Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 103 dielov umelca Thomas Sidney Cooper v našom katalógu
Stručne povedané
Z všetkých originálov, ktoré Thomas Sidney Cooper zanechal, je najznámejší An Evening Drink (1897), ktorý sa nachádza v zbierkach Bolton Museum and Art Gallery v meste Bolton. Hneď za ním nasledujú An Evening Scene (1852) a Fording a brook, suburbs of Canterbury (1834). Náš katalóg obsahuje 103 diel od Thomas Sidney Cooper; galéria si zachovala tých 99, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.
The quietude of the pastoral world finds a steady presence in An Evening Drink. Painted by Thomas Sidney Cooper, this work captures a fleeting moment of rest within the natural landscape. The scene unfolds with a sense of stillness, as if the day is exhaling its final warmth. It is a piece that invites a slow gaze, drawing the viewer into a tranquil setting where the rhythm of life follows…
The sun hangs low, casting a heavy, amber glow over a quiet corner of the English countryside. Beneath the twisted, skeletal limbs of a gnarled tree, three cattle rest in the tall grass. Their bodies catch the fading light, creating bright, sharp edges against the deepening shadows of the landscape. The air feels thick and warm, saturated with the colors of ochre and sepia. It is a moment of stillness,…
Fording a brook, suburbs of Canterbury is a work by Thomas Sidney Cooper, executed in 1834. This piece reflects the early period of an artist who would eventually become a celebrated figure within the Royal Academy. The painting captures a quiet moment in the landscape, rooted in the specific geography of the artist's origins.
In "The Home Farm" by Thomas Sidney Cooper, a quiet moment in the English countryside unfolds under a soft, diffused light. Created about 1844, the scene brings together a gathering of farm animals seeking shelter beneath a heavy, thatched roof. The air feels still, as if an overcast sky has paused the movement of the day. Sheep cluster in the foreground, their thick, white wool catching the gentle light, while…
In Sheep In The Isle of Skye, Thomas Sidney Cooper directs our attention toward a large group of sheep that occupies the foreground and midground. These animals rest upon a rugged, rocky outcrop, their presence grounding the composition against the wilder elements of the landscape. The perspective is a low-angle view, looking upward toward the cliffside, which emphasizes the scale of the terrain. This viewpoint creates a sense of height,…
In An Evening Repose by Thomas Sidney Cooper, a tranquil pastoral scene unfolds at the quiet hour of dusk. The air feels heavy with the stillness of the fading day as a herd of cattle and sheep graze peacefully across a wide field. These animals move through the grass with a slow, rhythmic grace, their presence grounding the landscape in a moment of profound rest. It is a quintessential depiction…
In the quietude of 1888, Thomas Sidney Cooper captures a moment of rural stillness in his work, Cattle and Sheep in a Landscape. This English landscape painter brings a sense of life to the pastoral scene, focusing his attention on the steady, rhythmic existence of livestock. The animals occupy the heart of the view, existing in a space where the air feels heavy with the scent of damp earth and…
The quietude of the English countryside finds its voice in The Lord Of The Pastures, a work by the artist Thomas Sidney Cooper. Within this scene, the pastoral life of the nineteenth century remains suspended in a moment of stillness. Thomas Sidney Cooper, who lived from 1803 to 1902, brings a specific, grounded presence to the meadow through his depiction of the animals that inhabit it.
In the quietude of a rolling landscape, Sheep in a Pasture brings a moment of rural stillness to life. This oil painting by Thomas Sidney Cooper captures a flock of sheep resting upon a grassy hill, their forms nestled under a dramatic, cloudy sky. The scene unfolds with a sense of peace, as the animals cluster in the foreground and middle ground, leading the eye toward a distant, soft horizon.…
Cattle by a river1835 · Fitzwilliam Museum
12
The Entrance to Carisbrooke Castle1837 · Royal Collection
13
Cattle in a Stream1841 · Birmingham Museum and Art Gallery
14
Cattle reposing (1846)1846 · Fitzwilliam Museum
15
The Victoria Cow1848 · Royal Collection
16
The Halt on the Hills1847 · Sheffield City Art Galleries
17
Goats and Kids in a Shed1846 · Nottingham City Museums And Galleries
18
Mountain Sheep1845
19
Mountain Sheep (also known as Morning Mist Clearing Off)1846 · Nottingham Castle Museum And Art Gallery
20
In the Meadows of Fordwich1840
21
Cattle1850 · Reading Public Museum
22
Landscape with Cows and Sheep1850
23
The Evening Drink in the Canterbury Meadows1851 · Russell
24
In the Whitehall Meadows, Canterbury, Kent1854 · Sheffield City Art Galleries
25
Mountain Sheep1862 · Touchstones Rochdale Arts And Heritage Centre
26
In the Canterbury Meadows1863 · Wolverhampton Art Gallery
27
Heat Showers in August1857 · Manchester Art Gallery
28
Midday Repose1866 · Laing Art Gallery
29
Milking Time in the Meadows1869
30
Morning, Canterbury Meadows, Kent1869 · Sheffield City Art Galleries
31
In the Kentish Meadows1868
32
Five Cows in a Landscape1874 · Kingston Lacy
33
A Group of Cattle1877
34
Landscape with Cattle and Sheep1875 · York Art Gallery
35
Landscape with Cattle and Fowl1874 · Wolverhampton Art Gallery
36
Clearing the Wood for the Iron Way1880
37
Landscape with Cows1881
38
Landscape with cattle1890 · National Library of Wales
39
Fordwich Meadows, Canterbury, Kent1889 · Victoria Art Gallery
40
Study of a Working Horse1900 · Yale Center for British Art
41
Village Landscape (from McGuire Scrapbook)
42
Farm Landscape
43
A Cow and Two Sheep
44
The Rustic Foot Bath
45
A Shepherd With His Flock
46
Milking Time - Study of a Farm-Yard near Canterbury
47
Gathering CloudsAmgueddfa Cymru
48
The Chill of Winter
49
Cattle Resting By A Brook
50
Waiting for the Ferry
51
April Showers
52
Inquiring for the Tilbury Ferry
53
Summer Evening
54
In the Highlands
55
Four Sheep1874 · Wolverhampton Art Gallery
56
Cattle and Sheep at a Watering Place
57
Landscape and Cattle
58
The Lowland Herd
59
Sheep In An Extensive Landscape
60
Sheep In Winter
61
A Cow And Sheep On The Cliffs
62
The Church Meadows
63
Sheep At Pasture
64
Cows In A Meadow 1
65
A Cow With Sheep In A Landscape
66
Leader benjamin williams tintern abbey moonlight on the wye
67
Canterbury Meadows
68
Among the Cumberland Mountains - Mist Clearing Off
69
In The Highlands
70
Cattle resting beside a river
71
Evening In The Meadows
72
Dairy Cows Resting
73
Cattle Wattering
74
Sheep In A Winter Landscape
75
Cattle Watering
76
Rams And A Bull In A Highland Landscape
77
Cattle Sheep and Goats
78
Cattle Resting
79
Cows in a Meadow
80
In The Canterbury Meadows
81
Cattle and Sheep Resting in an Extensive Landscape
82
Landscape with Sheep
83
Highland Cattle by a StreamSunnycroft
84
Landscape with SheepAmgueddfa Cymru
85
A Wooded Ford
86
LandscapeGrundy Art Gallery
87
Cattle and Sheep in a Field
88
Near Canterbury. a Boy on a Donkey driving Cattle along a Road, the Cathedral beyond
89
Sheep in the Highlands
90
A Bull and Cow with Two Sheep and Goat
91
A Farm in Kent
92
Friesian Bull in a LandscapeOwletts
93
Cattle and Sheep Probably in Canterbury Meadows
94
CATTLE GRAZING IN CANTERBURY MEADOWS
95
Sheep In Canterbury Water Meadows
96
Peasants and Sheep
97
Meadows Near Canterbury
98
Landscape with a Flock of Sheep Resting
99
Sheep in a Moorland Landscape
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Thomas Sidney Cooper | Obrazy z tohto zoznamu |
|---|---|---|---|
 Sheffield City Art Galleries |
Sheffield | 3 | The Halt on the Hills, In the Whitehall Meadows, Canterbury, Kent, Morning, Canterbury Meadows, Kent |
 Wolverhampton Art Gallery |
Wolverhampton | 3 | In the Canterbury Meadows, Landscape with Cattle and Fowl, Four Sheep |
 Birmingham Museum and Art Gallery |
Birmingham | 2 | Landscape With Cattle And Sheep, Cattle in a Stream |
 Fitzwilliam Museum |
2 | Cattle by a river, Cattle reposing (1846) | |
 Royal Collection |
Londýn | 2 | The Entrance to Carisbrooke Castle, The Victoria Cow |
 Amgueddfa Cymru |
Cardiff | 2 | Gathering Clouds, Landscape with Sheep |
 Bolton Museum and Art Gallery |
Bolton | 1 | An Evening Drink |
 Wallace Collection |
Londýn | 1 | An Evening Scene |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
Fording a brook, suburbs of Canterbury is a work by Thomas Sidney Cooper, executed in 1834. This piece reflects the early period of an artist who would eventually become a celebrated figure within the Royal Academy. The painting captures a quiet moment in the landscape, rooted in the specific geography of the artist's origins.
In "The Home Farm" by Thomas Sidney Cooper, a quiet moment in the English countryside unfolds under a soft, diffused light. Created about 1844, the scene brings together a gathering of farm animals seeking shelter beneath a heavy, thatched roof. The air feels still, as if an overcast sky has paused the movement of the day. Sheep cluster in the foreground, their thick, white wool catching the gentle light, while…
The sun hangs low, casting a heavy, amber glow over a quiet corner of the English countryside. Beneath the twisted, skeletal limbs of a gnarled tree, three cattle rest in the tall grass. Their bodies catch the fading light, creating bright, sharp edges against the deepening shadows of the landscape. The air feels thick and warm, saturated with the colors of ochre and sepia. It is a moment of stillness,…
In Sheep In The Isle of Skye, Thomas Sidney Cooper directs our attention toward a large group of sheep that occupies the foreground and midground. These animals rest upon a rugged, rocky outcrop, their presence grounding the composition against the wilder elements of the landscape. The perspective is a low-angle view, looking upward toward the cliffside, which emphasizes the scale of the terrain. This viewpoint creates a sense of height,…
The quietude of the pastoral world finds a steady presence in An Evening Drink. Painted by Thomas Sidney Cooper, this work captures a fleeting moment of rest within the natural landscape. The scene unfolds with a sense of stillness, as if the day is exhaling its final warmth. It is a piece that invites a slow gaze, drawing the viewer into a tranquil setting where the rhythm of life follows…
An Evening Drink (1897), Bolton Museum and Art Gallery, Bolton. Nasledujú An Evening Scene (1852) a Fording a brook, suburbs of Canterbury (1834).
94 rokov: An Evening Drink vzniklo v roku 1897 a Thomas Sidney Cooper sa narodil/a v roku 1803.
An Evening Drink, An Evening Scene, Fording a brook, suburbs of Canterbury, The Home Farm, Sheep In The Isle of Skye, An Evening Repose, Cattle and Sheep in a Landscape, The Lord Of The Pastures, Sheep in a Pasture a Landscape With Cattle And Sheep. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 103 diel od umelca Thomas Sidney Cooper z perioda od 1834 do 1900.
Väčšinou v Sheffield City Art Galleries (Sheffield), Wolverhampton Art Gallery (Wolverhampton) a Birmingham Museum and Art Gallery (Birmingham). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1840s: 9 z 99 diel na tejto stránke bolo vytvorených vtedy, pričom The Home Farm z nich.
Na tejto stránke je najstaršie dielo z Fording a brook, suburbs of Canterbury (1834) a najnovšie z Study of a Working Horse (1900).
Animals (22), Landscape (19) a Rural landscape (14), v rámci 99 diel na tejto stránke.
Oil On Canvas, pre 7 z 99 diel na tejto stránke.
Romanticism, podľa originálov na tejto stránke.
The Halt on the Hills, In the Whitehall Meadows, Canterbury, Kent a Morning, Canterbury Meadows, Kent: múzeá Sheffield City Art Galleries, Sheffield uchovávajú 3 z diel na tejto stránke.
V srdci anglického vidieka, kde sa vlnité kopce Canterbury stretávajú s jemným svetlom kentskej oblohy, pretrváva prostredníctvom jeho pláten duch Thomasa Sidneyho Coopera. Svojim súčasníkom, ktorí ho s nápadom nazývali „cow cooper“, bol Cooper oveľa viac než len obyčajným maliarom hospodárskych zvierat; bol poetom pastoriskej krajiny, mužom s výnimočnou schopnosťou vnútiť život tichým, pasúcim sa davom oviec a dobytka. Narodený v roku 1803, jeho cesta nezačala v grandióznych londýnskych ateliéroch, ale skrze pokorné a disciplinované pozorovanie prírody. Už ako dvanásťročný učeň u maliara vozov neustále hľadal jemné textúry zeme a rytmický pohyb zvierat – tento zvyk skicovať priamo z prírody sa nakoniec stal samotným základom jeho umeleckej identity.
Trajektória Cooperovej kariéry bola poznačená hlbokou transformáciou od miestneho remeselníka k slávnej postave Kráľovskej akadémie. Presun do Londýna vo svojich dvadsiatych rokoch mu umožnil ponoriť sa do intelektuálnych a umeleckých prameňov Britského múzea, čo mu dodalo historickú hĺbku potrebnú na pozdvihnutie jeho tvorby nad jednoduchý realizmus. Hoci si zachoval hlboký vzťah k svojim koreňom v Canterbury – kde pôsobil ako učiteľ kreslenia a našiel stabilitu v miestnej krajine – práve jeho schopnosť prepojiť drsnú realitu vidieka s romantizovanou, atmosférickou veľkoleposťou si zabezpečila jeho miesto v viktoriánskeho umeleckého kanónu. Jeho technika bola charakteristická zámerným a majstrovským vrstvením ťahov štetca, čím vytváral pocit hĺbky a vlhkosti vzduchu, vďaka čomu jeho krajiny pôsobili, akoby dýchali.
Jednou z najfascinujúcejších kapitôl Cooperovej kariéry bolo jeho trvajúce umelecké partnerstvo s Frederickom Richardom Leem. Táto spolupráca umožnila jedinečnú syntézu štýlov, ktorá sa stala rysom krajinárskej maľby stredného viktoriánskeho obdobia. Zatiaľ čo Lee sa sústreďoval na rozľahlé, monumentálne výhľady a dramatickú architektúru prírodného sveta, Cooper dodával kompozícii dušu prostredníctvom svojej dôslednej interpretácie zvierat. Táto synergia sa možno najvznešenejšie realizuje v ich spoločnom majstrovskom diele, „Porážka Kellermannových kyrasiérov“, monumentálnom díle pripomínajúcom bitku pri Waterlooe. V tomto obraze sa veľkoleposť krajiny stretáva s dojímavou, detailnou prítomnosťou zvierat a vytvára príbeh, ktorý je epický v rozsahu aj intímny v detaile.
Okrem veľkých historických zakázok ležala Cooperova skutočná vášeň v tichých okamihoch vidieckeho života. Jeho diela, ako napríklad „Dobytok a ovce odpočívajúce v rozľahlých krajinách“, slúžia ako okná do zanikajúcej éry anglického pastierstva. Prostredníctvom jeho očí vidíme:
S postupujúcou viktoriánskou érou predstavovalo Cooperovo dielo svedectvo o trvajúcich krásach anglickej krajiny uprostred sa blížiaceho tieňa priemyselnej revolúcie. Zachytil pocit pokoja a tr permanence, ktorý hlboko rezonoval so spoločnosťou prechádzajúcou rýchlymi zmenami. Jeho bohatá tvorba a neustála prítomnosť v Kráľovskej akadémii mu priniesli uznanie kritiky a trvalú reputáciu majstra žánru animalier. Aj dnes sú jeho maľby oslavované nielen pre ich technickú presnosť, ale predovšetkým pre ich schopnosť vyvolať hlboký emocionálny vzťah k zemi.
Odkaz Thomasa Sidneyho Coopera je príbehom oddanosti malým, často prehliadaným detailom prírodného sveta. Naučil nás, že v nehybnom pohľade ovce je toľko majestátu, koľko aj v tom najdramatickejšom horskom masíve. Prostredníctvom svojich výtvarných interpretácií „cow cooper“ uchoval dôstojnosť vidieckeho života a zabezpečil, aby pokojná, pastorisná krása 19. stoletnej Anglie zostala navždy živá pre prichádzajúce generácie.
