Self Portrait (John Emery)
John Emery (1802–1893) je izdelal Self Portrait. Dimenzije so 30 × 25 cm.
- 30 × 25 cm
Self Portrait, na kratek
- Naslov
- Self Portrait
- Avtor
- John Emery (1802–1893)
- Dimenzije
- 30 × 25 cm
Visokoresolucijske slike dela Self Portrait
Javna lastnina: umetnik je umrl leta 1893.
John Emery, Self Portrait. Javna lastnina
Odgovori na vprašanja o Self Portrait
Kakšna je dejanska velikost dela "Self Portrait" avtorja John Emery?
Zabeležene dimenzije dela "Self Portrait" avtorja John Emery so 30 x 25 cm. Reprodukcije je mogoče naročiti v drugih velikostih, ob čemer se ohranijo iste proporcije.
Ali je delo "Self Portrait" avtorja John Emery v javni lastini?
Status avtorskih pravic za "Self Portrait" avtorja John Emery: del je v javni domeni – avtorska pravica je zastarela. To določa, ali se lahko reprodukcije slike izdelujejo prosto.
Kateremu umetniku je "Self Portrait" pripisano?
Delo "Self Portrait" je ustvaril John Emery. Informacije na tej strani opisujejo izvirno delo umetnika John Emery.
Zakaj je status avtorske pravice za "Self Portrait" prav takšen, kot je?
"Self Portrait" avtorja John Emery je v javni domeni – avtorska pravica je zastarela. Avtorske pravice se izračunajo od smrti umetnika, ki je umrl leta 1893.
O umetniku, John Emery
1802–1893
John Emery
Early Life and Origins in Staffordshire Potteries John Emery, born in the heart of Staffordshire potteries in 1802, emerged from a region steeped in artistic tradition—though one primarily focused on functional beauty rather than portraiture. This unique upbringing would subtly shape his approach to art, imbuing his work with a sense of grounded realism and an appreciation for the everyday lives of those he depicted. While details surrounding his earliest education remain scarce, it’s clear that Emery possessed a natural inclination towards visual representation, a talent nurtured within a community renowned for its skilled craftsmanship. The potteries themselves, bustling centers of industry and innovation, provided a rich tapestry of subjects—the workers, the families, the landscapes—that would later populate his canvases.