Avtorske pravice Ta sklad je še vedno predmet avtorske pravice. Jack Levine je umrl leta 2010; avtorska pravica velja 70 let po smrti umetnika, zato ostaja v veljavi do 2080. Slika je tu prikazana le v izobraževalne namene; pravice ostajajo pri imetniku pravic.
V kontekstu
The Passing Scene — Jack Levine
Prvotne dimenzije so 122 × 76 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.
Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 95 ob smrti.
Naslikano, ko je bil avtor star 26. Umetnik je doživel 95 let. 2 od 19 datiranih del tega umetnika v našem katalogu je nastalo prej.
Osenčeno: življenjsko obdobje Jack Levine (1915–2010) ▲ to delo, 1941 vsaka datirana slika, desetletje za desetletjem
Prva dela: do 1948 Glavni delovni leti: 1948–1962 Pozna dela: od 1962
Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika
Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.
Več podobnih del za kombiniranje z tem: originaluniqueart.com/sl/art/similar/jack-levine-the-passing-scene-AS7SL5-en/
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Katalogirana paleta
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Deset vodilnih držav
Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.
Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 71 del te umetnice, pri čemer je bilo 19 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece
Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.
Umetnik in muzej
Rojen v Boston, Združene države
Born: January 3, 1915, Boston, Massachusetts.
Levine grew up in the South End of Boston, observing a vibrant street life composed largely of European immigrants and marked by poverty. These early experiences profoundly shaped his artistic vision.
Formal Training: He began studying drawing with Harold K. Zimmerman from 1924-1931. From 1929 to 1933, he studied at Harvard University under Denman Ross alongside Hyman Bloom.
Even as an adolescent, Levine demonstrated exceptional draftsmanship, earning early recognition from Denman Ross who included his work in exhibitions and provided financial support.
Early Influences: Levine’s formative years were influenced by artists like Hyman Bloom, Chaïm Soutine, Georges Rouault, and Oskar Kokoschka.
He became associated with Boston Expressionism, a style characterized by emotional intensity and expressive distortion.
WPA Years: From 1935 to 1940, Levine worked for the Works Progress Administration (WPA), which provided crucial support for artists during the Great Depression. This period allowed him to focus on his art and develop his social commentary.
European Influences: A Fulbright grant in 1951 took him to Europe, where he was deeply affected by the Mannerism of El Greco, inspiring him to exaggerate forms for expressive effect.
Social Commentary: Levine is best known for his biting satires on modern life, political corruption, and societal ills. His work often critiques power structures and exposes hypocrisy.
Biblical Narratives: He frequently revisited biblical themes, offering unique interpretations of classic stories.
Distinct Style: Levine’s style is characterized by expressive figures, dramatic compositions, and a keen eye for detail. His paintings often possess a sense of theatricality and psychological depth.
Early Exhibitions: He had his first New York exhibition at the Museum of Modern Art in 1936, showcasing works like “Card Game” and “Brain Trust.”
Controversial Work: His painting "Welcome Home" (1946) sparked controversy when displayed in Moscow due to its perceived criticism of military power.
Museum Acquisitions: Numerous museums acquired his work, including the Metropolitan Museum of Art and the Whitney Museum of American Art.
National Academy of Design: Elected into the National Academy of Design as an associate member in 1979 and became a full academician in 1982.
In 1973, the Vatican purchased his painting “Cain and Abel,” to the satisfaction of Pope Paul VI.
Social Realism Pioneer: Jack Levine is considered a pivotal figure in American Social Realism, using his art as a platform for social and political commentary.
Lasting Impact: His work continues to resonate with audiences today, offering insights into the complexities of 20th-century society.
Estate Representation: The estate of Jack Levine is represented by DC Moore Gallery, ensuring his legacy endures through continued exhibitions and scholarship.
Levine died on November 8, 2010, in Manhattan, New York, at the age of 95, leaving behind a significant body of work that continues to be studied and admired.
Vsaka informacija o The Passing Scene by Jack Levine, na njegovi strani dela
originaluniqueart.com/sl/art/download/jack-levine-the-passing-scene-AS7SL5-en/
Za študente umetnosti in raziskovalce
The Passing Scene — Jack Levine
Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.
Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.
Svetlo-temni kontrast dela "The Passing Scene" je zabeležen kot Balanced. Kontrast opisuje stopnjo razlike med svetlim in temnimi conami.
V zvezi z avtorskimi pravicami je "The Passing Scene" v še vedno pod avtorsko zaščito.
Status avtorske pravice za "The Passing Scene" – še vedno pod avtorsko zaščito – izhaja iz smrti umetnika v letu 2010.
Paleta dela "The Passing Scene" avtorja Jack Levine je opisana kot Earthy, kar predstavlja jedinkaven povzetek barv v tem delu.
"The Passing Scene" pripisujemo Jack Levine.