Aktualizované október 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 241 dielov umelca Jan Gossaert (Mabuse) v našom katalógu
Stručne povedané
Z hľadiska galérie je najznámejším obrazom umelca Jan Gossaert (Mabuse) dielo Adam and Eve (1525), ktorého originál visí v Rhode Island School of Design Museum of Art v meste Providence. Portrait of a man (1528) a Man of Sorrow (1525) dopĺňajú trojicu, ktorú pozná každé oko. Z 241 diel umelca Jan Gossaert (Mabuse) v našom katalógu prezentuje galéria nižšie 100 najznámejších, z ktorých je každá originál s uvedeným rokom vzniku, múzeom a unikátnosťou.
In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This breathtaking oil painting serves as a cornerstone of Northern Renaissance artistry, capturing the very dawn of humanity with a level of anatomical precision and dramatic flair that was revolutionary for its era. The composition centers on the tender, almost vulnerable embrace of…
The gaze of the subject in Portrait of a man by Jan Gossaert meets the viewer with a steady, unwavering presence. Created about 1530, this work captures a man seated within a space that feels both cramped and cozy, a private nook where the tools of a specific life reside. The artist, Jan Gossaert, who is also known by the moniker Mabuse, renders the figure with a profound sense of…
The body of Christ hangs heavy, a pale anchor in a sea of deep reds and shadows. Every muscle is rendered with a sharp, anatomical clarity that feels almost tactile, as if the skin might still hold warmth despite the stillness of death. Light strikes the torso from a single direction, carving out the hollows of the ribs and the tension in the limbs. Around this central suffering, figures gather…
Step closer and observe the stillness of this young man. He is presented in a bust-length view, framed within a gentle oval that focuses our attention entirely on his psychological state. There is a certain gravity in his gaze, a stoic and thoughtful expression that suggests a life of intellectual depth and high social standing. He does not perform for us; he simply exists in a moment of quiet contemplation.…
The heavy wooden panels of the triptych stand partially open, revealing a world caught in a moment of sacred stillness. These two exterior wings, crafted in 1521, act as a threshold between the mundane and the divine. On one side, a woman holds a book, her gaze steady and quiet; on the other, an angel appears, bringing a celestial presence to the earthly realm. They exist within a framework of…
To gaze upon Jan Gossaert’s Virgin and Child Enthroned is to step directly into the luminous, deeply spiritual atmosphere of the Northern Renaissance. This masterpiece, painted in 1527, transcends mere portraiture; it is a profound theological statement rendered with breathtaking technical skill. At its heart sits the Virgin Mary, regal and serene, enthroned as she cradles the infant Jesus. The immediate visual impact is drawn to the vibrant sweep of…
A middle-aged man is captured in a bust-length composition, his gaze directed toward the left of the frame. He wears a dark, beret-style hat and a black doublet over a white undershirt, with a single gold ring featuring a gemstone visible on his hand. The lighting is directional, descending from the upper left to cast soft shadows across the right side of his face and neck. This chiaroscuro effect provides…
The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The Virgin Mary occupies the center of the scene, her hands cradling the Christ Child. Their presence forms the heart of the composition, anchored by the weight of their figures against the stone and sky.
Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely delicate. The man’s skin carries the sculptural weight of antiquity, his form defined by the tension of bone and muscle. Beside him, Deianeira rests, her pose a study in soft curves and sudden stillness. They do not look at the viewer; they…
The Triptych of the Holy Family is a religious oil on panel painting dating to 1501. This work is presented in a classic triptych format, housed within an ornate, carved wooden frame featuring scalloped tops. The central panel is the largest and most complex, depicting the Holy Family—the Virgin Mary, Saint Joseph, and the Christ Child—arranged in a pyramidal composition and surrounded by an angelic host within a lush landscape.…
The Virgin preparing the bath of the Child1500 · Bob Jones University Museum and Gallery
12
Madonna with the Child1500 · Hämeenlinna Art Museum
13
Virgin and child in the veil1500 · Kráľovské múzeá krásnych umení Belgicka
14
Madonna with child1495
15
Portrait of Isabella of Austria1514
16
Floris van Egmond, Count of Buren1510 · Brighton Museum & Art Gallery
17
Saint Jerome1512 · Statens Museum For Kunst
18
Christ on the Mount of Olives1507 · Gemäldegalerie
19
Portrait of a Man1515 · Pushkin State Museum
20
The Beheading of St John the Baptist1510 · École Nationale Supérieure des Beaux-Arts
21![Saint Jerome Penitent [right panel] (1512) od Jan Gossaert (Mabuse)](/media/artworks/images-thumb/95/ad/95ada119db2ef8e277bc791f8836200f.jpg)
Saint Jerome Penitent [right panel]1512 · National Gallery of Art
22![Saint Jerome Penitent [left panel] (1512) od Jan Gossaert (Mabuse)](/media/artworks/images-thumb/d3/f3/d3f3c45e9279abe486979f615cf3518c.jpg)
Saint Jerome Penitent [left panel]1512 · National Gallery of Art
23
The Malvagna Altarpiece (centre panel, detail)1513
24
Agony in the Garden1510
25
Holy Family with Coats of Arms of Charles...1528 · Saint Louis Art Museum
26
Virgin and Child in a Landscape1531 · Cleveland Museum of Art
27
Self-portrait1525 · Currier Gallery of Art
28
Madonna and Child1529 · Rijksmuseum Twenthe
29
Christ on Mount Olive1525 · Bavarské štátne múzeá výtvarného umenia
30
The Holy Family1520 · Museum of Fine Arts, Houston
31
Portrait of Henry III, Count of Nassau1530 · Museu Nacional d'Art de Catalunya
32
Christ sitting on the Cold Stone1531 · Kráľovské múzeum výtvarných umení Antverpy
33
Virgin and Child with a Patron1530 · Statens Museum For Kunst
34
Portrait of Anna de Bergh, Marquise de Veere1530 · McNay Art Museum
35
Saint Luke painting the Virgin1520 · Národní galerie Praha
36
Portrait of a Man1524
37
Madonna with Child Jesus1531 · Národné múzeum vo Varšave
38
Christus rust na de geseling1527 · Staatliche Kunsthalle Karlsruhe
39
Madonna and Child1532
40
Madonna and Child playing with the veil1530
41
Cain Killing Abel1525
42
Portrait of a Man1524
43
Scenes from the Life of St Giles1520 · Statens Museum For Kunst
44
The Martyrdom of St Cyriacus and His Companions1520 · Statens Museum For Kunst
45
Virgin Mary, Christ Blessing, and St John the Baptist (Deesis)1525
46
Abbot Johann Ingenray1535 · Detroit Institute of Arts
47
The Adoration of the Kings1510 · National Gallery
48
Wings of the Norfolk Triptych1525 · Musées Royaux des Beaux-Arts
49
Virgin and Child1525 · Art Institute of Chicago
50
Adam and Eve1510 · Thyssen-Bornemisza Museum
51
Danaë (detail)1527 · Alte Pinakothek
52
The Carondelet Diptych: Jean Carondelet (left panel), Virgin and Child (right panel)1517 · Louvre
53
Danaë1527 · Alte Pinakothek
54
Two Kings and a Woman Leaving a Palace1510
55
Madonna and Child1527 · Museo del Prado
56
The Adoration of the Kings (detail)1500
57
Holy Family with St. Catherine and St. Barbara1515
58
St Jerome Penitent1510
59
Hercules and Deianira1517 · Barber Institute of Fine Arts
60
Hercules of the Forum Boarium1509
61
Neptune and Amphitrite1516
62
Virgin and Child with Musical Angels1510
63
A Reliquary1510 · Pierpont Morgan Library & Museum
64
The Agony in the Garden1510
65
Standing Warrior in Fantastic Armour1509
66
The Carondelet Diptych left wing, Jean Carondelet1517
67
St John the Evangelist on Patmos1515
68
The Holy Family Seated at the Foot of a Tree1510
69
Apollo Citharoedus of the Casa Sassi1509
70
Neptune and Amphitrite (detail)1516
71
The Malvagna Altarpiece (right wing, detail)1513
72
Jean Carondelet1503 · Toledo Museum of Art
73
The Adoration of the Magi1515
74
Agony in the Garden (detail)1510
75
Bust of a Warrior in Fantastic Armour1509
76
Study after the Spinario (detail)1509 · Universiteitsbibliotheek
77
The Doria Pamphilj Diptych (right wing)1510 · Galleria Doria Pamphilj
78
Carondelet Diptych (left wing)1517
79
Study after the Spinario (recto)1509 · Universiteitsbibliotheek
80
The Malvagna Altarpiece (exterior wings)1513
81
The Mystic Marriage of St Catherine1503 · Statens Museum For Kunst
82
Carondelet Diptych (right wing)1517
83
Emperor Augustus and the Tiburtine Sibyl1503
84
Carondelet Diptych1517
85
The Malvagna Altarpiece (side wings)1513
86
View of the Colosseum Seen from the West1509
87
Carondelet Diptych (verso)1517
88
The Malvagna Altarpiece (centre panel)1513
89
Portrait of a Man, possibly Jan Snoeck1530 · National Gallery of Art
90
The Mocking of Christ or the Man of Sorrows1525
91
King Christian II of Denmark1525
92
Virgin and Child Seated at the Foot of a Tree1522
93
The children of King Christian II of Denmark, Norway and Sweden1526
94
Portrait of a Merchant, National1530
95
Adam and Eve in Paradise1525
96
The Adoration of the Shepherds1520
97
Portrait of a Man1520 · Metropolitné múzeum umenia
98
The Presentation in the Temple1520
99
Christ Carrying the Cross1520 · Metropolitné múzeum umenia
100
The Norfolk Triptych (left wing)1525 · Musées Royaux des Beaux-Arts
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Jan Gossaert (Mabuse) | Obrazy z tohto zoznamu |
|---|---|---|---|
 Statens Museum For Kunst |
Kodaň | 5 | Saint Jerome, Virgin and Child with a Patron, Scenes from the Life of St Giles |
 National Gallery of Art |
Washington | 4 | Saint Jerome Penitent [right panel], Saint Jerome Penitent [left panel], Portrait of a Man, possibly Jan Snoeck |
 Musées Royaux des Beaux-Arts |
Brusel | 7 | Wings of the Norfolk Triptych, The Norfolk Triptych (left wing) |
 Kráľovské múzeum výtvarných umení Antverpy |
Antverpy | 4 | Portrait of a Man, Christ sitting on the Cold Stone |
 Kráľovské múzeá krásnych umení Belgicka |
Brusel | 3 | Portrait of a man, Virgin and child in the veil |
 Kunsthistorisches Museum |
Viedeň | 3 | Virgin and child enthroned, Portrait of a man |
 Alte Pinakothek |
Mníchov | 2 | Danaë (detail), Danaë |
 Universiteitsbibliotheek |
Leiden | 2 | Study after the Spinario (detail), Study after the Spinario (recto) |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
The artwork titled Madonna with child is a painting by the artist Jan Gossaert. This work depicts the Virgin Mary and the infant Jesus. It is a product of the Northern Renaissance, a period characterized by a focus on detailed realism and the technical precision of the Low Countries.
The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The Virgin Mary occupies the center of the scene, her hands cradling the Christ Child. Their presence forms the heart of the composition, anchored by the weight of their figures against the stone and sky.
Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely delicate. The man’s skin carries the sculptural weight of antiquity, his form defined by the tension of bone and muscle. Beside him, Deianeira rests, her pose a study in soft curves and sudden stillness. They do not look at the viewer; they…
In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This breathtaking oil painting serves as a cornerstone of Northern Renaissance artistry, capturing the very dawn of humanity with a level of anatomical precision and dramatic flair that was revolutionary for its era. The composition centers on the tender, almost vulnerable embrace of…
Jan Gossaert executed Virgin and Child in a Landscape in 1531. The work belongs to the Northern Renaissance and Romanist movements, reflecting a period of stylistic transition in the Low Countries. Through the depiction of the Madonna and Christ Child, the artist explores themes of maternal love and protection.
Adam and Eve (1525), Rhode Island School of Design Museum of Art, Providence. Nasledujú Portrait of a man (1528) a Man of Sorrow (1525).
47 rokov: Adam and Eve vzniklo v roku 1525 a Jan Gossaert (Mabuse) sa narodil/a v roku 1478.
Adam and Eve, Portrait of a man, Man of Sorrow, Portrait of a Man, Two Wings from a Triptych (exterior), Virgin and child enthroned, Portrait of a man, The Holy Family, Hercules and Deianeira a Triptych of the Holy Family. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 241 diel od umelca Jan Gossaert (Mabuse) z perioda od 1495 do 1532.
Väčšinou v Statens Museum For Kunst (Kodaň), National Gallery of Art (Washington) a Musées Royaux des Beaux-Arts (Brusel). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1510s: 36 z 100 diel na tejto stránke bolo vytvorených vtedy, pričom Hercules and Deianeira z nich.
Na tejto stránke je najstaršie dielo z Madonna with child (1495) a najnovšie z Madonna and Child (1532).
Woman (25), Man (24) a Child (15), v rámci 100 diel na tejto stránke.
Oil On Panel, pre 38 z 100 diel na tejto stránke.
Severská renesancia, podľa originálov na tejto stránke.
Saint Jerome, Virgin and Child with a Patron a Scenes from the Life of St Giles: múzeá Statens Museum For Kunst, Kodaň uchovávajú 5 z diel na tejto stránke.
V meniacej sa krajine raného šestnásťtročného storočia premostilo len málo umelcov medzeru medzi dôslednými tradíciami Severu a rozkvitajúcim humanizmom Juhu tak majstrovsky ako Jan Gossaert. Historii známy pod pôvabným pridomkom Mabuse, tento vizionársky maliar vyšiel z Maubeuge vo Francúzsku, aby sa stal jedným z kmeňových kameňov romanistického hnutia. Jeho životné dielo predstavuje hlbokú metamorfóznym premenu nizozemského umenia, v ktorej sa ostrý, hmatateľný realizmus flamandských majstrov stretol s veľkolepou, sochárnou eleganciou talianske renesancie. Študovať Gossaerta znamená byť svedkom samotného okamihu, kedy stredovekáčna duša začala prijímať klasické svetlo antiky.
Hoci presné detaily jeho raného vzdelávania zostávajú skryté v hmle času, Gossaertovo umelecké DNA bolo hlboko zakorenené v tradíciách Nízkej krajiny. Považuje sa za samozrejmosť, že svoje formujúce roky strávil osvajovaním si technickej precíznosti majstrov ako Rogier van der Weyden a Hugo van der Goes. Od týchto predchádzajúcich umelcov odzdedil nezrovnateľnú oddanosť detailu – spôsob vykresľovania textúr, tkanín a svetla, ktorý pôsobil divákovi takmer hmatateľne. Gossaert však nebol len prostým imitátorom minulosti; vlastnil nenasytnú zvedavosť voči novému, čím sa pozeral na juh, aby do svojho rodného štýlu integroval anatomickú presnosť a architektrónsky grandióznosť talianske renesancie.
Skutočný génius Mabuse spočíva v jeho schopnosti harmonizovať dva zdan sa rozlíšené svety. Jeho vývoj ako romanistického maliara znamenal odklon od čisto gotických citivostí, ktoré dlho dominovali Severnej Európe. Zatiaľ čo predchádzajúci umelci sa sústredili na symbolickú hĺbujú a duchovnú ikonografiu, Gossaert do svojho diela vniesol pocit fyzickej váhy a klasických proporcií. Študoval ľudskú postavu s novou, vedeckou vigorosou, čo umožnilo jeho postavám zaplniť priestor so sochárnou prítomnosťou, ktorá bola pre jeho éru revolučná.
Táto štylistická evolúcia je najvýraznejšia v jeho spracovaní svetla a atmosféry. V jeho rukách svetlo scénu nielen osvetlňuje, ale doslova ju sočli. Využíval atmosférickú perspektívu na vytváranie rozľahlých, pohlcujúcich krajín, ktoré sa zdajú nekonečne ustupovať do vzdialenosti a poskytujú svojim predmetom dramatické pretóngum. Jeho kompozície často obsahujú komplexnú hru tieňov a žiarivosti, čo je technika, ktorá dodáva jeho náboženským a mytologickým scénam takmer teatrálnu intenzitu. Táto majstrovstvo mu umožnilo navigovať v jemnej rovnováhe medzi hlbokou duchovnou kontempláciou vyžadovanou náboženskými zam Auftragmi a intelektuálnou veľkoleposťou, ktorú si vyžadovali humanistickí učenci jeho doby.
Gossaertova produkčná kariéra bola udržiavaná prestížnou sieťou patronov, od bohatých kupcov až po vysoký duchovenstvo a šľachtu. Jeho tvorba bola mimoriadne rozmanitá, zahŕňajúc od monumentálnych oltárov, ktoré zakotvovali interiér katedrál, až po intímne portréty zachytávajúce psychologickú podstatu modelov. Medzi jeho najtrvavejšie príspevky patria:
Historický význam Jana Gossaerta nemožno prehodnotiť. Pôsobil ako vitalný spojovací bod, ktorý prepravil klasické ideály Itálie cez Alpy a pevne ich zasadil do úrodnej pôdy Nízkej krajiny. Prepojením dôsledného remesla flamandskej tradície s štrukturálnymi inováciami rímskej renesancie otvoril cestu budúcim generáciám severných umelcov. Jeho odkaz zostáva vytesaný v samotnej tkanine umeleckej histórie ako symbol triumfálneho obdobia kultúrnej syntézy a umeleckého znovuzrodenia.
