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The Comforter

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Olawunmi Banjo, The Comforter (2013), Yemisi Shyllon Museum of Art. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Olawunmi Banjo originaluniqueart.com/sl/artists/olawunmi-banjo/
Datumi rojstva in smrti umetnika
1985 –
Naslikano
2013
Material
Oil On Canvas
Prvotna velikost
122 x 102 cm
Gibanje
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Obdobje
Contemporary
Na lokaciji
Yemisi Shyllon Museum of Art originaluniqueart.com/sl/museums/yemisi-shyllon-museum-of-art-lagos_sl/
Artistic style
Hyper-realism and Surrealism
Influences
Aina Onabolu, Renaissance masters
Notable elements or techniques
Fine, smooth texture and hyper-realistic detail
Subject or theme
Mother and son connection and comfort

V kontekstu

The Comforter — Olawunmi Banjo

Dimenzije

Prvotne dimenzije so 122 × 102 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja, pri čemer se leta od rojstva štejejo od 0 naprej.

Naslikano, ko je bil avtor star 28. 0 od 1 datiranih del tega umetnika v našem katalogu je nastalo prej.

▲ to delo, 2013 vsaka datirana slika, desetletje za desetletjem

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Espresso #4b3b3a

    Shranjena paleta

    • #4B3B3A
    • #171816
    • #B06F52
    • #C8A592

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Espresso
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    O tem umetniškem delu

    The Comforter — Olawunmi Banjo

    An Intimate Encounter of Resilience and Tenderness

    In the profound stillness of Olawunmi Banjo’s "The Comforter," we are invited into a private sanctuary of human emotion. This masterwork, painted in 2013, transcends mere portraiture to become a visceral exploration of the human condition. At its heart, the painting captures a poignant dialogue between a mother and her young son—a moment frozen in time that speaks to the universal experiences of sorrow and solace. The woman, depicted with a heavy countenance that mirrors the weight of life's inevitable tribulations, rests her head in her hands, embodying the frustration, depression, and quiet pain that many face in their darkest hours. Yet, through this shadow, a light emerges: the presence of her son, whose gentle hand on her shoulder serves as a silent, powerful anchor of hope.

    The emotional resonance of the piece is amplified by Banjo’s extraordinary command of hyper-realism. Every subtle feature, from the delicate texture of the purple scarf draped around the woman's head to the tender expression in the boy's eyes, is rendered with a precision that borders on the miraculous. This meticulous attention to detail allows the viewer to feel the warmth radiating from their connection. The artist utilizes a fine, smooth texture that lends an ethereal quality to the skin and fabric, creating an aesthetic appeal that is both grounded in reality and elevated by a dreamlike, surrealist undertone. It is this duality—the heavy reality of grief paired with the lightness of compassion—that makes the painting so deeply moving.

    A Masterclass in Contemporary Nigerian Surrealism

    Olawunmi Banjo, a rising star from Lagos, Nigeria, brings a unique perspective to the contemporary art scene through her ability to weave personal narrative with global themes. While her technique draws inspiration from the precision of Renaissance masters and the early modernist influences of Aina Onbolu, her soul is firmly rooted in the exploration of modern emotional landscapes. In "The Comforter," she utilizes bold colors and expressive depth to respond to the hidden realities that confront us all. The painting does not merely show a scene; it tells a story of reclamation—how we find the strength to believe again through the presence of others.

    For collectors and interior designers, this piece offers more than just visual beauty; it provides a profound focal point for any sophisticated space. The composition, featuring the subtle suggestion of a chair and an intimate seating arrangement, creates a sense of depth that draws the observer into the conversation. Whether placed in a quiet study or a grand living gallery, "The Comforter" acts as a meditative piece, inviting contemplation on the strength found in vulnerability. As a high-quality reproduction, it carries with it the spirit of Banjo’s incredible talent, offering an opportunity to possess a fragment of contemporary Nigerian excellence that celebrates the enduring power of love and human connection.

    Umetnik in muzej

    Umetnik

    Olawunmi Banjo

    Rojen v Ogun State, Nigeria

    The Soulful Vision of Olawunmi Banjo

    In the vibrant heart of Lagos, Nigeria, the works of Olawunmi Banjo emerge as profound dialogues between reality and the subconscious. Born in 1985 in Ogun State, Banjo has cultivated a creative practice that transcends mere representation, seeking instead to capture the very essence of human experience. Her journey as an artist is one of deep observation, where the world around her—the rhythms of nature, the faces of those she encounters, and the echoes of her own past—serves as the primary catalyst for her visual storytelling. There is a rare clarity in her approach; her art possesses an explanatory power that allows the viewer to grasp complex meanings through a direct, emotional connection with the canvas.

    The technical mastery of Banjo lies in her ability to manipulate medium and texture to evoke depth and emotion. While she is deeply skilled in the delicate precision of pencil and charcoal, it is her command over acrylic and oil painting that truly allows her spirit to soar. Her canvases are characterized by a striking use of bold colors and expressive, energetic brushstrokes that breathe life into every subject. This tactile approach creates a unique sense of dimension, where the layers of paint do more than just depict a scene—they embody the weight and texture of the stories being told.

    A Fusion of Renaissance Mastery and Surrealist Dreamscapes

    Banjo’s artistic evolution is a fascinating tapestry woven from disparate historical threads. She draws immense inspiration from the Renaissance masters, adopting their rigorous attention to form and their ability to imbue human figures with divine significance. This classical foundation provides a structural strength to her work, which she then brilliantly disrupts through the lens of the Surrealist movement. In recent years, this influence has become increasingly prominent, as she blends the tangible world with dreamlike, unexpected imagery that challenges the viewer's perception of reality.

    This synthesis of styles creates a tension that is both captivating and unsettling. By merging the disciplined techniques of the past with the fluid, irrational logic of surrealism, Banjo has carved out a unique niche in the contemporary Nigerian art scene. Her work does not merely reflect her environment; it reimagines it, pulling from her experiences to create a visual language that feels both deeply personal and universally resonant.

    Legacy and the Rising Star of Nigerian Art

    As a rising star within the African art community, Banjo’s trajectory is marked by significant institutional recognition. Her participation in the African Artists' Foundation has been instrumental in refining her technique and situating her work within the broader context of contemporary African excellence. The prestige of her growing portfolio is further evidenced by her presence in notable institutions such as the Nelson-Atkins Museum of Art and the Museum Il Gesù, spaces that highlight her ability to communicate across cultural boundaries.

    Today, Banjo continues to push the boundaries of her medium, leaving an indelible mark on the art world through works that are as much about the unseen spirit as they are about the visible subject. Her contribution to the modern era is defined by:

    Emotional Resonance: The ability to use color and texture to speak directly to the human psyche.

    Cultural Synthesis: A seamless blend of classical European influences with contemporary Nigerian perspectives.

    Narrative Depth: Creating thought-provoking pieces that invite endless reinterpretation and discovery.

    Muzej

    Yemisi Shyllon Museum of Art

    Na razstavi v Lagos, Nigerija

    Svetilnik nigerijske umetniške dediščine: Zgodovinska pot Zemašča umetnosti Yemisi Shyllon

    V srcu kampusa Pan-Atlantic University v Lekkiju, v državi Lagos v Nigeriji, stoji edinstven institucijski dragulj – Zemašče umetnosti Yemacija Shyllon. Ta prostor presega zgolj funkcijo izložbenega prostora; gre za neizneusno pričevanje vizionarske filantropije in slavljenje živahnega umetniškega dediščine Nigerije, saj predstavlja prvi univerzitetni umetniški muzej v tej državi.

    Muzej, ki je bil ustanovljen oktobra 2019 zahvalno zaradi plemenite donacije princa Yemisiya Shyllona – enega najbolj izstopajočih afriških zbirateljev umetnosti – v sebi združuje akademsko natančnost in estetsko popolnost. Njegova kreacija se je rodila iz globoke želje po spodbudjanju umetniškega uživanja znotraj univerzitetične skupnosti ter po varovanju kulturnih zakladov Nigerije za prihodnje generacije.

    Dedstvo, zazivo v strasti:

    Zgodnji začetki YSMA se povezujejo z aprillom leta 2011, ko je bil predstavljen Virtualni muzej moderne in sodobne nigerijske umetnosti, kar je razkalo Shyllonovo predanost širjenju umetniškega znanja. Kasnejše predloge drugih zbirateljev so nato utrdile vizijo o vzpostavitvi fizičnega muzeja na PAU.

    Arhitekturna harmonija:

    Muzej, ki ga je zasnoval Jess Castellote, postavlja v ospredje naravno svetlobo in odprte prostore, s čimer ustvarja vabljivo okolje, ki popolnoma dopolnjuje njegove umetniške zbirke.

    Slavljenje umetne duše Nigerije

    Ključna moč muzeja se skriva v njegovi impresivni zbirki več kot tisoč umetnin, ki razpolagajo časovno od predkolonialnega obdobja do današnjih dni. Ta dela predstavljajo celovito panoramo nigerijske umetnostne zgodovine in odražajo raznolike kulturne tradicije ter umetniške sloge.

    Skulpturalna raznolikost:

    Od zapletenih lesenih joruba skulptur avtorja Lamidija Olonade Fakeyja do monumentalnih replik glav Ife – simbolov starodavnih nigerijskih civilizacij – skulpturalna zbirka pripoveduje o izjemnem vrhunskega okusa in stilski evoluciji.

    Mojstri slikarstva:

    Pomembni umetniki, kot so Ben Enwonwu, El Anatsui, Bruce Onobrakpeya in Aina Onabolu, bogatijo slikarstvo repertoar muzeja. Njihova platna zajimajo ključne trenutke v nigerijski zgodovini in umetniškem izrazu.

    Zgodovinski pomen in kulturni vpliv

    Poleg svoje estetske privlačnosti igra YSMA ključno vlogo pri izobraževanju študentov in raziskovalcev o umetniški dediščini Nigerije. Razstave o umetnosti Ife in Benin – ki vključujejo ikonične bronaste skulpture, kot je glava Ife – nudijo neprecenljiv vpogled v bogato kulturno preteklost te regije.

    Fotografske pripovedi:

    Fotografski arhiv muzeja dokumentira pomembne nigerijske kulturne festivale, s čimer zajema dinamiko tradicij in umetniških predstavitev. Posebej izstopajo fotografije Ariyja Oguntimehina.

    Unikatni prispevek k umetnostni pedagogiki

    Zemašče umetnosti Yemisi Shyllon se loči od drugih kot prvi univerzitetni umetniški muzej v Nigeriji – pionirsko prizadevanje, ki poudarja pomen spodbudanja ustvarjalnosti in kulturnega razumevanja. Njegova misija presega zgolj izložbo; on si prizadeva spodbujati dialog, promovirati umetniško apreciacijo in prispevati k intelektualni obogatitvi svojih obiskovalcev.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos The Comforter

    originaluniqueart.com/sl/art/download/olawunmi-banjo-the-comforter-D762AR-en/

    Navodila za citiranje umetniškega dela

    MLA
    Banjo, Olawunmi. The Comforter. 2013, Yemisi Shyllon Museum of Art. https://originaluniqueart.com/sl/art/olawunmi-banjo-the-comforter-D762AR-en/
    APA
    Banjo, Olawunmi (2013). The Comforter [Painting]. Yemisi Shyllon Museum of Art. https://originaluniqueart.com/sl/art/olawunmi-banjo-the-comforter-D762AR-en/
    Chicago
    Olawunmi Banjo. The Comforter. 2013. Yemisi Shyllon Museum of Art. https://originaluniqueart.com/sl/art/olawunmi-banjo-the-comforter-D762AR-en/
    Harvard
    Banjo, Olawunmi (2013) The Comforter. Yemisi Shyllon Museum of Art. Available at: https://originaluniqueart.com/sl/art/olawunmi-banjo-the-comforter-D762AR-en/

    Poglejte bližje

    The Comforter — Olawunmi Banjo

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: woman, boy, purple scarf. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Kje lahko to opazite v tem delu?
    5. Olawunmi Banjo je bil star približno 28, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Umetniški kviz

    The Comforter — Olawunmi Banjo

    Kako dobro poznate to umetniško delo?

    Za vsako od spodnjih 5 vprašanj izberite en odgovor. Vsako vprašanje ima natanko en pravilni odgovor.

    1. 1. What is the primary emotional theme conveyed in Olawunmi Banjo's 'The Comforter'?

      • A Joy and celebration
      • B Sorrow and consolation
      • C Anger and conflict
    2. 2. Which artistic style is Olawunmi Banjo specifically recognized for in this work?

      • A Impressionism
      • B Hyper-realism
      • C Cubism
    3. 3. In the painting, what action is the young boy performing to show connection with the woman?

      • A He is holding a book for her
      • B He has his hand on her shoulder
      • C He is looking away from her
    4. 4. Who are the real-life subjects depicted in this painting?

      • A The artist's parents
      • B The artist's nephew and his mother
      • C Famous Nigerian historical figures
    5. 5. What color is the scarf worn by the woman in the portrait?

      • A Red
      • B Blue
      • C Purple

    Moj rezultat: ____ od 5

    Ključ odgovorov za učitelje

    To se začne na novi tiskani strani, zato lahko te strani pri kopiranju preprosto izpustite.

    1A · 2A · 3A · 4A · 5B

    Preverite vsak odgovor v primerjavi z zapisom v katalogu za to sliko

    Vprašanja in odgovori

    Kdaj je bilo ustvarjeno "The Comforter" in kateri umetniški slog pripada?

    "The Comforter" je powstało leta 2013 v okviru gibanja Contemporary Realism.

    Za kakšno priložnost je "The Comforter" avtorja Olawunmi Banjo primerno za darilo?

    "The Comforter" avtorja Olawunmi Banjo priporočamo kot darilo za Mother's Day. Kot darilo lahko podarujete reprodukcijo umetninega dela.

    Kakšno je usmerjenje dela "The Comforter" avtorja Olawunmi Banjo?

    Format dela "The Comforter" je Landscape. To je koristno pri načrtovanju postavitve reprodukcije.