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Mountain landscape

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Kazimierz Stabrowski, Mountain landscape (1911), Lithuanian Art Fund. Dostopno v javni lastnini.

Podrobnosti

Umetnik
Kazimierz Stabrowski originaluniqueart.com/sl/artists/kazimierz-stabrowski_sl/
Datumi rojstva in smrti umetnika
1869 – 1929
Naslikano
1911
Na lokaciji
Lithuanian Art Fund originaluniqueart.com/sl/museums/lithuanian-art-fund-vilnius/

V kontekstu

Mountain landscape — Kazimierz Stabrowski

Kdaj je bilo to naslikano?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Osenčeno: življenjsko obdobje Kazimierz Stabrowski (1869–1929) ▲ to delo, 1911

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Barve

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    Glavna barva

    Espresso #494137

    Shranjena paleta

    • #494137
    • #60594F
    • #2E2B28
    • #9FA19D
    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Espresso
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Serene V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    O tem umetniškem delu

    Mountain landscape — Kazimierz Stabrowski

    The pastel depicts a brown-tone rocky massif at the seashore. Alongside water and clouds, mountains supporting the skies are one of Stabrowski’s artistically interesting impressions of his travels. Here, as well as in most of the artist’s creations, a seemingly realistic image expresses symbolism – an aim to ascend up the mountain towards a higher level of spirituality. In the composition, which expresses the sacredness of spiritualised nature, one can see mountain peaks that shoot upwards, seemingly touching the skies. This image is like a perspective of a physical transformation, a vertical line of internal change. If one was to ascend along this line, all of the irrelevant worldly issues would be left behind at the foot of the mountain, while the main aim would become the unchanging spiritual heights. The endless spaces formed by the vertical lines of the mountains, the image of eternity, and the vision of breaking free awakens the feeling of a spiritual realm of other dimensions. The symbolistic plasticity of Mikalojus Konstantinas Čiurlionis, the student of Kazimierz Stabrowski, was also characterised by mountain motifs. We can see them in the Zodiac Signs collection of paintings (1906) as well as in News (1904), Serenity (1904), and Mountain (1906). While searching for motifs to express their ideas, both of the artists turned their attention towards the skies, where the minuscule dissolves in the relief of the mountains and becomes the greatness of nature.

    Umetnik in muzej

    Umetnik

    Kazimierz Stabrowski

    Rojen v Navahrudak, Belavija

    zgodnje življenje in izobraževanje

    Kazimierz Stabrowski, znameniti poljski slikar, se je rodil leta 1869 v Navahrudoku na Belorusiji. Svojo umetniško pot je začel z študijem na Akademiji za lepe umetnosti v Varšavi, kjer je kasneje prevzel tudi vlogo direktorja. Ta ključna funkcija ni le izpostavila njegove umetniške virtuoznosti, temveč je tudi utrdila njegov vpliv na naslednjo generacijo umetnikov.

    umetnični slog in iz culočna dela

    Stabrowskovo delo zaznamuje sanjljiva, simbolna kakovost, ki pogosto združuje elemente simbolizma in romantizma. Emoativno in globoko dragoceno je njegovo eden najslavnejših slik, Snežna deklica (1891), ki s svojim edinstvenim slogom že več kot stoletje očaruje ljubitelje umetnosti.

    utemeljitev teozofskega društva v Poljski

    Poleg svojih umetniških dosežkov je Stabrowski igral pomembno vlogo pri ustanavljanju prvih logov teozofskega društva v Poljski. To filozofsko društvo, ki temelji na načelih duhovnosti in okultizma, še dodatno poudarja Stabrowijevo mnogostransko naravo.

    dediščina in poznejše življenje

    Stabrowski je umrl leta 1929 v Garvolinu v Poljski, za pustil pa dediščino, ki še vedno navdihuje umetnike in ljubitelje umetnosti. Njegov vpliv lahko opazimo v različnih vidikih polske umetnosti, od Varšinske akademije za lepe umetnosti do njegovih številnih simbolnih in romantičnih slik.

    izbrane skladbe Kazimierza Stabrowskega na AllPaintingsStore.com

    duh gora (105 x 85 cm, litavski umetniški sklad, Vilnius, Litvanija, olje na platnu) - bistven primer Stabrowskega simbolnega sloga.

    Kolosej v mesečini (47 x 65 cm, litavski umetniški sklad, Vilnius, Litvanija, pastel) - to delo prikazuje Stabrowsko sposobnost zajema eteričnih pejzažev.

    drevesa (47 x 63 cm, litavski umetniški sklad, Vilnius, Litvanija, pastel) - edinstvena mešanica realizma in abstraktne podobe, značilna za Stabrowskovo poznejšo fazo tvorjenja.

    muzeji z deli Kazimierza Stabrowskega na AllPaintingsStore.com

    litavski umetniški sklad (Vilnius, Litvanija) - ta institucija hrani več Stabrowskih izstopajočih del, vključno z zgoraj omenjenimi.

    izzvedite več o Kazimierju Stabrowskem in njegovih očarljivih umetniških delih na AllPaintingsStore.com.

    Muzej

    Lithuanian Art Fund

    Na razstavi v Vilnius, Lithuania

    A Sanctuary of Soulful Heritage: The Lithuanian Art Fund

    Nestled within the historic heart of Vilnius, the Lithuanian Art Fund offers far more than a mere exhibition of objects; it provides an intimate portal into the very essence of Lithuania’s artistic soul. Unlike the sweeping, monumental narratives found in grand national galleries, this private collection, established by the visionary Dr. Jaunius Gumbis, invites a profound personal connection. It is a place where history does not feel like a distant memory, but a living, breathing presence. The museum serves as a delicate bridge to the era of the Grand Duchy of Lithuania, a period of unparalleled cultural flourishing where the influences of Poland, Russia, and Western Europe converged to create a unique, multifaceted identity.

    The collection itself is a tapestry of diverse traditions, woven with threads of folk art, sculpture, and rare literature. Visitors find themselves wandering through layers of time, encountering handcrafted treasures that whisper stories of ancient spiritual beliefs and the rhythmic pulse of daily Lithuanian life. The museum’s strength lies in its curated intimacy, prioritizing the emotional resonance of each piece over sheer volume. From the intricate patterns of traditional folk crafts to the evocative power of oil paintings, every item has been selected to foster a sense of discovery, allowing the observer to lose themselves in the nuanced beauty of a bygone era.

    Among the collection's most captivating highlights are the works that capture the shifting light and spirit of the Lithuanian landscape and its people. The watercolor landscapes of Józef Bałzukiewicz offer a masterful glimpse into 18th-century life, where every brushstroke reconstructs the dignity of a nobleman or the quiet bustle of a street corner with historical precision. This sense of nostalgia is echoed in the delicate, translucent layers of Helena Römer-Ochenkowska’s views of Vilnius, which transport the viewer to the pastoral serenity of 1900. For those drawn to deeper spiritual symbolism, the collection presents the profound emotive depth of Stanislovas Grigalauskas (Daunoras), particularly his hauntingly beautiful ‘St Peter Weeping,’ alongside the dreamy, Symbolist landscapes of Kazimierz Stabrowski.

    The architecture of the Lithuanian Art Fund further enhances this immersive experience. Housed in a beautifully preserved historic building, the museum provides a contemplative atmosphere that is rare in the modern age. The setting itself acts as a silent curator, its aged walls and quiet corners encouraging a slow, meditative approach to art appreciation. For collectors and interior designers seeking inspiration, the Fund offers a masterclass in how art can transform a space into a sanctuary of culture. It remains a singular destination for those who seek to understand not just the history of Lithuanian art, but the enduring spirit that continues to define its creative legacy.

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    Preverite na spletu

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    Navodila za citiranje umetniškega dela

    MLA
    Stabrowski, Kazimierz. Mountain landscape. 1911, Lithuanian Art Fund. https://originaluniqueart.com/sl/art/kazimierz-stabrowski-mountain-landscape-D8CVX9-en/
    APA
    Stabrowski, Kazimierz (1911). Mountain landscape [Painting]. Lithuanian Art Fund. https://originaluniqueart.com/sl/art/kazimierz-stabrowski-mountain-landscape-D8CVX9-en/
    Chicago
    Kazimierz Stabrowski. Mountain landscape. 1911. Lithuanian Art Fund. https://originaluniqueart.com/sl/art/kazimierz-stabrowski-mountain-landscape-D8CVX9-en/
    Harvard
    Stabrowski, Kazimierz (1911) Mountain landscape. Lithuanian Art Fund. Available at: https://originaluniqueart.com/sl/art/kazimierz-stabrowski-mountain-landscape-D8CVX9-en/

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Autumn landscape (1920), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Kazimierz Stabrowski je bil star približno 42, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

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