Work, Work, Work (Thérèse Lessore)
Thérèse Lessore (1884–1945) je izdelal Work, Work, Work. Dimenzije so 66 × 40 cm.
- 66 × 40 cm
Work, Work, Work: ključne informacije
- Naslov
- Work, Work, Work
- Avtor
- Thérèse Lessore (1884–1945)
- Umetnik, rojen v
- Southwick, United Kingdom
- Dimenzije
- 66 × 40 cm
Work, Work, Work v visoki ločljivosti
Thérèse Lessore, Work, Work, Work. Javna lastnina
Digitalni strokovnjak preveri barve v primerjavi z originalnim slikarstvom in popravlja datoteko, da bi dosledno odražala umetnikovo črtico.
Kupite sliko visoke ločljivostiVprašanja o Work, Work, Work
Kakšnih je originalnih dimenzij "Work, Work, Work"?
Zabeležene dimenzije dela "Work, Work, Work" avtorja Thérèse Lessore so 66 x 40 cm. Reprodukcije je mogoče naročiti v drugih velikostih, ob čemer se ohranijo iste proporcije.
Ali je delo "Work, Work, Work" avtorja Thérèse Lessore v javni lastini?
V zvezi z avtorskimi pravicami je "Work, Work, Work" v v javni domeni – avtorska pravica je zastarela.
Kateremu umetniku je "Work, Work, Work" pripisano?
"Work, Work, Work" pripisujemo Thérèse Lessore.
Zakaj je status avtorske pravice za "Work, Work, Work" prav takšen, kot je?
Status avtorske pravice za "Work, Work, Work" – v javni domeni – avtorska pravica je zastarela – izhaja iz smrti umetnika v letu 1945.
O umetniku, Thérèse Lessore
1884–1945, United Kingdom
Thérèse Lessore
Thérèse Lessore: A Quiet Observer of Bloomsbury Beauty Thérèse Lessore (1884 – 1945) was a British artist whose distinctive watercolor paintings and collaborative designs for Wedgwood pottery cemented her place as a significant figure in the artistic landscape of the early twentieth century. Born in Southwick, West Sussex, she inherited an artistic lineage stretching back to Jules Frédéric Lessore, her father—a French painter who had established himself in England—and his wife Ada Louise Cooper. Her family’s connections to Wedgwood and its celebrated designers further shaped her creative vision, fostering a fascination with decorative arts alongside her passion for capturing the subtleties of human experience. Her formative years were marked by exposure to artistic excellence; she attended the Slade School of Fine Art from 1904 to 1909, where she honed her skills and earned the prestigious Melville Nettleship Prize for figure composition.