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Self Portrait

Ime Razred Datum

Norman Stansfield Cornish, Self Portrait (1950). Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Norman Stansfield Cornish originaluniqueart.com/sl/artists/norman-stansfield-cornish/
Datumi rojstva in smrti umetnika
1919 – 2014
Naslikano
1950
Prvotna velikost
39 x 28 cm

V kontekstu

Self Portrait — Norman Stansfield Cornish

Kakšna je velikost?

Prvotne dimenzije so 39 × 28 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000
  11. 2010

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 95 ob smrti.

Naslikano, ko je bil avtor star 31. Umetnik je doživel 95 let. 0 od 1 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Norman Stansfield Cornish (1919–2014) ▲ to delo, 1950 vsaka datirana slika, desetletje za desetletjem

Primerjajte z

  • Pit Gantry Steps originaluniqueart.com/sl/art/norman-stansfield-cornish-pit-gantry-steps-AQSKZV-en/
  • Pit Road originaluniqueart.com/sl/art/norman-stansfield-cornish-pit-road-AQSL2D-en/
  • Pit Road at Night (recto) originaluniqueart.com/sl/art/norman-stansfield-cornish-pit-road-at-night-recto-AQSKZR-en/

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: originaluniqueart.com/sl/art/similar/norman-stansfield-cornish-self-portrait-AQSKZM-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #36170a

    Katalogirana paleta

    • #36170A
    • #AC7144
    • #D59367
    • #753F21

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Dark Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Phthalo Green
    Intenzivnost
    Vivid Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Bold V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Balanced Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Clear Color Presence Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Norman Stansfield Cornish v zadnjih dvanajst mesecih — skupaj 2 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 75,0%300 visits
    2. 2 Argentina 25,0%100 visits

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    6 najbolj gledanih del umetnika Norman Stansfield Cornish

    1. 1 Self Portrait, 1950 ta slika 16,7%100 visits
    2. 2 Busy Bar 16,7%100 visits
    3. 3 Pit Gantry Steps 16,7%100 visits
    4. 4 A Tired Pit Pony 16,7%100 visits
    5. 5 Going under Bye 16,7%100 visits
    6. 6 Bar Scene, Spennymoor, County Durham 16,7%100 visits

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 14 del te umetnice, pri čemer je bilo 6 vsaj enkrat ogledanih. This painting ranks 1 of them, with 16,7% of that attention (100 visits). Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Norman Stansfield Cornish

    Norman Cornish: A Chronicle of the Pit and the Palette

    Norman Stansfield Cornish (1919-2014) wasn’t merely an artist; he was a living embodiment of Northern England's industrial heartland, meticulously rendered onto canvas and paper. His life story is inextricably linked to the mines that shaped his identity and fueled his artistic vision – a poignant narrative of a miner who traded his pickaxe for brushes, capturing the dignity, hardship, and enduring spirit of his community with an unparalleled sensitivity. Born in Spennymoor, County Durham, a town synonymous with coal mining, Cornish’s early life was defined by the rhythms of the pit, a reality that would profoundly influence every aspect of his work.

    Cornish's journey into art began unexpectedly. Initially destined for a career within the mines, he found solace and inspiration in the Spennymoor Settlement, a unique recreational and artistic hub established to provide social and cultural opportunities for the local community. It was here, amidst workshops and gatherings, that Cornish discovered his talent for drawing and painting – a revelation sparked by the encouragement of Bill Farrell, the Settlement’s warden, who recognized the potential within the miner's eye. This formative experience marked a pivotal shift in Cornish’s life, transforming him from a dedicated worker into an artist deeply invested in documenting the lives of his fellow miners.

    The ‘Pitman Painter’ and His Subjects

    Cornish quickly established himself as the foremost “Pitman Painter,” a title earned through his unwavering dedication to portraying the everyday realities of mining life. Unlike many artists who sought grand, romanticized depictions of industry, Cornish focused on the intimate details – the weary faces of men returning from their shifts, the damp and claustrophobic tunnels, the communal spaces where miners found respite and camaraderie. His paintings aren’t dramatic landscapes; they are studies in human endurance, resilience, and community spirit.

    His subjects weren't merely miners; they were families, friends, and neighbors – rendered with a remarkable warmth and empathy. Cornish captured not just the physical labor but also the emotional landscape of these communities, portraying their joys, sorrows, and unwavering bonds. He frequently depicted scenes from Gala Days, village fetes, and moments of shared celebration, offering glimpses into the social fabric of mining towns. His work is deeply rooted in realism, yet infused with an expressive quality that transcends mere representation. Thick impasto, dramatic lighting, and a muted color palette contribute to a sense of isolation and beauty, reflecting both the harshness and the inherent dignity of the pit.

    Technique and Influences

    Cornish’s artistic style evolved over time, influenced by a diverse range of sources. Initially, his work bore a strong resemblance to L.S. Lowry, with whom he maintained a close friendship and mutual admiration. However, Cornish quickly developed his own distinctive voice, characterized by bold brushstrokes, expressive use of color, and an intimate understanding of human psychology. He employed a technique known as “expressionism,” prioritizing emotional impact over strict realism. His paintings are not photographic representations but rather subjective interpretations of the world around him.

    The influence of his mining background is undeniable. Cornish’s meticulous observation of detail, combined with his deep understanding of light and shadow, created a powerful sense of atmosphere. He skillfully used texture to convey the roughness of the coal dust, the dampness of the tunnels, and the weight of the men's burdens. His use of color – predominantly browns, grays, and blues – evoked the somber mood of the mines while also capturing the warmth and resilience of the human spirit.

    Legacy and Recognition

    Norman Cornish’s work gained increasing recognition throughout his career, culminating in numerous exhibitions across Britain. He was celebrated for his ability to capture the essence of Northern England's mining communities with honesty, compassion, and artistic skill. His paintings are now held in major collections, including the National Museum of Wales and the Laing Art Gallery in Newcastle upon Tyne. Cornish’s legacy extends beyond his artistic achievements; he remains a symbol of resilience, community spirit, and the enduring power of art to document and celebrate the lives of ordinary people.

    In 2019, a ‘Norman Cornish Trail’ was created in Spennymoor, allowing visitors to trace the locations depicted in his paintings – a testament to his profound connection with his hometown. His life story serves as an inspiration, demonstrating how personal experience can be transformed into powerful and enduring art.

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    QR koda za dostop do strani za prenos Self Portrait

    originaluniqueart.com/sl/art/download/norman-stansfield-cornish-self-portrait-AQSKZM-en/

    Citiranje umetniškega dela

    MLA
    Cornish, Norman Stansfield. Self Portrait. 1950, https://originaluniqueart.com/sl/art/norman-stansfield-cornish-self-portrait-AQSKZM-en/
    APA
    Cornish, Norman Stansfield (1950). Self Portrait [Painting]. https://originaluniqueart.com/sl/art/norman-stansfield-cornish-self-portrait-AQSKZM-en/
    Chicago
    Norman Stansfield Cornish. Self Portrait. 1950. https://originaluniqueart.com/sl/art/norman-stansfield-cornish-self-portrait-AQSKZM-en/
    Harvard
    Cornish, Norman Stansfield (1950) Self Portrait. Available at: https://originaluniqueart.com/sl/art/norman-stansfield-cornish-self-portrait-AQSKZM-en/

    Oglejte si bližje

    Self Portrait — Norman Stansfield Cornish

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Poglejte nazaj na Pit Gantry Steps, ki ste ga prej videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    4. Norman Stansfield Cornish je bil star približno 31, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kakšna je splošna svetlobnost dela "Self Portrait"?

    Splošno je "Self Portrait" zabeleženo kot balanced. Zaznana svetlina opisuje, kako svetlo ali temno delo deluje.

    Od kod prihajajo obiskovalci dela "Self Portrait" avtorja Norman Stansfield Cornish?

    Statistika za "Self Portrait" avtorja Norman Stansfield Cornish je na strani Statistika pregledov umetninine: vključuje mesečne obiske umetninine, obiske umetninikovih del ter razdelitev nedavnih obiskovalcev po državah in jezikih.

    Kolikšno je intenzivno barvno dojemanje v delu "Self Portrait" avtorja Norman Stansfield Cornish?

    Intenzivnost barv dela "Self Portrait" je Vivid. Intenzivnost opisuje, kako močne so barve.