Portrét Suzanne Valadonová

Obrazy umelca Suzanne Valadonová: 80 najznámejších výtvarných diel prostretých pohľadom galérie

Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 83 dielov umelca Suzanne Valadonová v našom katalógu

Stručne povedané

Z hľadiska galérie je najznámejším obrazom umelca Suzanne Valadonová dielo Izba Modrá (1923), ktorého originál visí v Centre Pompidou v meste Paríž. My Son (1896) a Woman with a Double Bass (1908) dopĺňajú trojicu, ktorú pozná každé oko. Z 83 diel umelca Suzanne Valadonová v našom katalógu prezentuje galéria nižšie 80 najznámejších, z ktorých je každá originál s uvedeným rokom vzniku, múzeom a unikátnosťou.

1865 – 1938, Bessines-sur-Gartempe Post-impressionism Najviac diel: Centre Pompidou

Top 10 obrazov umelca Suzanne Valadonová v galérii

1
Izba Modrá (1923) od Suzanne Valadonová

Izba Modrá

1923 · Olej na plátne · Centre Pompidou, Paríž

Suzanne Valadon’s 1923 masterpiece presents a strikingly modern vision of the female nude, departing from traditional academic portrayals and offering a glimpse into the evolving role of women in post-World War I society. This boldly colored interior scene isn't simply a depiction of a reclining figure; it’s a statement about independence, introspection, and the complexities of contemporary life.

2
My Son (1896) od Suzanne Valadonová

My Son

1896 · Charcoal

In this intimate study, Suzanne Valadon presents My Son, a work that captures a quiet, private moment from about 1896. The subject is a nude figure, a young man who rests in a relaxed pose. There is a profound sense of familiarity in the way the figure is rendered, suggesting that the model is indeed the artist's own son. This personal connection breathes a sense of vulnerability into the scene,…

3
Woman with a Double Bass (1908) od Suzanne Valadonová

Woman with a Double Bass

1908 · Oil On Canvas

The artwork titled Woman with a Double Bass was painted by the artist Suzanne Valadon. This oil on canvas work was created in 1908 in Paris, France. It is categorized as a genre painting, focusing on a scene from everyday life rather than a mythological or allegorical subject.

4
Bouquet and a Cat (1919) od Suzanne Valadonová

Bouquet and a Cat

1919 · Oil

A cat sits with a heavy, human-like assurance upon the ground. It is a creature of stillness, its gaze fixed on something unseen just beyond the frame. Beside this silent observer, a vase holds a bouquet of flowers, their colors breathing life into the center of the composition. Two potted plants flank the scene, anchoring the edges of the frame and providing a sense of depth to this intimate corner…

5
Portraits of the Family (1912) od Suzanne Valadonová

Portraits of the Family

1912 · Oil On Canvas · Musée d'Orsay, Paríž

Four figures occupy a tight, overlapping space, their bodies pressed together as if seeking warmth or perhaps shielding one another from an unseen weight. The air within the frame feels heavy, thick with a psychological tension that pulls the viewer into their shared orbit. An elderly woman gazes out with eyes that seem to carry the weariness of many years, her weathered skin catching the diffuse light. Beside her, a…

8
Nude Reclining on a Sofa (1928) od Suzanne Valadonová

Nude Reclining on a Sofa

1928 · Oil On Canvas

In this 1928 oil on canvas, a nude woman reclines upon a floral-patterned sofa. She is positioned with her body turned toward the viewer, her legs pulled up and crossed at the knees. This posture creates a natural fold in the abdomen, a physical detail rendered with directness. Her hands hold a hat, an object that introduces a sense of the everyday into the private setting. The light enters from…

9
View from My Window in Genets (Brittany) (1922) od Suzanne Valadonová

View from My Window in Genets (Brittany)

1922 · Oil On Canvas

This 1922 oil on canvas, titled View from My Window in Genets (Brittany), presents a post-impressionist depiction of a village scene. The composition is balanced, utilizing houses and trees as focal points that guide the viewer's eye into the landscape. Within the scene, several people are scattered throughout the environment; some figures are positioned near the houses, while others are located further away in the distance.

10
My Utrillo at the Age of Nine (1892) od Suzanne Valadonová

My Utrillo at the Age of Nine

1892 · Charcoal

My Utrillo at the Age of Nine is a charcoal drawing by the artist Suzanne Valadon. Created about 1892, this work presents a portrait of a young boy. The subject is likely Maurice Utrillo at the age of nine. The figure is depicted in a state of repose, captured in a moment of intimacy and vulnerability.

Obrazy umelca Suzanne Valadonová, usporiadané od 11 do 80

11Self-Portrait (1898) od Suzanne ValadonováSelf-Portrait1898 · Museum of Fine Arts, Houston 12Maurice Utrillo Playing with a Sling Shot (1895) od Suzanne ValadonováMaurice Utrillo Playing with a Sling Shot1895 13Woman Preparing for a Bath (1895) od Suzanne ValadonováWoman Preparing for a Bath1895 14Utrillo Nude Sitting on a Couch (1895) od Suzanne ValadonováUtrillo Nude Sitting on a Couch1895 15Juliet sitting in a chair (1909) od Suzanne ValadonováJuliet sitting in a chair1909 16Mother and Daughter After the Bath II (1908) od Suzanne ValadonováMother and Daughter After the Bath II1908 17Nu assis sur un canapé (1916) od Suzanne ValadonováNu assis sur un canapé1916 18Young Girl Bathing (1919) od Suzanne ValadonováYoung Girl Bathing1919 19Nude on a Red Couch (1920) od Suzanne ValadonováNude on a Red Couch1920 · Musee du Petit Palais 20Seated Nude with Shawl Carpet (1921) od Suzanne ValadonováSeated Nude with Shawl Carpet1921 21Self-Portrait (1918) od Suzanne ValadonováSelf-Portrait1918 22Louson and Raminou (1920) od Suzanne ValadonováLouson and Raminou1920 23Portrait de Louis Moysés (1924) od Suzanne ValadonováPortrait de Louis Moysés1924 24Young Girl in Front of a Window (1930) od Suzanne ValadonováYoung Girl in Front of a Window1930 · San Diego Museum of Art 25Nude Sitting on the Edge of a Bed (1929) od Suzanne ValadonováNude Sitting on the Edge of a Bed1929 26Portrait of a woman (1934) od Suzanne ValadonováPortrait of a woman1934 · Musée Toulouse-Lautrec 27Vase of flowers (1922) od Suzanne ValadonováVase of flowers1922 · Musée Toulouse-Lautrec 28Lilacs and Peonies (1929) od Suzanne ValadonováLilacs and Peonies1929 · Metropolitné múzeum umenia 29Bouquet of flowers od Suzanne ValadonováBouquet of flowersCentre Pompidou 30The Circus (1889) od Suzanne ValadonováThe Circus1889 · Cleveland Museum of Art 31Woman Seated od Suzanne ValadonováWoman SeatedPhoenix Art Museum 32La Pedicure od Suzanne ValadonováLa PedicureBoca Raton Museum of Art 33André Utter et ses chiens od Suzanne ValadonováAndré Utter et ses chiens 34Nude at the Mirror (1909) od Suzanne ValadonováNude at the Mirror1909 35After the bath (1908) od Suzanne ValadonováAfter the bath1908 36The Bath (1908) od Suzanne ValadonováThe Bath1908 37Raminou cat study (1917) od Suzanne ValadonováRaminou cat study1917 · Musée des Beaux-Arts de Brest 38Fruit bowl (1917) od Suzanne ValadonováFruit bowl1917 39Route dans la forêt de Compiègne (1914) od Suzanne ValadonováRoute dans la forêt de Compiègne1914 · Musée Fabre 40L'Acrobate, ou La Roue (1916) od Suzanne ValadonováL'Acrobate, ou La Roue1916 41Portrait of a Woman (1917) od Suzanne ValadonováPortrait of a Woman1917 42Roses in a Vase (1914) od Suzanne ValadonováRoses in a Vase1914 43Femme a la Toilette (1913) od Suzanne ValadonováFemme a la Toilette1913 44Study of a cat (1918) od Suzanne ValadonováStudy of a cat1918 45Flower vase on a round table (1920) od Suzanne ValadonováFlower vase on a round table1920 46Two cats (1918) od Suzanne ValadonováTwo cats1918 47Raminou sitting on a cloth (1920) od Suzanne ValadonováRaminou sitting on a cloth1920 48Portrait of Maurice Utrillo (1921) od Suzanne ValadonováPortrait of Maurice Utrillo1921 49Woman Looking at Herself in the Mirror (1920) od Suzanne ValadonováWoman Looking at Herself in the Mirror1920 50Louison and Raminou (1920) od Suzanne ValadonováLouison and Raminou1920 51Nude on the sofa (1920) od Suzanne ValadonováNude on the sofa1920 52Portrait of Monsieur Mori (1922) od Suzanne ValadonováPortrait of Monsieur Mori1922 53Nudes (1919) od Suzanne ValadonováNudes1919 · Museu de Arte de São Paulo Assis Chateaubriand 54Nude with a Striped Blanket (1922) od Suzanne ValadonováNude with a Striped Blanket1922 55Miss Lily Walton (1922) od Suzanne ValadonováMiss Lily Walton1922 56Gilbert, Nude Fixing Her Hair (1920) od Suzanne ValadonováGilbert, Nude Fixing Her Hair1920 57Farm Montcorin (1918) od Suzanne ValadonováFarm Montcorin1918 58Nude Woman with Drapery (1919) od Suzanne ValadonováNude Woman with Drapery1919 59Spring Flowers (1928) od Suzanne ValadonováSpring Flowers1928 · Statens Museum For Kunst 60Self-Portrait (1927) od Suzanne ValadonováSelf-Portrait1927 61Reclining nude (1928) od Suzanne ValadonováReclining nude1928 · Metropolitné múzeum umenia 62Landscape at Saint-Bernard (Ain) (1932) od Suzanne ValadonováLandscape at Saint-Bernard (Ain)1932 63Raminou and pitcher with carnations (1932) od Suzanne ValadonováRaminou and pitcher with carnations1932 64Andre Utter and His Dogs (1932) od Suzanne ValadonováAndre Utter and His Dogs1932 65Nude Seated on a Bed (1929) od Suzanne ValadonováNude Seated on a Bed1929 66Still life with white rose (1936) od Suzanne ValadonováStill life with white rose1936 67Self-Portrait (1938) od Suzanne ValadonováSelf-Portrait1938 68Still life od Suzanne ValadonováStill life 69Bouquet de fleurs dans un vase Empire od Suzanne ValadonováBouquet de fleurs dans un vase Empire 70L'Etable en Beaujolais od Suzanne ValadonováL'Etable en Beaujolais 71Nu à la draperie blanche Nu debout od Suzanne ValadonováNu à la draperie blanche Nu debout 72Casting the Net (1914) od Suzanne ValadonováCasting the Net1914 · Múzeum krásnych umení v Nancy 73Adam and Eve (1909) od Suzanne ValadonováAdam and Eve1909 · Centre Pompidou 74The Abandoned Doll od Suzanne ValadonováThe Abandoned DollNational Museum of Women in the Arts 75Nu au châle bleu (1930) od Suzanne ValadonováNu au châle bleu1930 · Musée d'Unterlinden 76Joy of Life (1911) od Suzanne ValadonováJoy of Life1911 · Metropolitné múzeum umenia 77Portrait of Erik Satie (1892) od Suzanne ValadonováPortrait of Erik Satie1892 · Centre Pompidou 78La Couturière (1914) od Suzanne ValadonováLa Couturière1914 · Centre Pompidou 79Le Canard od Suzanne ValadonováLe CanardCentre Pompidou 80The Two Bathers (1923) od Suzanne ValadonováThe Two Bathers1923 · Musée d'Arts de Nantes

Slávne obrazy umelca Suzanne Valadonová podľa jednotlivých období

Motívy, ktoré zaujali Suzanne Valadonová

Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.

Múzeá, ktoré uchovávajú originály umelca Suzanne Valadonová

8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca Suzanne Valadonová Obrazy z tohto zoznamu
Centre Pompidou, ParížCentre Pompidou Paríž 6 Izba Modrá, Bouquet of flowers, Adam and Eve
Metropolitné múzeum umenia, New YorkMetropolitné múzeum umenia New York 3 Lilacs and Peonies, Reclining nude, Joy of Life
Musée Toulouse-Lautrec, AlbiMusée Toulouse-Lautrec Albi 2 Portrait of a woman, Vase of flowers
Musée d'Orsay, ParížMusée d'Orsay Paríž 1 Portraits of the Family
Museum of Fine Arts, Houston, HoustonMuseum of Fine Arts, Houston Houston 1 Self-Portrait
Musee du Petit Palais, GenevaMusee du Petit Palais Geneva 1 Nude on a Red Couch
San Diego Museum of Art, San DiegoSan Diego Museum of Art San Diego 1 Young Girl in Front of a Window
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 The Circus

Suzanne Valadonová, jeden ikonický obraz na každé desaťročie

Diela podľa dekád

Vyberte si dekádu a pozrite si originál, ktorý ju definuje.

Obrazy umelca Suzanne Valadonová: odpovede galérie

Ktorý obraz od Suzanne Valadonová je najznámejší zo všetkých?Odhaľte odpoveď

Izba Modrá (1923), Centre Pompidou, Paríž. Nasledujú My Son (1896) a Woman with a Double Bass (1908).

Koľko rokov mal/a Suzanne Valadonová pri dokončeni diela Izba Modrá?Odhaľte odpoveď

58 rokov: Izba Modrá vzniklo v roku 1923 a Suzanne Valadonová sa narodil/a v roku 1865.

Ktorých 10 najlepších obrazov má Suzanne Valadonová?Odhaľte odpoveď

Izba Modrá, My Son, Woman with a Double Bass, Bouquet and a Cat, Portraits of the Family, Nude on the Red Sofa (Nu au canapé rouge) - Suzanne Valadon, Female Nude, washing herself, Nude Reclining on a Sofa, View from My Window in Genets (Brittany) a My Utrillo at the Age of Nine. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.

Koľko diel vytvoril/a Suzanne Valadonová?Odhaľte odpoveď

Náš katalóg obsahuje 83 diel od umelca Suzanne Valadonová z perioda od 1889 do 1938.

Kde visia najznámejšie originály umelca Suzanne Valadonová?Odhaľte odpoveď

Väčšinou v Centre Pompidou (Paríž), Metropolitné múzeum umenia (New York) a Musée Toulouse-Lautrec (Albi). Tabuľka múzeí vyššie ich všetky uvádza.

Kedy vytvoril/a Suzanne Valadonová svoje najznámejšie obrazy?Odhaľte odpoveď

V období 1920s: 25 z 80 diel na tejto stránke bolo vytvorených vtedy, pričom Izba Modrá z nich.

Aké sú najskoršie a najneskoršie známe diela umelca Suzanne Valadonová?Odhaľte odpoveď

Na tejto stránke je najstaršie dielo z The Circus (1889) a najnovšie z Self-Portrait (1938).

K akým témamam sa Suzanne Valadonová najčastejšie vracia?Odhaľte odpoveď

Woman (17), Nudes (15) a Flowers (11), v rámci 80 diel na tejto stránke.

V akom médiu tvoril/a Suzanne Valadonová najčastejšie?Odhaľte odpoveď

Oil On Canvas, pre 17 z 80 diel na tejto stránke.

S ktorým smerom je spojený/á umenec Suzanne Valadonová?Odhaľte odpoveď

Post-impressionism, podľa originálov na tejto stránke.

Aké originály umelca Suzanne Valadonová má v zbierkach Centre Pompidou?Odhaľte odpoveď

Izba Modrá, Bouquet of flowers a Adam and Eve: múzeá Centre Pompidou, Paríž uchovávajú 6 z diel na tejto stránke.

Suzanne Valadonová: umelec

Suzanne Valadon: A Rebel’s Palette – Shaping a New Vision of the Female Form

Suzanne Valadon, born Marie-Clémentine Valadon in 1865 amidst the rural landscapes of Bénesse-sur-Gartempe, France, didn't simply inherit an artistic destiny; she forged it with unwavering determination and a spirit that defied the constraints of her time. Her life story is not merely one of an artist’s journey but a testament to resilience, a bold assertion of female agency within a world dominated by male expectations. From humble beginnings as the illegitimate daughter of a laundress, Valadon navigated a childhood marked by poverty and hardship in Montmartre—a district then rapidly transforming into the vibrant, bohemian heart of Paris. This early exposure to the gritty realities of urban life, coupled with her innate curiosity and independent nature, would profoundly shape her artistic vision, imbuing it with an honesty and raw emotion rarely seen in contemporary art.

From Model to Master: A Unique Artistic Development

Valadon’s path into the art world began not as a creator but as a model – a role she embraced with remarkable shrewdness and observation. For nearly a decade, she worked alongside some of the most influential artists of her era, including Pierre-Auguste Renoir, Henri de Toulouse-Lautrec, and Edgar Degas. These sessions weren’t merely transactional; they were invaluable lessons in technique, composition, and the very essence of artistic process. She meticulously studied the masters at work, absorbing their methods with an almost obsessive attention to detail. Toulouse-Lautrec, recognizing her innate talent and perceptive eye, encouraged her to take up drawing, providing a crucial foundation for her future development. Degas, similarly, offered more formal guidance, solidifying her foundational skills in line and form. Crucially, Valadon wasn’t simply a passive subject; she was an active observer, dissecting the artistic gaze, analyzing the way light and shadow played across surfaces, and internalizing the principles of composition. This period of modeling proved to be a transformative apprenticeship, laying the groundwork for her eventual emergence as a truly independent artist.

Challenging Conventions and Embracing Boldness

It was within this crucible of observation that Valadon began to develop her own distinctive style – one characterized by a remarkable directness and emotional intensity. Rejecting the idealized representations of women prevalent in academic art, she boldly depicted the female form with an unflinching honesty rarely seen at the time. Her paintings are imbued with a palpable sense of vitality, capturing not just physical appearance but also psychological depth and lived experience. She wasn’t interested in creating pretty pictures; she sought to reveal the complexities of human emotion, the vulnerability beneath strength, and the raw beauty of the female body. Works like *Nu à la draperie blanche* (Nude with White Drapery) and *Nu debout* (Standing Nude) exemplify this approach, showcasing the female form not as an object of passive admiration but as a subject of active observation and profound empathy. Her use of line is particularly striking – bold, decisive strokes that convey both strength and vulnerability. Furthermore, she deliberately avoided the soft, pastel colors favored by many of her contemporaries, opting instead for a palette of rich, earthy tones that enhanced the dramatic impact of her compositions.

A World Beyond the Canvas: Maurice Utrillo and Personal Connections

Valadon’s life was inextricably linked to the artistic community of Montmartre, and her personal relationships profoundly influenced her work. Her most enduring connection was with her son, Maurice Utrillo, whose fatherhood remained uncertain for many years. Despite a complicated and often turbulent relationship, Utrillo became a lifelong companion and collaborator, sharing both his artistic struggles and his unwavering support for his mother’s career. Her friendship with Henri de Toulouse-Lautrec also played a significant role in her development as an artist, providing her with invaluable insights into the world of Parisian nightlife and the bohemian spirit that defined Montmartre. These connections not only enriched her life but also provided her with a unique perspective on the human condition – one shaped by both joy and sorrow, beauty and hardship.

Legacy and Lasting Impact

Suzanne Valadon’s achievements extended far beyond her artistic innovations. In 1894, she achieved a landmark victory when she was admitted to the Société Nationale des Beaux-Arts—a prestigious Parisian art society that had previously been closed to women. This momentous event signaled a significant shift in the perception of female artists and paved the way for future generations to pursue their creative ambitions without facing the same barriers. Her work, particularly her depictions of the female nude, challenged conventional notions of beauty and sexuality, offering a fresh and empowering perspective on the human form. Today, Valadon is recognized as a pioneering figure in Post-Impressionism and a precursor to feminist art movements, with her honest and unapologetic portrayals of women resonating deeply with contemporary audiences. Her story serves as a powerful reminder that true artistry transcends social boundaries and celebrates the diversity of human experience – a legacy that continues to inspire artists around the world.