Portrét William Hodges

Obrazy umelca William Hodges: 47 najznámejších výtvarných diel prostretých pohľadom galérie

Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 48 dielov umelca William Hodges v našom katalógu

Stručne povedané

Z hľadiska galérie je najznámejším obrazom umelca William Hodges dielo [Waterfall in Dusky Bay with Maori canoe] (1776), ktorého originál visí v Te Papa v meste Wellington. The Taj Mahal (1780) a 'The Landing at Tanna [Tana], one of the New Hebrides' (1775) dopĺňajú trojicu, ktorú pozná každé oko. Z 48 diel umelca William Hodges v našom katalógu prezentuje galéria nižšie 47 najznámejších, z ktorých je každá originál s uvedeným rokom vzniku, múzeom a unikátnosťou.

1744 – 1797, Londýn Romanticism Najviac diel: National Maritime Museum

Top 10 obrazov umelca William Hodges v galérii

1
[Waterfall in Dusky Bay with Maori canoe] (1776) od William Hodges

[Waterfall in Dusky Bay with Maori canoe]

1776 · Oil On Panel · Te Papa, Wellington

To gaze upon this depiction of Waterfall in Dusky Bay with Maori canoe is to step across the threshold of time itself, into the nascent moments of European encounter with an untouched paradise. This painting, a profoundly rare testament to William Hodges’s masterful draughtsmanship, transports us to the breathtaking shores of New Zealand during Captain Cook’s second voyage. It is more than just a record of geography; it is a…

2
The Taj Mahal (1780) od William Hodges

The Taj Mahal

1780 · Oil · National Gallery of Modern Art, New Delhi

In the soft, luminous glow of the late eighteenth century, few images captured the romantic imagination of the West quite like the architectural marvels of India. William Hodges, a pioneer among British artists to traverse the subcontinent, achieved something truly transcendent in his masterpiece, The Taj Mahal. This painting is not merely a topographical record of a monument; it is an ethereal window into a lost era of sublime tranquility.…

3
'The Landing at Tanna [Tana], one of the New Hebrides' (1775) od William Hodges

'The Landing at Tanna [Tana], one of the New Hebrides'

1775 · Oil On Panel · National Maritime Museum, Londýn

The work titled 'The Landing at Tanna [Tana], one of the New Hebrides' is an oil on panel painting by the English artist William Hodges. Created about 1775, this piece originated from the period when Hodges served as the official artist during the second voyage of Captain James Cook. The painting functions as a visual record of the maritime expedition through the Pacific Ocean.

4
Captain James Cook, 1728-79 (1775) od William Hodges

Captain James Cook, 1728-79

1775 · Oil On Canvas · National Maritime Museum, Londýn

The artwork titled Captain James Cook, 1728-79 is a formal portrait of a historical figure painted by William Hodges. Created about 1775, this oil on canvas work focuses on the upper torso and head of the subject. The composition is a medium close-up, positioning the man slightly off-center. The subject is depicted with a resolute character, presented in a classical realist style.

5
Tahiti, bearing South East (1775) od William Hodges

Tahiti, bearing South East

1775 · Oil On Canvas · National Maritime Museum, Londýn

In Tahiti, bearing South East, William Hodges presents a quiet moment from his time as a member of Captain James Cook’s second voyage to the Pacific Ocean between 1772 and 1775. This work captures a tropical seascape during the soft light of dawn or dusk. The water remains calm and dark, providing a steady surface for several traditional outrigger canoes scattered across the foreground and middle ground. To the left,…

6
View of Oaitepeha Bay, Tahiti (1776) od William Hodges

View of Oaitepeha Bay, Tahiti

1776 · Oil On Canvas · Anglesey Abbey

View of Oaitepeha Bay, Tahiti is an oil on canvas work by the English painter William Hodges. Created in 1776, the painting is also recognized by the title Tahiti Revisited. It is documented under the more descriptive name, A View taken in the bay of Oaite Peha [Vaitepiha] Otaheite [Tahiti].

7
'View of the Province of Oparree [Pare], Island of Otaheite, with part of the Island of Eimeo [Moorea]' (1776) od William Hodges

'View of the Province of Oparree [Pare], Island of Otaheite, with part of the Island of Eimeo [Moorea]'

1776 · Oil On Canvas · National Maritime Museum, Londýn

The oil on canvas painting titled 'View of the Province of Oparree [Pare], Island of Otaheite, with part of the Island of Eimeo [Moorea]' was created by the British artist William Hodges. This work, which is also known as A View of Matavai Bay in the Island of Otaheite [Tahiti], dates to 1776. The piece is held within the Paul Mellon Collection at the Yale Center for British Art in…

8
'The Landing at Erramanga [Eromanga], one of the New Hebrides' (1776) od William Hodges

'The Landing at Erramanga [Eromanga], one of the New Hebrides'

1776 · Oil On Canvas · National Maritime Museum, Londýn

We are looking at 'The Landing at Erramanga [Eromanga], one of the New Hebrides', a work by the English painter William Hodges. This piece captures a specific moment of contact, documented through the eyes of an artist who accompanied Captain Cook on his second voyage. It is a significant record of the Pacific, rendered with the precision required of an official expedition artist.

9
'A View of Cape Stephens in Cook's Straits with Waterspout' (1776) od William Hodges

'A View of Cape Stephens in Cook's Straits with Waterspout'

1776 · Oil On Canvas · National Maritime Museum, Londýn

The oil painting 'A View of Cape Stephens in Cook's Straits with Waterspout' captures a moment of maritime struggle. Created by the British artist William Hodges in 1776, the work records a specific encounter in the Cook Strait of New Zealand. The canvas fixes the image of the HMS Resolution as it meets the fury of a storm. A waterspout descends from the clouds, a vertical column of wind and…

10
'The Landing at Mallicolo [Malakula], one of the New Hebrides' (1776) od William Hodges

'The Landing at Mallicolo [Malakula], one of the New Hebrides'

1776 · Oil On Canvas · National Maritime Museum, Londýn

In this oil on canvas, titled 'The Landing at Mallicolo [Malakula], one of the New Hebrides', William Hodges captures a significant moment of contact. Painted about 1776, the work documents a colonial encounter between European explorers and indigenous people within a tropical setting. It provides a visual record of the interactions occurring during the maritime expeditions of the late 18th century.

Obrazy umelca William Hodges, usporiadané od 11 do 47

11The Marmalong Bridge (1783) od William HodgesThe Marmalong Bridge1783 · Yale Center for British Art 12Resolution and Adventure with fishing craft in Matavai Bay (1776) od William HodgesResolution and Adventure with fishing craft in Matavai Bay1776 · National Maritime Museum 13Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I (1790) od William HodgesJaques and the Wounded Stag: 'As You Like It,' Act II, Scene I1790 · Yale Center for British Art 14View of Point Venus and Matavai Bay, looking east (1773) od William HodgesView of Point Venus and Matavai Bay, looking east1773 · National Maritime Museum 15'View of Part of the Island of Ulietea [Raiatea]' (1773) od William Hodges'View of Part of the Island of Ulietea [Raiatea]'1773 · National Maritime Museum 16'[Cascade Cove] Dusky Bay' (1775) od William Hodges'[Cascade Cove] Dusky Bay'1775 · National Maritime Museum 17'View in Pickersgill Harbour, Dusky Bay, New Zealand' (1774) od William Hodges'View in Pickersgill Harbour, Dusky Bay, New Zealand'1774 · National Maritime Museum 18A Cascade in the Tuauru Valley, Tahiti (1775) od William HodgesA Cascade in the Tuauru Valley, Tahiti1775 · National Maritime Museum 19A Waterfall in Tahiti (1775) od William HodgesA Waterfall in Tahiti1775 · National Maritime Museum 20'View of part of Owharre [Fare] Harbour, Island of Huahine' (1774) od William Hodges'View of part of Owharre [Fare] Harbour, Island of Huahine'1774 · National Maritime Museum 21'View of Resolution [Vaitahu] Bay in the Marquesas' (1774) od William Hodges'View of Resolution [Vaitahu] Bay in the Marquesas'1774 · National Maritime Museum 22'A View of the Cape of Good Hope, Taken on the Spot, from on Board the 'Resolution', Capt Cooke' (1772) od William Hodges'A View of the Cape of Good Hope, Taken on the Spot, from on Board the 'Resolution', Capt Cooke'1772 · National Maritime Museum 23'View of Owharee [Fare] Harbour, Island of Huaheine [Huahine]' (1773) od William Hodges'View of Owharee [Fare] Harbour, Island of Huaheine [Huahine]'1773 · National Maritime Museum 24Waterfall in Dusky Bay with a Maori canoe (1775) od William HodgesWaterfall in Dusky Bay with a Maori canoe1775 · National Maritime Museum 25Waterfall in Dusky Bay with a Maori canoe (1775) od William HodgesWaterfall in Dusky Bay with a Maori canoe1775 · National Maritime Museum 26Dusky Bay in New Zealand (1773) od William HodgesDusky Bay in New Zealand1773 · Auckland Art Gallery Toi o Tāmaki 27The Inner Crater of Mauna Loa, Hawaii (1772) od William HodgesThe Inner Crater of Mauna Loa, Hawaii1772 · Brighton Museum & Art Gallery 28The Resolution and Adventure, 4 Jan, 1773, taking in ice for water, lat. 61.S. watercolour (1773) od William HodgesThe Resolution and Adventure, 4 Jan, 1773, taking in ice for water, lat. 61.S. watercolour1773 · Štátna knižnica New South Wales 29'A View of the Island of New Caledonia in the South' (1777) od William Hodges'A View of the Island of New Caledonia in the South'1777 · National Maritime Museum 30Review of the war galleys at Tahiti ['The Fleet of Otaheite assembled at Oparee'] (1776) od William HodgesReview of the war galleys at Tahiti ['The Fleet of Otaheite assembled at Oparee']1776 · National Maritime Museum 31'A View of the Monuments of Easter Island [Rapanui]' (1776) od William Hodges'A View of the Monuments of Easter Island [Rapanui]'1776 · National Maritime Museum 32Tomb and Distant View of Rajmahal Hills (1782) od William HodgesTomb and Distant View of Rajmahal Hills1782 33A View of Matavai Bay in the Island of Otaheite [Tahiti] (1776) od William HodgesA View of Matavai Bay in the Island of Otaheite [Tahiti]1776 · Yale Center for British Art 34Otley Bridge on the River Wharfe (1783) od William HodgesOtley Bridge on the River Wharfe1783 · Yale Center for British Art 35The Fort of Bidjegur (1784) od William HodgesThe Fort of Bidjegur1784 · Yale Center for British Art 36Landscape with Fishermen on a Lake (1790) od William HodgesLandscape with Fishermen on a Lake1790 · Yale Center for British Art 37Storm on the Ganges, with Mrs. Hastings near the Col-gon Rock (1790) od William HodgesStorm on the Ganges, with Mrs. Hastings near the Col-gon Rock1790 · Yale Center for British Art 38Fort at Monghyr on the river Ganges, India. (1787) od William HodgesFort at Monghyr on the river Ganges, India.1787 39Conway Castle, Wales (1790) od William HodgesConway Castle, Wales1790 40Ghat on the Ganges at Varanasi, Uttar Pradesh. (1787) od William HodgesGhat on the Ganges at Varanasi, Uttar Pradesh.1787 41'View from Point Venus, Island of Otaheite [Tahiti]' od William Hodges'View from Point Venus, Island of Otaheite [Tahiti]'National Maritime Museum 42The Ghauts at Benares; View of part of the City of Benares on the River Ganges, in the East Indies; The Ghats at Benares (1787) od William HodgesThe Ghauts at Benares; View of part of the City of Benares on the River Ganges, in the East Indies; The Ghats at Benares1787 · Royal Academy of Arts 43A View in Dusky Bay, New Zealand (1773) od William HodgesA View in Dusky Bay, New Zealand1773 · Auckland Art Gallery Toi o Tāmaki 44Tahiti Revisited (1776) od William HodgesTahiti Revisited1776 · National Maritime Museum 45Tahiti od William HodgesTahitiNational Maritime Museum 46Landscape od William HodgesLandscapeAuckland Art Gallery Toi o Tāmaki 47A View of Cape Stephens in Cook's Straits (New Zealand) with Waterspout, 1776 (1776) od William HodgesA View of Cape Stephens in Cook's Straits (New Zealand) with Waterspout, 17761776

Motívy, ktoré zaujali William Hodges

Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.

Múzeá, ktoré uchovávajú originály umelca William Hodges

8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca William Hodges Obrazy z tohto zoznamu
National Maritime Museum, LondýnNational Maritime Museum Londýn 26 'The Landing at Tanna [Tana], one of the New Hebrides', Captain James Cook, 1728-79, Tahiti, bearing South East
Yale Center for British Art, New HavenYale Center for British Art New Haven 7 The Marmalong Bridge, Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I, A View of Matavai Bay in the Island of Otaheite [Tahiti]
Auckland Art Gallery Toi o Tāmaki, AucklandAuckland Art Gallery Toi o Tāmaki Auckland 3 Dusky Bay in New Zealand, A View in Dusky Bay, New Zealand, Landscape
Te Papa, WellingtonTe Papa Wellington 1 [Waterfall in Dusky Bay with Maori canoe]
National Gallery of Modern Art, New DelhiNational Gallery of Modern Art New Delhi 1 The Taj Mahal
Anglesey AbbeyAnglesey Abbey 1 View of Oaitepeha Bay, Tahiti
Brighton Museum & Art Gallery, Brighton and HoveBrighton Museum & Art Gallery Brighton and Hove 1 The Inner Crater of Mauna Loa, Hawaii
Štátna knižnica New South Wales, SydneyŠtátna knižnica New South Wales Sydney 1 The Resolution and Adventure, 4 Jan, 1773, taking in ice for water, lat. 61.S. watercolour

William Hodges, jeden ikonický obraz na každé desaťročie

Diela podľa dekád

Vyberte si dekádu a pozrite si originál, ktorý ju definuje.

Obrazy umelca William Hodges: odpovede galérie

Ktorý obraz od William Hodges je najznámejší zo všetkých?Odhaľte odpoveď

[Waterfall in Dusky Bay with Maori canoe] (1776), Te Papa, Wellington. Nasledujú The Taj Mahal (1780) a 'The Landing at Tanna [Tana], one of the New Hebrides' (1775).

Koľko rokov mal/a William Hodges pri dokončeni diela [Waterfall in Dusky Bay with Maori canoe]?Odhaľte odpoveď

32 rokov: [Waterfall in Dusky Bay with Maori canoe] vzniklo v roku 1776 a William Hodges sa narodil/a v roku 1744.

Ktorých 10 najlepších obrazov má William Hodges?Odhaľte odpoveď

[Waterfall in Dusky Bay with Maori canoe], The Taj Mahal, 'The Landing at Tanna [Tana], one of the New Hebrides', Captain James Cook, 1728-79, Tahiti, bearing South East, View of Oaitepeha Bay, Tahiti, 'View of the Province of Oparree [Pare], Island of Otaheite, with part of the Island of Eimeo [Moorea]', 'The Landing at Erramanga [Eromanga], one of the New Hebrides', 'A View of Cape Stephens in Cook's Straits with Waterspout' a 'The Landing at Mallicolo [Malakula], one of the New Hebrides'. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.

Koľko diel vytvoril/a William Hodges?Odhaľte odpoveď

Náš katalóg obsahuje 48 diel od umelca William Hodges z perioda od 1772 do 1790.

Kde visia najznámejšie originály umelca William Hodges?Odhaľte odpoveď

Väčšinou v National Maritime Museum (Londýn), Yale Center for British Art (New Haven) a Auckland Art Gallery Toi o Tāmaki (Auckland). Tabuľka múzeí vyššie ich všetky uvádza.

Kedy vytvoril/a William Hodges svoje najznámejšie obrazy?Odhaľte odpoveď

V období 1770s: 32 z 47 diel na tejto stránke bolo vytvorených vtedy, pričom [Waterfall in Dusky Bay with Maori canoe] z nich.

Aké sú najskoršie a najneskoršie známe diela umelca William Hodges?Odhaľte odpoveď

Na tejto stránke je najstaršie dielo z 'A View of the Cape of Good Hope, Taken on the Spot, from on Board the 'Resolution', Capt Cooke' (1772) a najnovšie z Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I (1790).

K akým témamam sa William Hodges najčastejšie vracia?Odhaľte odpoveď

Sky (7), Mountains (6) a Water (5), v rámci 47 diel na tejto stránke.

V akom médiu tvoril/a William Hodges najčastejšie?Odhaľte odpoveď

Oil On Canvas, pre 10 z 47 diel na tejto stránke.

S ktorým smerom je spojený/á umenec William Hodges?Odhaľte odpoveď

Romanticism, podľa originálov na tejto stránke.

Aké originály umelca William Hodges má v zbierkach National Maritime Museum?Odhaľte odpoveď

'The Landing at Tanna [Tana], one of the New Hebrides', Captain James Cook, 1728-79 a Tahiti, bearing South East: múzeá National Maritime Museum, Londýn uchovávajú 26 z diel na tejto stránke.

William Hodges: umelec

Sprievodník svetla a krajiny

William Hodges predstavuje výnimočnú postać v kronikách anglického umenia, maliara, ktorého štetec slúžil ako vedecký nástroj aj romantická čočka. Narodený v Londýne, jeho raný umelecký rozvoj formovali prísne tradície jeho mentorov; študoval u Williama Shipleya a neskôr si zdokonaľoval svoj remesel v štúdii Richarda Wilsona. Skôr než sa stal kronikárom vzdialených obzorov, William Hodges našiel svoje síly v éterickom svete divadelných scenografií, čo bol období, ktoré ho nepochybne pripravilo na veľkolepé, panoramatické kompozície, ktoré mu neskôr definovali odkaz. Jeho kariéra sa zásadne zmenila, keď sa pridal k druhej expedícii kapitána Jamesa Cooka do Pacifiku, výprave, ktorá mu poskytla surové, dychberúce obrazy, ktoré predstavujú jeho najväčší prínos pre západnú umeleckú históriu.

Ako oficiálny umelec tejto monumentálnej expedície sa William Hodges vydal na cestu cez niektoré z najodľahlejších kútov sveta. Jeho skice a maľby zachytili podstatu miest ako Table Bay, Tahiti, Easter Island, Nový Zéland, Dusky Sound a mrazivé oblasti Antarktiky. Tieto diela boli viac než len geografickými záznammi; predstavovali hlboký, často visceraľny encounter s neznákom. V díloch ako A View in Dusky Bay, New Zealand možno vnímať napätie medzi jeho klasickým výcvvikom a okamžitou, ohromujúcou realitou prvého kontaktu s domorodým ľuďom Māori. Jeho schopnosť preložiť okamžitosť týchto stretnutí do vizuálneho jazyka umožnila európskej diváckosti nahliadnuť do sveta, ktorý bol súčasne exotický aj hlboko ľudský.

Majstrovstvo kontrastu a koloniálna vízia

Evolúcia Hodgesovej techniky znamenala odklon od etabovaných krajinárskych tradícií jeho éry. Zatiaľ čo mnohí jeho súčasníci dodržiavali striednejšie palety, William Hodges sa vydal cestou dramatického využitia svetla a tieňa. Tento prístup, hoci občas kritizovaný súčasnými kritikmi, ktorí považovali jeho prácu za príliš hrubú alebo nedokončenú, mu umožnil vniesť do svojich krajín epický rozmach pripomínajúci neskoršiu školu Hudson River. Jeho veľkolepé olejné obrazy, často dokončené v Londýne po jeho cestách, využívali intenzívne farebné kontrasty na vyvolanie atmosférickej sily Pacifických ostrovov a drsných pobreží, ktoré prekonal.

Okrem Pacifiku jeho umelecká cesta viedla až do srdca koloniálnej Indie. Pod patronátom guvernéra Warren Hastingsa putoval krajinou medzi rokmi 1780 a 1783, čím sa stal jedným z prvých profesionálnych britských krajinárov, ktorí dokumentovali subkontinent. Jeho čas v Benares (Varanasi) priniesol hlboké diela, ako napríklad The Ghauts at Benares, kde aplikoval neoklasicistické kompozičné usporiadania na posvätné brehy rieky Ganges. V týchto prácach vyviera fascinujúca interakcia medzi dôsledným pozorovaním a európskou idealizáciou, keď sa snažil zaznamenávať kultúru a architektúru Indie prostredníctvom objektívu, ktorý spojil vedeckú curiositu s romantickou, pitoresknou citlivosťou.

Trvalý význam, ktorý má William Hodges, spočíva v jeho úlohe vizuálneho mostu medzi svetmi. Jeho umelecké dielo zostáva vitalným archívom objavovania, zachytávajúcim prchavé okamihy odhalení a meniace sa krajiny meniaceho sa sveta. Prostredníctvom svojej majstrovstva svetla a odvážneho kontaktu s novými teritóriami rozšíril hranice toho, čo mohlo krajinárske maľby dosiahnuť, pričom po sebe zanechal odkaz, ktorý stále rezonuje s duchom dobrodružstva a krásou prírody.