Predogled
Pošlji
Deli
Podrobnosti o delu
Prenesi
Podobni izdelki
Rentgenski posnetek
Predvajaj diaporamaThe Immaculate Conception
1719
39.0 x 57.0 cm
Galerija Slovenije
Razviljaj več
Ročno izdelana oljna reprodukcija
Ročno slikano olje na platnu v vaši izbiri velikosti in okvirja, izdelano po naročilu naših umetnikov. (
Kupi tisk Kupi digitalno sliko)
Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.
Svoje dimenzije lahko vnesete tako, da se prilagodite določenemu okvirju ali prostoru. Če izbrana velikost ne ustreza razmerjem originalne slike, bomo umetniško delo obrezali ali sliko dopolnili z dodatnimi ročno naslikanimi elementi. Pred začetkom proizvodnje vam bo poslan digitalni osnutek v odobritev.
Upoštevajte, da predogled na zaslonu ne odraža dejanskega obrezovanja ali podaljšanja. Le osnutek bo natančno prikazal končno kompozicijo.
Čeprav so na voljo velikosti po meri, priporočamo izbiro dimenzije s preddefiniranega seznama, da ohranimo originalne razmere.
Po oddaji naročila bo ekipa OriginalUniqueArt.com stranki po e-pošti poslala navodila in predogled digitalnega predogleda.
Svetska dostava () za 3/4 nedelje umesto uobičajenih 5 nedelja. (14 avgust). Bez kompromisa po pitanju kvaliteta.
Brezplačna ekspresna dostava po vsem svetu
Visokokakovostno laneno platno
Popolno zavarovanje pošiljke
Garancija povračila carine in uvoznih davkov
Garancija popolnega ujemanja barv
60-dnevna politika vračanja (le v primeru napak)
Garancija 100% povračila denarja
Popust pri večjem naročilu
Možnost stekla je na voljo le za velikosti pod 110 cm
The Immaculate Conception
Tehnika reprodukcije
Velikost reprodukcije
-
Skupna končna cena
$ 300
Biografija umetnika
Martino Altomonte: A Life in Baroque Art
- Born: Naples, Italy (1657)
- Died: 1745
- Other Names: Johann Martin Hohenberg
Martino Altomonte, born Johann Martin Hohenberg, was a significant Italian Baroque painter of Austrian descent. His career spanned Poland and Austria, leaving behind a legacy of vibrant battle scenes, royal portraits, and impressive altarpieces that reflect the artistic currents of his time.
Early Life and Training
- Family Background: Altomonte’s father, Michael Hohenberg, emigrated from Tyrol to Naples.
- Apprenticeship in Rome: At the age of 15, he was apprenticed to Giovanni Battista Gaulli (Baciccio) in Rome, a leading figure in monumental Baroque painting.
- Further Studies: He later trained under Carlo Maratti, another prominent Roman painter known for his classical influences.
- Name Change: In 1684, upon becoming the court painter of John III Sobieski, King of Poland, he adopted the name Altomonte.
Career in Poland and Artistic Development
- Royal Court Painter: As the court painter to King John III Sobieski, Altomonte primarily focused on battle pieces (notably depicting the Siege of Vienna) and royal portraits.
- Religious Works: He also produced numerous altarpieces, though many have not survived.
- Early Style: The surviving "Sacrifice of Abraham" (Tarnów Diocese Museum) demonstrates Altomonte’s early style as a “follower of Neapolitan chiaroscuro painting.”
- Son's Career: His son, Bartolomeo Altomonte, also became a painter, born in 1694.
Vienna and the Development of Viennese Baroque
- Move to Vienna: Around 1699-1702, Altomonte relocated to Vienna, where he spent the remainder of his career.
- Academic Recognition: In 1707, he was appointed a teaching member of the Akademie der bildenden Künste (Academy of Fine Arts).
- Neue Favorita Commission: This likely led to a commission to decorate the Neue Favorita, an annex of Schloss Augarten.
- Synthesis of Styles: Altomonte’s oil paintings during this period reveal a unique style blending Neapolitan chiaroscuro with Venetian pastel tones, contributing significantly to the development of Viennese Baroque painting.
- Notable Works in Vienna: He created ceiling paintings for the Archbishop's Residenz at Salzburg (1709-10), altar paintings for the Dorotheerkirche (1713), the Peterskirche and Stephansdom (both 1714), the parish church in Krems, and the Deutschordenskirche in Ljubljana (both 1715).
- Further Commissions: He painted ceiling frescoes in the Lower Belvedere in Vienna (1716).
Major Works and Legacy
- Alexander Cutting the Gordian Knot (1708) – Demonstrates his skill in depicting dramatic historical scenes.
- The Ascension of Mary (1737) – A significant high altarpiece at the Stiftskirche Wilhering, showcasing his religious artistry.
- High Altarpiece (1738–40) of the Ursuline Church dedicated to St. Michael in Linz - Another example of his impressive altar work.
- The Apotheosis of St. Leopold (ca. 1750) – A later work reflecting his continued artistic evolution.
- Influence: Altomonte is recognized as a pioneer of Viennese Baroque painting, bridging the gap between Italian and Austrian artistic traditions. His ability to combine Neapolitan drama with Venetian color created a distinctive style that influenced subsequent generations of artists.
Martino Altomonte
1657 - 1745 , Italy
Hitri podatki
- Artistic Movement Or Style: Baroque
- Artists Or Movements Influenced By This Artist: ['Viennese Baroque painting']
- Artists Who Influenced This Artist:
- Giovanni Battista Gaulli
- Carlo Maratti
- Luca Giordano
- Sebastiano Ricci
- Date Of Birth: May 8, 1657
- Date Of Death: 1745
- Full Name: Martino Altomonte
- Nationality: Italian, Austrian
- Notable Artworks:
- Alexander cutting the gordian knot
- The ascension of mary
- High altarpiece (Stiftskirche Wilhering)
- High altarpiece (Ursuline Church, Linz)
- Place Of Birth: Naples, Italy
