Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 39 del v našem katalogu avtorja Giovanni Pisano
Kratek opis
Last Judgment (detail) (1310) je slika avtorja Giovanni Pisano, ki pritegne največ pogledov; original se nahaja v muzeju Katedrala Pise, Pisa. Nato se pogled smeri k Pulpit (1301) in Plato (1280). Med 39 dela umetnika Giovanni Pisano v našem katalogu so ta 39 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
The Last Judgment (detail) is a marble sculpture created by Giovanni Pisano around 1310. This intricate work is a fragment of a larger scene located at the Pisa Cathedral in Italy. The piece is characterized by its high level of detail and a dense composition of numerous figures engaged in various activities.
Located within the Sant'Andrea church in Pistoia, Italy, the Pulpit by Giovanni Pisano represents a significant achievement in late thirteenth-century sculpture. Created between 1298 and 1301, this hexagonal pulpit reflects the artist's extensive career across the Italian cities of Pisa, Siena, and Pistoia. The structure is characterized by its complex geometry and the integration of architectural form with narrative relief.
Plato is a marble sculpture by the Italian artist Giovanni Pisano. Created about 1280, the figure represents the Greek philosopher. It is part of a sequence of all-round statues integrated into the architectural program of the Siena Cathedral.
This detailed close-up presents a sculpted bust, likely depicting Plato, rendered in a grayscale palette that emphasizes texture and form. The composition focuses tightly on the head and upper shoulders, creating an intimate and intense portrait where the subject is centered with a slight tilt to the right. The view eliminates background distractions, directing all attention to the facial features and the beard.
The Madonna and Child by Giovanni Pisano emerges from the stone as a quiet, sacred encounter. Created about 1280, this sculpture captures a traditional religious icon that has long invited devotion. The figures of the Virgin Mary and Jesus Christ exist here in a moment of profound stillness, their presence filling the space with a sense of solemnity and reverence.
The marble breathes with a quiet, rhythmic life. In this intimate encounter, the Madonna holds the Christ Child, her form swaying in a gentle, undulant S-shape that flows from her right foot up through the graceful curve of her head. There is a profound sense of movement held within the stillness of the stone. The infant rests slightly beyond the contours of her body, creating a dynamic balance that defies…
This marble bust captures the Prophet Haggai in a moment of intense, solemn contemplation. Carved with a deliberate boldness, the figure is presented in a three-quarter profile, turning away from the viewer to suggest a private, spiritual urgency. The weathered surface of the marble reveals the deep, rhythmic chiseling used to define the flowing hair and the heavy, textured beard. Every line of the face—from the furrowed brow to the…
Maria Moise (Miriam) is a religious sculpture created by the artist Giovanni Pisano. The figure represents the biblical subject Maria Moise (Miriam), who is identified as the sister of Moses. This work is a facade sculpture, originally positioned on the exterior of the Siena Cathedral (Duomo di Siena) in Italy. The piece is carved from marble.
The marble figure of Maria Moise (Miriam) emerges from the stone, a presence that commands attention through its sheer vitality. Created by the artist Giovanni Pisano, this sculpture captures the sister of Moses in a moment of profound movement. She is not a static icon but a figure caught in a sudden, energetic shift, her very form suggesting a life lived in the midst of a great biblical narrative. The…
Isaiah (detail) is a stone sculpture by the artist Giovanni Pisano. This specific work focuses on the head of the prophet Isaiah. The figure is part of a larger statue that originally occupied a position on the façade of the Cathedral of Siena in Italy. The carving dates to about 1285.
Sibyl (detail)1284 · Duomo
12
Pulpit (detail)1301 · Sant'Andrea
13
Isaiah (detail)1285 · Museo dell'Opera del Duomo
14
Pulpit (detail)1301 · Sant'Andrea
15
Story of the Birth of Jesus1301 · Sant'Andrea
16
Massacre of the Innocents1301 · Sant'Andrea
17
Adoration of the Magi1301 · Sant'Andrea
18
Pulpit (detail) (8)1302 · Katedrala Pise
19
Pulpit, detail1302 · Katedrala Pise
20
Madonna and Child1311 · Museo Civico
21
Madonna and Child1305 · Scrovegnijeva kapela
22
Pulpit, detail1302 · Katedrala Pise
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Pulpit1302 · Katedrala Pise
24
Pulpit (detail)1302 · Katedrala Pise
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Crucifixion1302 · Katedrala Pise
26
Nativity1302 · Katedrala Pise
27
Madonna with the Child and Two Angels1310 · Scrovegnijeva kapela
28
Sibila1285 · Museo dell'Opera del Duomo
29
A Prophet from the Fonte Maggiore1278 · Piazza 4 Novembre
30
Pulpit1301 · Sant'Andrea
31
Sibyl1285
32
Wolf1300
33
Exterior view of the Cathedral1284
34
Last Judgment (detail)1310 · Katedrala Pise
35
Pulpit1302 · Katedrala Pise
36
Pulpit1302 · Katedrala Pise
37
Deacons Holding Candles1310
38
St Anthony Abbot1350 · National Gallery
39
Head of a bearded Man1314 · National Gallery of Denmark
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Giovanni Pisano | Slike iz tega seznama |
|---|---|---|---|
 Katedrala Pise |
Pisa | 11 | Last Judgment (detail), Pulpit (detail) (8), Pulpit, detail |
 Sant'Andrea |
Pistoia | 7 | Pulpit, Pulpit (detail), Pulpit (detail) |
 Museo dell'Opera del Duomo |
Siena | 5 | Maria Moise (Miriam), Maria Moise (Miriam), Isaiah (detail) |
 Duomo |
Siena | 4 | Plato, Plato (detail), Haggai |
 Scrovegnijeva kapela |
Padova | 2 | Madonna and Child, Madonna with the Child and Two Angels |
 Campo Santo |
Pisa | 1 | Madonna and Child |
 Museo Civico |
Pisa | 1 | Madonna and Child |
 Piazza 4 Novembre |
Perugia | 1 | A Prophet from the Fonte Maggiore |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
In this quiet moment of observation, we encounter A Prophet from the Fonte Maggiore, a work by the sculptor Giovanni Pisano. Created about 1278, this figure emerged from the artist's early period, a time when he was working closely within the tradition of his father's workshop. The sculpture is a singular component of the larger sculptural program of the fountain in Perugia, contributing to the complex narrative and architectural framework…
Plato is a marble sculpture by the Italian artist Giovanni Pisano. Created about 1280, the figure represents the Greek philosopher. It is part of a sequence of all-round statues integrated into the architectural program of the Siena Cathedral.
The marble breathes with a quiet, rhythmic life. In this intimate encounter, the Madonna holds the Christ Child, her form swaying in a gentle, undulant S-shape that flows from her right foot up through the graceful curve of her head. There is a profound sense of movement held within the stillness of the stone. The infant rests slightly beyond the contours of her body, creating a dynamic balance that defies…
Located within the Sant'Andrea church in Pistoia, Italy, the Pulpit by Giovanni Pisano represents a significant achievement in late thirteenth-century sculpture. Created between 1298 and 1301, this hexagonal pulpit reflects the artist's extensive career across the Italian cities of Pisa, Siena, and Pistoia. The structure is characterized by its complex geometry and the integration of architectural form with narrative relief.
The Last Judgment (detail) is a marble sculpture created by Giovanni Pisano around 1310. This intricate work is a fragment of a larger scene located at the Pisa Cathedral in Italy. The piece is characterized by its high level of detail and a dense composition of numerous figures engaged in various activities.
Last Judgment (detail) (1310), Katedrala Pise, Pisa. Zatem sledeta Pulpit (1301) in Plato (1280).
62 let: delo Last Judgment (detail) iz leta 1310, Giovanni Pisano pa je bil/a rojen/a leta 1248.
Last Judgment (detail), Pulpit, Plato, Plato (detail), Madonna and Child, Madonna and Child, Haggai, Maria Moise (Miriam), Maria Moise (Miriam) in Isaiah (detail). Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 39 del avtorja Giovanni Pisano, datiranih od 1278 do 1314.
Večini v Katedrala Pise (Pisa), Sant'Andrea (Pistoia) in Museo dell'Opera del Duomo (Siena). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1300s: 18 od 39 del na tej strani je bilo izdelovanih takrat, med njimi pa Pulpit.
Na tej strani je najstarejše delo iz A Prophet from the Fonte Maggiore (1278) in najstarejše iz Head of a bearded Man (1314).
Sculpture (18), Drapery (18) in Marble (17), na 39 delih na tej strani.
Marble, za 24 od 39 del na tej strani.
Gothic in Proto-renaissance, glede na originala na tej strani.
Last Judgment (detail), Pulpit (detail) (8) in Pulpit, detail: v muzeju Katedrala Pise, Pisa se nahaja 11 del z te strani.
Giovanni Pisano se je leta 1248 pojavil v umetniškem žarku Pize v Italiji. Njegovo zgodnje življenje je bilo tesno prepleteno s tradicijo monumentalnega kroještva, saj je bil sin znamenitega kiparja Nicole Pisana. Prav v vzdušju očetove ateljeja je Giovanni začel vpogmati strogo disciplino in visoke ambicije, ki so značilne za slog italijanske gotike. Te začetne leta so bila oblikovalna; obdobje, v katerem so odmevi uveljavljenega umetniškega genija vodili njegov začetni talent. Njegove zgodnje sodelovanja z Nicolo na pomembnih delih, kot sta ambo v katedrali v Sieni (1265–12av) in voda fontana maggiore v Perugii (končana leta 1278), razkrivajo neporažljivo mojstrstvo oblik, ki ga je podarila očetova roka. Čeprav prva dela nosijo neprepoznaven pečat Nicolinega sloga, služijo kot vitalni prolog revolucionarnemu umetniku, v katerega je Giovanni postal predviden.
Pravi cvet edenosti Giovannija Pisana zaznamuje opazna odločenost pri odstopanju od spokojnih odmevov del njegovega očeta. Ključni trenutek se je zgodil z njegovimi naročili v katedrali v Pizi, kjer je med letoma 1av in 1284 oblikoval statue, ki okrašujejo dve vrstici mreženih čelov。
Te postave posedujejo novo živahnost, energijo, ki napoveduje njegovo umetniško osvoboditev. Prav tukaj je Giovanni začel prepletati različite niti zgodovine: visoko vertikalnost francoske gotike, ki se prepleta z robustno, klasično dostojnostjo, izvlečeno iz antične rimske umetnosti. Ta sinteza ni bila le dekorativna; predstavljala je globok intelektualni skok v kiparskem predstavljanju.Njegova ambicija se je kmalu razširila dlje od same kiparstva, da bi objela celotno strukturo svetih prostorov. Med letoma 1287 in 1296 je bilo Giovanniju pisanu zaupano vlogo glavnega arhitekta katedrale v Sieni. Vrlica stoji kot monumentalno spomenstvo njegove razvijajoče se vizije — zapira oči z nefabelnim dialogom med gotsko okrasitvijo in klasično zdržljivostjo. Njegova sposobnost harmoniziranja teh na videz nesklajenih vplivov je dala estetiko, ki je določila velik del kasnejše italijanske umetniške poti. Pozneje, ko se je vrnil v Pizo, da bi začel delati na cerkvi San Giovanni, in nato zavzel se zapleteno ambo v Sant' Andrea v Pistoi (projekt, ki je bil začet preden), je njegova roka ostala odločilna. Reliefi, ki okrasijo to ambo — prikazujoči scene od Marijinega oznanja do Poslednjega sodila — so mojstrovite pripovedi, vrezane z tehnično briljantnostjo in globokim teološkim odmevom.
Vpliv Giovannija Pisana je odmeval tako globoko, da so ga tudi njegovi sodobniki prepoznali kot pionirja. Henry Moore mu je v kasnejših časih podelil naslov "prvega modernega kiparja", čast, ki govori veliko o njegovem revolucionarnem duhu. Njegovo del ni le okrasovalo; ponovno je definiral odnos med umetnostjo, pripovedovanjem in človeško obliko. Z samozavostnim mešanjem vznesene duhovnosti gotične zasnove z zakoreninjeno muskulaturjo in idealiziranimi oblobo rimske antike je Giovanni Pisano utrl vizualni jezik, ki je premostil srednjoveški svet proti prihajajoči renesansi. Njegova trajna dediščina je dediščina dinamične prehodnosti — mojstra, ki je vodil italijansko umetnost iz ene dobe v drugo.
