obdobje

gibanje

vibe

teme

1. Sketch 51 — Thomas Sully
2. Study of Clouds; Two Female Nudes (after Michelangelo; Two Half-length Female Portraits; Equestrian Figure with Two Men — Thomas Sully
3. Unfinished Standing Classical Male Nude; Cardinal Bentivoglio after Van Dyke; Mother and Child; Equestrian Figure — Thomas Sully
4. Nude Man Leaning Over Rock; Seated Female Figure; Seated Nude Female Figure with Hands to Face; Two Men Carrying Dead Body — Thomas Sully

ključne besede

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glavna barva

1. Study of Clouds; Two Female Nudes (after Michelangelo; Two Half-length Female Portraits; Equestrian Figure with Two Men — Thomas Sully
2. Seated, Bearded Man; Lucretia; Three Dancing Putti — Thomas Sully
3. Sketch 26 — Thomas Sully
4. Dying Figure in the Arjpg of a Woman; Praying Woman; Standing Woman; Architectual Detail; Sleeping Figure — Thomas Sully
5. Groups of Putti; a Girl and Dog; Massacre of Innocents — Thomas Sully
6. Five Figure Studies 2 — Thomas Sully
7. Unfinished Standing Classical Male Nude; Cardinal Bentivoglio after Van Dyke; Mother and Child; Equestrian Figure — Thomas Sully
8. Sketch 51 — Thomas Sully
9. Reclining Nude — Ladislaus Bakalowicz
10. Sketch 21 — Thomas Sully
11. Reclining Nude, Head And Shoulders — Leon Štruhar Fojta
12. A Male Nude Study; And A Female Nude Study — Vilijam Ety
13. Four Draped Figures; Six Equestrian Figures — Thomas Sully
14. Group of Three Female Nudes — carl newman
15. Seated Nude — george sweet
16. female nude — filippo rizzo, 1949
17. Standing Male Nude, Back View — Egon Ščile, 1910
18. Seated Nude — alexander evgenievich yakovlev
19. Group of Three Reclining Female Nudes — carl newman
20. Seated Semi Nude Male Model at the Herkomer School — kate ethel cowderoy
21. Nude Man Leaning Over Rock; Seated Female Figure; Seated Nude Female Figure with Hands to Face; Two Men Carrying Dead Body — Thomas Sully
22. Two Seated Figures; One Sleeping Figure; Standing Man Leaning on Ship Railing — Thomas Sully

drugo

1. Seated Nude In A Landscape — Leon Kroll
2. Nude -3 — Frederick Carl Frieseke, 1925