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Slike avtorja Paul Burlin: 1 najbolj znanih del skozi oči galerije
Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 3 del v našem katalogu avtorja Paul Burlin
Kratek opis
Za oči galerije je najbolj znano sliko umetnika Paul Burlin delo A-1961 (1961), katere original visi v muzeju Smithsonian American Art Museum, Washington, D.C.. Od 3 del avtorja Paul Burlin v našem katalogu galerija spodaj predstavlja 1 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
1886 – 1969, New York City
Največ del: Smithsonian American Art Museum
Top 10 slik umetnika Paul Burlin v galeriji
Muzeji, ki hranijo originala umetnika Paul Burlin
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Paul Burlin | Slike iz tega seznama |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 1 | A-1961 |
Paul Burlin, značilna dela vsakega leta
Vsako datirano originalno delo umetnika Paul Burlin na tej strani je bilo izdelovano leta 1961: tukaj so, najprej najbolj znana.
Delo po letih
Izberite leto in oglej originale.
Slike umetnika Paul Burlin: odgovori galerije
Katero sliko avtorja Paul Burlin je najbolj znana med vsemi?Razkriti odgovor
A-1961 (1961)
Koliko je bil Paul Burlin let, ko je dokončal A-1961?Razkriti odgovor
75 let: delo A-1961 iz leta 1961, Paul Burlin pa je bil/a rojen/a leta 1886.
Koliko dzieł stworzył Paul Burlin?Razkriti odgovor
Naš katalog vsebuje 3 del avtorja Paul Burlin.
Kje so razpostavljena najbolj znana originala umetnika Paul Burlin?Razkriti odgovor
Večini v Smithsonian American Art Museum (Washington, D.C.). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
Paul Burlin: umetnik
The Formative Years and Artistic Evolution
Born in New York City, Paul Burlin was a painter and printmaker who began his formal artistic education between 1900 and 1912 as a part-time student at the National Academy of Art and the Art Student's League. His early travels took him to Europe from 1908 to 1909 and to the Southwestern United States in 1910. Following a trip to Santa Fe, New Mexico, his paintings of the region were exhibited in New York in 1911, an event that led to his invitation to participate in the 1913 Armory Show. During his time in Santa Fe, which lasted until 1920, he painted landscapes, scenes of local daily life, and portraits of Pueblo Indians, often exploring themes of spirituality and anthropomorphism.
Style and Later Life
Burlin's career saw him move to Paris in 1921, where he studied European abstract painting styles. Upon returning to the United States in 1932, he settled in New York and worked as a member of the Federal Project of the Whitney Museum. As his career progressed, his work moved toward abstract expressionism, utilizing key symbols and imagery from Greek mythology to comment on the brutality of war. In his later years, despite losing his sight and undergoing eight cornea implants, he continued to paint, even when declared legally blind. His final works, The Series of Nine, were exhibited at the Museum of Modern Art in New York and the Pasadena Museum.