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1 najznámejších obrazov od Wilhelm Haller, výber z galérie
Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 1 dielov umelca Wilhelm Haller v našom katalógu
Stručne povedané
Z všetkých originálov, ktoré Wilhelm Haller zanechal, je najznámejší Mother with Child (1913), ktorý sa nachádza v zbierkach Augustiner Museum v meste Freiburg. Náš katalóg obsahuje 1 diel od Wilhelm Haller; galéria si zachovala tých 1, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.
1873 – 1950, Freiburg im Breisgau
Najviac diel: Augustiner Museum
Top 10 obrazov umelca Wilhelm Haller: výber galérie
Múzeá, ktoré uchovávajú originály umelca Wilhelm Haller
Múzeum, ktoré vlastní najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Wilhelm Haller | Obrazy z tohto zoznamu |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 1 | Mother with Child |
Wilhelm Haller rok po roku: originály, ktoré definujú každú éru
1913 je rok každého datovaného diela umelca Wilhelm Haller v tomto výberu: tu sú, usporiadané podľa slávy.
Diela podľa roku
Vyberte si rok a pozrite si originály.
Otázky zberateľov o obrazoch od Wilhelm Haller
Ktorým dielom je Wilhelm Haller najznámejší/najznámejšia?Odhaľte odpoveď
Mother with Child (1913)
V akom veku bol/a Wilhelm Haller, keď vzniklo dielo Mother with Child?Odhaľte odpoveď
40 rokov: Mother with Child vzniklo v roku 1913 a Wilhelm Haller sa narodil/a v roku 1873.
Koľko obrazov zanechal umenec Wilhelm Haller?Odhaľte odpoveď
Náš katalóg obsahuje 1 diel od Wilhelm Haller.
V ktorých múzeách visia majstrovské diela umelca Wilhelm Haller?Odhaľte odpoveď
Väčšinou v Augustiner Museum (Freiburg). Tabuľka múzeí vyššie ich všetky uvádza.
Wilhelm Haller: život a dielo
Early Life and Education in Freiburg
Born on May 28, 1873, in Freiburg im Breisgau, Germany, Wilhelm Haller entered a world where the brush was already a familiar presence. He was the son of Konrad Haller, a man who earned his living as a decorative painter. This early exposure to the craft meant that the language of color and form was part of the household atmosphere from his earliest years. Even as a child and throughout his youth, he found himself deeply preoccupied with the act of painting, a passion that seemed to reside within him long before he sought formal training.
His path through the educational institutions of Freiburg was steady. He attended the local Volksschule before moving on to the Berthold-Gymnasium. It was there, in 1892, that he completed his Abitur. While his academic training suggested a different trajectory, the pull of the visual arts remained a constant, quiet influence on his developing mind.
Following his graduation, Wilhelm Haller enrolled at the University of Freiburg. He initially turned his attention toward the study of political science, pursuing the complexities of statecraft and social structures. However, the academic rigor of the university could not entirely suppress his innate inclination toward art. By 1897, he made the definitive choice to abandon his studies of political science to devote himself entirely to the life of a painter.
Notable Works and Subjects
The artist’s hand often turned toward the intimate and the domestic, capturing the quiet presence of life in a way that felt deeply personal. In 1909, he painted a portrait of a small boy accompanied by a monkey, a work that shows his early engagement with character and companionship. This interest in the human form extended to more tender subjects, such as his 1919 composition titled Mother and Child. Through these studies, he explored the subtle connections between people and the animals that shared their world.
Beyond the human figure, the landscapes of his home region frequently occupied his thoughts. He sought to translate the ruggedness of the terrain onto his supports, whether using oil or tempera. In 1923, he rendered a river landscape featuring a castle perched upon limestone rocks. This fascination with the natural architecture of the land continued into his later years; by 1944, he had produced a view of the Black Forest, capturing the essence of the wooded hills that defined the landscape of his life.