Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 111 del v našem katalogu avtorja Philip Guston
Kratek opis
Med vsem originalom, ki ga je Philip Guston pustil, je najbolj znan The Pit (1976). Takoj za njima sta The Room (1970) in Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office) (1938). Naš katalog vsebuje 111 del umetnika Philip Guston; galerija je ohranila 100 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
We are looking at The Pit, a significant work by Philip Guston from 1976. This oil on canvas belongs to his Cyclops series, a period where his approach to the canvas underwent a profound transformation. It is a piece that marks a definitive departure from his earlier explorations, settling instead into a highly personal and direct mode of expression.
The canvas presents two hooded figures seated within the interior of an automobile. These figures are rendered with thick, heavy outlines and a cartoonish quality, their faces obscured by the white fabric of their hoods. One figure holds a smoking cigar between its fingers, the grey smoke curling upward into the surrounding space. The vehicle itself is positioned against a background of serially arranged, white, sheep-like clouds that drift across…
Last Piece is not Guston's last Abstract Expressionist painting, but it represents a transition away from the shimmering forms of the early 1950s towards the recognizable motifs of his later, more figurative works. If Buddhism, and concepts of nothingness, had informed his earlier abstractions, this represents a move away from those inspirations.
The title, which references Rome, suggests a preoccupation with the classical world and the layers of history that settle upon a place. There is a tension here between the modern hand and the ancient subject. The work avoids the easy path of mere imitation, opting instead to engage with the essence of classical relief. It captures a sense of what remains after time has passed. The shadows are deep, and…
Gladiators1940
12
The Palette1975
13
Bombardment1937
14
Monopoly1964 · Parrish Art Museum
15
Martial Memory1941
16
The Young Mother1944
17
Porch II1947
18
The Tormentors1948
19
Study for Tormentors1947
20
The Porch1947
21
Painting No. 61951 · Smithsonian American Art Museum
22
Painting, Number 51952 · Metropolitanski muzej umetnosti
23
Painting No. 61951
24
Painting No. 91952
25
Ischia1949
26
Untitled1950
27
Loft I1950
28
Review1949
29
Red Painting1950
30
Three things are necessary for the salvation of man to know what he ought to believe to know what he ought to desire and to know what he ought to do. St. Thomas Aquinas, Two Precepts of Charity, 1273. From the series Great Ideas of Western Man1952
31
Drawing Related to Zone (Drawing No. 19)1954
32
Late April1961 · Izraelski muzej
33
Duo1961
34
Role1959 · Cleveland Museum of Art
35
Rite1958 · Art Institute of Chicago
36
Drawing 19601960 · Metropolitanski muzej umetnosti
37
Close-Up III1961 · Metropolitanski muzej umetnosti
38
Close Up III1961
39
To Fellini1958
40
Celebration1961
41
Inhabiter1965
42
Open Washes1966
43
Untitled (Book)1968
44
Untitled1968
45
City1968
46
Brushes1969
47
Discussion I1969
48
Shoes1968
49
Untitled1973
50
Untitled (Cup)1973
51
Untitled (Wall)1971
52
Painter in Bed1973
53
Roma1971
54
Painting, Smoking, Eating1972
55
Figure in Interior1970
56
Daydreams1970
57
The Street from Ten Lithographs by Ten Artists1971
58
Cerveteri1972
59
Pantheon1973
60
The Lesson1975 · The Phillips Collection
61
Web1975
62
The Street1977
63
Back View1977
64
Couple in bed1977
65
Deluge II1975
66
Ancient Wall1976
67
Midnight Pass Road1975
68
Monument1976
69
Inside - Outside1977
70
Head and Bottle1975
71
Step1979 · Museum of Fine Arts
72
Summer1980
73
Wheel1980
74
Room1980
75
East Side1980
76
Untitled (8)1980
77
As It Goes1978
78
Painter's Forms No. 21978
79
Tomb1978
80
Door1981
81
Studio Corner1981
82
Remains from Eight Lithographs to Benefit the Foundation for Contemporary Performance Arts, Inc1981
83
Gulf1983
84
Painter1983
85
City Limits1969
86
Drawing for Conspirators1930 · Whitney Museum of American Art
87
Curtain
88
Days Work
89
Untitled (9)
90
Box Tree, Rome
91
Clock
92
The return
93
Room
94
Entrance
95
Green Rug
96
Inscapes. Words and Images
97
Talking
98
Sleeping
99
A Critical Study
100
The lesson
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Philip Guston | Slike iz tega seznama |
|---|---|---|---|
 Metropolitanski muzej umetnosti |
New York | 3 | Painting, Number 5, Drawing 1960, Close-Up III |
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office), Painting No. 6 |
 Städel Museum |
Frankfurt | 1 | Ride |
 Georgia Museum of Art |
Atina | 1 | Untitled, #342 |
 Parrish Art Museum |
Water Mill | 1 | Monopoly |
 Izraelski muzej |
Jeruzalem | 1 | Late April |
 Cleveland Museum of Art |
Cleveland | 1 | Role |
 Art Institute of Chicago |
Chicago | 1 | Rite |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Guston painted Gladiators in a social-realist style favored by many left-leaning artists in the 1930s, a style that reflected in part the political and aesthetic influence of the Mexican muralist movement led by Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros. At the time he painted Gladiators, Guston was painting murals in New York as part of a Works Progress Administration (WPA) program. Hooded Klansmen first appeared in his…
We are looking at The Pit, a significant work by Philip Guston from 1976. This oil on canvas belongs to his Cyclops series, a period where his approach to the canvas underwent a profound transformation. It is a piece that marks a definitive departure from his earlier explorations, settling instead into a highly personal and direct mode of expression.
The Pit (1976). Zatem sledeta The Room (1970) in Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office) (1938).
63 let: delo The Pit iz leta 1976, Philip Guston pa je bil/a rojen/a leta 1913.
The Pit, The Room, Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office), Painter III, To B.W.T., Ride, The Studio, Agean, Last Piece in Untitled, #342. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 111 del avtorja Philip Guston, datiranih od 1930 do 1980.
Večini v Metropolitanski muzej umetnosti (New York), Smithsonian American Art Museum (Washington, D.C.) in Städel Museum (Frankfurt). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1970s: 30 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa The Pit.
Na tej strani je najstarejše delo iz Drawing for Conspirators (1930) in najstarejše iz Agean (1980).
Symbols (7), Buildings (4) in Arts (4), na 100 delih na tej strani.
Oil On Canvas, za 2 od 100 del na tej strani.
Neo expressionism, glede na originala na tej strani.
Painting, Number 5, Drawing 1960 in Close-Up III: v muzeju Metropolitanski muzej umetnosti, New York se nahaja 3 del z te strani.
Philip Guston je bil znamenit kanadsko-ameriški slikar in grafičar, katerega kariera je obsegala več kot štiri desetletja. Njegova umetniška pot je zaznamovana s pomembnimi premiki v slogu in tematici, saj je združeval elemente abstraktnega ekspresionizma in figurativne umetnosti, da bi raziskal kompleksne teme rasizma, antisemitizma, fašizma in ameriške identitete.
Gustonovo zgodnje življenje je globoko zaznamovala tragedija. Njegov oče, ukrajinski judovski emigrant, je leta 1923 pristopil k samomorstvu. Ta dogodek je močno vplival na Gustonov umetniški razvoj. Riskanje je začel že v mladosti in obiskoval srednjo šolo Los Angeles Manual Arts, kjer je leta 1av 1927 začel tudi slikati. Z podporo svoje matere je pogosto ustvarjal umetnost v majhnem omrezju s preprosto visečo žarnico.
Gustonova umetniška kariera se lahko široko deli na dve ločeni fazi. Sprva je bila njegova dela figurativna in reprezentativna, kar je prikazovalo zgodnje vplive renesančnih mojstrov, kot je bil Piero della Francesca. Pozneje je sprejel abstrakcijo in postal pomembna figura New York School skupaj z umetniki, kot sta Jackson Pollock in Willem de Kooning.
Gustonova pozna dela so morda najbolj kontroverzna in vpečujoča v njegovi karieri. Te slike so pogosto vključevale temne, satirične elemente, vključno s portreti Richarda Nixona in članov Ku Klux klana z okrepljenimi kapucami. Raziskoval je teme rasizma, antisemitizma in ameriške identiteti z neposredno iskrenostjo, ki je izzivala konvencionalne umetniške norme.
Philip Gustonova dediščina še vedno navdihuje umetnike in ljubitelje umetnosti. Njegova edinstvena perspektiva in umetniški slog sta pustila neizbrisen след v svetu umetnosti.
