Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 71 dielov umelca Thomas Creswick v našom katalógu
Stručne povedané
Z hľadiska galérie je najznámejším obrazom umelca Thomas Creswick dielo English Landscape (1829), ktorého originál visí v Birmingham Museums And Art Gallery v meste Birmingham. View Of The Thames At Battersea (1834) a Figures on a Balcony, probably at Westpoint (1843) dopĺňajú trojicu, ktorú pozná každé oko. Z 71 diel umelca Thomas Creswick v našom katalógu prezentuje galéria nižšie 70 najznámejších, z ktorých je každá originál s uvedeným rokom vzniku, múzeom a unikátnosťou.
In English Landscape by Thomas Creswick, a serene rural scene unfolds through a quiet, pastoral lens. The work centers on a peaceful natural setting, anchored by a large, mature tree that dominates the central foreground. Beneath the heavy canopy of this tree, human figures sit in repose near the edge of a stream. The presence of these figures integrates a sense of human scale into the vastness of the countryside.
View Of The Thames At Battersea is an oil painting by Thomas Creswick, executed about 1834. The work represents a serene river scene, capturing the expansive atmosphere of the Thames. It reflects the artist's focus on the natural world and the specific light of the English landscape.
A stone balcony holds a group of figures and animals, suspended between the solid architecture of a column and the vast, breathing emptiness of the horizon. To the left, an ivy-clad pillar anchors the scene, its green veins climbing through the grey stone. Beyond the railing, the world dissolves into a pale, watery expanse where mountains meet a misty sky. The light is diffused, filtered through a heavy, overcast haze…
The painting seeks to evoke a sense of contemplation through its stillness. By focusing on the "quiet" moments of the day, the artist avoids dramatic gestures in favor of tonal sensitivity. The soft, diffused lighting contributes to a tranquil mood, presenting the natural world as a place of escape and repose. It is a meticulous observation of light, shadow, and the subtle textures of the American landscape.
In Distant View of Dover Castle, Thomas Creswick organizes the landscape through a deliberate pyramidal structure. The castle sits at the apex of this formation, perched atop a prominent peak that draws the eye upward from the valley below. This arrangement creates a sense of quiet grandeur, anchoring the composition against the vastness of the sky. In the foreground, lush green vegetation and a winding path lead the viewer into…
View of Belfast unfolds within a grand, high-ceilinged room, capturing a formal banquet frozen in a single, silent instant. The scene is a study in social density and architectural scale, where a large group of guests sits around several round tables, their presence creating a sense of depth that pulls the eye into the heart of the celebration. Light spills from ornate, multi-tiered chandeliers and the soft glow of numerous…
The village smithy is a landscape painting by Thomas Creswick. This work belongs to the era of the Birmingham School of landscapists, a group defined by their meticulous observation of the natural world. Creswick, a British landscapist and illustrator, captured the quietude of the countryside through a lens of tonal precision. His hand sought the atmospheric truth of the land, finding depth in the subtle shifts of light and shadow.
Landscape with Harrow in the Distance is a work by the British landscapist and illustrator Thomas Creswick. Born in 1811 in Sheffield, United Kingdom, Creswick spent his life observing the subtle shifts of the natural world. He remained a steady presence in the British art scene until his death in 1869.
The oil painting titled On the Terrace at Haddon Hall, Derbyshire was executed by the artist Thomas Creswick. This work dates to 1840. The composition focuses on a specific garden setting within the Derbyshire landscape, featuring stone architectural elements and dense foliage.
A Distant View of Birmingham1830 · Birmingham Museums And Art Gallery
12
A Landscape with Classical Ruins1830
13
The Stile1839
14
The Summer Bower, Derwent Water1838 · Yale Center for British Art
15
The Well of St. Keyne1838 · Yale Center for British Art
16
Waterloo1838 · Yale Center for British Art
17
Dolwyddelan1838 · Yale Center for British Art
18
St. Michael's Mount, Cornwall1838 · Yale Center for British Art
19
View from Mr. Southey's House, Keswick1838 · Yale Center for British Art
20
The Road through the Wood1839
21
Kilkenny Castle1836
22
The Gap of Dunloe1836
23
The Lower Lough Erne, from the Road near Ballyshannon1836
24
Glengarriff, County Cork, Ireland1837 · Sheffield City Art Galleries
25
England1847 · Auckland Art Gallery Toi o Tāmaki
26
View on the Hudson River1843 · Yale Center for British Art
27
Moorland Scenery1842
28
Moorland Landscape1840 · Amgueddfa Cymru
29
High Tor, Matlock, Derbyshire1841 · Sheffield City Art Galleries
30
Street Scene, Llangollen, Wales1849
31
Crossing the stream (1849)1849 · Fitzwilliam Museum
32
Genre scene with a flock of sheep1850 · Národné múzeum vo Varšave
33
The First Glimpse of the Sea1850
34
Glendalough1850
35
Evening, 'The west still glimmers with some streaks of day'1850
36
The Mouth of a River1855 · Manchester Art Gallery
37
The Valley Of Llangollen, North Wales1856 · Birmingham Museum and Art Gallery
38
Landscape, Morning (also known as Crossing the Stream)1860
39
Landscape, River Scene1860 · Sheffield City Art Galleries
40
A Breezy Day on the English Coast, St Michael's Mount, Cornwall1866 · Tyntesfield
41
Dorothy Vernon's Doorway, Haddon Hall1865
42
A drover and his herd crossing a ford
43
Rest by the WayDetroit Institute of Arts
44
The Ford
45
The Temple Of Jupiter Olympius, Athens
46
Land's End, Cornwall
47
Ballymahon
48
Barnard castle on the tees
49
Carrickfergus
50
The FerrySheffield City Art Galleries
51
Young Girl Bathing Her Feet
52
Loch EckWolverhampton Art Gallery
53
Shallow streams
54
A view of windsor castle
55
Over the Hills and Far Away
56
Near BarmouthSheffield City Art Galleries
57
The MillstreamSheffield City Art Galleries
58
Figures Resting Above a Cove, Cork
59
Landscape with CattleSheffield City Art Galleries
60
The FordSheffield City Art Galleries
61
Hillsborough, SheffieldSheffield City Art Galleries
62
Figures on a Quay, Waterford
63
The pedlars's visit
64
Figures in an Italianate Landscape
65
Landscape with FiguresWolverhampton Art Gallery
66
LandscapeBolton Museum And Art Gallery
67
Morecambe BayBolton Museum And Art Gallery
68
Haddon Hall Steps, Derbyshire
69
EveningGuildhall Art Gallery
70
The Nearest Way in Summer
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Thomas Creswick | Obrazy z tohto zoznamu |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 9 | Figures on a Balcony, probably at Westpoint, On the Terrace at Haddon Hall, Derbyshire, The Summer Bower, Derwent Water |
 Sheffield City Art Galleries |
Sheffield | 9 | Glengarriff, County Cork, Ireland, High Tor, Matlock, Derbyshire, Landscape, River Scene |
 Birmingham Museums And Art Gallery |
Birmingham | 2 | English Landscape, A Distant View of Birmingham |
 Birmingham Museum and Art Gallery |
Birmingham | 2 | View Of The Thames At Battersea, The Valley Of Llangollen, North Wales |
 Tyntesfield |
2 | View of Putney Bridge, A Breezy Day on the English Coast, St Michael's Mount, Cornwall | |
 Wolverhampton Art Gallery |
Wolverhampton | 2 | Loch Eck, Landscape with Figures |
 Bolton Museum And Art Gallery |
Bolton | 2 | Landscape, Morecambe Bay |
 Government Art Collection |
Londín | 1 | Distant View of Dover Castle |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
In English Landscape by Thomas Creswick, a serene rural scene unfolds through a quiet, pastoral lens. The work centers on a peaceful natural setting, anchored by a large, mature tree that dominates the central foreground. Beneath the heavy canopy of this tree, human figures sit in repose near the edge of a stream. The presence of these figures integrates a sense of human scale into the vastness of the countryside.
View Of The Thames At Battersea is an oil painting by Thomas Creswick, executed about 1834. The work represents a serene river scene, capturing the expansive atmosphere of the Thames. It reflects the artist's focus on the natural world and the specific light of the English landscape.
A stone balcony holds a group of figures and animals, suspended between the solid architecture of a column and the vast, breathing emptiness of the horizon. To the left, an ivy-clad pillar anchors the scene, its green veins climbing through the grey stone. Beyond the railing, the world dissolves into a pale, watery expanse where mountains meet a misty sky. The light is diffused, filtered through a heavy, overcast haze…
View of Belfast unfolds within a grand, high-ceilinged room, capturing a formal banquet frozen in a single, silent instant. The scene is a study in social density and architectural scale, where a large group of guests sits around several round tables, their presence creating a sense of depth that pulls the eye into the heart of the celebration. Light spills from ornate, multi-tiered chandeliers and the soft glow of numerous…
English Landscape (1829), Birmingham Museums And Art Gallery, Birmingham. Nasledujú View Of The Thames At Battersea (1834) a Figures on a Balcony, probably at Westpoint (1843).
18 rokov: English Landscape vzniklo v roku 1829 a Thomas Creswick sa narodil/a v roku 1811.
English Landscape, View Of The Thames At Battersea, Figures on a Balcony, probably at Westpoint, Mount Tom, Massachusetts, USA, Distant View of Dover Castle, View of Belfast, The village smithy, Landscape with Harrow in the Distance, On the Terrace at Haddon Hall, Derbyshire a View of Putney Bridge. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 71 diel od umelca Thomas Creswick z perioda od 1829 do 1866.
Väčšinou v Yale Center for British Art (New Haven), Sheffield City Art Galleries (Sheffield) a Birmingham Museums And Art Gallery (Birmingham). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1830s: 16 z 70 diel na tejto stránke bolo vytvorených vtedy, pričom View Of The Thames At Battersea z nich.
Na tejto stránke je najstaršie dielo z English Landscape (1829) a najnovšie z A Breezy Day on the English Coast, St Michael's Mount, Cornwall (1866).
Sky (5), Landscape (4) a British countryside (4), v rámci 70 diel na tejto stránke.
Oil On Canvas, pre 3 z 70 diel na tejto stránke.
Romanticism a Birmingham school, podľa originálov na tejto stránke.
Figures on a Balcony, probably at Westpoint, On the Terrace at Haddon Hall, Derbyshire a The Summer Bower, Derwent Water: múzeá Yale Center for British Art, New Haven uchovávajú 9 z diel na tejto stránke.
V kronikách britského umenia devätnásteho storočia má len niekoľko mien, ktoré dokážu tak dojzatívne vyvolať pokojnú, zamorenú hmloou krásu anglického vidieka ako Thomas Creswick Seddon. Narodený v roku 1811 uprostred drsnej, priemyselnej krajiny Sheffieldu, Creswick sa stal kľúčovou postavou Birminghamskej školy – umeleckého hnutia, ktoré uprednostňovalo precízne pozorovanie a hlbokú tónalnú citlivosť. Jeho cesta z jadra Derbyshire do prestížnych síň Kráľovskej akadémie je svedectvom o živote zasadenom do hľadania atmosférickej pravdy. Prostredníctvom jeho očí sa vlnité kopce, starobylé castles a tiché vodné cesty Británie premenuli na poetické meditácie o svetle a tieňoch.
Creswickov umelecký rozvoj bol zakorenený v hlbokom, takmer duchovnom spojení s prírodným svetom. Na rozdiel od mnohých svojich súčasníkov, ktorí sa spoliehali na predstavivosť viazanú do štúdia, Creswick prijal romantický ideál priameho zjednotenia s prírodou. Trávil nekonečné hodiny kreslením v exteriéri a zachytával prchavé nuans počasia a svetla ešte predtým, než vôbec dotkol plátna vo svojej ateliéri. Táto prax mu umožnila vrosiť do svojich diel neporovnateľnú mieru autenticity. Jeho rané výstavy v Spoločnosti britských umelcov v roku 1827 signalizovali príchod významného talentu, no skutočne si svoju reputáciu majstra krajinárskeho žánru upevnil až v roku 1836, keď predstavil Kráľovskej akadémii ambiciózny počet diel, ako sú „Llyn Gwynant, Morning“ a
To, čo odlišuje Creswickovu krajinu od širšieho mora viktoriánskeho pastorálneho umenia, je jeho mimoriadne ovládanie striedmenej, sofistikovanej palety. Zatiaľ čo éra často smerovala k živým, takmer theatrálnym farbám, Creswick našiel svoju najväčšiu silu v jemnej interakcii šedých tónov, jemných zelene a zemitých okrových farieb. Bol maliarom atmosféry, špecializujúcim sa na „tiché“ okamihy dňa – strieborné svetlo úsvitu, ťažkú nehybnosť zamráčeného popoludnia alebo melancholický súmrak, ktorý zjemňuje okraje sveta. Táto striedmosť vytvorila pocit hlbokého pokoja a pozvala diváka do stavu kontemplatívneho odpočinku.
Jeho technická zručnosť bola rovnako výnimočná, vyznačujúca sa dôslednou metódou vrstvenia glazúr na dosiahnutie luminóznej hĺbky. Budovaním tenkých, transparentných vrstiev pigmentu dokázal replikovať spôsob, akým svetlo preniká cez hmlu alebo sa odráža od hladiny tichej jazera. Táto precízna technika mu umožnila zachytiť hmatateľné kvality britskej krajiny – vlhkosť machom pokrytých kameňov, váhu nízko visiacich mrakov a jemný lesk vody. Jeho schopnosť manipulovať so svetlom a tieňom s takou presnosťou dodala jeho obrazom trojrozmernú prítomnosť, ktorá pôsobila súčasne neuveriteľne reálne aj snové.
Význam Thomasa Creswicka presahuje daleko za jeho technické schopnosti; bol mostom medzi tradičnými krajinárske krajinármymi tradíciami raného devätnásteho storočia a evokatívnejšími, atmosférickými prístupmi, ktoré nasledovali. Jeho práca rezonuje s duchom pre-rafaelitov vo svojej oddanosti detailu, no zároveň si zachováva typicky britskú striedmosť, ktorá sa vyhýba často drsnej intenzite tejto skupiny. Jeho vplyv je viditeľný v tom, ako nasledujúce generácie krajinárov pristupovali k pojmu „nálada“ prostredníctvom tónovej kontroly, a nie len prostého použitia farby.
ujúPočas svojej bohatej kariéry zostalo Creswickovo dielo rozmanité a bohaté, zahŕňajúc od:
