Papir

Vodnik po študentskem umetniškem delu

Killer pink

Ime Razred Datum

Tašika Murakami, Killer pink. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Tašika Murakami originaluniqueart.com/sl/artists/tasika-murakami_sl/
Datumi rojstva in smrti umetnika
1962 –
Tehnika
Screenprint Ink pushed through a stencilled mesh, one flat colour at a time — the technique behind much Pop Art.
Gibanje
Pop Art Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall.
Obdobje
Contemporary
Artistic style
Pop Art / Neo-pop
Notable elements or techniques
Smiling faces on flowers, gray background
Subject or theme
Vibrant flowers and a small teddy bear

V kontekstu

Killer pink — Tašika Murakami

Kdaj bi bilo to lahko slikano?

  1. 1960
  2. 1970
  3. 1980
  4. 1990

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja, pri čemer se leta od rojstva štejejo od 0 naprej.

vsaka datirana slika, desetletje za desetletjem

Za ta posnetek ni v evidenci natančne leta — glede na življenjsko dobo umetnika in slog dela, za katero desetletje bi ugledali?

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: originaluniqueart.com/sl/art/similar/takashi-murakami-killer-pink-AE3NMK-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Gray #6b8492

    Katalogirana paleta

    • #6B8492
    • #D9C9BA
    • #291E24
    • #E5814B

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Gray
    Intenzivnost
    Vivid Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Clear Color Presence Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Tašika Murakami v zadnjih dvanajst mesecih — skupaj 11 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 37,0%
    2. 2 Združene države Amerike 14,8%
    3. 3 Brazilija 7,4%
    4. 4 Danska 7,4%
    5. 5 Francija 7,4%
    6. 6 Grčija 7,4%
    7. 7 Avstralija 3,7%
    8. 8 Bolgarija 3,7%
    9. 9 Kanada 3,7%
    10. 10 Japonska 3,7%
    11. · 1 drugih držav 3,8%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    20 najbolj gledanih del umetnika Tašika Murakami

    1. 1 Flower ball 20,7%
    2. 2 Killer pink ta slika 7,3%
    3. 3 727 - (272) 7,3%
    4. 4 Normalized 6,1%
    5. 5 Rainbow Flower 4 O'Clock 6,1%
    6. 6 The world of sphere 4,9%
    7. 7 Tan tan bo 4,9%
    8. 8 Tan tan bo puking 4,9%
    9. 9 Stew (Blue), 1995 3,7%
    10. 10 Mr Dob 3,7%
    11. 11 The 500 arhats 3,7%
    12. 12 Eye Love Monogram 2,4%
    13. 13 Who s afraid of red yellow blue and death 2,4%
    14. 14 Kansei platinum 2,4%
    15. 15 Kaikai kiki 2,4%
    16. 16 DOB (klien's Pot Series), 1997 2,4%
    17. 17 Flowers blooming in this world and the land of nirvana 1,2%
    18. 18 Kaikai kiki (2) 1,2%
    19. 19 Maquette 1,2%
    20. 20 Kun, quel surprise et quel dommage 1,2%

    Skupaj ti deli predstavljajo 90,1% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 59 del te umetnice, pri čemer je bilo 28 vsaj enkrat ogledanih. Ta slika zaseda 2 mesto med njimi, s 7,3% takšne pozornosti. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    O tem umetniškem delu

    Killer pink — Tašika Murakami

    A Surface of Smiling Faces

    Step closer and observe the way these flowers occupy the space. There is a certain flatness here, a deliberate lack of depth that pulls your eye across the surface rather than into it. Each bloom carries a wide, grinning face, arranged in a dense, kaleidoscopic pattern that seems to swarm across the gray background. The colors are intense—pinks ranging from soft pastels to electric neons—yet they feel strangely contained by the neutral backdrop. It is a composition of repetition. You might notice how the flowers appear almost as individual screens, each one beaming a fixed expression of joy directly at you.

    The technique relies on a precise, clean application. Using 4c offset print with special gold and UV white, the artist achieves a slickness that feels almost artificial. There are no visible brushstrokes to interrupt the gaze; instead, there is only the immaculate, uniform layer of color. This smoothness creates a tension between the cheerful subject matter and the hyper-real, manufactured finish of the print.

    The Duality of the Superflat

    This work exists within the framework of the Superflat theory, where the boundaries between high art and low culture are intentionally blurred. The imagery draws heavily from the aesthetics of Japanese anime and manga, utilizing the kawaii or cute culture to engage the viewer. However, beneath the cheerful exterior of these smiling blossoms lies a more complex layer of meaning. The proliferation of such relentless positivity can be read as a way to mask deeper anxieties or even as a commentary on the nature of consumerism.

    There is an unsettling quality to this muchness. While the flowers are undeniably pretty, their wide-eyed, unblinking expressions carry a sense of unease. It is a study in contradictions: the sweetness of the floral motifs paired with a sense of something more disturbing lurking just beneath the surface. The work does not ask you to look past the surface, but rather to consider what that surface is attempting to hide.

    Umetnik in muzej

    Umetnik

    Tašika Murakami

    Rojen v Ljubljana, Slovenija

    A Universe of Superflat: The World of Takashi Murakami

    Born in Tokyo in 1962, Takashi Murakami emerged as a pivotal figure in contemporary art, challenging conventional boundaries and forging a unique aesthetic language that resonates globally. His journey began with a childhood fascination for anime and manga, initially fueling aspirations to work within the animation industry. This early passion would profoundly shape his artistic vision, but his formal training took an unexpected turn when he enrolled at Tokyo University of the Arts. Though intending to hone skills applicable to animation, Murakami ultimately gravitated towards Nihonga, the traditional Japanese painting style steeped in centuries-old techniques and philosophical underpinnings. He excelled, earning a Ph.D., yet found himself increasingly disillusioned by its insular nature and rigid adherence to established norms. This dissatisfaction sparked a period of exploration, leading him to venture beyond tradition and embrace the dynamic possibilities of contemporary art.

    From Critique to Creation: The Genesis of Superflat

    Murakami’s initial artistic explorations were rooted in social critique and satire, evident in projects like the Osaka Mixer Project (1992) and the Randoseru project (1991). These early works demonstrated a keen awareness of societal structures and a willingness to challenge them through art. A crucial turning point arrived with the introduction of “Mr. DOB,” a recurring motif that evolved into a form of self-portraiture, embodying both personal identity and broader cultural anxieties. The year 1994 proved transformative; a fellowship from the Asian Cultural Council facilitated his participation in the PS1 International Studio Program in New York City. Exposure to Western contemporaries like Anselm Kiefer and Jeff Koons broadened his perspective and ignited new creative avenues. It was during this period that the concept of “Superflat” began to crystallize, culminating in his groundbreaking 2000 exhibition at MOCA Los Angeles. Superflat wasn’t merely an aesthetic style; it was a theoretical framework positing a historical continuity of flattened imagery within Japanese art—from the elegant simplicity of Ukiyo-e woodblock prints to the vibrant dynamism of manga and anime. Murakami argued that post-war Japanese society had experienced a “flattening” of social classes, blurring distinctions between high and low culture, and this phenomenon was reflected in the visual landscape.

    Influences and Themes: A Tapestry of Culture

    Murakami’s artistic universe is built upon a rich tapestry of influences. The stylized characters and vibrant color palettes of anime and manga are immediately apparent, lending his work a playful yet unsettling quality. He draws inspiration from the Pop Art movement, particularly its embrace of mass-produced imagery and consumer culture references, but infuses it with a distinctly Japanese sensibility. The flat perspective and bold compositions found in his paintings echo the legacy of Ukiyo-e, traditional Japanese woodblock prints renowned for their exquisite craftsmanship and evocative depictions of everyday life. A central theme in Murakami’s work is the complex relationship between consumerism and commercialization. He deliberately blurs the lines between fine art and commercial products, creating merchandise like plush toys and t-shirts—a provocative gesture that challenges traditional notions of artistic value and authorship. His exploration extends to Japanese subcultures, particularly otaku culture, incorporating elements of anime, manga, video games, and a fascination with all things cute or kawaii.

    Achievements and Legacy: A Global Impact

    Takashi Murakami’s impact on the art world is undeniable. He founded Kaikai Kiki Co., Ltd., not only as a platform for his own work but also as a nurturing environment for younger artists, overseeing various projects and fostering a collaborative spirit. The Geisai art fair, which he organized, provided an invaluable launching pad for emerging Japanese talent. His exhibitions in major galleries and institutions worldwide have cemented his international recognition, while collaborations with luxury brands like Louis Vuitton—designing iconic handbags adorned with his signature motifs—have further blurred the boundaries between high art and commercial design. His work is now held in prominent museum collections globally, solidifying his status as a leading contemporary artist. Murakami’s “Superflat” theory has profoundly impacted contemporary art discourse, offering a fresh perspective on Japanese artistic traditions and post-war culture. He challenged conventional notions of artistic value by integrating commercial elements into his practice, influencing the development of Pop Art and consumer culture in art. His work helped introduce Japanese subcultures to a global audience, fostering cross-cultural understanding and appreciation. Takashi Murakami’s innovative approach continues to inspire countless artists and shape the landscape of contemporary art for generations to come.

    Notable Works and Continued Evolution

    Murakami's oeuvre is remarkably diverse, encompassing painting, sculpture, animation, and fashion. Tan tan bo, a large-scale painting depicting a young girl surrounded by fantastical creatures, exemplifies his signature style – vibrant colors, flattened perspective, and a blend of cute and unsettling imagery. The world of sphere, created after the 2011 Tohoku earthquake and tsunami, represents a shift towards more introspective themes, exploring notions of interconnectedness and resilience in the face of tragedy. His iconic Flowers Have Bloomed series, featuring smiling flowers with vibrant petals, has become synonymous with his artistic brand. Beyond these celebrated works, Murakami continues to push boundaries, experimenting with new mediums and technologies. He’s embraced digital art, creating NFTs and exploring virtual worlds, demonstrating a commitment to staying at the forefront of contemporary innovation. His recent projects often delve into themes of mythology, spirituality, and the human condition, revealing a depth beyond the surface-level pop aesthetic that initially defined his career. He remains a prolific artist, constantly evolving and challenging expectations, solidifying his position as one of the most influential figures in the 21st-century art world.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Killer pink

    originaluniqueart.com/sl/art/download/takashi-murakami-killer-pink-AE3NMK-en/

    Citiranje umetniškega dela

    MLA
    Murakami, Tašika. Killer pink. n.d., https://originaluniqueart.com/sl/art/takashi-murakami-killer-pink-AE3NMK-en/
    APA
    Murakami, Tašika (n.d.). Killer pink [Painting]. https://originaluniqueart.com/sl/art/takashi-murakami-killer-pink-AE3NMK-en/
    Chicago
    Tašika Murakami. Killer pink. n.d. https://originaluniqueart.com/sl/art/takashi-murakami-killer-pink-AE3NMK-en/
    Harvard
    Murakami, Tašika (n.d.) Killer pink. Available at: https://originaluniqueart.com/sl/art/takashi-murakami-killer-pink-AE3NMK-en/

    Oglejte si bližje

    Killer pink — Tašika Murakami

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: flowers, smiling faces, teddy bear. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Poglejte nazaj na Art for Baby, ki ste ga prej videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    5. Pop Art: Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall. Kje lahko to opazite v tem delu?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Umetniški kviz

    Killer pink — Tašika Murakami

    Kako dobro poznate to umetniško delo?

    Za vsako od spodnjih 5 vprašanj izberite en odgovor. Vsako ima natanko en pravilni odgovor.

    1. 1. How many distinct flowers are visible in the painting?

      • A At least 5
      • B At least 13
      • C Exactly 20
    2. 2. What color faces do some of the flowers have?

      • A Yellow, blue, or pink
      • B Red, green, or orange
      • C Purple, white, or black
    3. 3. Besides the flowers, what other small object is present in the painting?

      • A A small cat
      • B A small teddy bear
      • C A small rabbit
    4. 4. What is the overall composition of the painting described as?

      • A Dark and somber
      • B Vibrant colors and playful elements
      • C Minimalist and monochrome
    5. 5. Who is the artist of this artwork?

      • A Takashi Murakami
      • B Takashi Fukai
      • C Takashi Chadani

    Moj rezultat: ____ od 5

    Ključ odgovorov — za učitelje

    To se začne na novi tiskani strani, zato lahko te strani pri kopiranju preprosto izpustite.

    1B · 2A · 3B · 4B · 5A

    Preverite vsak odgovor v primerjavi z zapisom v katalogu za to sliko

    Vprašanja in odgovori

    Priporočena uporaba in prostor za "Killer pink" avtorja Tašika Murakami?

    Priporočena uporaba (Focal) in prostor (Children's Room) za delo "Killer pink" avtorja Tašika Murakami.

    Ali lahko s pomočjo proširjene stvarnosti vidim "Killer pink" avtorja Tašika Murakami v svojem prostoru?

    Delo "Killer pink" ima predogled z augmented reality: stran Predogled v AR za to umetnino prikazuje delo v vašem lastnem prostoru na združljivi napravi.

    Kako harmonizirane so barve dela "Killer pink" avtorja Tašika Murakami?

    "Killer pink" avtorja Tašika Murakami prikazuje Discordant Palette barvno harmonijo.