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Self-portrait

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Joaquin Sorolla, Self-portrait (1909). Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Joaquin Sorolla originaluniqueart.com/sl/artists/joaquin-sorolla_sl/
Datumi rojstva in smrti umetnika
1863 – 1923
Naslikano
1909
Tehnika
Oil On Canvas
Obdobje
19th Century
Artistic style
Impressionist
Influences
Sorolla
Notable elements
Cowboy hat, gun, light
Subject or theme
Self-portraiture

V kontekstu

Self-portrait — Joaquin Sorolla

Kdaj je bilo to naslikano?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 60 ob smrti.

Naslikano, ko je bil avtor star 46. Umetnik je doživel 60 let. 329 od 558 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Joaquin Sorolla (1863–1923) ▲ to delo, 1909 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1901 Glavni delovni leti: 1901–1911 Pozna dela: od 1911

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: originaluniqueart.com/sl/art/similar/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Black #141013

    Katalogirana paleta

    • #141013
    • #78685B
    • #473F39
    • #C7B3A3

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Black
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Joaquin Sorolla v zadnjih dvanajst mesecih — skupaj 52 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 39,1%41.900 obiskov
    2. 2 Združene države Amerike 8,1%8.700 obiskov
    3. 3 Španija 7,5%8.000 obiskov
    4. 4 Francija 6,3%6.700 obiskov
    5. 5 Južna Koreja 4,5%4.800 obiskov
    6. 6 Singapur 4,5%4.800 obiskov
    7. 7 Hong Kong 4,1%4.400 obiskov
    8. 8 Romunija 3,9%4.200 obiskov
    9. 9 Italija 3,2%3.400 obiskov
    10. 10 Združeno kraljestvo 2,3%2.500 obiskov
    11. · 42 drugih držav 16,5%17.700 obiskov

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    20 najbolj gledanih del umetnika Joaquin Sorolla

    1. 1 Deklica z Cveti, 1886 6,4%9.300 obiskov
    2. 2 Spust po obali, 1909 2,0%2.900 obiskov
    3. 3 Running along the beach, 1908 1,6%2.300 obiskov
    4. 4 Valencia beach in the morning light, 1908 1,5%2.200 obiskov
    5. 5 Seville, the Dance, 1915 1,4%2.000 obiskov
    6. 6 Sewing the Sail, 1896 1,1%1.600 obiskov
    7. 7 La Siesta, 1911 1,1%1.600 obiskov
    8. 8 Coast at Santa Cristina, 1914 1,0%1.400 obiskov
    9. 9 bacante, 1886 1,0%1.400 obiskov
    10. 10 Midday at Valencia beach, 1904 0,9%1.300 obiskov
    11. 11 Rastle Mreze, 1893 0,8%1.100 obiskov
    12. 12 Sea Idyll, 1908 0,8%1.100 obiskov
    13. 13 On the Rocks at Javea, 1905 0,8%1.100 obiskov
    14. 14 Nude with Ball, 1887 0,8%1.100 obiskov
    15. 15 The Little Sailing Boat, 1909 0,8%1.100 obiskov
    16. 16 Messalina in the Arms of the Gladiator, 1886 0,8%1.100 obiskov
    17. 17 Swimmers, Jávea, 1905 0,7%1.000 obiskov
    18. 18 Clotilde on the Beach, 1904 0,7%1.000 obiskov
    19. 19 Valencijski ribič, 1916 0,6%900 obiskov
    20. 430 Self-portrait, 1909 ta slika 0,1%100 obiskov

    Skupaj ti deli predstavljajo 24,9% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 850 del te umetnice, pri čemer je bilo 469 vsaj enkrat ogledanih. Ta slika je na 430 mestu, s čim si pridrži 0,1% te pozornosti (100 obiskov). Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    O tem umetniškem delu

    Self-portrait — Joaquin Sorolla

    A Portrait of Resilience: Joaquín Sorolla’s ‘Self-Portrait’

    Joaquín Sorolla y Bastida's 1909 self-portrait is more than just a likeness; it’s a potent distillation of the artist’s life, his spirit, and the very essence of Spain itself. Painted during a period of immense personal upheaval – following the death of his wife and child – this work reveals a profound sense of melancholy tempered by an unwavering gaze and a quiet dignity. The image depicts Sorolla himself, a man defined by his iconic cowboy hat, seated before a simple table laden with a bottle, instantly conjuring images of the Spanish countryside and a life lived outdoors. His hand rests upon a firearm, not as an instrument of aggression, but perhaps as a symbol of protection or simply a familiar tool of his outdoor pursuits – a reflection of his time spent painting landscapes and capturing the light.

    The Radiant Style of Valencian Impressionism

    Technique: Sorolla’s mastery is immediately apparent in his use of alla prima, or “at first sight,” a technique where he builds up the painting directly, layer upon layer, without extensive underpainting. This creates an incredible sense of immediacy and vibrancy, particularly evident in the way light dances across the canvas.

    Color Palette: The dominant hues – warm ochres, yellows, and blues – are characteristic of Valencian Impressionism, a movement Sorolla helped pioneer. He expertly employed broken color to capture the shimmering effects of sunlight, creating an almost palpable sense of warmth and atmosphere.

    Brushwork: Loose, expressive brushstrokes contribute significantly to the painting’s dynamism. They aren't meticulously controlled; instead, they convey a feeling of movement and energy, mirroring Sorolla’s own passionate approach to his art.

    Symbolism and Context – A Man Defined by Light

    The year 1909 was a pivotal one for Sorolla. He had recently returned from Rome, where he'd spent several years studying classical sculpture, but it was back in his beloved Valencia that he truly flourished. The presence of the bottle and the gun speaks to a life lived intensely, a life connected to both leisure and responsibility. The background figure, subtly included, adds another layer of complexity – perhaps representing family or simply the enduring influence of the Spanish landscape. Sorolla’s work during this period is often interpreted as a reflection of his personal struggles, yet it remains remarkably optimistic, imbued with a belief in the restorative power of light and nature.

    Emotional Resonance and Artistic Legacy

    “Self-Portrait” transcends a simple depiction of an individual; it’s a window into the soul of one of Spain's most beloved artists. Sorolla’s ability to capture both vulnerability and strength, sorrow and resilience, is what makes this painting so enduringly captivating. It exemplifies his signature style – a luminous celebration of Spanish light and life. WahooArt offers meticulously crafted hand-painted reproductions that faithfully recreate the brilliance and emotional depth of this iconic work, allowing you to experience Sorolla’s vision firsthand.

    Umetnik in muzej

    Umetnik

    Joaquin Sorolla

    Rojen v Valencija, Španija

    Joaquín Sorolla y Bastida - A Life Bathed in Light

    Joaquín Sorolla y Bastida, a name synonymous with the radiant light and vibrant energy of Spain, was more than just a painter; he was a chronicler of his nation’s soul. Born in Valencia in 1863, Sorolla's early life was marked by tragedy. Orphaned at the tender age of two following a cholera epidemic that claimed both parents, young Joaquín and his sister were raised by their maternal aunt and uncle. This early experience with loss perhaps instilled within him a profound appreciation for the fleeting beauty of life – a sentiment that would permeate his art. Though hardship shadowed his beginnings, it did not dim the spark of artistic talent that quickly became apparent. He received initial instruction in Valencia, demonstrating an aptitude that led to studies under established artists like Cayetano Capuz and José Benlliure, eventually culminating in a four-year grant to study in Rome. It was there, amidst the classical grandeur of Italy, that Sorolla began to forge his unique artistic path, absorbing influences while simultaneously developing a style distinctly his own.

    Early Life and Influences

    Joaquín Sorolla’s formative years were shaped by profound loss and circumstance. Born on February 27th, 1863, in Valencia, Spain, he descended from a modest family – his father was a tradesman, and his wife Concepción Bastida. Tragically, both parents succumbed to cholera just two years later, leaving Joaquín and his sister under the care of their maternal aunt and uncle. This early exposure to grief undoubtedly instilled within him an awareness of mortality and a deep sensitivity to human emotion—themes that would recur throughout his oeuvre. Recognizing Sorolla’s exceptional talent from a young age, he commenced formal artistic training at Valencia's School of Artisans, where he honed his skills under the tutelage of prominent Valencian painters. Subsequently, he pursued further studies in Madrid with Salustiano Asenjo, immersing himself in the artistic traditions of Spain’s capital. His fascination with Velázquez—particularly the masterful use of light and shadow—became a cornerstone of his artistic vision. This admiration for the Old Master profoundly impacted Sorolla's technique and compositional choices.

    Rome and Impressionistic Exploration

    At eighteen, Sorolla embarked on a transformative journey to Rome, Italy, securing a prestigious scholarship from the Valencian government. During his four-year residency, he absorbed the influence of Italian Renaissance art while simultaneously encountering the burgeoning currents of Impressionism—a movement that would revolutionize European painting. He found inspiration in artists such as Francisco Pradilla Ortiz, the director of the Spanish Academy in Rome, who championed Sorolla’s artistic ambitions and encouraged him to experiment with innovative approaches. Exposure to Parisian exhibitions featuring Jules Bastien-Lepage and Adolph von Menzel further broadened his horizons, introducing him to new stylistic ideas and techniques. Sorolla skillfully blended these influences into a distinctive style characterized by loose brushstrokes, vibrant color palettes, and an unwavering dedication to capturing the ephemeral effects of sunlight—a hallmark of Luminism, as championed by artists like Claude Monet and Frederic Bazille.

    The Valencian Coast: A Celebration of Light

    Sorolla’s artistic focus shifted decisively upon his return to Valencia in 1888, where he married Clotilde García del Castillo, daughter of Antonio García Peris—a supporter who recognized Sorolla's prodigious talent and championed his endeavors. Together they established a family in Madrid, relocating there in 1890, and Sorolla dedicated the subsequent decade to producing monumental canvases depicting scenes from the Valencian coast—a region he adored for its dazzling sunlight and expansive horizon. He became renowned for his depictions of bathing children and adolescents, meticulously studying the interplay between light and color as it illuminated skin and reflected on water surfaces. Paintings like *Children on the Seashore* exemplify Sorolla’s unparalleled ability to convey atmosphere and emotion with breathtaking immediacy—a testament to his unwavering commitment to plein air painting and Luminist principles. His meticulous observation of nature served not merely as subject matter but as a catalyst for artistic innovation, propelling him to the forefront of Spanish Impressionism.

    Major Achievements and Legacy

    Sorolla’s career blossomed throughout the late 1890s and early 20th century, marked by prolific exhibitions in Madrid, Paris, Venice, Munich, Berlin, and Chicago—each showcasing his mastery of technique and capturing the spirit of his time. He garnered considerable acclaim for The Return from Fishing, acquired by the Musée du Luxembourg, cementing his reputation as a leading figure on the international stage. Sorolla’s artistic prowess was recognized with numerous honors and commissions, including the Grand Prix and medal of honor at the Universal Exhibition in Paris for Sad Inheritance. His monumental mural cycle commissioned by the Hispanic Society of America—Vision of Spain, completed posthumously—stands as an enduring symbol of his artistic vision and technical brilliance. Sorolla’s influence extended far beyond his lifetime, inspiring generations of artists who embraced Luminism and sought to emulate his distinctive style. Today, his paintings reside in prestigious museums worldwide—most notably the Museo Sorolla in Valencia—where they continue to captivate audiences with their luminous beauty and profound emotional resonance—a testament to Joaquín Sorolla y Bastida’s enduring legacy as one of Spain's greatest painters.

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    Citiranje umetniškega dela

    MLA
    Sorolla, Joaquin. Self-portrait. 1909, https://originaluniqueart.com/sl/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/
    APA
    Sorolla, Joaquin (1909). Self-portrait [Painting]. https://originaluniqueart.com/sl/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/
    Chicago
    Joaquin Sorolla. Self-portrait. 1909. https://originaluniqueart.com/sl/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/
    Harvard
    Sorolla, Joaquin (1909) Self-portrait. Available at: https://originaluniqueart.com/sl/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/

    Oglejte si bližje

    Self-portrait — Joaquin Sorolla

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: self-portrait, cowboy hat, spanish artist. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si Valencia beach in the morning light (1908), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Joaquin Sorolla je bil star približno 46, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Ali je za "Self-portrait" na voljo prenos?

    "Self-portrait" avtorja Joaquin Sorolla lahko prenesete na strani Prenos digitalne slike za to umetniško delo, kot prenos digitalne slike visoke ločljivosti.

    Priporočena velikost in orientacija za tiskanje dela "Self-portrait" – kakšna velikost, kakšna orientacija?

    Za "Self-portrait" priporočamo tiskanje v velikosti Large in z orientacijo Portrait.

    Ali ima "Self-portrait" močne svetlo-temne kontraste?

    "Self-portrait" avtorja Joaquin Sorolla prikazuje Statement kontrast med svetlim in temnimi cončami.