Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 33 dielov umelca William Roos v našom katalógu
Stručne povedané
Z všetkých originálov, ktoré William Roos zanechal, je najznámejší John Thomas (1847), ktorý sa nachádza v zbierkach Llyfrgell Genedlaethol Cymru / The National Library of Wales v meste Aberystwyth. Hneď za ním nasledujú Christmas Evans (1820) a Hugh Thomas (1783–1848) (1847). Náš katalóg obsahuje 33 diel od William Roos; galéria si zachovala tých 33, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.
In this circular portrait from 1847, we encounter a young man whose gaze meets ours with a calm, steady composure. He is rendered with a soft realism that favors character over artifice. His dark hair is parted to the side, framing a face marked by a light beard and a subtle, almost imperceptible smile. There is a stillness here, a sense of a moment caught in the quietude of a…
In this portrait, William Roos captures the likeness of Christmas Evans, a man whose voice once commanded the attention of Great Britain. The subject is a Welsh nonconformist minister and a prominent Nonconformist leader. He was a figure of significant spiritual weight, described by some as the greatest preacher the Baptists have ever had in Great Britain. The painting, created about 1820, focuses on the man behind the pulpit.
A formal portrait of Hugh Thomas, rendered in oil on canvas, captures the subject from the waist up. He is positioned in a three-quarter view, facing slightly toward the viewer’s left. The composition is centered, utilizing a dark, indistinct background to isolate the figure and direct all attention to the man's presence. His expression is calm and reserved, conveying a sense of social respectability through a steady, composed demeanor.
The portrait centers on the face of an elderly man, positioned in the upper portion of the canvas. His features are rendered through thick, textured impasto strokes that create a physical relief on the surface. The skin appears aged, marked by deep lines and a heavy application of paint. Dark tones dominate the color palette, establishing a somber atmosphere. Around the central figure, the background consists of a chaotic arrangement…
This formal, somber oil portrait presents a bust-length view of an elderly man, positioned centrally against a near-black, indistinct background. The composition is characterized by a highly restrained color palette, dominated by deep blacks and dark browns, which contrast with the warm flesh tones of the subject's face and the bright white of his cravat. The man is depicted wearing a dark coat and a prominent gold chain featuring two…
In Dic Aberdaron, William Roos presents a portrait of Richard Robert Jones, a man known to history by his nickname. A native of the parish of Aberdaron, Jones was the third of four children born to Robert Jones and Margret. His early life was defined by manual labor; the son of a carpenter, he attempted to follow his father's trade but proved a failed apprentice in boat building.
This portrait presents a gentleman in formal attire, captured in a moment of quiet, direct engagement. The subject faces the viewer with a steady gaze, his expression conveying a sense of composure and social standing. He is dressed in a dark suit jacket, accented by a chain from which circular medallions hang, signaling a position of importance or achievement. The composition is centered and tight, focusing entirely on the head…
In this 1865 oil portrait, we encounter Rev R S Williams of Dowlais, a man whose presence is felt through a careful study of light and shadow. The composition is a bust-length study, centering the viewer's attention on the subject's face and upper torso. There is a certain gravity in his expression, a somberness that suggests a life of significant responsibility. The lighting, directed from the upper left, carves his…
In this 1845 oil on canvas, William Roos captures a man defined by a quiet, composed presence. The subject, John Cox, is rendered with a focus on the subtle interplay of light and shadow across his features. A beard and mustache frame a face marked by a gentle smile, suggesting a temperament of warmth and stability. He is dressed in the formal attire of the mid-19th century, wearing a suit…
John Elias (1774–1841)1839
12
Reverend Christmas Evans (1766–1838)1835
13
Christmas Evans (1766–1838)1835 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
14
Half Length Portrait of a Woman1840 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
15
Still Life with Partridges1841
16
Benjamin Roos of Parys1841 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
17
R. W. Price1845 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
18
Hugh Derfel Hughes (1816–1890)1844 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
19
Margaret Mary Thomas (d.1872)1847 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
20
Thomas Charles of Bala (1755–1814)1840 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
21
William Thomas (1825–1862)1847 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
22
Reverend John Jones of Tremadog1850 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
23
John Jones (Talhaiarn) (1810–1869)1851 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
24
Dic Aberdaron (Richard Robert Jones) (1780–1843)1850 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
25
Portrait of an Unidentified Cleric1850 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
26
Reverend William Morris (1783–1861)1849 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
27
Thomas Edwards (Twm o'r Nant) (1739–1810)1850 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
28
Mrs Elen Edwards1859 · Seiont ii Maritime Trust
29
Portrait of an Unidentified Man1859 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
30
Reverend R. S. Williams of Dowlais (1833–1900)1865 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
31
Rev. Simon Lloyd of Plasyndre, BalaNational Library of Wales
32
John DaviesNational Library of Wales
33
David Owen, Dewi Wyn o Eifion (1784–1841)
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
3 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca William Roos | Obrazy z tohto zoznamu |
|---|---|---|---|
 Llyfrgell Genedlaethol Cymru / The National Library of Wales |
Aberystwyth | 22 | John Thomas, Hugh Thomas (1783–1848), Dewi Wyn o Eifion (Dafydd Owen) (1784–1841) |
 National Library of Wales |
Aberystwyth | 6 | Christmas Evans, Gutyn Peris, Dic Aberdaron |
 Seiont ii Maritime Trust |
Carnarvon | 1 | Mrs Elen Edwards |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
In this portrait, William Roos captures the likeness of Christmas Evans, a man whose voice once commanded the attention of Great Britain. The subject is a Welsh nonconformist minister and a prominent Nonconformist leader. He was a figure of significant spiritual weight, described by some as the greatest preacher the Baptists have ever had in Great Britain. The painting, created about 1820, focuses on the man behind the pulpit.
A portrait of John Elias, rendered in 1839, captures the likeness of a man central to the Welsh Methodist revival. Set against a dark, indeterminate background, the subject is illuminated to emphasize the contours of his face and the formal attire of his era. He wears a suit and tie, presenting an image of dignity and intellectual gravity. His gaze is fixed, directed toward the viewer or perhaps toward a…
In this circular portrait from 1847, we encounter a young man whose gaze meets ours with a calm, steady composure. He is rendered with a soft realism that favors character over artifice. His dark hair is parted to the side, framing a face marked by a light beard and a subtle, almost imperceptible smile. There is a stillness here, a sense of a moment caught in the quietude of a…
This formal, somber oil portrait presents a bust-length view of an elderly man, positioned centrally against a near-black, indistinct background. The composition is characterized by a highly restrained color palette, dominated by deep blacks and dark browns, which contrast with the warm flesh tones of the subject's face and the bright white of his cravat. The man is depicted wearing a dark coat and a prominent gold chain featuring two…
In this 1865 oil portrait, we encounter Rev R S Williams of Dowlais, a man whose presence is felt through a careful study of light and shadow. The composition is a bust-length study, centering the viewer's attention on the subject's face and upper torso. There is a certain gravity in his expression, a somberness that suggests a life of significant responsibility. The lighting, directed from the upper left, carves his…
John Thomas (1847), Llyfrgell Genedlaethol Cymru / The National Library of Wales, Aberystwyth. Nasledujú Christmas Evans (1820) a Hugh Thomas (1783–1848) (1847).
39 rokov: John Thomas vzniklo v roku 1847 a William Roos sa narodil/a v roku 1808.
John Thomas, Christmas Evans, Hugh Thomas (1783–1848), Dewi Wyn o Eifion (Dafydd Owen) (1784–1841), Gutyn Peris, Dic Aberdaron, Gutyn Peris (Griffith Williams) (1769–1838), Rev R S Williams (Dowlais), 1833-1900, John Cox (1800 –1870) a Reverend John Williams 'Yr Hen Syr' (1745–1818). Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 33 diel od umelca William Roos z perioda od 1820 do 1865.
Väčšinou v Llyfrgell Genedlaethol Cymru / The National Library of Wales (Aberystwyth), National Library of Wales (Aberystwyth) a Seiont ii Maritime Trust (Carnarvon). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1840s: 13 z 33 diel na tejto stránke bolo vytvorených vtedy, pričom John Thomas z nich.
Na tejto stránke je najstaršie dielo z Christmas Evans (1820) a najnovšie z Rev R S Williams (Dowlais), 1833-1900 (1865).
Man (17), Portrait (9) a Beard (9), v rámci 33 diel na tejto stránke.
Oil, pre 13 z 33 diel na tejto stránke.
Romanticism, podľa originálov na tejto stránke.
John Thomas, Hugh Thomas (1783–1848) a Dewi Wyn o Eifion (Dafydd Owen) (1784–1841): múzeá Llyfrgell Genedlaethol Cymru / The National Library of Wales, Aberystwyth uchovávajú 22 z diel na tejto stránke.
Roosovo formálne vzdelanie bolo obmedzené a obmedzovalo sa primárne na výuku v námornej škole Amlwch. To však nebrzdilo jeho umeleckú zvedavosť; skôr to podnietilo samostatný prístup k ovládaniu remesla maľby a gravírovania—zručností, ktoré si kultivoval nezávisle prostredníctvom dôslednej praxe a experimentovania. Jeho umelecká tvorba zahŕňala krajinárske maľby, portréty a gravíry, ktoré odrážajú rozmanité vplyvy romantiky a viktoriánskej estetiky. Medzi jeho najslávnejšie úspechy patria diela „Smrť Owena Glyndwera“ a „Smrť kapitána Wynneho v bitke Alma“, obrazy na zamówenku pre Národný Eisteddfod v Llangollen (1858), ktoré získali veľké uznanie a upevnili jeho pozíciu ako vedúcej postavy walzskej umeleckej scény.
Umelecký štýl, ktorý William Roos tvoril, sa vyznačoval precízny detailom, výrazným ťahom pędzla a majstrovským ovládaním tónových prechodov—technikami, ktoré zachytávali podstatu jeho predmetov s pozoruhodnou presnosťou a emocionálnou hĺbkou. Inšpiráciu čerpal od umelcov ako Benjamin Haydon a J.M.W. Turner, ktorých dramatické krajiny a emotívne zobrazenia svetla a atmosféry hlboko ovplyvnili umelcovu citlivosť. Oddanosť zachytávaniu walzskej identity na plátne mu priniesla uznanie v umeleckých kruhoch jeho doby. Jeho portréty významných walzských osobností—vrátane kazateľov, poetov a štátnikov—sa stali cenným majatkom inštitúcií, ako je Národné múzeum Walesu, a významne prispeli k dokumentácii kultúrnej krajiny viktoriánskeho Walesu.
William Roos pokračoval v práci ako umelec až do svojej smrti v Amlwch 4. júla 1878, pričom po sebe zanechal bohatý umelecký odkaz, ktorý naďalej fascinuje vedcov aj nadšencov. Jeho odkaz spočíva nielen v kráse jeho maľob, ale aj v ich zhmotnení walzskej romantiky—hnutia, ktoré oslavovalo predstavivost, emócie a neochvebnú úctu k prírodnému svetu.
Umleckost Róosa sa nekončila len pri maľbe krajin, ale presahovala aj do portrétnej tvorby, v ktorej s nesmiernou dôslednosťou dokumentoval tváre intelektuálnej elity Walesu. Jeho portréty postáv ako Christmas Evans, Thomas Charles, John Cox a Talhaiarn — z nich každý vykreslený s trpezlivou presnosťou a prepojený s hmatateľnými emóciami — sa stali neocennými záznammi viktoriánskej waljskej kultúry a spoločnosti. Umelecký prístup, ktorý Roos pri tvorbe využíval, bol podmienený hlbokou úctou k waljskej tradícii a folklóru, čo sú prvky, ktoré jemne prenikali jeho plátna. Dokázal majstrovsky zachytiť nielen fyzickú podobu, ale aj psychologický charakter svojich modelov, čím odhalil ich vnútorný život prostredníctvom nuansovaných výrazov a gest. Tieto portréty dnes stoja ako trvalé symboly waljskej identity, ktoré odzrkadľujú hodnoty a ambície národa prechádzajúce rýchlou transformáciou počas viktoriánskej éry.
