Portret Domenichino

Slike avtorja Domenichino: 94 najbolj znanih del skozi oči galerije

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 94 del v našem katalogu avtorja Domenichino

Kratek opis

Za oči galerije je najbolj znano sliko umetnika Domenichino delo Pope Paul V (1618), katere original visi v muzeju Statens Museum For Kunst, Kopenhagen. Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta (1622) in Landscape with Moses and the Burning Bush (1610) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 94 del avtorja Domenichino v našem katalogu galerija spodaj predstavlja 94 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.

1581 – 1641, Bologna Baroque Največ del: National Gallery

Top 10 slik umetnika Domenichino v galeriji

1
Pope Paul V (1618) avtorja Domenichino

Pope Paul V

1618 · Oil · Statens Museum For Kunst, Kopenhagen

A single light source strikes from the upper left, carving the face of Pope Paul V out of a heavy, ink-black void. He sits in a three-quarter pose, a figure of immense gravity anchored by the structural lines of a high-backed chair. The light catches the crisp linen of his rochet and the soft, matte surface of his skin, while the rest of his form dissolves into deep shadows. There…

2
Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta (1622) avtorja Domenichino

Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta

1622 · Oil On Canvas · Los Angeles County Museum of Art, Los Angeles

The air at La Storta feels heavy with the weight of the unseen. In this moment, the earthly landscape of green hills and brown earth falls away, replaced by a vertical rupture in reality. Below, Saint Ignatius of Loyola kneels in the quietude of the landscape, his dark, somber habit absorbing the shadows of the world. His arms are crossed tightly over his chest, a gesture of profound surrender, as…

3
Landscape with Moses and the Burning Bush (1610) avtorja Domenichino

Landscape with Moses and the Burning Bush

1610 · Oil On Copper · Metropolitanski muzej umetnosti, New York

In the delicate expanse of this oil on copper masterpiece, Domenichino invites us into a moment of profound spiritual revelation. Landscape with Moses and the Burning Bush is not merely a depiction of a biblical event; it is a window into a timeless, classical world where the divine intersects with the earthly. The scene captures the pivotal instant from the Book of Exodus, where Moses encounters the miraculous bush that…

4
The lapidation of Saint Stephen (1605) avtorja Domenichino

The lapidation of Saint Stephen

1605 · Oil On Copper · Musée Condé, Chantilly

The lapidation of Saint Stephen is a religious art painting that captures a moment of profound sacrifice. The work depicts Saint Stephen, the central figure of this sacred narrative. It was painted by the Bolognese artist Domenichino, a figure who helped define the expressive power of the Baroque era. The scene focuses on the heavy, physical reality of the saint's martyrdom.

5
Apparition of the Angels to Saint Jerome (1601) avtorja Domenichino

Apparition of the Angels to Saint Jerome

1601 · Oil On Canvas · Muzej Prado, Madrid

The oil painting presents a religious vision organized along a strong diagonal axis. In the lower right, the figure of Saint Jerome ascends toward the celestial figures positioned in the upper left. The saint is depicted with muscular anatomy, his torso illuminated by a divine light source emanating from the upper left. He is draped in deep crimson fabric that contrasts with the muted, earthy browns and blues of the…

6
Madonna and Child with St. John (1605) avtorja Domenichino

Madonna and Child with St. John

1605 · Oil On Canvas

In this 1605 oil on canvas, we find ourselves drawn into an intimate, pyramidal arrangement that defines the High Renaissance and Baroque sensibilities. The composition centers on the Virgin Mary and the Christ Child, accompanied by the infant St. John. There is a profound sense of closeness here, as if the viewer has been invited into a private, sacred moment. The lighting is handled with a deliberate chiaroscuro effect; a…

7
Landscape with a Hermit (1605) avtorja Domenichino

Landscape with a Hermit

1605 · Oil

Landscape with a Hermit is a serene and classical landscape painting executed in the Baroque style. The composition is carefully balanced, utilizing large trees on the left and right to frame a central view that recedes toward distant mountains. The scene depicts a tranquil natural setting where a small waterfall cascades into a pool, surrounded by a variety of deciduous trees. In the lower right foreground, a group of human…

8
The Rapture of St. Paul (1606) avtorja Domenichino

The Rapture of St. Paul

1606 · Oil On Copper

In this oil on copper work, we witness a profound spiritual transition. The composition centers on the figure of Paul the Apostle, caught in a moment of intense religious ecstasy. His body is oriented diagonally, pulling the eye upward toward a luminous, cloud-filled sky. He is draped in a deep forest green tunic and a crimson red cloak that billows around him, suggesting a sudden, forceful movement. Small cherubic figures,…

9
Susanna in her Bath (1611) avtorja Domenichino

Susanna in her Bath

1611 · Oil On Canvas · Bavarske državne slikopisne zbirke, München

In Susanna in her Bath by Domenichino, a dramatic biblical scene unfolds with sudden intensity. The narrative centers on the story of Susanna and the Elders, a moment where the quietude of a private ritual is shattered by an unexpected intrusion. This tension transforms a simple act of cleansing into a profound struggle, as the subject matter captures purity being threatened by lust. The air feels heavy with the weight…

10
Martyrdom of Saint Peter of Verona (1620) avtorja Domenichino

Martyrdom of Saint Peter of Verona

1620 · Oil On Canvas · Pinacoteca Nazionale di Bologna, Bologna

In this composition from about 1620, Domenichino organizes the scene around a central struggle between an assailant and two figures draped in white robes. The tension is driven by highly dynamic lines, following the diagonal thrust of a raised sword and the sprawling limbs of the falling figures. A strong light source illuminates this central action from the upper left, casting deep shadows that define the physical struggle. This use…

Slikarska dela umetnika Domenichino, uvrščena od 11 do 94

11The Madonna of Loreto Appearing to St. John the Baptist, St. Eligius, and St. Anthony Abbot (1620) avtorja DomenichinoThe Madonna of Loreto Appearing to St. John the Baptist, St. Eligius, and St. Anthony Abbot1620 12Death of Saint Cecilia (1613) avtorja DomenichinoDeath of Saint Cecilia1613 13Saint Cecilia in Glory (1613) avtorja DomenichinoSaint Cecilia in Glory1613 14The Angel Crowns St. Cecilia and Valerian (1613) avtorja DomenichinoThe Angel Crowns St. Cecilia and Valerian1613 15Landscape with Bathers (1615) avtorja DomenichinoLandscape with Bathers1615 · Rhode Island School of Design Museum of Art 16Portrait of Cardinal Borghese (1618) avtorja DomenichinoPortrait of Cardinal Borghese1618 · Statens Museum For Kunst 17Madonna and Child with St. Francis (1621) avtorja DomenichinoMadonna and Child with St. Francis1621 18Rinaldo and Armida (1617) avtorja DomenichinoRinaldo and Armida1617 19Landscape with Hercules and Acheloüs (1621) avtorja DomenichinoLandscape with Hercules and Acheloüs1621 20Saint Mary Magdalene (1625) avtorja DomenichinoSaint Mary Magdalene1625 · National Gallery of Ireland 21The Martyrdom of Saint Andrew (1630) avtorja DomenichinoThe Martyrdom of Saint Andrew1630 · Sant'Andrea della Valle 22Double wreath surrounding a medaillion with the triumph of love (1626) avtorja DomenichinoDouble wreath surrounding a medaillion with the triumph of love1626 23Presentation of Virgin Mary (1624) avtorja DomenichinoPresentation of Virgin Mary1624 24The Way to Calvary (1610) avtorja DomenichinoThe Way to Calvary1610 · J. Paul Getty Museum 25A Sibyl (1622) avtorja DomenichinoA Sibyl1622 · Wallace Collection 26Saint Jerome (1618) avtorja DomenichinoSaint Jerome1618 · Statens Museum For Kunst 27Landscape with a Fortified Town (1634) avtorja DomenichinoLandscape with a Fortified Town1634 · National Gallery 28Adam and Eve avtorja DomenichinoAdam and EveMusée de Grenoble 29The Rebuke of Adam and Eve (1626) avtorja DomenichinoThe Rebuke of Adam and Eve1626 · National Gallery of Art 30King David Playing the Harp (1619) avtorja DomenichinoKing David Playing the Harp1619 · Opera House 31Landscape with St John baptising (1615) avtorja DomenichinoLandscape with St John baptising1615 · Fitzwilliam Museum 32Portrait of a Young Girl (1639) avtorja DomenichinoPortrait of a Young Girl1639 · National Museums Liverpool 33St. John (1641) avtorja DomenichinoSt. John1641 · Poljsko muzej v Rapperswilu 34Sainte Marie-Madeleine avtorja DomenichinoSainte Marie-Madeleine 35Diana and her Nymphs (detail) avtorja DomenichinoDiana and her Nymphs (detail) 36Martyrdom of Saint Sebastian avtorja DomenichinoMartyrdom of Saint Sebastian 37The Coronation of the Virgin avtorja DomenichinoThe Coronation of the VirginStatens Museum For Kunst 38S Sebastian avtorja DomenichinoS SebastianGemäldegalerie Alte Meister 39River landscape with Boatmen and Fisherman, an elegant couple walking by the shore avtorja DomenichinoRiver landscape with Boatmen and Fisherman, an elegant couple walking by the shore 40Portrait of the building master Vincenzo Scamozzi avtorja DomenichinoPortrait of the building master Vincenzo ScamozziGemäldegalerie 41Christ Surrounded by Saints avtorja DomenichinoChrist Surrounded by Saints 42Virginio Cesarini avtorja DomenichinoVirginio Cesarini 43Temperance avtorja DomenichinoTemperance 44Head of a Bearded Man avtorja DomenichinoHead of a Bearded Man 45Erminia among the Shepherds avtorja DomenichinoErminia among the Shepherds 46Portrait of Cardinal Agucchi avtorja DomenichinoPortrait of Cardinal Agucchi 47Adam and Eve 1 avtorja DomenichinoAdam and Eve 1 48Madonna and Child with St Petronius and St John the Baptist avtorja DomenichinoMadonna and Child with St Petronius and St John the Baptist 49The Cumaean Sibyl avtorja DomenichinoThe Cumaean Sibyl 50Landscape with the Flight into Egypt avtorja DomenichinoLandscape with the Flight into EgyptAllen Memorial Art Museum 51Funeral of an emperor avtorja DomenichinoFuneral of an emperor 52Saint Agnes avtorja DomenichinoSaint AgnesKraljeva zbirka 53Portrait of a Young Man avtorja DomenichinoPortrait of a Young Man 54Landscape with the Flight into Egypt 1 avtorja DomenichinoLandscape with the Flight into Egypt 1 55Apollo killing the Cyclops avtorja DomenichinoApollo killing the CyclopsNational Gallery 56Abraham Leading Isaac to Sacrifice avtorja DomenichinoAbraham Leading Isaac to Sacrifice 57The Transformation of Cyparissus avtorja DomenichinoThe Transformation of CyparissusNational Gallery 58A Triumphal Arch of Allegories avtorja DomenichinoA Triumphal Arch of AllegoriesMuzej Prado 59Landscape with a Child Overturning Wine avtorja DomenichinoLandscape with a Child Overturning Wine 60Adam and Eve avtorja DomenichinoAdam and Eve 61Appearence of the Angels to St. Gerome avtorja DomenichinoAppearence of the Angels to St. Gerome 62St Cecilia before the Judge avtorja DomenichinoSt Cecilia before the Judge 63Timoclea Captive Brought before Alexander avtorja DomenichinoTimoclea Captive Brought before Alexander 64The Rest on the Flight into Egypt avtorja DomenichinoThe Rest on the Flight into Egypt 65Portrait of Virginio Cesarini avtorja DomenichinoPortrait of Virginio Cesarini 66The Sacrifice of Isaac avtorja DomenichinoThe Sacrifice of Isaac 67Mercury stealing the Herds of Admetus avtorja DomenichinoMercury stealing the Herds of AdmetusNational Gallery 68Landscape with Moses and the Burning Bush avtorja DomenichinoLandscape with Moses and the Burning BushMuseum Boijmans Van Beuningen 69Abraham Leading Isaac to Sacrifice (1602) avtorja DomenichinoAbraham Leading Isaac to Sacrifice1602 · Kimbell Art Museum 70Landscape avtorja DomenichinoLandscape 71Landscape with Erminia and the Shepherds avtorja DomenichinoLandscape with Erminia and the Shepherds 72The Repose of Venus avtorja DomenichinoThe Repose of Venus 73Diana and her Nymphs (detail)2 avtorja DomenichinoDiana and her Nymphs (detail)2 74The Assumption of Mary Magdalene into Heaven avtorja DomenichinoThe Assumption of Mary Magdalene into Heaven 75Apollo pursuing Daphne avtorja DomenichinoApollo pursuing DaphneNational Gallery 76The Flaying of Marsyas avtorja DomenichinoThe Flaying of MarsyasNational Gallery 77The Vision of Saint Jerome avtorja DomenichinoThe Vision of Saint JeromeNational Gallery 78Apollo slaying Coronis avtorja DomenichinoApollo slaying CoronisNational Gallery 79Apollo and Neptune advising Laomedon avtorja DomenichinoApollo and Neptune advising LaomedonNational Gallery 80Casino Aurora, Rome. Ground floor. Landscape Room, general view avtorja DomenichinoCasino Aurora, Rome. Ground floor. Landscape Room, general viewArchivio Boncompagni Ludovisi 81The Judgement of Midas avtorja DomenichinoThe Judgement of MidasNational Gallery 82Saint George killing the Dragon avtorja DomenichinoSaint George killing the DragonNational Gallery 83Landscape with Tobias laying hold of the Fish avtorja DomenichinoLandscape with Tobias laying hold of the FishNational Gallery 84Adoration of the Shepherds (1607) avtorja DomenichinoAdoration of the Shepherds1607 · Scottish National Gallery 85Communion of Saint Jerome (1614) avtorja DomenichinoCommunion of Saint Jerome1614 · Vatikanovi muzeji 86Cumaean Sibyl (1610) avtorja DomenichinoCumaean Sibyl1610 · Kapitolinski muzeji 87Diana and her Nymphs avtorja DomenichinoDiana and her NymphsGalerija Borghese 88Portrait of Monsignor Giovanni Battista Agucchi avtorja DomenichinoPortrait of Monsignor Giovanni Battista AgucchiYork Art Gallery 89frescos in the dome of the royal chapel of San Gennaro (1525) avtorja Domenichinofrescos in the dome of the royal chapel of San Gennaro1525 90Saint John the Evangelist avtorja DomenichinoSaint John the EvangelistNational Gallery 91St Cecilia avtorja DomenichinoSt Cecilia 92The Sacrifice of Abraham (1627) avtorja DomenichinoThe Sacrifice of Abraham1627 · Muzej Prado 93Landscape with Ford avtorja DomenichinoLandscape with FordGalleria Doria Pamphilj 94Mary Magdalene Taken up to Heaven avtorja DomenichinoMary Magdalene Taken up to HeavenErmitaž

Slavna platna umetnika Domenichino, razdeljena po obdobjih

Motivi, ki so očarali Domenichino

Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.

Muzeji, ki hranijo originala umetnika Domenichino

8 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Domenichino Slike iz tega seznama
National Gallery, LondonNational Gallery London 13 Landscape with a Fortified Town, Apollo killing the Cyclops, The Transformation of Cyparissus
Statens Museum For Kunst, KopenhagenStatens Museum For Kunst Kopenhagen 4 Pope Paul V, Portrait of Cardinal Borghese, Saint Jerome
Muzej Prado, MadridMuzej Prado Madrid 3 Apparition of the Angels to Saint Jerome, A Triumphal Arch of Allegories, The Sacrifice of Abraham
Los Angeles County Museum of Art, Los AngelesLos Angeles County Museum of Art Los Angeles 1 Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta
Metropolitanski muzej umetnosti, New YorkMetropolitanski muzej umetnosti New York 1 Landscape with Moses and the Burning Bush
Musée Condé, ChantillyMusée Condé Chantilly 1 The lapidation of Saint Stephen
Bavarske državne slikopisne zbirke, MünchenBavarske državne slikopisne zbirke München 1 Susanna in her Bath
Pinacoteca Nazionale di Bologna, BolognaPinacoteca Nazionale di Bologna Bologna 1 Martyrdom of Saint Peter of Verona

Domenichino, ena značilna slika na desetletje

Delo po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Slike umetnika Domenichino: odgovori galerije

Katero sliko avtorja Domenichino je najbolj znana med vsemi?Razkriti odgovor

Pope Paul V (1618), Statens Museum For Kunst, Kopenhagen. Zatem sledeta Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta (1622) in Landscape with Moses and the Burning Bush (1610).

Koliko je bil Domenichino let, ko je dokončal Pope Paul V?Razkriti odgovor

37 let: delo Pope Paul V iz leta 1618, Domenichino pa je bil/a rojen/a leta 1581.

Katera je 10 najboljjših slik umetnika Domenichino?Razkriti odgovor

Pope Paul V, Saint Ignatius of Loyola's Vision of Christ and God the Father at La Storta, Landscape with Moses and the Burning Bush, The lapidation of Saint Stephen, Apparition of the Angels to Saint Jerome, Madonna and Child with St. John, Landscape with a Hermit, The Rapture of St. Paul, Susanna in her Bath in Martyrdom of Saint Peter of Verona. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko dzieł stworzył Domenichino?Razkriti odgovor

Naš katalog vsebuje 94 del avtorja Domenichino, datiranih od 1601 do 1641.

Kje so razpostavljena najbolj znana originala umetnika Domenichino?Razkriti odgovor

Večini v National Gallery (London), Statens Museum For Kunst (Kopenhagen) in Muzej Prado (Madrid). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

Kdaj je Domenichino ustvaril svoja najbolj znana slika?Razkriti odgovor

V obdobju 1610s: 15 od 94 del na tej strani je bilo izdelovanih takrat, med njimi pa Pope Paul V.

Kateri so najstarejši in najmlajši znanii dela umetnika Domenichino?Razkriti odgovor

Na tej strani je najstarejše delo iz Apparition of the Angels to Saint Jerome (1601) in najstarejše iz St. John (1641).

Kateri motivi so bili za Domenichino najbolj značilni?Razkriti odgovor

Landscape (14), Woman (13) in Man (12), na 94 delih na tej strani.

Pri katerem medijem je Domenichino delal največ?Razkriti odgovor

Oil On Canvas, za 18 od 94 del na tej strani.

S katerim umetnostnim slogom je povezan Domenichino?Razkriti odgovor

Baroque, glede na originala na tej strani.

Katera originalna dela umetnika Domenichino ima v svoji zbirki National Gallery?Razkriti odgovor

Landscape with a Fortified Town, Apollo killing the Cyclops in The Transformation of Cyparissus: v muzeju National Gallery, London se nahaja 13 del z te strani.

Domenichino: umetnik

Domenichino (Domenico Zampieri): Bologenski baročni vizionar

Domenichino, rojen kot Domenico Zampieri v Boloni okoli leta 1581, stoji kot temelj bolenskega baroka – gibanja, ki ga zaznamajo dramatični kontrasti svetlobe in sence, bogata ornamentika ter idealiziran prikaz človeških čustev. Njegove formative leta so bila potopljena v umetniški vročino svojega časa, ko je vpija vsedragno dediščino Rafaelja in Michelangela, hkrati pa je oblikoval svoj lasten, prepoznaven slog, ki je utrdil njegov ugled med najpomembnejšimi bolenskimi slikarji. Čeprav so biografski podatki nekoliko redki, raziskave kažejo, da je svoje znanje izpil pod Raffaele Spagnuolo, mojstrom tenebrizma – tehnike, ki jo je zagovarjal Caravaggio –, kar je na Domenichinovo umetniško pristop močno vplivalo.
  • Zgodnja kariera in učeništvo: Zampieri je svojo umetniško pot začel kot učenec Spagnuola, kjer se je potopil v izrazno moč chiaroscuroja in osvajal umetnost prikazovanja globoke psihološke zahtevnosti skozi vrhunsko uporabo črte.
  • Vpliv ateljeja Carracci: Domenichinova povezanost z Caravaggijevim studiem se je izkazala za ključno; absorbiral je njegov revolucionarni realizem in dramatično teatralnost, pri čemer je te principe prilagodil svojim lastnim kompozicijo.
  • Rim in mecenaštvo: Do sredine 20. let se je Domenichino presel v Rim, kjer je pridobil naročila prestižnih mecena, kot sta kardinal Scipione Borghese in Palazzo Farnese, kjer je ustvaril monumentalne freske, ki so prikazale njegovo nepreverljivo znanje pri zajemanju veličastnosti in čustev.

Stilski značilniki in umetniška tehnika

Domenichinova umetniška sloga je takoj prepoznavna zaradi svoje prefinjene elegance in vrhunske izvedbe. V nasprotju z nemirnim dinamizmom Caravaggia je Domenichino raje izbral bolj umeren tempo, s poudarkom na jasnosti oblike in harmonični barvni paleti. Kljub temu je ohranil Caravaggijevo predanost dramatični osvetlitvi – tenebrizmu – ter je spretno manipuliral s svetlo in temno, da bi povečal čustveni učinek in oblikoval figure z nefrepnim realizmom. Njegovo slikanje je bilo zaznamovano z natančnimi detajli in subtilnimi gradacijami tonov, kar je ustvarilo površine, ki so s svojo svetlobnostjo odmevale in prenesle neverjeten občutek globine. Odlično se je izkazal pri prikazovanju tako mitoloških motivov kot religioznih scen, s čimer je dosledno dokazoval globoko razumevanje klasičnih idealov in humanistične senzibilnosti.
  • Tenebrizem: Domenichino je spretno uporabljal tenebrizem za ustvarjanje dramatičnih kontrastov med svetlobo in temno, s čimer je poudaril čustveno intenzivnost in plastično obliko.
  • Barvna paleta: Njegove barvne palete so bile zmerne, a luministične, s prednostjo nad utihnjenimi odmesi, ki so dopolnjevali splošni vzdušje njegovih slik.
  • Črta in tekstura: Domenichinova natančna črta je dosezala izjemne teksturne učinke, ki so prenesli oprijemljivo občutje fizičnosti in realizma.

Pomembna dela in dosežki

Domenichinova umetniška tvorba obsega številna prestižna naročila, ki so pustila neizbrisno sled v baročni pokrajini. Med njegovimi najslavnejšimi dosežki so freske, ki krasijo Palazzo Farnese v Rimu – posebej Sala di Amore e Psiche in Sala dei Giganti – ki utemeljujejo njegovo mojstvo pri monumentalnem slikarstvu in utelovejo humanistične ideale obdobja. Njegovi prikazi Apolonovega ubijanja Kiklopa in Marije Magdalene, ki jo vznešemo v nebo, stojijo kot spomeniki njegovi sposobnosti pri pripovedovanju mitoloških zgodb z globokim psihološkim vpogledom in umetniško virtuoznostjo. Poleg tega je Domenichinova prispeva k muzeju San Domenico v Orvietu vredna posebne pozornosti zaradi prikaza svetnika Toma Akviatskega, ki prikazuje njegov talent za zajemanje duhovne kontemplacije in prenašanje dostojanstvene lepote.

Dediščina in zgodovinski pomen

Domenichinov vpliv se je razširil daleč čez njegove neposredne sodobnike in oblikoval umetniško senzibilnost prihodnjih generacij. Pomagal je vzpostaviti bolenski barok kot prevladujočo moč v evropski umetnosti, s čimer ga je dvignil na nove višine sofisticiranosti in izrazne moči. Njegova neomajna predanost klasičnim idealom, v kombinaciji z revolucionarnim realizmom Caravaggia, je prinesla umetniški slog, ki še danes navdihuje občudovanje in znanstveno raziskovanje. Domenichinova dediščina ne leži v njegovih veličastnih umetninah, temveč tudi v njegovi vlogi ključne postave pri razvoju baročnega slikarstva – gibanja, ki je globoko vplivalo na vizualno kulturo svojega časa in obdobja, ki so sledila.