Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 131 del v našem katalogu avtorja Roelant Savery
Kratek opis
Bouquet of Flowers (1612) je slika avtorja Roelant Savery, ki pritegne največ pogledov; original se nahaja v muzeju Liechtenstein Museum, Benetignano. Nato se pogled smeri k Landscape with Wild Beasts (1629) in Venus and Amor and the Castle of Love (1605). Med 131 dela umetnika Roelant Savery v našem katalogu so ta 100 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
The Bouquet of Flowers by Roelant Savery emerges from the shadows of a dark setting, a still life that captures a moment of intense botanical life. Painted in 1612, this work presents a dense arrangement of blooms that seems to overflow from its vessel. The artist, Roelant Savery, uses oil on panel to render the delicate textures of the petals and the small creatures that share this space. It is…
In this 1629 landscape, we find ourselves drawn into a secluded realm where the boundaries between the human and the animal kingdom feel remarkably thin. The scene unfolds before a structure that suggests the presence of a temple or perhaps a distant castle, providing a sense of permanence against the movement of the wild. Various animals, including birds, deer, and horses, inhabit this space, moving through a landscape that feels…
Venus and Amor and the Castle of Love is a mythological painting attributed to Roelant Savery. Created circa 1605, the work centers on the figure of Venus. The composition places the goddess within a rugged, mountainous landscape, establishing a narrative framework common to the late Mannerist tradition.
A rugged mountain scene dominates the composition, defined by towering rock formations and spindly trees that draw the eye upward toward a misty, distant peak. Small figures are scattered throughout the landscape, engaged in the physical labor of woodcutting amidst the craggy terrain. The verticality of the cliffs creates a sense of scale, contrasting the immense, jagged geology with the minute, industrious presence of the human workers. Light enters from…
In "Mountain Landscape with Fruit Sellers" by Roelant Savery, we find an asymmetrical arrangement that directs the eye through a carefully structured space. On the right side, a strong vertical element composed of large, detailed trees frames the scene, providing a sense of weight and stability. This foreground structure leads the viewer toward a vast, misty mountain backdrop. The composition creates a quiet tension between the immediate, tangible details of…
The oil on panel work, titled Pillaging of a Village, presents a chaotic and dynamic historical scene. The composition is densely packed with numerous figures, animals, and structures, creating a complex, multi-layered landscape. The subject matter focuses on the violence and disorder of war, featuring soldiers on horseback, looting wagons, and terrified civilians. The perspective is elevated, offering a wide view of the village square and a receding street that…
In Paradiesische Tiergruppe, Roelant Savery presents a dense, multi-layered landscape where the natural order is intentionally suspended. The composition brings together a surreal assembly of species that would not naturally coexist in such proximity. A large, piebald horse dominates the right foreground, its form providing a heavy, grounded presence. To the left and center, a lion and a leopard occupy the immediate foreground, their predatory forms integrated into this quiet,…
Forest Landscape with Hunters is a work by Roelant Savery, an artist born in Kortrijk, Belgium, in 1576. This oil on panel composition emerged around 1604, a period during which Savery was establishing his presence within the artistic circles of the Low Countries. The painting captures a dense, verdant woodland, integrating human figures and wildlife into a structured natural environment.
This work, titled Forest Landscape with Orpheus, was painted by Roelant Savery. The artist, who was born in Kortrijk, Belgium, around 1576, created this piece in 1615. His life and career spanned much of the early seventeenth century, until his death in 1639.
Wooded Landscape with Lions is an oil on panel by Roelant Savery. The work measures 29.5 cm in height and 49.5 cm in width. It belongs to the Dordrechts Museum. This small scale invites a close, quiet observation of the figures held within its frame.
Orpheus Charming the Animals with His Music1610 · Städel Museum
12
Boar hunting1609 · Bavarske državne slikopisne zbirke
13
Polish Cavalry Marching through the Woods1614
14
Lions in a Landscape1622 · Hampton Court Palace
15
Nymphs and Satyr in front of a Temple1615 · Statens Museum For Kunst
16
Three Nymphs Dancing with a Satyr1615 · Statens Museum For Kunst
17
Wild Boar Hunt1615 · Museum Bredius
18
Landscape with Orpheus and the Animals1611 · Gemäldegalerie
19
Old farmer resting together with a dog1615 · Staatliche Kunsthalle Karlsruhe
20
Orpheus1628 · National Gallery
21
Orpheus playing the lyre in front of the animals1630 · Centraal Museum
22
The dapple-grey1625 · Centraal Museum
23
Noah's Ark1628 · Narodni muzej v Varšavi
24
Large flower still life with Crown Imperial1624 · Centraal Museum
25
Mountain Landscape with Travelers1608 · Kunsthistorisches Museum
26
Landscape with Birds (detail)1622 · Národní Galerie
27
Bouquet of Flowers in a Stone Niche1620 · Statens Museum For Kunst
28
Flowers in a Glass1613 · National Gallery
29
Landscape with Wild AnimalsRockox House
30
Landscape with Birds1628 · Kunsthistorisches Museum
31
Orpheus in the Underworld1610 · Kunsthistorisches Museum
32
Orpheus Among the Animals1626 · Kunsthistorisches Museum
33
The Paradise1626 · Staatliche Museen zu Berlin
34
Derelict Courtyard with a Beggar Woman, c. 16081608 · Albertina
35
Tyrolean Landscape (The Flight into Egypt)1606 · Ermitaž
36
Tree Landscape1607 · Bavarske državne slikopisne zbirke
37
Great Oak Forest1608 · Bavarske državne slikopisne zbirke
38
Rocky Landscape with Mastiffs attacking Stags, and Hinds fleeing Hunters1600 · Dudmaston Hall
39
Landscape with a ruined church by a waterfall1607 · Bavarske državne slikopisne zbirke
40
cows + goats1601
41
Forest Landscape with Deer1622 · Dordrechts Museum
42
Battle of the Turks1614 · Gemäldegalerie
43
Deer Hunt in a Forest1619 · Musée de Grenoble
44
Mountainous Landscape with an Entrance to a Mine1612 · Detroit Institute of Arts
45
The Stranded Whale1618
46
Landscape with animals and ruins1616 · Narodni muzej za umetnost, arhitekturo in dizajn
47
Horse in a Landscape1622 · Muzej lepih umetnosti
48
Landscape with Animals1615 · Muzej lepih umetnosti
49
The Creation of Birds1619 · Fitzwilliam Museum
50
Orpheus with beasts and birds1622 · Fitzwilliam Museum
51
Tower Ruin at a Bird Pond1618 · Staatliche Kunstsammlungen Dresden
52
Castle in a Forest1614 · Staatliche Kunstsammlungen Dresden
53
Wooded landscape with animals1619 · Bonnefanten Museum
54
A Landscape with Birds1615 · Hampton Court Palace
55
Noah's Ark1620 · Auckland Art Gallery Toi o Tāmaki
56
Landscape with Ruins and Animals1621 · Dordrechts Museum
57
Bird's Paradise1616 · Kraljevski muzej lepih umetnosti v Antwerpu
58
Orpheus and the Animals1617 · Kraljevski muzej lepih umetnosti v Antwerpu
59
Birds1618 · Kraljevski muzej lepih umetnosti v Antwerpu
60
Day Lily and other Flowers in a Vase in a Niche1614 · Wallraf-Richartz-Museum
61
Flowers in a Glass in a Niche1611
62
Rocky Landscape with Animals1615 · Muzej fine arts
63
Mountain Landscape with Woodcutters1610 · Statens Museum For Kunst
64
Herds in Ruins1617 · Curtius Museum
65
Mountainous Landscape with Figures and a Bridge1610 · Nationalmuseum
66
Woodland Stream1610 · Narodna galerija v Pragi
67
Stag Hunt1611 · Narodna galerija v Pragi
68
Still life with a rose, a grasshopper and a mouse1622 · Noordbrabants Museum
69
Landscape with Orpheus playing the violin; trees and rocks move, beasts and birds are enchanted1619 · Bonnefanten Museum
70
Wooded landscape with animals and a ruin1619 · Kunsthandel P. de Boer
71
Flowers in a glass vase, 16151615 · Vancouver Art Gallery
72
Flower bouquet in a glass vase in a niche with a lizard and a dragonfly, 16121612
73
Flower still life in a niche1617 · Staatliche Kunsthalle Karlsruhe
74
Forest with Deer1610 · Saint Louis Art Museum
75
The Paradise (detail)1618 · Národní Galerie
76
Landscape with Birds (detail)1622 · Národní Galerie
77
Bouquet of Flowers (detail)1612 · Liechtenstein Museum
78
Forest Scene with Hunters1615 · Muzej fine arts
79
Landscape with Animals1610 · Indianapolis Museum of Art
80
The Paradise1618 · Národní Galerie
81
The Paradise (detail)1618 · Národní Galerie
82
Mountainous Landscape with a Castle1609 · Thyssen-Bornemisza Museum
83
Birds and Animals in Rocky Landscape1623 · Bavarske državne slikopisne zbirke
84
Forest Landscape1627 · Bavarske državne slikopisne zbirke
85
Mountain Landscape with Tobias and the Angel1630 · Bavarske državne slikopisne zbirke
86
Noah Thanking God for Having Saved Creation1625 · Musée des Beaux-Arts
87
Orpheus spielt vor den Tieren1626
88
Rocky Landscape1632 · Muzej lepih umetnosti
89
Landscape with Lions Attacking a Cow1628 · Muzej lepih umetnosti
90
Paradies (Im Hintergrund: Der Sündenfall)1628 · Kunsthistorisches Museum
91
Bison attacked by three dogs1626 · Museum of Fine Arts Ghent (MSK)
92
Landscape with Ruin and Cattle near a Pond1630 · Centraal Museum
93
Bouquet of Flowers1625 · Groeningemuseum
94
Landscape with the Flight into Egypt1624 · National Gallery of Art
95
Woods after a storm1630 · Hamburger Kunsthalle
96
Landscape with ruins1630 · Fondation Custodia
97
Still life with flowers in a glass berkemeyer with a lizard, frog and dragonfly on a ledge1637 · Fitzwilliam Museum
98
The Dodo
99
Flowers in a Niche1621
100
Rocky Landscape1606 · Ermitaž
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Roelant Savery | Slike iz tega seznama |
|---|---|---|---|
 Kunsthistorisches Museum |
Dunaj | 10 | Landscape with Wild Beasts, Venus and Amor and the Castle of Love, Mountain Landscape with Woodcutters |
 Bavarske državne slikopisne zbirke |
München | 9 | Paradiesische Tiergruppe, Forest Landscape with Orpheus, Boar hunting |
 Národní Galerie |
Praga | 6 | Landscape with Birds (detail), The Paradise (detail), Landscape with Birds (detail) |
 Muzej lepih umetnosti |
Budimpešta | 7 | Horse in a Landscape, Landscape with Animals, Rocky Landscape |
 Centraal Museum |
Utrecht | 5 | Orpheus playing the lyre in front of the animals, The dapple-grey, Large flower still life with Crown Imperial |
 Statens Museum For Kunst |
Kopenhagen | 4 | Nymphs and Satyr in front of a Temple, Three Nymphs Dancing with a Satyr, Bouquet of Flowers in a Stone Niche |
 Dordrechts Museum |
Dordrecht | 3 | Wooded Landscape with Lions, Forest Landscape with Deer, Landscape with Ruins and Animals |
 Fitzwilliam Museum |
3 | The Creation of Birds, Orpheus with beasts and birds, Still life with flowers in a glass berkemeyer with a lizard, frog and dragonfly on a ledge |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Venus and Amor and the Castle of Love is a mythological painting attributed to Roelant Savery. Created circa 1605, the work centers on the figure of Venus. The composition places the goddess within a rugged, mountainous landscape, establishing a narrative framework common to the late Mannerist tradition.
The Bouquet of Flowers by Roelant Savery emerges from the shadows of a dark setting, a still life that captures a moment of intense botanical life. Painted in 1612, this work presents a dense arrangement of blooms that seems to overflow from its vessel. The artist, Roelant Savery, uses oil on panel to render the delicate textures of the petals and the small creatures that share this space. It is…
In this 1629 landscape, we find ourselves drawn into a secluded realm where the boundaries between the human and the animal kingdom feel remarkably thin. The scene unfolds before a structure that suggests the presence of a temple or perhaps a distant castle, providing a sense of permanence against the movement of the wild. Various animals, including birds, deer, and horses, inhabit this space, moving through a landscape that feels…
Orpheus playing the lyre in front of the animals, painted by Roelant Savery about 1630, presents a central mythological theme of harmony through music. The composition focuses on the figure of Orpheus, whose melodic performance exerts a transformative influence over the natural world. This specific subject matter draws upon the ancient legend of the musician capable of charming all living creatures through his art.
Bouquet of Flowers (1612), Liechtenstein Museum, Benetignano. Zatem sledeta Landscape with Wild Beasts (1629) in Venus and Amor and the Castle of Love (1605).
36 let: delo Bouquet of Flowers iz leta 1612, Roelant Savery pa je bil/a rojen/a leta 1576.
Bouquet of Flowers, Landscape with Wild Beasts, Venus and Amor and the Castle of Love, Mountain Landscape with Woodcutters, Mountain Landscape with Fruit Sellers, Pillaging of a Village, Paradiesische Tiergruppe, Forest Landscape with Hunters, Forest Landscape with Orpheus in Wooded Landscape with Lions. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 131 del avtorja Roelant Savery, datiranih od 1600 do 1637.
Večini v Kunsthistorisches Museum (Dunaj), Bavarske državne slikopisne zbirke (München) in Národní Galerie (Praga). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1610s: 47 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Bouquet of Flowers.
Na tej strani je najstarejše delo iz Rocky Landscape with Mastiffs attacking Stags, and Hinds fleeing Hunters (1600) in najstarejše iz Still life with flowers in a glass berkemeyer with a lizard, frog and dragonfly on a ledge (1637).
Trees (22), Forest (17) in Landscape (16), na 100 delih na tej strani.
Oil On Panel, za 16 od 100 del na tej strani.
Baroque, glede na originala na tej strani.
Landscape with Wild Beasts, Venus and Amor and the Castle of Love in Mountain Landscape with Woodcutters: v muzeju Kunsthistorisches Museum, Dunaj se nahaja 10 del z te strani.
Roelandt Savery stoji kot ključna postavka v obdobju nizozemske zlate dobe, po kateri je zaslužil slavo predvsem zaradi svojih nefraziranih, zaprepačujočih pejzažev, ki so prežeti z natančnimi opisi flore in faune – edinstveno zlitje, ki je utrdilo njegov ugled med najpomembnejšimi botaničnimi slikarji tega obdobja. Savery, rojen okoli leta 1576 v Kortrijku v Belgiji, je svoje zgodnje življenje zaznali globoki preobrati španske inkvizicije. Ko je njegova družina bežala pred pritiskom južnih Netherlandov, je okoli leta 1585 našla zatočišče v Haarledu. Prav tukaj, sredi vzpostavljajoče umetniške energije nizkih deželskih zamenjav, se je Savery začel učiti pod mentorstvom svojega starejšega brata Jacoba Saveryja in cenjenega Hansa Bola. Ti zgodnji učitelji so v njega vdelali temeljno razumevanje manierističnega sloga, ki ga odlikuje eleganca, umetnost in zapletena podrobnost, kar bo kasneje služilo kot okostje za njegove bolj naturalistične raziskave.
Pot Saveryjeve kariere je močno oblikovala njegova potovanja in izpostavljenost intelektualnim tokovom Evrope. Okoli leta 1604 je odpotoval v Prago, kjer se je vključil v krogo sveti rimskih cesarjev Rudolfa II in Matjaža. To obdobje je bilo morda najbolj preobrazbno v njegovem življenju; cesarski dvor v Pragi je bil zatočišče za inovacije, znanstveno raziskovanje in umetniško eksperimentiranje. Potopljen v to okolje, je Savery izvedel intenzivne študije botanike in z nepremagljivo stopnjo podrobnosti zajel zapletenost rastlinskega življenja. Njegova fascinacija z naravnim svetom ni bila le akademska, temveč je odražala širši humanistični interes za opazovanje in predstavljanje narave z znanstveno natančnostjo in estetsko gracio. Ta predanost botanični ilustraciji ločuje Saveryja od mnogih njegovih sodobnikov in pomembno prispeva k njegovemu trajnemu dediščini mojstra miniature in veličastnosti.
Saveryjeva umetniška pot ni bila statična, saj je še naprej vpogajal v raznolike slogovne jezike kontinenta. Njegova potovanja skozi Italijo so mu omogočila srečanje z monumentalnim dediščinom Andrea Palladia in Titiana, vplivi, ki so pomagali izpopolniti njegovo tehniko in razširiti njegov slogovni repertoar dlje od rigidnih struktur manierizma. Z integracijo klasične veličastnosti italijanske umetnosti s preciznim, opazovalnim duhom severne tradicije je Savery razvil edinstven vizualni jezik, sposoben prenesti tako neskončnost pejzaža kot도 nežno teksturo enegaเดียว lista. Ta sinteza slogov mu je omogočila nemoten prehod med velikostnimi panoramskimi razgledi in intimnimi, znanstveno zahtevnimi študijami živali in rastlin.
Ob vrnitvi v Amsterdam leta 1616 se je Savery uveljavil kot pomembna osebnost na nizozemski umetniški sceni. S pristajanjem na ulici Sint Antoniesbreestraat in poroko z Mario van Berckenhorst se je globoko integriral v profesionalno strukturo obdobja. Njegova članstvo v umetniški cehi v Utrechtu leta 1618 je še dodatno utrdilo njegove vezi z drugimi svetlovecmi in spodbudilo mrežo kreativne izmenjave, ki je obogatila njegovo delo. Njegove pozne leta so zaznamovala nenehna nujnost v prikazovanju naravnega sveta, pri čemer se je pogosto osredotoč človeško predstavljavo eksotičnih vrst, ki so preobžlaščale domišljijo globalizirajoče se Evrope.
Zgodovinski pomen Roelanda Saveryja leži v njegovi sposobnosti, da premosti razkorak med umetnostjo in znanostjo. Njegovo delo je morda najbolj znano po zgodnjih ilustracijah izumrlim ali redkim živalim, kot so ikonični prikazi dodo ptice. Ta dela so več kot le slike; služijo kot pomembna zgodovinska dokumenta, ki zajamejo trenutek v času, preden je polni vpliv človekove širjenja za vedno spremenil naravno pokrajino. Skozi njegov č笔, se efemerna lepota cvetice ali edinstvena anatomija eksotične ptice postavi v nesmrtnost z natančnostjo, ki meji na enciklopedijsko.
Saveryjevi prispevki k razvoju pejzažne in botanične umetnosti se lahko povzamemo skozi nekaj ključnih dosežkov:
Danes Saveryjeva dela še vedno očarajo občredstvo in ponujajo okno v svet, kjer so meje med znanstvenim študijem narave in iskanjem umetniške lepote bile čudovito zamegljene. Njegovi pejzaži ostajajo spomenik duhu zlate dobe – obdobja, ki ga definira nezasrpna radovednost o svetu in nepremagljiva veščina zajemanja njegovih bežujočih čudes.
