Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 149 del v našem katalogu avtorja Marion Boyd Allen
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Izpostavljeno v galeriji je najbolj znano sliko umetnika Marion Boyd Allen, ki je Woodland Scene with Lone Figure. A Breton Peasant Girl in James Sydney Longhurst (d.1921) (1915) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 149 del avtorja Marion Boyd Allen v našem katalogu galerija spodaj predstavlja 100 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
The quietude of the forest finds its voice in Woodland Scene with Lone Figure, a work by the American painter Marion Boyd Allen. This piece emerges from the 19th Century, a period that captures the artist's unique perspective on the natural world. Marion Boyd Allen, who lived from 1862 to 1941, brings a sense of stillness to this specific composition, inviting the viewer to witness a moment of solitude amidst…
The composition is tightly focused on the subject's face and upper torso, creating a sense of immediate intimacy. Through a frontal view, the viewer is brought into a close, direct connection with the young woman. This proximity emphasizes her presence, making the portrait feel personal and quiet. The perspective is limited, ensuring that the viewer's attention remains fixed on her expression and the subtle details of her attire.
In this portrait, James Sydney Longhurst (d.1921) by Marion Boyd Allen, the subject occupies the center of the frame, his presence filling much of the space. The composition focuses on a close-up view of the man's head and shoulders, creating a shallow perspective that brings his likeness into immediate proximity with the viewer. He possesses a distinguished appearance, his features rendered with a clarity that suggests a lifetime of experience.…
This portrait of Anna Vaughn Hyatt Huntington was painted by Marion Boyd Allen about 1920. The subject is a prominent American sculptor, depicted within her professional workspace. She is positioned slightly off-center, leaning against a wooden sawhorse. In her hand, she holds a mallet, and the composition includes various tools of her trade. The figure is shown in a medium shot at eye level, creating an intimate distance between the…
The oil painting titled Birch Trees is a work by the American painter Marion Boyd Allen. This piece focuses on a natural landscape, specifically a forest edge where birch trees grow alongside a body of water. The composition centers on these vertical tree forms and their relationship to the surrounding terrain and the reflective surface of the water.
Sunset across the Common is an oil painting by the American artist Marion Boyd Allen. The work captures a quiet moment of light as it settles over an open field. It is a landscape that seeks the stillness of a fading day.
Bertha Clapshaw1900
12
Winifred Clapshaw1900
13
A Chapel in the Mountains
14
The Visitation
15
Continental Street Scene
16
The MinstrelHampshire Cultural Trust
17
A Religious Procession
18
A Children's Religious Procession
19
Marshland on the Edge of the Wood
20
The Recital
21
Portrait of a Girl amongst Grapes
22
Cattle beneath Elms
23
Portrait of an Old Man
24
Near Tilford Mill, Waverley
25
Portrait of a Girl amongst Hollyhocks
26
Monk on Monastery Balcony
27
Milkmaid and Cow in Landscape
28
Still Life with Mandolin, Pot and Chair
29
Worker Carrying a Scythe with His Daughter
30
Dante (1265–1321)
31
Cows Watering beneath Bradford on Avon
32
Women Walking along a Walled Lane
33
Sailing at Dusk, Saint Valery sur Somme
34
Portrait of a Girl with Honesty
35
Sun Effects through Trees
36
Portrait of a Boy
37
Milkmaid, Mount Orgueil, Jersey
38
Quesnoy, Picardy
39
Portrait of a Girl with Pansies
40
Portrait of a Young Girl with a Ribbon in her Hair
41
Choir Boys Singing
42
Friendship
43
Portrait of a Girl in a White Dress
44
Portrait of a Girl with Primroses
45
Portrait of a Girl against an Orange Tree
46
Work on the Land, Farnham
47
Portrait of an Elderly Man in Farnham Parish Church
48
Market Scene, Lucerne
49
Portrait of a Girl Carrying St John's Wort
50
Portrait of a Girl against an Orange Tree
51
In the BourneHampshire Cultural Trust
52
Girl Gathering Fir Cones
53
Stooked Corn in Pale Sunlight1907
54
Portrait of a Young Girl with Medlars
55
Haymaking at Dusk, Farnham Water Meadows1916 · Hampshire Cultural Trust
56
Phoebe Ellen Longhurst (d.1914)1915
57
The Tuileries1932
58
Chantel de la Flechère1929
59
Grape Picking in Italy1930
60
The Oratorio, Sacred Cantata Performed in Farnham Parish Church1932
61
In the Tuileries Gardens1932
62
The Fold1932 · Hampshire Cultural Trust
63
La Giona, Valvedesga, Lake Maggiore1930
64
Sarmarole1939
65
Grape Picking in Italy1939 · Hampshire Cultural Trust
66
Grace, These Creatures Bless1939 · Hampshire Cultural Trust
67
Sheep Grazing in the Meadows, Farnham
68
A Country Walk
69
Haystacks in the MoonlightHampshire Cultural Trust
70
Stooked Corn at Sunset
71
Sunlight Reflected in Water
72
The Stream
73
Pond in the Woods
74
Snailslynch Kilns by the Wey, Farnham
75
Sunset over the Valley
76
Marshland on the Edge of the WoodHampshire Cultural Trust
77
Pastoral, Sheep in the Meadows, Farnham
78
A Quiet Backwater
79
A Hop KilnHampshire Cultural Trust
80
A Windmill
81
Garden with Sundial
82
Milkmaid and Cow in LandscapeHampshire Cultural Trust
83
Selborne Common
84
Sunlight on Stooked Corn
85
Fiesole, Florence, Val d'ArnoHampshire Cultural Trust
86
Sheep on a Hillside
87
Sheep in the Meadow
88
Hillside at Fiesole, Florence, Val d'Arno, ItalyHampshire Cultural Trust
89
Corn Stooks in Sunlight
90
Corn Stooks in the Sunset
91
Stooked Corn, toward the End of the Day
92
Portrait of a Girl amongst Madonna Lilies
93
Sheep in the Meadows, Farnham
94
Portrait of a Girl with White Cravat
95
Shepherdess amongst Blossom
96
Corn Stooks, possibly Crooksbury Hill
97
La Giona, Lake Maggiore
98
Portrait of a Child in a White Dress
99
Corn Stooks, Farnham
100
Portrait of a Girl with Medlars
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Marion Boyd Allen | Slike iz tega seznama |
|---|---|---|---|
 Hampshire Cultural Trust |
Winchester | 16 | The Minstrel, In the Bourne, Haymaking at Dusk, Farnham Water Meadows |
 Hispanic Society Museum - Library |
New York | 1 | Anna Vaughn Hyatt Huntington |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
In this portrait, James Sydney Longhurst (d.1921) by Marion Boyd Allen, the subject occupies the center of the frame, his presence filling much of the space. The composition focuses on a close-up view of the man's head and shoulders, creating a shallow perspective that brings his likeness into immediate proximity with the viewer. He possesses a distinguished appearance, his features rendered with a clarity that suggests a lifetime of experience.…
This portrait of Anna Vaughn Hyatt Huntington was painted by Marion Boyd Allen about 1920. The subject is a prominent American sculptor, depicted within her professional workspace. She is positioned slightly off-center, leaning against a wooden sawhorse. In her hand, she holds a mallet, and the composition includes various tools of her trade. The figure is shown in a medium shot at eye level, creating an intimate distance between the…
Woodland Scene with Lone Figure. Zatem sledeta A Breton Peasant Girl in James Sydney Longhurst (d.1921) (1915).
Woodland Scene with Lone Figure, A Breton Peasant Girl, James Sydney Longhurst (d.1921), Anna Vaughn Hyatt Huntington, Birch Trees, Sunset across the Common, Male Model, Still Life Studies, Italian Lake Scene in Stranger’s Corner. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 149 del avtorja Marion Boyd Allen, datiranih od 1888 do 1939.
Večini v Hampshire Cultural Trust (Winchester) in Hispanic Society Museum - Library (New York). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1930s: 9 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa The Tuileries.
Na tej strani je najstarejše delo iz Male Model (1888) in najstarejše iz Sarmarole (1939).
Portrait (5), Landscape (5) in Rural landscape (5), na 100 delih na tej strani.
Oil On Canvas, za 5 od 100 del na tej strani.
Impressionism, glede na originala na tej strani.
The Minstrel, In the Bourne in Haymaking at Dusk, Farnham Water Meadows: v muzeju Hampshire Cultural Trust, Winchester se nahaja 12 del z te strani.
Plátna Williama Herberta Allena, v veliki meri neprepoznanega umetnika britanske umetnosti 19. stoletja, ponujajo izjemno intimen in trajen portret angleškega podeželja. Allen, rojen leta 1863 v Londonu, West Bromptonu, se ni njegova umetniška pot začela z velikimi ambicijami ali formalno izobrazbo, temveč z globoko povezanostjo s svojim rojenim Surreyjem – regijo, ki ji je posvetil več kot pet desetletij, da bi jo natančno utrue na platna. Njegovo del presega zgolj pejzažno slikarstvo; gre za ganjivo meditacijo o podeželskem življenju, spreminjanju letnih časov in tihi dostojnosti vsakdana, prepojeno z subtilno melanholijo, ki odmeva še danes.
Allenova zgodnja kariera je bila oblikovana z njegovo vlogo direktorja umetnostne šole Farnham. Ta položaj mu je prinesel neprecenljivo izkušnjo pri poučevanju in opazovanju sveta okoli sebe, kar je spodbudilo spoštovanje do lepote in težav podeželskega življenja. Ni bil flambotanten umetnik, ki bi iskal slavo; namesto tega je izbral bolj kontemplativen pristop, pogosto deloval "na terenu", neposredno iz opazovanja, s čimer je svojemu črteču omogočil, da bi instinktivno prenesel bega Jo svetlobe in vreme na papir ali platno. Ta predanost neposredni izkušnji je vidna v neposrednosti in avtentičnosti njegovega dela – lastnosti, ki je v umetnosti tistega obdobja postajala vse bolj redka.
Allenov umetniški slog se je skozi čas razvijal in odražal tako njegove osebne izkušnje kot širše vlive. Sprva je ustvarjal živahne akvarele, ki so zajemali bujno zeleno in zlate odtenke travnikov in gozdov Surreyja. Ta zgodnja dela značajo drzna uporaba barv in lahna, ekspresivna poteza – značilnost impresionističnega gibanja, čeprav je bil Allenov pristop močno zakoreninjen v njegovih lastnih opazovanjih in ne le v slogski imitaciji. Ko je zrastel kot umetnik, je njegova paleta postala bolj umirjena, s poudarkom na zemljini barvi ter utihlim modrimi in sivimi odtenki, da bi dočaral atmosfeksne razmere regije. Sestojno je prikazoval učinke yağja, megle in zamegljenosti, s čimer je ustvaril občutek globine in vzdušja, ki je zares izstopajoč.
Njegove teme so bile enako raznolike. Allena ni zanimali le idilični pastoralni prizorov; dokumentiral je tudi življenja kmetov, pastirjev in delavcev – zajemajoč njihovo trud, odpornost in povezanost z zemljo. Slike, kot je "Vodenje krda ob sutornici", ponujajo vpogled v ta svet in prikazujejo prizor tihe delavnosti pod utemnjujočo svetlobo dneva. Ta dela niso romantična prikazovanja podeželja; predstavljajo realističen prikaz izzivov, s katerimi so se soočali tisti, ki so delali na zemlji, kar odraža ekonomsko težko obdobje.
Allenov umetniški razvoj je močno vplival gibanje Arts and Crafts, še posebej skozi njegovo povezavo s Thomasom Armstrongom na Kraljevih akademiji za umetnost. Ta povezava je v njem vzbudila globoko spoštovanje do obrtništva in željo po zajemanju bistva tradicionalnega podeželskega življenja. Vendar pa Allenovo del kaže tudi zavedanje o sodobnih družbenih vprašanjih, saj odraža kmetijsko depresijo, ki je preplavila Britanijo skozi večino 19. stoletja. Njegove slike služijo kot vizualni zapis tega obdobja, dokumentirajoč tako lepoto kot težave podeželja.
Kljub svojemu talentu in predanosti je Allen čez življenje ostal v veliki meri neznan. Bil je zasebnik, ki se je izogibnal javnosti in se raje osredotočil na svojo umetnost in poučevanje. Šele po njegovi smrti leta 1943 je njegovo del začelo prejemati širše priznanje, deloma zahvaljujoč prizadevanjem galerije Allen v Altonu, ki alberga pomembno zbirko njegovih slik. Danes je William Herbert Allen vse bolj cenjen kot pomembna figura v britanski pejzažni slikarstvu – umetnik, ki je zajel dušo Surreyja in ponudil ganjivo refleksijo o spreminjajočem se obraz angleškega podeželja.
Allenova dediščina ne leži v velikih izložbah ali kritičnih pohvalah, temveč v tihi moči njegovih slik. So okna v preteklo dobo – čas, ko je bila podeželna življenja neločljivo povezana z ritmi narave in dostojnostjo dela. Njegovo del še danes odmeva pri gledalcih in nas opominja na trajno lepoto angleškega podeželja ter pomembnost ohranjanja njegove kulturne dediščine.
