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      Himmel

      Marsden Hartley’s Himmel appears like a display of fireworks translated into paint on canvas and across the frame. The composition’s overlapping, abstract, colorful shapes are rooted in French Cubism’s motifs and palette. The concentric discs floating across the painting reveal Hartley’s knowledge of American Indian design. They also may relate to cockades that decorated the German military uniforms that Hartley saw while living in Berlin at the onset of World War I. The German words for heaven (Himmel) and hell (Hölle) frame two conical shapes that resemble Zuckertuete, colorful bags of candy given to German schoolchildren. Combining childhood themes with military references, Hartley suggests that war is a kind of game that may end in salvation or damnation.
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      Marsden Hartley (1877 – 1943)

      Odkrijte močna ameriška modernistčna dela Marsdena Hartleyja! Raziskujte njegove duhovne pejzaže, drzne portrete in edinstveno mešanjo abstrakcije – ključno figuro v umetnosti 20. stoletja.

      Nelson Atkins Muzej umetnosti (Kansas City, Združene države Amerike)

      Raziskujte umetniške zaklade Muzeja umetnosti Kolumbije! Raznolika zbirka od impresionizma do azijske umetnosti, arhitekturna lepota in akademski vpogledi v zgodovinski kampus. Nelson Atkins Museum, Kansas City Art, Asian Art Collection, Bloch Building, Caravaggio, Monet, Modern Art, Sculpture Park, Free Admission, Architecture, Fine Arts, American Art, Jazz Museum, William Rockhill Nelson, Mary

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