovič Surikov je opisana kot Earthy, kar predstavlja jedinkaven povzetek barv v tem delu.

    Kateri umetnik in kateri slog stojita za "Self-Portrait"?

    "Self-Portrait" je ustvaril Vasili Ivanovič Surikov v slogu Historical Realism. Umetnik in umetniška smer opredeljata tradicijo dela.