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Acacia Armata

Ime in priimek Razred Datum

pierre joseph redouté, Acacia Armata. Dostopno v javni lastnini.

Podrobnosti

Umetnik
pierre joseph redouté originaluniqueart.com/sl/artists/pierre-joseph-redoute/
Datumi rojstva in smrti umetnika
1759 – 1840

V kontekstu

Acacia Armata — pierre joseph redouté

Kdaj bi bilo to lahko slikano?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820
  9. 1830
  10. 1840

Osenčeno: življenjsko obdobje pierre joseph redouté (1759–1840)

Za ta posnetek ni v evidenci natančne leta — glede na življenjsko dobo umetnika in slog dela, za katero desetletje bi ugledali?

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Barve

Izmerjeno na podlagi slike

    Glavna barva

    Putty #dedbd7

    Shranjena paleta

    • #DEDBD7
    • #615722
    • #978B57
    • #C0B68E
    Paleta barv
    Neutrals Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Putty
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Serene V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    pierre joseph redouté

    Rojen v Saint-Hubert, Belgium

    Early Life and Training

    Born: July 10, 1759, in Saint-Hubert, Belgium

    Family of Artists: His father and grandfather were painters; his elder brother was a scenery designer.

    Early Career: Left home at age 13 to work as an itinerant painter, creating interior decorations, portraits, and religious commissions.

    Move to Paris (1782): Joined his brother in painting scenery for theaters in Paris.

    Botanical Illustration and Patronage

    Meeting Botanists: Met Charles Louis L'Héritier de Brutelle and René Desfontaines, who introduced him to botanical illustration.

    Mentorship: Studied under L'Héritier and Gerard van Spaendonck, learning dissection techniques and watercolor handling.

    Royal Patronage: Became draughtsman and painter to Queen Marie Antoinette.

    Empress Joséphine’s Patronage (1798): Became the official artist for Empress Joséphine de Beauharnais at the Château de Malmaison, gaining access to a vast collection of exotic plants.

    Teaching: Taught painting to Princess Adélaïde of Orléans in 1809.

    Major Works and Artistic Style

    Les Liliacées (The Lilies): A series of books published between 1802 and 1816, featuring over 400 hand-colored plates depicting lily-like plants.

    Les Roses (The Roses): Published between 1817 and 1824, containing nearly 170 plates showcasing different rose varieties.

    Watercolor Technique: Mastered watercolor painting, using meticulous brushwork and subtle shading to capture the delicate beauty of flowers.

    Composition: Often featured a single flower as the central focus, surrounded by leaves and stems.

    Influences and Historical Significance

    Flemish and Dutch Flower Painters: Considered an important heir to the tradition of Brueghel, Ruysch, van Huysum, and de Heem.

    Jan van Huysum: Inspired by the work of this Dutch eighteenth-century flower painter during his early career.

    "Raphael of Flowers": Nicknamed for his exceptional skill and artistry.

    Legacy: Considered one of the greatest botanical illustrators of all time, influencing subsequent generations of artists. His works remain highly valued for their precision, accuracy, and beauty.

    Later Life and Death

    Appointment at the Museum: Appointed a master of draughtsmanship for the National Museum of Natural History in 1822.

    Legion of Honour: Became a Chevalier of the Legion of Honour in 1825.

    Death: Died suddenly on June 19 or 20, 1840, and was interred in Père Lachaise Cemetery.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Acacia Armata

    originaluniqueart.com/sl/art/download/pierre-joseph-redoute-acacia-armata-9DJ4EQ-en/

    Navodila za citiranje umetniškega dela

    MLA
    redouté, pierre joseph. Acacia Armata. n.d., https://originaluniqueart.com/sl/art/pierre-joseph-redoute-acacia-armata-9DJ4EQ-en/
    APA
    redouté, pierre joseph (n.d.). Acacia Armata [Painting]. https://originaluniqueart.com/sl/art/pierre-joseph-redoute-acacia-armata-9DJ4EQ-en/
    Chicago
    pierre joseph redouté. Acacia Armata. n.d. https://originaluniqueart.com/sl/art/pierre-joseph-redoute-acacia-armata-9DJ4EQ-en/
    Harvard
    redouté, pierre joseph (n.d.) Acacia Armata. Available at: https://originaluniqueart.com/sl/art/pierre-joseph-redoute-acacia-armata-9DJ4EQ-en/

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    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Over cup white oak, or, Quercus macrocarpa (1865), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?
    5. Če bi lahko umetniku zastavili le eno vprašanje o tem delu, katero bi to bilo?

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