obdobje

gibanje

1. Old Man Kneeling Facing Upper Left — Salvator Rosa
2. Smoking Men — Adriaen Brouwer, 1637
3. Sts Peter and Paul — Guido Reni
4. Bathsheba Bathing — Francesco Solimena, 1725
5. Sleeping man — Bartolomej Esteban Murillo
6. Nude figure of a woman, seen from the side — Guercino
7. Two Men at a Table — Diego Velázquez
8. Seated Male Youth (Study for Daniel) — Rubensova Delavnica, 1613
9. Landscape with Three Men — Nikolaj Pusen
10. Two Wise Men — Pedro Berruguete

vibe

teme

1. Old Man Kneeling Facing Upper Left — Salvator Rosa
2. Sleeping man — Bartolomej Esteban Murillo
3. Smoking Men — Adriaen Brouwer, 1637

ključne besede

ton

glavna barva

1. Sleeping man — Bartolomej Esteban Murillo
2. Nude on Stairs — John French Sloan
3. Saint John the Evangelist — Francesco Salviati
4. Nude figure of a woman, seen from the side — Guercino
5. Seated Male Youth (Study for Daniel) — Rubensova Delavnica, 1613
6. Baroque Church Façade with Obliquely Placed Towers. — johann philipp joseph friedrich kirnberger, 1760
7. Study of an antique statue — Žan Antuan Vato
8. Old Man Kneeling Facing Upper Left — Salvator Rosa
9. Woman Seated on the Ground/Woman Holding a Distaff\n\nWoman Seated on the Ground (recto) — girolamo francesco maria mazzola or mazzuoli, dit parmigianino (in french le parmesan), 1524
10. Two Men at a Table — Diego Velázquez
11. Two Wise Men — Pedro Berruguete
12. Landscape with Three Men — Nikolaj Pusen
13. Salon Scene — michel françois dandré bardon
14. Laa music or poetry? — Charles Meynier, 1794
15. Sts Peter and Paul — Guido Reni
16. Bathsheba Bathing — Francesco Solimena, 1725
17. The Three Wise Men (also known as Halt of the Wise Men) — John La Farge, 1878
18. Smoking Men — Adriaen Brouwer, 1637
19. Cavalier demi-nu, brandissant une arme ; jambe — Charles Le Brun

drugo

1. Otroci Česa I. — Sir Anthony Van Dyck
2. Dream of Aesculapius (detail) — Sebastiano Ricci, 1710
3. The Charity — Bartolomeo Schedoni, 1611
4. The Death Of Marat (Study) — Žak-Lujs David
5. Head and Shoulders of a Youth, Looking Up to the Left — Guido Reni, 1615