Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každú prácu) · 76 dielov umelca Bartholomeus Spranger v našom katalógu
Stručne povedané
Adoration of the Magi (1606) je obrazom od Bartholomeus Spranger, ktorý priťahuje najviac pohľadov. Potom sa pohľad presunie na Ulysses and Circe (1586) a Allegory of Emperor Rudolf II (1592). Z 76 diel umelca Bartholomeus Spranger v našom katalógu je týchto 73 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.
The work titled Adoration of the Magi, also recognized as The Adoration of the Kings, is a creation of the artist Bartholomeus Spranger. Born in Antwerp, Belgium, in 1546, Spranger brought a specific Northern sensibility to the religious scene. He remained active in his craft until his death in 1611. This specific piece emerged from his hand during a period of intense creative output, dated around 1590 or around 1595-6.
The air in the room feels heavy, thick with the scent of old stone and spilled wine. In this Mannerist encounter, the bodies do not merely exist; they twist. Circe, seen from behind, turns her torso in a serpentine arc, her pale skin catching a sharp, luminous light that cuts through the gloom. Her form is a curve of white against the deep, dark shadows of the background. Opposite her,…
The Allegory of Emperor Rudolf II emerges from the brush of Bartholomeus Spranger, a painter who captures a moment of intense, swirling movement. Created in 1592, this work presents a complex arrangement of figures that seem to dance through a bright, open sky. The composition draws the eye upward toward a winged figure, while below, a pyramidal structure of deities and warriors creates a sense of layered depth. Every line…
The air in this scene feels heavy, thick with the sudden, violent shift of fate. In a swirling composition of interlocking limbs and muscular torsos, the figures of Hercules, Deianira, and Nessus collide in a moment of profound struggle. The movement is restless, a serpentine energy that pulls the eye through a tangle of bodies. Hercules dominates the center, his form rendered with a powerful anatomical precision that catches the…
In this dynamic Mannerist oil painting, the goddess Minerva Victorious over Ignorance emerges as a central force of triumph. Created by Bartholomeus Spranger around 1591, the scene captures a moment of intense movement and theatrical energy. Minerva dominates the vertical space, her body held in an elegant, elongated contrapposto pose that suggests both grace and power. She wears a gleaming silver breastplate with a golden relief, paired with a light…
This oil portrait, titled Self-portrait, was executed by the artist Bartholomeus Spranger in 1585. It offers a direct encounter with the painter himself, captured during a period of significant professional development. The work measures 45 x 63 cm, providing an intimate scale for such a personal study of identity and presence.
The religious art piece "Fall of Man" by Bartholomeus Spranger presents a scene centered on the biblical narrative of the expulsion from Paradise. The composition focuses on the figures of Adam and Eve in the immediate aftermath of their transgression. These two figures occupy the central space of the work, positioned within a landscape that reflects the consequences of their actions. The subject matter specifically addresses the moment of humanity's…
A celestial hierarchy unfolds within an oval composition, capturing a moment of profound spiritual descent. At the apex, God the Father gazes downward with a solemn expression, one hand raised in blessing while the other rests upon a luminous orb that represents the universe. Beneath him, the Holy Ghost descends as a white dove, enveloped in radiant golden light. The scene is populated by cherubic angel faces emerging from soft,…
In this Mannerist oil painting, we find ourselves drawn into a crowded, dynamic scene where mythology meets a lush, hilly landscape. Apollo sits at the center of this movement, a radiant figure distinguished by a halo, his fingers engaged with a stringed instrument. He is not alone; he is surrounded by several female Muses, each caught in a moment of music or quiet conversation. The composition feels intentional yet restless,…
The oil on canvas work titled Mercury and Venus was executed by the artist Bartholomeus Spranger. This painting is dated to about 1585. It captures a moment of mythic intimacy through the presence of two central nude figures. These figures, likely Mercury and Venus, are caught in the middle of an embrace.
The Fragrance1578 · Bavarské štátne múzeá výtvarného umenia
12
Saint Mary Magdalene1578 · Bavarské štátne múzeá výtvarného umenia
13
Holy Family1578 · Bavarské štátne múzeá výtvarného umenia
14
Lamentation of Christ1576 · Bavarské štátne múzeá výtvarného umenia
15
Sine Cerere et Baccho friget Venus1590 · Kunsthistorisches Museum
16
Mountain landscape with a scene of the early history of man1569 · Staatliche Kunsthalle Karlsruhe
17
The contest between Apollo and Pan1587 · Bavarské štátne múzeá výtvarného umenia
18
Saint Luke painting the Virgin1582 · Bavarské štátne múzeá výtvarného umenia
19
The Flagellation of Christ1586 · Statens Museum For Kunst
20
Jael Kills Sisera1586 · Statens Museum For Kunst
21
Ecce Homo1580
22
God the father with the holy spirit and angels1582
23
Diana Resting after Hunt1597 · Szépművészeti Múzeum
24
Diana - Luna1600 · Szépművészeti Múzeum
25
Venus and Mercury put a blindfold over Cupid's eyes1597 · Germanisches Nationalmuseum
26
Portrait of Zdenko Adalbert Popel, 1st Prince Lobkowicz (1568-1628)1600 · Národní galerie Praha
27
The Suicide of Sophonisba1605 · Národní galerie Praha
28
Amor fleeing Psyche1599
29
Standing Nude Man (Bacchus)1600
30
Diana and Actaeon1600
31
Saint Barbara1611 · Szépművészeti Múzeum
32
Venus and Mercury1585 · Kunsthistorisches Museum
33
Jupiter and Antiope1596 · Kunsthistorisches Museum
34
Allegory of Justice and Prudence1599 · Louvre
35
Venus and Adonis1587 · Rijksmuseum
36
Venus and Mars warned by Mercury1587 · Kunsthistorisches Museum
37
Hermes and Athena1585 · Pražský hrad
38
Venus and Vulcan1610 · Kunsthistorisches Museum
39
Mountain landscape with a hermit1567 · Staatliche Kunsthalle Karlsruhe
40
Figure Studies1575
41
Glaucus and Scylla1582 · Kunsthistorisches Museum
42
Diana and Actaeon1585
43
Saint Margaret1583
44
Engelen dragen het lichaam van Christus (Engelenpietà), Bartholomeus Spranger, c. 15871587 · Rijksmuseum
45
The Baptism of Christ1603 · National Museum in Wrocław
46
The Triumph of Venus1600
47
Study of a Female Nude (Venus in a Drapery)1605 · Národné múzeum vo Varšave
48
Achelous and Deianeira1600
49
The Adoration of the Kings1595 · National Gallery
50
Adoration of the Kings1595 · National Gallery
51
Mercury Carrying Psyche to Mount Olympus1611
52
Odysseus and Circe1585 · Kunsthistorisches Museum
53
St Wenceslas and St VitusNárodní galerie Praha
54
St Sigismund and St AdalbertNárodní galerie Praha
55
Vulcan and Maia1575 · Kunsthistorisches Museum
56
Ceres and Bacchus
57
AllegoryMusée des Beaux-Arts
58
Apotheosis of the Arts (Fame leading the Arts to Olympus)Národní galerie Praha
59
Faun with Wounded Foot
60
La Peinture, la Sculpture et l'Architecture
61
Le Christ sauveur du monde
62
ALLEGÓRIA JUSTÍCIELouvre
63
Peter and John Heal a Cripple at the Gate of the Temple
64
Salvator Mundi
65
Faith, Hope and Charity
66
Sarah Presenting Hagar to Abraham
67
Christ blessing little children
68
Female Warrior Crushing a Satyr
69
Venus and Adonis1597 · Kunsthistorisches Museum
70
Epitaph of Goldsmith Nicolas Müller of Prague1592 · Národní galerie Praha
71
Angelica and Medoro1600 · Alte Pinakothek
72
Hermaphrodite and the nymph Salmacis1582 · Kunsthistorisches Museum
73
Herakles and Omphale1585 · Kunsthistorisches Museum
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeum | Mesto | Diela umelca Bartholomeus Spranger | Obrazy z tohto zoznamu |
|---|---|---|---|
 Kunsthistorisches Museum |
Viedeň | 19 | Ulysses and Circe, Allegory of Emperor Rudolf II, Hercules, Deianira, and Nessus |
 Bavarské štátne múzeá výtvarného umenia |
Mních | 7 | Mercury and Venus, The Fragrance, Saint Mary Magdalene |
 Národní galerie Praha |
Praha | 6 | Portrait of Zdenko Adalbert Popel, 1st Prince Lobkowicz (1568-1628), The Suicide of Sophonisba, St Wenceslas and St Vitus |
 Szépművészeti Múzeum |
Budapešť | 3 | Diana Resting after Hunt, Diana - Luna, Saint Barbara |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 2 | Mountain landscape with a scene of the early history of man, Mountain landscape with a hermit |
 Statens Museum For Kunst |
Kodaň | 2 | The Flagellation of Christ, Jael Kills Sisera |
 Louvre |
Paríž | 2 | Allegory of Justice and Prudence, ALLEGÓRIA JUSTÍCIE |
 Rijksmuseum |
Amsterdam | 2 | Venus and Adonis, Engelen dragen het lichaam van Christus (Engelenpietà), Bartholomeus Spranger, c. 1587 |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
In this work, titled Mountain landscape with a scene of the early history of man, we encounter a significant example of the artist's early development. Painted by Bartholomeus Spranger in 1569, the piece reflects a period when the artist was refining his command over complex compositions. It is a Mannerist-style landscape, characterized by its intricate and somewhat theatrical arrangement of natural elements.
The oil on canvas work titled Mercury and Venus was executed by the artist Bartholomeus Spranger. This painting is dated to about 1585. It captures a moment of mythic intimacy through the presence of two central nude figures. These figures, likely Mercury and Venus, are caught in the middle of an embrace.
The air in the room feels heavy, thick with the scent of old stone and spilled wine. In this Mannerist encounter, the bodies do not merely exist; they twist. Circe, seen from behind, turns her torso in a serpentine arc, her pale skin catching a sharp, luminous light that cuts through the gloom. Her form is a curve of white against the deep, dark shadows of the background. Opposite her,…
The Allegory of Emperor Rudolf II emerges from the brush of Bartholomeus Spranger, a painter who captures a moment of intense, swirling movement. Created in 1592, this work presents a complex arrangement of figures that seem to dance through a bright, open sky. The composition draws the eye upward toward a winged figure, while below, a pyramidal structure of deities and warriors creates a sense of layered depth. Every line…
The work titled Adoration of the Magi, also recognized as The Adoration of the Kings, is a creation of the artist Bartholomeus Spranger. Born in Antwerp, Belgium, in 1546, Spranger brought a specific Northern sensibility to the religious scene. He remained active in his craft until his death in 1611. This specific piece emerged from his hand during a period of intense creative output, dated around 1590 or around 1595-6.
The air in the room seems to thicken with a sense of solemnity as Saint Barbara emerges from the shadows. She sits centrally, a figure of quiet strength amidst a landscape that recedes into a soft, blurred distance. The light, descending from an unseen source above and to her left, carves her features out of the darkness, casting dramatic shadows that lend a profound depth to her presence. Her face,…
Adoration of the Magi (1606). Nasledujú Ulysses and Circe (1586) a Allegory of Emperor Rudolf II (1592).
60 rokov: Adoration of the Magi vzniklo v roku 1606 a Bartholomeus Spranger sa narodil/a v roku 1546.
Adoration of the Magi, Ulysses and Circe, Allegory of Emperor Rudolf II, Hercules, Deianira, and Nessus, Minerva Victorious over Ignorance, Self-portrait, Fall of Man, God the Father with the Holy Ghost and angels, Apollo and the Muses a Mercury and Venus. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 76 diel od umelca Bartholomeus Spranger z perioda od 1567 do 1611.
Väčšinou v Kunsthistorisches Museum (Viedeň), Bavarské štátne múzeá výtvarného umenia (Mních) a Národní galerie Praha (Praha). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1580s: 21 z 73 diel na tejto stránke bolo vytvorených vtedy, pričom Ulysses and Circe z nich.
Na tejto stránke je najstaršie dielo z Mountain landscape with a hermit (1567) a najnovšie z Saint Barbara (1611).
Woman (35), Man (33) a Skin (13), v rámci 73 diel na tejto stránke.
Oil, pre 26 z 73 diel na tejto stránke.
Northern mannerism, podľa originálov na tejto stránke.
Ulysses and Circe, Allegory of Emperor Rudolf II a Hercules, Deianira, and Nessus: múzeá Kunsthistorisches Museum, Viedeň uchovávajú 19 z diel na tejto stránke.
Umelecký rozvoj Sprangera sa neodmietavo nezamkol len na území Nemecka alebo Benediktov. S nesamphrábnou dôslednosťou prepisoval grafiky od Fransa Florisa a Parmigianina, pričom sa učil absorbovať ich elegantné línie a sofistikované kompozície. Kľúčovým momentom jeho životnej cesty však boli cestovanie do Itálie, kde strávil osem mesiacov v Miláne a tri mesiace v Parme, kde asistoval Bernardinoovi Gattimovi na ambicióznom projekte fresiek na kupole baziliky Santa Maria della Steccata. Táto skúsenosť mu poskytla neoceniteľný vhľad do technik veľkoformálneho malířstva a vystavila ho pulzujúcej umeleckej scéne talianskeho renesancie. Jeho pobyt v Ríme sa ukázal ako obzvýčajne formátívny; nadviazal vtedy vzťah s Giuliom Clovio, uznávaným manieristickým maliarom a dizajnérom, ktorý sa stal jeho protežé. Práve v Rme sa stretol aj s Karelom van Manderom, ktorého spis Schilder-boeck neskôr poskytol detailný záznam o Sprangerovom živote a tvorbe – čo samo o sebe je dôkazom o významnosti tohto umelca v rámci vtedajšej umeleckej komunity.
Vplyv Bartholomeusa Sprangera na európske umenie je nesmierne významný. Jeho obrazy, ktoré sa nachádzajú najmä v umeleckom múzeu v𝒆ien Kunsthistorisches Museum, predstavujú vrchol severného manierizmu. Jeho tvorba slúžila ako inšpirácia pre nasledujúce generácie umelcov, vrátane umelcov v Holandskej republike, kde sa jeho štýl šíril široko prostredníctvom grafikí a prostredníctvom umelcov, ktorí s ním spolupracovali. Precízny detail a zmyselnosť jeho aktov naďalej pútajú divákov aj dnes, čím sa Spranger upevnil vo svojej pozícii majstra svojho remesla a významnej postavy v dejinách západného umenia. Jeho príbeh je príbehom umeleckej evolúcie, formovanej rozmanitými vplyvmi a nakoniec definovanej jeho unikátnou víziou – víziou, ktorá plynule spojila erotiku, alegóriu a cisársky grandióz dešt.
