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Study for Science Instructing Industry

Ime Razred Datum

Kenyon Cox, Study for Science Instructing Industry (1898). Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Kenyon Cox originaluniqueart.com/sl/artists/kenyon-cox/
Datumi rojstva in smrti umetnika
1856 – 1919
Naslikano
1898
Prvotna velikost
41 x 51 cm

V kontekstu

Study for Science Instructing Industry — Kenyon Cox

Kakšna je velikost?

Prvotne dimenzije so 41 × 51 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 63 ob smrti.

Naslikano, ko je bil avtor star 42. Umetnik je doživel 63 let. 34 od 74 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Kenyon Cox (1856–1919) ▲ to delo, 1898 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1888 Glavni delovni leti: 1888–1910 Pozna dela: od 1910

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: originaluniqueart.com/sl/art/similar/kenyon-cox-study-for-science-instructing-industry-AS7RM9-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Walnut #71522e

    Katalogirana paleta

    • #71522E
    • #25201B
    • #DEC7AD
    • #9E8668

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Walnut
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Balanced Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Kenyon Cox v zadnjih dvanajst mesecih — skupaj 4 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 81,1%3.000 obiskov
    2. 2 Združene države Amerike 10,8%400 obiskov
    3. 3 Singapur 5,4%200 obiskov
    4. 4 Libanon 2,7%100 obiskov

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    20 najbolj gledanih del umetnika Kenyon Cox

    1. 1 After Boltraffio, Sacra Conversazione, 1882 7,3%300 obiskov
    2. 2 Study for Mosaic, Wisconsin State Capitol,, 1912 4,9%200 obiskov
    3. 3 Nude Study for Mosaic, Wisconsin State Capitol,, 1912 4,9%200 obiskov
    4. 4 Study for Christ, 1905 4,9%200 obiskov
    5. 5 Study for Mosaic, Wisconsin State Capital, Justice, 1913 4,9%200 obiskov
    6. 6 Head of the Queen of Egypt, 1888 4,9%200 obiskov
    7. 7 The Fall, 1892 4,9%200 obiskov
    8. 8 (Untitled) (Greco Roman Discus Thrower), 1873 4,9%200 obiskov
    9. 9 (Iowa State Capitol Rotunda) (Hunting, study for panel), 1905 4,9%200 obiskov
    10. 10 Study for Mural for Appellate Court Building, New York Statute Law , Helmet for Figure of Force, 1899 2,4%100 obiskov
    11. 11 Study for Mosaic, Wisconsin State Capitol,, 1912 2,4%100 obiskov
    12. 12 Nude Study for Mosaic, Wisconsin State Capitol,, 1912 2,4%100 obiskov
    13. 13 Sketch for the Mural at Oberlin College, The Spirit of Self Sacrificing Love, 1914 2,4%100 obiskov
    14. 14 Study for Science Instructing Industry, 1898 ta slika 2,4%100 obiskov
    15. 15 After Titian's Madonna of the Rabbit, 1882 2,4%100 obiskov
    16. 16 Sketch for Mosaic, Wisconsin State Capital, Justice, 1912 2,4%100 obiskov
    17. 17 An Eclogue, 1890 2,4%100 obiskov
    18. 18 Study for mosaic in the Wisconsin State Capital Government and Liberty, 1912 2,4%100 obiskov
    19. 19 Book of Pictures, 1917 2,4%100 obiskov
    20. 20 Portrait of Mr. Wiley, 1894 2,4%100 obiskov

    Skupaj ti deli predstavljajo 72,9% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 76 del te umetnice, pri čemer je bilo 31 vsaj enkrat ogledanih. Ta slika je na 14 mestu, s čim si pridrži 2,4% te pozornosti (100 obiskov). Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Kenyon Cox

    Rojen v Warren, United States

    Kenyon Cox: Life and Legacy

    Early Life and Education

    Born: October 27, 1856, in Warren, Ohio.

    Parents: Jacob Dolson Cox and Helen Finney Cox.

    Kenyon Cox initially studied at the Art Academy of Cincinnati (formerly the McMicken School of Art). However, he quickly recognized the limited artistic opportunities available in the city.

    Following a visit to the Centennial Exposition in Philadelphia, he decided to pursue further education at the Pennsylvania Academy of Fine Arts, hoping it would lead to studies in Europe.

    Parisian Training and Influences

    In 1877, Cox moved to Paris, joining a wave of American artists seeking artistic inspiration. He believed Paris was experiencing a “second renaissance” in art.

    Influential Teachers: Carolus-Duran, Jean-Léon Gérôme, and Alexandre Cabanel at the École des Beaux-Arts.

    He initially studied under Carolus-Duran but became frustrated with what he perceived as a “vulgarity” in Duran’s style.

    Travels throughout France and Italy exposed him to the works of Renaissance masters, profoundly shaping his artistic vision.

    Career in New York and Artistic Style

    In 1882, Cox returned to New York City, where he established himself as a painter and illustrator.

    Illustration Work: He became well-known for his magazine illustrations, which reached a wider audience than his paintings.

    Art Criticism: Cox also wrote unsigned art criticisms for the New York Evening Post, supplementing his income.

    His artistic style leaned towards realism, with a focus on landscapes, portraits, and genre studies. He was known for idealized nudes and traditional treatments of classical themes.

    Teaching and Institutional Involvement

    Art Students League of New York: Cox became a highly influential instructor at the Art Students League, shaping generations of artists. He designed the League’s logo featuring the motto “Nulla Dies Sine Linea” (No Day Without a Line).

    Elected an Associate Academician of the National Academy of Design in 1900 and a full Academician in 1903.

    Founding Member: He was one of the founders and secretary of the National Free Arts League.

    Leadership Roles: Served as president of the National Society of Mural Painters from 1915 to 1919, and held memberships in various prestigious art organizations.

    Major Achievements and Historical Significance

    Cox’s work represented a commitment to classical ideals at a time when modern art movements were emerging. He advocated for careful drawing, modulated color, and the use of allegory and symbolism.

    His writings, such as “Two Ways of Painting,” articulated his views on figurative art versus abstract or representational styles.

    Legacy: Though not a radical innovator, Kenyon Cox played a crucial role in maintaining traditional artistic standards and educating aspiring artists. His influence extended through his teaching and his contributions to the American art establishment.

    Death: March 17, 1919.

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    QR koda za dostop do strani za prenos Study for Science Instructing Industry

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    Citiranje umetniškega dela

    MLA
    Cox, Kenyon. Study for Science Instructing Industry. 1898, https://originaluniqueart.com/sl/art/kenyon-cox-study-for-science-instructing-industry-AS7RM9-en/
    APA
    Cox, Kenyon (1898). Study for Science Instructing Industry [Painting]. https://originaluniqueart.com/sl/art/kenyon-cox-study-for-science-instructing-industry-AS7RM9-en/
    Chicago
    Kenyon Cox. Study for Science Instructing Industry. 1898. https://originaluniqueart.com/sl/art/kenyon-cox-study-for-science-instructing-industry-AS7RM9-en/
    Harvard
    Cox, Kenyon (1898) Study for Science Instructing Industry. Available at: https://originaluniqueart.com/sl/art/kenyon-cox-study-for-science-instructing-industry-AS7RM9-en/

    Oglejte si bližje

    Study for Science Instructing Industry — Kenyon Cox

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Augustus Saint-Gaudens (1908), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Kenyon Cox je bil star približno 42, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

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    Vprašanja in odgovori

    Ali obstajajo dela, podobna delu "Study for Science Instructing Industry"?

    Stran Podobna dela za delo "Study for Science Instructing Industry" avtorja Kenyon Cox prikazuje sorodna umetniška dela.

    Kje lahko vidim predogled za "Study for Science Instructing Industry"?

    Predogled dela "Study for Science Instructing Industry" avtorja Kenyon Cox si lahko ogledate na strani Predogled dela za to umetniško delo.

    Ali so barve dela "Study for Science Instructing Industry" živahne ali utemeljene?

    Barve dela "Study for Science Instructing Industry" avtorja Kenyon Cox prikazujejo Balanced Soft zasičenost z intenzivnostjo Balanced.