Boy with Rabbit (John Emery)
John Emery (1802–1893) je izdelal Boy with Rabbit. Dimenzije so 50 × 50 cm.
- 50 × 50 cm
Boy with Rabbit, na kratek
- Naslov
- Boy with Rabbit
- Avtor
- John Emery (1802–1893)
- Dimenzije
- 50 × 50 cm
Visokoresolucijske slike dela Boy with Rabbit
Javna lastnina: umetnik je umrl leta 1893.
Druge velikosti, izrezave in citiranje →John Emery, Boy with Rabbit. Javna lastnina
Odgovori na vprašanja o Boy with Rabbit
Kakšne so dimenzije izvornega dela "Boy with Rabbit" avtorja John Emery?
Zabeležene dimenzije dela "Boy with Rabbit" avtorja John Emery so 50 x 50 cm. Reprodukcije je mogoče naročiti v drugih velikostih, ob čemer se ohranijo iste proporcije.
Ali je delo "Boy with Rabbit" avtorja John Emery v javni lastini?
Status avtorskih pravic za "Boy with Rabbit" avtorja John Emery: del je v javni domeni – avtorska pravica je zastarela. To določa, ali se lahko reprodukcije slike izdelujejo prosto.
Kateremu umetniku je "Boy with Rabbit" pripisano?
"Boy with Rabbit" pripisujemo John Emery.
Kaj pojasnjuje status avtorskih pravic za "Boy with Rabbit" avtorja John Emery?
Status avtorske pravice za "Boy with Rabbit" – v javni domeni – avtorska pravica je zastarela – izhaja iz smrti umetnika v letu 1893.
O umetniku, John Emery
1802–1893
John Emery
Early Life and Origins in Staffordshire Potteries John Emery, born in the heart of Staffordshire potteries in 1802, emerged from a region steeped in artistic tradition—though one primarily focused on functional beauty rather than portraiture. This unique upbringing would subtly shape his approach to art, imbuing his work with a sense of grounded realism and an appreciation for the everyday lives of those he depicted. While details surrounding his earliest education remain scarce, it’s clear that Emery possessed a natural inclination towards visual representation, a talent nurtured within a community renowned for its skilled craftsmanship. The potteries themselves, bustling centers of industry and innovation, provided a rich tapestry of subjects—the workers, the families, the landscapes—that would later populate his canvases.