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A Passing Storm

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Žak Josip Tisot, A Passing Storm. Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Žak Josip Tisot originaluniqueart.com/sl/artists/zak-josip-tisot_sl/
Datumi rojstva in smrti umetnika
1836 – 1902
Gibanje
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.

V kontekstu

A Passing Storm — Žak Josip Tisot

Kdaj bi bilo to lahko slikano?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 66 ob smrti.

Osenčeno: življenjsko obdobje Žak Josip Tisot (1836–1902) vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1875 Glavni delovni leti: 1875–1898 Pozna dela: od 1898

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Za ta posnetek ni v evidenci natančne leta — glede na življenjsko dobo umetnika in slog dela, za katero desetletje bi ugledali?

Primerjajte z

  • An Interesting Story, 1872 originaluniqueart.com/sl/art/jacques-joseph-tissot-an-interesting-story-8XXHBZ-en/
  • October, 1878 originaluniqueart.com/sl/art/jacques-joseph-tissot-october-8YDK4G-en/
  • Self Portrait originaluniqueart.com/sl/art/jacques-joseph-tissot-self-portrait-8YDTWH-en/

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: originaluniqueart.com/sl/art/similar/jacques-joseph-tissot-a-passing-storm-8BWRWQ-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #2e2a1f

    Katalogirana paleta

    • #2E2A1F
    • #AA9259
    • #6A5B3A
    • #E1D094

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Phthalo Green
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Žak Josip Tisot v zadnjih dvanajst mesecih — skupaj 19 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 73,3%24.100 visits
    2. 2 Združene države Amerike 7,6%2.500 visits
    3. 3 Singapur 5,2%1.700 visits
    4. 4 Hong Kong 4,9%1.600 visits
    5. 5 Romunija 1,8%600 visits
    6. 6 Italija 1,5%500 visits
    7. 7 Švica 0,9%300 visits
    8. 8 Malezija 0,9%300 visits
    9. 9 Argentina 0,6%200 visits
    10. 10 Združeno kraljestvo 0,6%200 visits
    11. · 9 drugih držav 2,7%900 visits

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    20 najbolj gledanih del umetnika Žak Josip Tisot

    1. 1 Holiday (also known as The Picnic), 1876 2,9%1.100 visits
    2. 2 The Japanese Bath 2,4%900 visits
    3. 3 The Prodigal Son in Modern Life: in Foreign Climes, 1882 1,9%700 visits
    4. 4 An Interesting Story, 1872 1,3%500 visits
    5. 5 Español En el Louvre (L’Esthetique), 1885 1,3%500 visits
    6. 6 Gentleman In A Railway Carriage, 1872 1,3%500 visits
    7. 7 Pharaoh and His Dead Son, 1902 1,1%400 visits
    8. 8 Hide and Seek, 1880 1,1%400 visits
    9. 9 The Last Evening, 1873 1,1%400 visits
    10. 10 In the Sunshine 1,1%400 visits
    11. 11 Portrait of Woman 1,1%400 visits
    12. 12 Joseph Interprets the Dreams While In Prison, 1902 0,8%300 visits
    13. 13 young lady in a boat 0,8%300 visits
    14. 14 October, 1878 0,8%300 visits
    15. 15 Mrs. Newton with a child by a pool 0,8%300 visits
    16. 16 Portrait of Mademoiselle L. L. (also known as Young Woman in a Red Jacket), 1864 0,8%300 visits
    17. 17 Pharaoh, 1902 0,8%300 visits
    18. 18 The Prodigal Son in Modern Life: the Return, 1882 0,8%300 visits
    19. 19 The Return of the Prodigal Son, 1862 0,8%300 visits
    20. — A Passing Storm ta slika 0,0%0 visits

    Skupaj ti deli predstavljajo 23,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 559 del te umetnice, pri čemer je bilo 235 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Žak Josip Tisot

    Rojen v Nantes, Francija

    Early Life and Artistic Beginnings

    Jacques Joseph Tissot, born October 15, 1836, in Nantes, France, was destined for a life steeped in artistic passion from his earliest years. His father, a drapery merchant, instilled in him an appreciation for craftsmanship and detail—qualities that would profoundly shape his artistic vision. Simultaneously, his mother, a milliner, nurtured his sensitivity to beauty and fashion, exposing him to the vibrant world of Parisian society. Despite familial responsibilities, Tissot relentlessly pursued his artistic ambitions, enrolling at the École des Beaux-Arts in Paris where he honed his skills under the tutelage of luminaries like Ingres, Flandrin, and Lamothe. This formative period cemented his commitment to painting as a vocation and established him firmly within the influential Parisian art milieu.

    The Salon Years and Recognition

    Tissot’s debut at the Paris Salon in 1861 marked a pivotal moment—the unveiling of “The Meeting of Faust and Marguerite,” a dramatic tableau that captivated audiences and garnered considerable acclaim from critics. Purchased by the state for inclusion in the Luxembourg Gallery, this ambitious undertaking signaled Tissot's burgeoning reputation as a painter capable of capturing complex narratives and conveying profound emotion. Subsequent Salon exhibitions solidified his position within the artistic establishment, showcasing his evolving style and attracting commissions from prominent patrons. His early successes fueled confidence and propelled him toward exploring new subjects and techniques—a trajectory that would ultimately define his illustrious career.

    Genre Painting and Parisian Society

    Tissot’s artistic breakthrough arrived with his series “La Femme à Paris,” a meticulously observed depiction of the demi-mondaine world of late Victorian London. These paintings, characterized by their luminous color palettes and masterful rendering of textures—particularly fabrics—became synonymous with capturing the allure and dynamism of Parisian high society. Tissot's meticulous attention to detail extended beyond mere visual representation; he sought to convey not only appearances but also psychological nuances, reflecting the anxieties and aspirations of his subjects. His work stands as a testament to Impressionistic influences blended with realism, offering an unparalleled glimpse into the social customs and artistic sensibilities of the Belle Époque.

    Biblical Themes and Japonisme

    Throughout his prolific output, Tissot embraced diverse artistic inspirations—ranging from medieval narratives to biblical scenes—demonstrating remarkable versatility. His depictions of religious subjects, imbued with spiritual depth and emotional resonance, showcased his ability to elevate visual storytelling into profound contemplation. Simultaneously, he was captivated by Japonisme—the fascination with Japanese art and aesthetics that swept across Europe during the Victorian era—evident in compositions infused with asymmetrical arrangements and subtle color harmonies reminiscent of Japanese prints. This stylistic fusion underscored Tissot’s intellectual curiosity and his willingness to experiment with innovative artistic approaches.

    Later Years and Legacy

    Tissot's life took a dramatic turn when he enlisted in the Franco-Prussian War, serving on the French side—an experience that undoubtedly shaped his worldview. Following the war’s conclusion, he relocated to London where he pursued etching alongside Sir Seymour Haden and honed his artistic skills through portrait commissions and caricatures for Vanity Fair. His relationship with Kathleen Newton blossomed into a passionate companionship, providing him with enduring inspiration for numerous paintings. Tragically, Newton succumbed to tuberculosis in 1882—a profound loss that deeply affected Tissot’s creative output. Despite this sorrowful chapter, he continued to produce exceptional artwork until his death in 1902. Today, Jacques Joseph Tissot's legacy resides in museums across Europe and North America—most notably the Musée National Jean-Jacques Henner in Paris—where his celebrated paintings continue to inspire admiration for their artistic brilliance and evocative portrayal of Victorian life and faith. His enduring influence on genre painting and Impressionism secures his place as one of France’s most distinguished artists of the 19th century.

    Kje si lahko preberete več

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    QR koda za dostop do strani za prenos A Passing Storm

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    Citiranje umetniškega dela

    MLA
    Tisot, Žak Josip. A Passing Storm. n.d., https://originaluniqueart.com/sl/art/jacques-joseph-tissot-a-passing-storm-8BWRWQ-en/
    APA
    Tisot, Žak Josip (n.d.). A Passing Storm [Painting]. https://originaluniqueart.com/sl/art/jacques-joseph-tissot-a-passing-storm-8BWRWQ-en/
    Chicago
    Žak Josip Tisot. A Passing Storm. n.d. https://originaluniqueart.com/sl/art/jacques-joseph-tissot-a-passing-storm-8BWRWQ-en/
    Harvard
    Tisot, Žak Josip (n.d.) A Passing Storm. Available at: https://originaluniqueart.com/sl/art/jacques-joseph-tissot-a-passing-storm-8BWRWQ-en/

    Oglejte si bližje

    A Passing Storm — Žak Josip Tisot

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: coastal scene, interior painting, stormy weather. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si An Interesting Story (1872), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Kje lahko to opazite v tem delu?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Katera paleta in katera prevladujoča barva definirata "A Passing Storm"?

    "A Passing Storm" zaznamja barvna paleta Earthy, ki ji prevladuje Phthalo Green (#2e2a1f)."

    Ali obstajajo dela, podobna delu "A Passing Storm"?

    Stran Podobna dela za delo "A Passing Storm" avtorja Žak Josip Tisot prikazuje sorodna umetniška dela.

    Kje se "A Passing Storm" uvršča v celotno stvar umetnika Žak Josip Tisot?

    "A Passing Storm" pripada Realism obdobju v ustvarjalnosti umetnika Žak Josip Tisot, katerega značilne teme vključujejo japonisme influence, belle époque society, victorian domesticity, coastal life depicted, maritime scenes", elegant leisure, social observation, genre painting focus.