Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 7 dielov umelca Victor Müller v našom katalógu
Stručne povedané
Z hľadiska galérie je najznámejším obrazom umelca Victor Müller dielo Nymph (1862), ktorého originál visí v Städel Museum v meste Frankfurt. Judgement of Paris (1850) a Portrait of Berta von Radowitz as a Young Girl (1863) dopĺňajú trojicu, ktorú pozná každé oko. Z 7 diel umelca Victor Müller v našom katalógu prezentuje galéria nižšie 7 najznámejších, z ktorých je každá originál s uvedeným rokom vzniku, múzeom a unikátnosťou.
The painting Nymph by Victor Müller emerged in 1862. It is a work of significant weight in the artist's career, often identified by the titles Waldnymphe or Sleeping Wood-Nymph. This specific canvas remains Müller's single most-exhibited painting, a central pillar of his creative output.
3 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Victor Müller | Obrazy z tohto zoznamu |
|---|---|---|---|
 Städel Museum |
Frankfurt | 5 | Nymph, Portrait of Berta von Radowitz as a Young Girl, Ophelia |
 Národné múzeum vo Varšave |
Varšava | 1 | Judgement of Paris |
 Alte Nationalgalerie |
Berlín | 1 | Salome with the Head of John |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
The painting Nymph by Victor Müller emerged in 1862. It is a work of significant weight in the artist's career, often identified by the titles Waldnymphe or Sleeping Wood-Nymph. This specific canvas remains Müller's single most-exhibited painting, a central pillar of his creative output.
Nymph (1862), Städel Museum, Frankfurt. Nasledujú Judgement of Paris (1850) a Portrait of Berta von Radowitz as a Young Girl (1863).
33 rokov: Nymph vzniklo v roku 1862 a Victor Müller sa narodil/a v roku 1829.
Náš katalóg obsahuje 7 diel od umelca Victor Müller z perioda od 1850 do 1870.
Väčšinou v Städel Museum (Frankfurt), Národné múzeum vo Varšave (Varšava) a Alte Nationalgalerie (Berlín). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1860s: 5 z 7 diel na tejto stránke bolo vytvorených vtedy, pričom Nymph z nich.
Na tejto stránke je najstaršie dielo z Judgement of Paris (1850) a najnovšie z Salome with the Head of John (1870).
Nymph, Portrait of Berta von Radowitz as a Young Girl a Ophelia: múzeá Städel Museum, Frankfurt uchovávajú 5 z diel na tejto stránke.
Victor Müller lived a life that moved between the quiet streets of his birthplace and the bustling studios of Europe's great art capitals. Born in the Free City of Frankfurt, he began his training under Steinle at the local art school before seeking broader horizons in Antwerp. In 1849, he arrived in Paris, a city where he would remain for eleven years. This period was perhaps the most formative for his hands and eyes. He spent his days studying the methods of Thomas Couture, Eugène Delacroix, and Gustave Courbet. While many were drawn to the more traditional styles of the time, Müller found himself drawn to the technique of Courbet. He adopted a way of painting that reversed the approach used by Couture, a choice that would later define his reputation.
In 1858, he returned to Frankfurt, bringing with him the lessons of the French masters. His work began to attract attention, though it was not always easy for him. The public in Frankfurt was often more accustomed to the sentimental trends of the Düsseldorf school, making his realistic and color-focused approach difficult for some to grasp. Seeking a place where his departures from tradition might be better received, he moved to Munich in 1866. It was here that his work found a more receptive audience. During these later years, he married Ida Scholderer, the sister of Otto Scholderer, and settled into a life that would eventually lead to his death in Munich in 1871.
Müller’s paintings often felt like pieces of music, possessing a literary or poetic character that reached for the imagination. He had a way of using color that could be quite intense, sometimes reaching a level of vividness that bordered on the extravagant. His subjects frequently drew from deep wells of myth and literature. He found inspiration in the tragic tales of Shakespeare, painting scenes such as Hamlet with Horatio in the Churchyard and Ophelia by the brook. These were not merely illustrations but attempts to capture a specific mood through light and tone.
His repertoire included a variety of themes that ranged from the classical to the natural world:
Through his work, Müller introduced a new sense of tone to the Munich School. He moved away from purely sentimental depictions toward a more honest observation of nature and a truer way of treating historical characters. His influence helped guide a younger generation of artists toward a more substantial use of color and a deeper connection to the physical world.
