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Untitled

Ime Razred Datum

Mariela A. Agois, Untitled (2012), MAC-Lima. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Mariela A. Agois originaluniqueart.com/sl/artists/mariela-a-agois/
Datumi rojstva in smrti umetnika
1978 –
Naslikano
2012
Prvotna velikost
175 x 150 cm
V mestu/lokaciji
MAC-Lima originaluniqueart.com/sl/museums/mac-lima-lima/

V kontekstu

Untitled — Mariela A. Agois

Kakšna je velikost?

Prvotne dimenzije so 175 × 150 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine. Preveliko je za prikaz v ustreznem razmerju na tej strani.

Kdaj je bilo to naslikano?

  1. 1970
  2. 1980
  3. 1990
  4. 2000
  5. 2010

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja, pri čemer se leta od rojstva štejejo od 0 naprej.

Naslikano, ko je bil avtor star 34. 0 od 1 datiranih del tega umetnika v našem katalogu je nastalo prej.

▲ to delo, 2012 vsaka datirana slika, desetletje za desetletjem

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #1e1d25

    Katalogirana paleta

    • #1E1D25
    • #ACBAD9
    • #4D5163
    • #7D869E

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Ime glavne barve
    Phthalo Green
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Balanced Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    Mariela A. Agois

    Rojen v Buenos Aires, Argentina

    Mariela Agois: A Peruvian Pioneer of Geometric Abstraction

    Mariela Agois, born in Buenos Aires, Argentina, in 1978, stands as a singular figure within the landscape of Peruvian art history. Her formative years were marked by intensive studies at the National School of Fine Arts Prilidiano Pueyrredón and subsequently at the University of Buenos Aires, where she earned her degree in Visual Arts—a foundation that would propel her artistic trajectory toward groundbreaking explorations of geometric abstraction. Agois’s career began in Lima, Peru, where she honed her photographic skills under the mentorship of Fernando La Rosa before embarking on a parallel path into painting, driven by an unwavering fascination with visual language and its capacity to convey complex ideas.

    Early Influences: Agois's artistic vision was profoundly shaped by movements like Minimalism and Conceptual Art, particularly the pioneering work of Frank Stella, who championed the notion that incorporating a figurative element into abstract painting could yield unexpected results.

    Formal Training & Artistic Exploration: Her MFA at The School of the Art Institute of Chicago provided her with invaluable technical skills and broadened her artistic horizons. Simultaneously, she cultivated a distinctive style characterized by meticulous geometric constructions—patterns interwoven with lines and surfaces—that served as vehicles for conveying profound emotional resonance.

    Notable Exhibitions & Recognition: Agois’s work has graced numerous galleries and museums both nationally and internationally, garnering critical acclaim and establishing her reputation as a leading voice in contemporary Peruvian art. Solo exhibitions at Casa Prado Miraflores and Lucia de la Puente Gallery have showcased her dedication to pushing artistic boundaries.

    Geometric Painting: A Distinctive Approach

    Agois’s artistic method distinguishes itself through an unwavering commitment to geometric abstraction—a stylistic choice that reflects a deep engagement with mathematical principles and their potential for generating visual harmony. Her canvases are populated by precisely rendered lines, shapes, and tessellations, meticulously crafted to create intricate patterns that transcend mere decoration. This deliberate simplification of form allows Agois to focus on conveying emotional depth through color palettes and textural variations—a technique reminiscent of Stella’s assertion that figurative elements could transform abstract compositions.

    Material Exploration: She utilizes oil paints with exceptional care, layering textures and manipulating colors to achieve remarkable visual effects.

    Conceptual Framework: Agois's paintings aren't simply aesthetically pleasing; they embody a conceptual exploration of order versus chaos, precision versus spontaneity—themes that resonate throughout her oeuvre.

    Recognition & Legacy

    Mariella Agois’s contribution to Peruvian art extends beyond individual artworks; she has actively participated in disseminating the region’s artistic heritage through exhibitions and publications. Her work was featured prominently at Museo de Arte Contemporáneo Sofía Imber (MALI), where it captivated audiences with its elegance and intellectual rigor. Furthermore, her inclusion in Pinta PArC, Peru's national art fair, underscores her commitment to fostering dialogue between artists and collectors—a testament to her enduring influence on the Peruvian artistic community. Her exploration of geometric abstraction has cemented her place as a pivotal figure in shaping the aesthetic landscape of contemporary Peru.

    Featured Collections: Agois’s paintings reside in prestigious collections worldwide, including those of Eduardo Hochschild and Luciano Benetton, ensuring that her vision continues to inspire future generations of artists.

    Recent Achievements & Ongoing Artistic Pursuit

    Currently, Mariella Agois remains active as an artist, consistently producing innovative works that reaffirm her dedication to geometric abstraction and visual storytelling. Her ongoing engagement with artistic experimentation—evident in projects like “Cosmic Traces,” presented at the Venice Biennale 2024—demonstrates a steadfast commitment to pushing creative boundaries and enriching the cultural discourse surrounding Peruvian art.

    Muzej

    MAC-Lima

    Na razstavi v Lima, Peru

    A Sanctuary of Modernity in the Heart of Barranco

    In the bohemian enclave of Lima’s Barranco district, where the salt air of the Pacific meets the historic charm of cobblestone streets, lies a sanctuary for the avant-garde: the

    Museum of Contemporary Art (MAC-Lima)

    . This is not merely a gallery but a living, breathing ecosystem of creativity that occupies a site steeped in transformation. Once the grounds of the beloved Barranco Zoo, the museum has undergone a profound metamorphosis, evolving from a space dedicated to the wildness of nature to one celebrating the untamed brilliance of human expression. Established in 2013, MAC-Lima carries the prestigious lineage of the Instituto de Arte Contemporáneo, an institution that has championed the pulse of Peruvian art since 1955. To walk through its doors is to step into a narrative of continuity, where the echoes of the past harmonize with the boldest visions of the present.

    The architecture itself serves as a silent protagonist in this cultural drama. Designed by the renowned Peruvian architect

    Frederic Cooper Llosa

    , the museum’s structure is a masterclass in modernist elegance. The building is composed of three primary modules that create a rhythmic interplay between light and shadow, offering expansive exhibition halls that feel both monumental and intimately connected to their surroundings. The design thoughtfully integrates lush green spaces, allowing the museum to breathe alongside the city. For the art lover or the discerning interior designer, the architecture provides a sophisticated, minimalist canvas—a neutral yet powerful backdrop where the textures of contemporary works can truly resonate.

    A Tapestry of Identity and Innovation

    The soul of MAC-Lima resides in its curated collection, a profound reflection of Peru’s multifaceted identity. The museum masterfully bridges the gap between ancestral heritage and global modernity. One cannot wander through its halls without being moved by the works of

    Santiago (Rember Yahuarcani)

    . His acrylic compositions are deeply evocative, weaving the rich traditions of his Uitoto Áimen lineage into potent contemporary dialogues that address social shifts and cultural resilience. This ability to ground modern techniques in indigenous truth is a hallmark of the collection, which also pays homage to the monumental Indigenist movement through the works of pioneers like

    José Sabogal Dieguez

    . These pieces serve as vital historical anchors, challenging colonial perspectives and reasserting the power of native narratives.

    Beyond its permanent holdings, MAC-Lima is a theater of constant change, renowned for exhibitions that push the boundaries of social and digital discourse. The museum frequently explores the intersections of tradition and technology, such as recent showcases that reimagined Peruvian folklore through the lens of digital media. Its programming often tackles the most pressing themes of our era—from environmental sustainability to the complexities of LGBTQ+ rights—ensuring that the art on display is never static but always in conversation with the world outside. For collectors seeking works that possess both aesthetic depth and intellectual weight, or for those looking to curate spaces that provoke thought, MAC-Lima offers an inexhaustible source of inspiration.

    What truly distinguishes MAC-Lima, however, is its role as a non-profit catalyst for the entire artistic community. It functions far beyond the traditional museum model; it is a place of mentorship, education, and active participation. Through workshops, lectures, and collaborative projects with emerging talents, the museum nurtures the next generation of Peruvian voices. It is a destination where the act of viewing art is transformed into an act of engagement, inviting every visitor to become part of a larger, unfolding story of cultural evolution. In the heart of Lima, MAC-Lima remains a beacon—a place where history, architecture, and contemporary vision converge to celebrate the enduring power of the human imagination.

    Kje si lahko preberete več

    • Umetnik Mariela A. Agois originaluniqueart.com/sl/artists/mariela-a-agois/
    • Muzej MAC-Lima originaluniqueart.com/sl/museums/mac-lima-lima/
    • Podobna dela Več del za primerjavo originaluniqueart.com/sl/art/similar/mariela-a-agois-untitled-D49M8K-en/

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Untitled

    originaluniqueart.com/sl/art/download/mariela-a-agois-untitled-D49M8K-en/

    Citiranje umetniškega dela

    MLA
    Agois, Mariela A.. Untitled. 2012, MAC-Lima. https://originaluniqueart.com/sl/art/mariela-a-agois-untitled-D49M8K-en/
    APA
    Agois, Mariela A. (2012). Untitled [Painting]. MAC-Lima. https://originaluniqueart.com/sl/art/mariela-a-agois-untitled-D49M8K-en/
    Chicago
    Mariela A. Agois. Untitled. 2012. MAC-Lima. https://originaluniqueart.com/sl/art/mariela-a-agois-untitled-D49M8K-en/
    Harvard
    Agois, Mariela A. (2012) Untitled. MAC-Lima. Available at: https://originaluniqueart.com/sl/art/mariela-a-agois-untitled-D49M8K-en/

    Oglejte si bližje

    Untitled — Mariela A. Agois

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Mariela A. Agois je bil star približno 34, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?
    4. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?
    5. Če bi lahko umetniku zastavili le eno vprašanje o tem delu, katero bi to bilo?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Koliko je bil Mariela A. Agois let, ko je nastalo delo "Untitled"?

    Mariela A. Agois je delo "Untitled" ustvaril v starostih 34 let. Umetnik se je rodil leta 1978, delo pa je datirano v leto 2012.

    Ali je "Untitled" v celotnosti bolj svetel ali bolj temen?

    "Untitled" ima v celoti balanced, njegova luminanca pa znaša Gentle Luminance.

    Kje lahko najdem umetniška dela, podobna delu "Untitled" avtorja Mariela A. Agois?

    Podobna dela delu "Untitled" si lahko ogledate na strani Podobna dela.