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Red Hills

Ime Razred Datum

June Redfern, Red Hills, Maclaurin Art Gallery at Rozelle House. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
June Redfern originaluniqueart.com/sl/artists/june-redfern/
Datumi rojstva in smrti umetnika
1951 –
Prvotna velikost
136 x 166 cm
V mestu/lokaciji
Maclaurin Art Gallery at Rozelle House originaluniqueart.com/sl/museums/maclaurin-art-gallery-at-rozelle-house-ayr/

V kontekstu

Red Hills — June Redfern

Kakšna je velikost?

Prvotne dimenzije so 136 × 166 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj bi bilo to lahko slikano?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja, pri čemer se leta od rojstva štejejo od 0 naprej.

vsaka datirana slika, desetletje za desetletjem

Za ta posnetek ni v evidenci natančne leta — glede na življenjsko dobo umetnika in slog dela, za katero desetletje bi ugledali?

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: originaluniqueart.com/sl/art/similar/june-redfern-red-hills-AR2CYJ-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Rosy Brown #b8b077

    Katalogirana paleta

    • #B8B077
    • #1E1811
    • #9A6E37
    • #5A3E28

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Rosy Brown
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja June Redfern v zadnjih dvanajst mesecih — skupaj 1 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 100,0%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    2 najbolj gledanih del umetnika June Redfern

    1. 1 From Two Paths, 1994 100,0%
    2. — Red Hills ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 11 del te umetnice, pri čemer je bilo 1 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    June Redfern

    June Redfern: A Landscape of Emotion

    Born in Fife, Scotland, in 1951, June Redfern’s artistic journey is one deeply rooted in both traditional academic training and a fiercely expressive, almost visceral approach to landscape painting. Her early years at Edinburgh College of Art provided her with a solid foundation – an understanding of perspective, anatomy, and the technical mastery required for oil and watercolour. However, it was a deliberate rejection of rigid formalism that truly defined her artistic voice, leading her to explore the emotional resonance of place and subject matter rather than simply replicating visual reality.

    Redfern’s work is immediately recognizable by its scale – often monumental canvases that invite viewers into the heart of the scene. This ambition isn't merely about size; it’s a reflection of her desire to capture atmosphere, mood, and the intangible qualities of a landscape. Her early paintings frequently featured female figures, rendered with a striking intensity and vulnerability, suggesting a personal connection to themes of identity, memory, and the human condition. These figures weren’t simply portraits but embodiments of emotional states – longing, contemplation, and perhaps even a touch of melancholy.

    The Influence of Expressionism

    While her academic training provided a crucial starting point, Redfern's artistic development was profoundly shaped by the burgeoning movement of expressionism. Artists like Van Gogh, Gauguin, and particularly the German Expressionists – Kirchner, Heckel, Nolde – offered a model for conveying subjective experience through colour and form. Redfern embraced this approach wholeheartedly, utilizing bold, often clashing colours to evoke specific emotions and sensations. Her palette isn’t descriptive; it's deliberately charged with symbolic meaning, reflecting the inner landscape of her subjects.

    The influence is particularly evident in her later work, where she abandons more representational forms for a looser, more gestural style. She employs thick impasto – building up layers of paint to create texture and depth – and allows colour to bleed and mingle, creating a sense of movement and dynamism. This technique isn’t simply decorative; it's integral to her exploration of atmosphere and the fleeting nature of perception.

    A Shift Towards Landscape

    As Redfern’s career progressed, her focus gradually shifted towards landscape painting. However, this wasn’t a departure from her previous concerns but rather an evolution – a way of translating her emotional vocabulary onto a broader canvas. She began to explore the wilder, more remote corners of Scotland, capturing the rugged beauty of its coastline, moorlands, and forests. These landscapes aren't idyllic vistas; they are imbued with a sense of solitude, mystery, and even foreboding.

    Her approach is deeply observational, yet profoundly subjective. She’s not simply recording what she sees but interpreting it through the lens of her own emotional experience. The light in her paintings isn't neutral; it’s often dramatic and theatrical, casting long shadows and highlighting textures with a palpable intensity. Her use of colour becomes even more expressive, conveying mood and atmosphere with remarkable subtlety.

    Recognition and Legacy

    June Redfern’s work has been exhibited extensively throughout the UK and Europe, garnering critical acclaim for its emotional power and technical skill. She has held solo exhibitions at prestigious galleries such as The Royal Academy, Deson Herstein Fine Art in Chicago, and The Bohun Gallery in Henley-On-Thames. Her paintings are also included in several important public collections, including the National Galleries of Scotland.

    Beyond her artistic achievements, Redfern’s career represents a significant contribution to contemporary landscape painting. She demonstrated that landscape could be more than just a pretty picture; it could be a vehicle for exploring complex emotions and ideas. Her bold use of colour, expressive brushwork, and willingness to embrace subjective experience have inspired generations of artists. Her legacy lies not only in the beauty of her paintings but also in their profound emotional resonance – a testament to the power of art to connect us to ourselves and to the world around us.

    Muzej

    Maclaurin Art Gallery at Rozelle House

    Na razstavi v Ayr, United Kingdom

    A Sanctuary of Scottish Spirit

    Nestled within the verdant, rolling embrace of the Rozelle Estate in Ayr, the Maclaurin Art Gallery at Rozelle House emerges as more than a mere destination; it is a profound encounter with the soul of Scotland. As one approaches the elegant Georgian façade, which dates back to 1760, there is an immediate sense of stepping into a curated history of refined taste and stately living. The architecture itself, transformed in the nineteenth century by the masterful hand of David Bryce, serves as a stately prelude to the treasures held within. For the visitor, the transition from the tranquil, sun-dappled parklands to the hallowed halls of the gallery is seamless, offering a sanctuary where the whispers of the past meet the vibrant energy of the present. It is a place where the very air seems to hum with stories, inviting both the casual wanderer and the dedicated scholar to lose themselves in a journey through Scottish creativity.

    A Tapestry of Light and Texture

    Inside these walls, the collection unfolds like a grand narrative of Scottish identity, spanning centuries of artistic evolution. One can trace the sweeping movements of landscape painting that capture the rugged, mist-shrouded Highlands, moving through the dignified poise of classical portraiture into the daring frontiers of the contemporary era. For the discerning collector or interior designer, the gallery offers a masterclass in materiality and visual depth. The work of artists such as

    Rosa Lee

    provides a particularly striking experience; her canvases, layered with oil and wax, invite a tactile appreciation of texture and color that echoes the expressive power of both Impressionism and Expressionism. This dialogue between tradition and innovation ensures that every corner of the gallery offers a new perspective on how light, form, and medium can define an era, making it an essential pilgrimage for those who seek inspiration in the interplay of surface and spirit.

    Where History and Art Converge

    Beyond the brilliance of the canvas, the Maclaurin Art Gallery serves as a vital custodian of Ayrshire’s rich cultural heritage. It is a place where fine art and local history are inextricably linked, with exhibits that illuminate the industrial legacy and early settlements of the region. To wander through these galleries is to participate in a living archive, where historical artifacts breathe alongside modern masterpieces. This commitment to accessibility—offering a democratic space for all to explore—makes the gallery a beacon of community engagement and a true cultural landmark. Whether one is drawn by the architectural grandeur of Rozelle House, the profound historical echoes of the region, or the sheer aesthetic beauty of the collection, the Maclaurin stands as an unforgettable testament to the enduring power of art to connect us to our roots and inspire our future.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Red Hills

    originaluniqueart.com/sl/art/download/june-redfern-red-hills-AR2CYJ-en/

    Citiranje umetniškega dela

    MLA
    Redfern, June. Red Hills. n.d., Maclaurin Art Gallery at Rozelle House. https://originaluniqueart.com/sl/art/june-redfern-red-hills-AR2CYJ-en/
    APA
    Redfern, June (n.d.). Red Hills [Painting]. Maclaurin Art Gallery at Rozelle House. https://originaluniqueart.com/sl/art/june-redfern-red-hills-AR2CYJ-en/
    Chicago
    June Redfern. Red Hills. n.d. Maclaurin Art Gallery at Rozelle House. https://originaluniqueart.com/sl/art/june-redfern-red-hills-AR2CYJ-en/
    Harvard
    Redfern, June (n.d.) Red Hills. Maclaurin Art Gallery at Rozelle House. Available at: https://originaluniqueart.com/sl/art/june-redfern-red-hills-AR2CYJ-en/

    Oglejte si bližje

    Red Hills — June Redfern

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: abstract landscape, nude figures, emotional art. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Poglejte nazaj na Composition of People, ki ste ga prej videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    5. Motivi, ki se ponavljajo v delih umetnika June Redfern: hill & adamson landscapes, redfern's expressive style, emotional abstractionism. Kateri izmed njih opazite tukaj?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kakšno zasičenost in intenzivnost prikazuje "Red Hills" avtorja June Redfern?

    "Red Hills" avtorja June Redfern odlikuje Balanced Soft saturacija in Balanced intenzivnost barv.

    Ali lahko "Red Hills" ogledam kot diaporama v celotnem zaslonu?

    Delo "Red Hills" avtorja June Redfern si lahko ogledate v obliki diaporame na strani Slidešov za to umetniško delo.

    Kakšna je dejanska velikost dela "Red Hills" avtorja June Redfern?

    Zabeležene dimenzije dela "Red Hills" avtorja June Redfern so 136 x 166 cm. Reprodukcije je mogoče naročiti v drugih velikostih, ob čemer se ohranijo iste proporcije.