Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 33 del v našem katalogu avtorja Johann Liss
Kratek opis
Nymph and Shepherd (1625) je slika avtorja Johann Liss, ki pritegne največ pogledov; original se nahaja v muzeju Metropolitanski muzej umetnosti, New York. Nato se pogled smeri k Temptation of Saint Anthony (1614) in The Apostle Paul (1614). Med 33 dela umetnika Johann Liss v našem katalogu so ta 31 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
Deep within a dense, shadowy woodland, a quiet drama unfolds under the weight of heavy leaves and twisting branches. A nymph lies reclined, her pale skin catching a soft, directional light that cuts through the gloom of the forest. She rests in a state of deep repose, unaware of the gaze directed toward her. From behind the rugged bark of a tree, a muscular shepherd leans into the frame. He…
The artwork is titled Temptation of Saint Anthony, a work executed by the German Baroque painter Johann Liss. This specific piece is also identified by the alternative title Anthony and Lust. The painting was created between 1624 and 1625.
The Apostle Paul emerges from the shadows of history in this striking portrait by Johann Liss. Created about 1614, the work captures a moment of profound spiritual intensity. The subject is an elderly man, his features weathered by time and his spirit ignited by divine inspiration. He is identified as the Apostle Paul, a figure of immense weight in religious tradition, appearing here with a sense of urgent, living presence.
In "Curse of Cain" by Johann Liss, a diagonal tension pulls the eye upward. The composition begins with a muscular figure in the foreground, anchored in shadow. From this heavy base, the gaze climbs through a turbulent sky toward a celestial presence hidden within the clouds. This movement follows a low-angle perspective, forcing the viewer to look up at the unfolding drama of divine judgment and human suffering. The scene…
The scene unfolds in A Game of Morra, a painting by the German Baroque artist Johann Liss. This genre art piece captures a spirited moment of human interaction, pulling the viewer into a lively social encounter. The figures gather under a rustic pergola, their gestures and expressions suggesting the tension and play of the game itself. It is a moment frozen in time, where the energy of the group seems…
Johann Liss created Village Wedding Procession, a work dating from about 1616. The oil painting captures a scene of a rural wedding, focusing on the communal activity of a country celebration. The composition centers on a group of figures engaged in the festivities of a village procession.
A pale, luminous figure lies amidst the dark textures of a cavernous landscape. This reclining nude female rests upon a bed of grass and white drapery, her body catching a soft, directional light that pulls her from the surrounding gloom. She faces away, her posture relaxed and heavy with sleep. Around her, the world is composed of craggy, dark rocky masses and deep, earthy tones of ochre and brown. The…
In this dramatic oil painting from 1622, we find ourselves drawn into a nocturnal scene of revelry and debauchery. The composition is dense, creating a sense of chaotic movement within a shallow, stage-like space. A group of figures is caught in a moment of intense social interaction, their lives seemingly consumed by the immediate demands of drinking and carnal pleasure. The subject matter draws from the biblical narrative of the…
A youthful figure emerges from a heavy, dark void. This is Cupid, the god of desire, caught in a moment of quiet tension. His skin possesses a luminous, fleshy quality that seems to hold its own light against the surrounding gloom. He holds a single arrow diagonally across his chest, a sharp instrument of fate held with a soft, unstudied grace. The composition pulls the viewer into an intimate space,…
The painting presents a tight, triangular arrangement of figures that creates a sense of intimacy and tension. A seated saint occupies the center of the frame, his form illuminated by a strong directional light source from the upper left. This light falls upon his face and a golden bowl held by an approaching woman, leaving the background in deep shadow. The woman is draped in crimson fabric, which provides a…
Temptation of Saint Anthony1660 · Bavarske državne slikopisne zbirke
12
The Ecstasy of St Paul1628 · Staatliche Museen zu Berlin
13
The Prodigal Son1625 · Akademija likovnih umetnosti v Dunaju
14
Untitled (D2X6GG)1626 · Metropolitanski muzej umetnosti
15
A Bacchanalian Feast1617 · Fitzwilliam College
16
Judith in the Tent of Holofernes1622 · National Gallery
17
The Fall of Phaeton1624 · National Gallery
18
Adam and Eve Mourning for Abel1624 · Gallerie dell'Accademia di Venezia
19
The Vision of St Jerome1627 · San Nicola da Tolentino
20
Franciscan MonkStatens Museum For Kunst
21
A lute player
22
MOISE SAUVE DES EAUXPalais des Beaux-Arts de Lille
23
E Dirck van der Blind Mans Buff
24
Abel mourned by his parents
25
The Satyr and the Peasant1626 · National Gallery of Art
26
Venus and Adonis1625 · Staatliche Kunsthalle Karlsruhe
27
Smrt Kleopatře1622 · Alte Pinakothek
28
Izjava o umetnosti:
===================
Naslov: Izročje Isaaka
Opis:
Fotografija opis: Kazivo prikazuje žrtvino Isaaka očeta Abrahama. Osrednji liki na kazuiju so Abraham, ki drži nož, Isaac, ki je zavetno položeno na kamen, in dve angelu, ki visijo nad n1624 · Gallerie dell'Accademia di Venezia
29
Judith and Holophernes1628 · Kunsthistorisches Museum
30
Apollo and Marsyas1627 · Gallerie dell'Accademia di Venezia
31
Venus in front of the Mirror1625 · Galleria degli Uffizi
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Johann Liss | Slike iz tega seznama |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 4 | Temptation of Saint Anthony, The Apostle Paul, Temptation of Saint Anthony |
 Gallerie dell'Accademia di Venezia |
Venecija | 3 | Adam and Eve Mourning for Abel, Izjava o umetnosti: =================== Naslov: Izročje Isaaka Opis: Fotografija opis: Kazivo prikazuje žrtvino Isaaka očeta Abrahama. Osrednji liki na kazuiju so Abraham, ki drži nož, Isaac, ki je zavetno položeno na kamen, in dve angelu, ki visijo nad n, Apollo and Marsyas |
 Metropolitanski muzej umetnosti |
New York | 2 | Nymph and Shepherd, Untitled (D2X6GG) |
 Statens Museum For Kunst |
Kopenhagen | 2 | Sleeping Nymph, Franciscan Monk |
 National Gallery |
London | 2 | Judith in the Tent of Holofernes, The Fall of Phaeton |
 Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe |
Kassel | 1 | A Game of Morra |
 Muzej lepih umetnosti |
Budimpešta | 1 | Village Wedding Procession |
 Germanisches Nationalmuseum |
Nürnberg | 1 | The prodigal son at the prostitutes |
15 let razprave med prvim in zadnjim datiranim originalom umetnika Johann Liss, ki so prikazani tukaj, 1614 in 1628: vsako leto ima svoje mesto spodaj.
Izberite leto in oglej originale.
The artwork is titled Temptation of Saint Anthony, a work executed by the German Baroque painter Johann Liss. This specific piece is also identified by the alternative title Anthony and Lust. The painting was created between 1624 and 1625.
Več od 1614
In "Curse of Cain" by Johann Liss, a diagonal tension pulls the eye upward. The composition begins with a muscular figure in the foreground, anchored in shadow. From this heavy base, the gaze climbs through a turbulent sky toward a celestial presence hidden within the clouds. This movement follows a low-angle perspective, forcing the viewer to look up at the unfolding drama of divine judgment and human suffering. The scene…
Johann Liss created Village Wedding Procession, a work dating from about 1616. The oil painting captures a scene of a rural wedding, focusing on the communal activity of a country celebration. The composition centers on a group of figures engaged in the festivities of a village procession.
A large dining table draped in white cloth anchors the scene, a pale island amidst a sea of movement. Figures cluster around this center, their bodies caught in various states of repose and action. Some sit, anchored by the weight of the feast, while others stand, their limbs tracing arcs through the air. The air feels thick with the energy of a communal celebration, a moment of shared indulgence frozen…
The scene unfolds in A Game of Morra, a painting by the German Baroque artist Johann Liss. This genre art piece captures a spirited moment of human interaction, pulling the viewer into a lively social encounter. The figures gather under a rustic pergola, their gestures and expressions suggesting the tension and play of the game itself. It is a moment frozen in time, where the energy of the group seems…
Več od 1620
In this dramatic oil painting from 1622, we find ourselves drawn into a nocturnal scene of revelry and debauchery. The composition is dense, creating a sense of chaotic movement within a shallow, stage-like space. A group of figures is caught in a moment of intense social interaction, their lives seemingly consumed by the immediate demands of drinking and carnal pleasure. The subject matter draws from the biblical narrative of the…
Več od 1622
The painting presents a tight, triangular arrangement of figures that creates a sense of intimacy and tension. A seated saint occupies the center of the frame, his form illuminated by a strong directional light source from the upper left. This light falls upon his face and a golden bowl held by an approaching woman, leaving the background in deep shadow. The woman is draped in crimson fabric, which provides a…
Več od 1624
#17 The Fall of Phaeton
#18 Adam and Eve Mourning for Abel
#28 Izjava o umetnosti:
===================
Naslov: Izročje Isaaka
Opis:
Fotografija opis: Kazivo prikazuje žrtvino Isaaka očeta Abrahama. Osrednji liki na kazuiju so Abraham, ki drži nož, Isaac, ki je zavetno položeno na kamen, in dve angelu, ki visijo nad n
Deep within a dense, shadowy woodland, a quiet drama unfolds under the weight of heavy leaves and twisting branches. A nymph lies reclined, her pale skin catching a soft, directional light that cuts through the gloom of the forest. She rests in a state of deep repose, unaware of the gaze directed toward her. From behind the rugged bark of a tree, a muscular shepherd leans into the frame. He…
Več od 1625
In the vast tapestry of the 17th-century Baroque era, where the theatrical shadows of Caravaggio and the luminous interiors of Vermeer often command the spotlight, there exists a more intimate, whispered form of storytelling. Johann Liss’s “The Temptation of Saint Mary Magdalen,” completed around 1626, serves as a profound testament to this subtle mastery. The painting captures a pivotal moment of spiritual and psychological tension, inviting the viewer into a…
Več od 1626
The air in the room feels heavy with the weight of a sudden, celestial intrusion. St. Jerome sits amidst the quietude of his devotion, an old man whose white beard catches the light, marking him as a soul weathered by years of study and solitude. He is not alone. The stillness is broken by the presence of angels, their forms appearing as if they have just stepped through the veil…
Več od 1627
To gaze upon The Ecstasy of St Paul is to be enveloped in a moment so transcendent it seems plucked directly from the annals of divine revelation. This painting does not merely depict an event; it captures the very breath of spiritual rapture. At its heart, St. Paul is suspended, his outstretched arms reaching not just toward the heavens, but into a palpable emanation of grace. The composition centers on…
Več od 1628
Nymph and Shepherd (1625), Metropolitanski muzej umetnosti, New York. Zatem sledeta Temptation of Saint Anthony (1614) in The Apostle Paul (1614).
28 let: delo Nymph and Shepherd iz leta 1625, Johann Liss pa je bil/a rojen/a leta 1597.
Nymph and Shepherd, Temptation of Saint Anthony, The Apostle Paul, Curse of Cain, A Game of Morra, Village Wedding Procession, Sleeping Nymph, The prodigal son at the prostitutes, Cupid (Amor) in Temptation of Saint Anthony. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 33 del avtorja Johann Liss, datiranih od 1614 do 1628.
Večini v Bavarske državne slikopisne zbirke (München), Gallerie dell'Accademia di Venezia (Venecija) in Metropolitanski muzej umetnosti (New York). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1624: 4 od 31 del na tej strani je bilo izdelovanih takrat, med njimi pa Temptation of Saint Anthony.
Na tej strani je najstarejše delo iz Temptation of Saint Anthony (1614) in najstarejše iz The Ecstasy of St Paul (1628).
Man (10), Woman (9) in People (7), na 31 delih na tej strani.
Oil On Canvas, za 14 od 31 del na tej strani.
Baroque, glede na originala na tej strani.
Temptation of Saint Anthony, The Apostle Paul in Temptation of Saint Anthony: v muzeju Bavarske državne slikopisne zbirke, München se nahaja 4 del z te strani.
Johann Liss, znan tudi kot Jan Lys, predstavlja svetlobno figuro v 17. stoletni nemški barokni gibanju, slikarja, katerega potovanje skozi Evropo je odražalo vibrantne, spremljajoče tokove njegovega obdobja. Born in Schleswig-Holstein, v Nemčiji, natančneje v Oldenburgu, je bilo Lissovo zgodnje življenje oblikovano po strogi umetniški tradiciji njegove domovite regije. Njegova pot kot umetnika je bila pot nenehnega gibanja in globoke transformacije, saj se je premikalo od severnih predelov Nemške do velikih umetniških središč kontinenta. Skozi študije pri Hendricku Goltziusu v Haarlemu in Amsterdamu je osvojil tehnično znanje nizozemske tradicije, preden se je odločil za potovanja, ki so ga popeljala skozi Pariz naravnost v srce Italije.
Evolucija Lissovega sloga je očarjuvanje študija umetnične prilagoditve. Njegovo zgodnje obdobje, ki ga zaznamuje čas v Rimu okoli let 1620–1622, razkriva globoko vpletenost v dramatično napetost Caravaggia. V teh oblikovalnih letih so njegove platna opredelila ostre, močne kontrasti svetlobe in senče, tehnika, ki je religiozne in mitološke teme opredelila z neposredno, vizceralno prisotnostjo. Vendar pa je ob selitvi v Veto, njegova paleta doživela veličastno metamorfozo. Somberna globina njegove rimske obdobja je ustopila živahnemu obdelovanju slikarske površine, ki ga odlikajo briljantne barve in ohlapni, energični potehi č brushwork, ki so delovali, kot da dišejo z življenim nabojem.
Liss je posedel redko sposobnost navigacije med dvojnim svetom svetega in profanega, saj je biblične zapovedi in klasične mite obravnaval z enako emocionalno intenzivnostjo. V svojih religioznih delih, kot je Žrtvovanje Izaka, je izkoristil barokno estetiko za raziskovanje globokih tem vere, poslušnosti in božanske intervencije. Te težke teološke trenutke je pogosto postavil v ozadje razlogenih, skrbno podrobnih naravnih pejzažev, s čimer je ustvaril napetost med monumentalno težo svetega pisma in naravnim svetom. Njegove prikazi božanstva niso bili le statični; pulsirali so z občutkom gibanja in psihološke globine, ki je zajela versko žar v 17. stoletju.
Nasprotno pa so njegova mitološka dela omogočila bolj čulno raziskovanje človeške oblike in klasičnih legend. V delih, kot je Venera in Adonis, je Liss sprejel vzrastajočo estetiko lepote in desiderja, pri čemer je uporabil olje na bakru za doseganje subtilnih tonalnih variacij, ki so povečale čustvene vložke Ovidove tragedije. Ne glede na to, ali je zajemal tragični konec Kleopatrine ali božansko sodjenje v delu Apolon in Marsjas, je njegovo del nenehno težilo k preseganju preproste pripovedovanja zgodb. Smeroval je k surovi moči čustev, pri čemer je uporabljal debel impasto in dinamične kompozicije, da bi zagotovil, da se vsak mitološki srečanje zdi tako staro kot nujno živo.
Značajnost Johanna Lissa sega langt dlje od njegovih posameznih platn, saj so njegove stilske inovacije pomagale paveti pot prihodnjim generacijam slikarjev. Njegov pozni venecijanski slog, s poudarkom na svetlozi, barvi in določeni tekoči spontanosti, je deloval kot predhodnik rokoko gibanja. Energetični potehi, ki jih najdemo v njegovih delih, se lahko vidijo kot zgodnji vpliv na velike bratre Guardi, njegova sposobnost integracije tujih vplivov v venecijansko tradicijo pa je pustila trajen pečat na umetniški videz Republike.
Njegov vpliv je najjasneje čutiti v liniji 18. stoletnih mojstrov. Dela, ki so jih ustvarili Sebastiano Ricci, Giovanni Battista Tiepolo in Giovanni Piazzetta, nosijo odmeve briljantnosti in gibanja, ki jih je pionir Liss. Čeprav je njegovo življenje skrajšala kuga v Veroni, s čim je pustil dedišvo tako pobožnih bibličnih motivov kot čulnih mitoloških pričev, ostaja vitalna dlanka v verigi baročne odličnosti. Bil je slikar, ki je osvojil umetnost transformacije, s čimer je v rimske senco spremil v radiantno svetlobo Venecije.
